DOCSLIB.ORG

The Politics of Sacred Citizenship and the Transpersonal Body

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Politics of Sacred Citizenship and the Transpersonal Body University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2012-06-15 Caribbean Bodyscapes: The olitP ics of Sacred Citizenship and the Transpersonal Body Josune Urbistondo University of Miami, [email protected] Follow this and additional works at: https://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Urbistondo, Josune, "Caribbean Bodyscapes: The oP litics of Sacred Citizenship and the Transpersonal Body" (2012). Open Access Dissertations. 807. https://scholarlyrepository.miami.edu/oa_dissertations/807 This Open access is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI CARIBBEAN BODYSCAPES: THE POLITICS OF SACRED CITIZENSHIP AND THE TRANSPERSONAL BODY By Josune Urbistondo A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida June 2012 ©2012 Josune Urbistondo All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy CARIBBEAN BODYSCAPES: THE POLITICS OF SACRED CITIZENSHIP AND THE TRANSPERSONAL BODY Josune Urbistondo Approved: ________________ _________________ Patricia J. Saunders, Ph.D. Dean of the Graduate School Associate Professor of English ________________ _________________ Brenna Munro, Ph.D. David Luis-Brown, Ph.D. Assistant Professor of English Associate Professor of Cultural Studies and English Claremont Graduate University Claremont, California ________________ Elena Machado-Saez, Ph.D. Associate Professor of English Florida Atlantic University URBISTONDO, JOSUNE (Ph.D., English) Caribbean Bodyscapes: The Politics of Sacred (June 2012) Citizenship and the Transpersonal Body Abstract of a dissertation at the University of Miami. Dissertation supervised by Professor Patricia J. Saunders. No. of pages in text. (259) When an individual is unintelligible to the nation, whether because of gender, sexuality, and/or race, the promises of the nation are foreclosed. In this project I explore the relationship of sacred citizenship as an alternative and at times overlapping form of politics that creates a possibility of belonging for marginalized identities in Caribbean and Caribbean diasporic women’s writing. All the novels examined in this project, Cristina García’s Monkey Hunting (2004), Shani Mootoo’s Cereus Blooms at Night (2001), Patricia Powell’s The Pagoda (1998), Mayra Montero’s The Red of His Shadow (2001), Ana-Maurine Lara’s Erzulie’s Skirt (2006), and Daína Chaviano’s The Island of Eternal Love (2008), depict protagonists that practice restricted versions of national citizenship. Due to varying degrees of marginality, the protagonists, therefore, construct alternative and qualitative citizenship practices. Belonging though sacred citizenship strikes a balance among acknowledging the materiality of the body, how one produces sacral spaces for the self, and the physical, spiritual and psychological crossings that push against long-standing epistemic frameworks of being and understanding. For Cristina García’s Monkey Hunting and Daína Chaviano’s The Island of Eternal Love I examine their efforts for recuperating the Chinese-Cuban identity. Their novels construct cross-cultural, syncretic spaces and present memory as a shared and accessible vehicle for belonging. While García nearly silences the Creole voice, Chaviano’s novel not only represents the Chinese-Cuban identity but also expands representation to both African and European identities within the Cuban social landscape. Chaviano’s use of mythic figures and doubling scenes counter singular notions of remembrances all the while granting sacred belonging outside time. For instance, Chaviano’s portrayal of love as a vehicle for representing political change juxtaposes our main love story between Pablo and Amalia occurring in pre-revolutionary Cuba with the 1990’s Special Period and the Balseros crisis. When moving into Anglophone Caribbean, I read Shani Mootoo’s Cereus Blooms at Night and Patricia Powell’s The Pagoda as offering complementary versions of accessing the sacred. While in Mootoo’s Cereus Blooms there are what Michael Warner calls “publics” and “counterpublics” where the protagonists feel safe to negotiate their identities, Powell’s The Pagoda depicts Mr. Lowe as tirelessly constructing a physical safe haven never available in the scope of the novel (66). The garden and the alm’s house in Cereus Blooms allow Mala, Tyler, and Otoh diasporic crevices that become sites for contesting their sexual and gendered identities. The Pagoda, however, does not offer Lowe a safe physical space. His efforts at belonging through erotic couplings force him to find solace through his body, the very medium of his pain and abuse. Lowe’s practice of sacred citizenship is thus sacrificial. The erotic as emancipatory is also depicted in Mayra Montero’s The Red of His Shadow, and Ana-Maurine Lara’s Erzulie’s Skirt. One distinct difference is that while the sacred functions as an evocative presence in the previous chapters, in The Red of His Shadow and Erzulie’s Skirt I examine how the protagonists practice belonging by directly engaging with traditional forms of sacred practices through Vodou worship. Both novels depict protagonists whose spiritual prowess and affiliation with loa, Erzulie, guide their physical and otherworldly realities. All the novels share a common investment in challenging linear and dominant histories that marginalize subjects. By introducing complex temporalities pregnant with sacral opportunities, the novels critique earlier discourses written on historical experiences and invest value in intimate acts usually abjected by dominant society. All the sacral moments experienced during flexible temporalities allow the protagonists to imagine inter-subjective belonging and transpersonal coalition through physical, gendered and sexual crossings as well as cosmological and mystical practices. Regardless of how the sacred is accessed and/or produced, all the novels examined reach a coming to terms with the need for an active, different, and collective understanding of self and community that prompts the sacred self to reside within a critically intimate position to other othered bodies as well as their socio-economic realities (Ahmed 109). All the examples noted above depict the protagonists as productively moving away from their initial position of marginality, and, through their multiple sacred engagements, producing a space that re-imagines socio-political belonging. For the newly minted Elejabarrieta family…and the Owl. iii Acknowledgements This project would not have been possible without the love and support of my family and friends. I would like to thank my parents, Jesus and Astrid Urbistondo, for teaching me the value of hard work. I am thankful for my aunt and godmother, Dr. Silvia La Villa who always leads by example. Without her guidance and support, I would have never imagined such a personal venture would have even been possible for me. Thank you to my husband and coffee shop partner, Josu Elejabarrieta, who has supported me at every turn. I am grateful to my faculty advisor, Dr. Patricia J. Saunders. Her support, critical acumen, and overall brilliance pushed me and helped me realize a version of my professional self I could not have otherwise achieved. Thank you as well to my dissertation committee, Dr. Brenna Munro, Dr. David Luis-Brown, and Dr. Elena Machado-Saez as they have been extremely supportive and generous with their time and expertise. I am grateful to each and every one of you. Thank you, Gracias, Eskerrik asko! iv TABLE OF CONTENTS Page Introduction…….…….……………………………………………………………………1 Chapter 1 “Traveling through the Flesh:” Embodiment and Sacred Spaces in Cristina García’s Monkey Hunting…………….…………………………………………………….27 2 Accessor(“I”)zing Gender and Sexing Desire in Shani Mootoo’s Cereus Blooms at Night and Patricia Powell’s The Pagoda………………………………………...…………………………82 3 Bodies Scared Sacred at the Crossroads: Vodou and Sacral Intelligibility in Mayra Montero’s The Red of His Shadow and Ana-Maurine Lara’s Erzulie’s Skirt..........................................................................................133 4 To Dream, To Be: The Island of Eternal Love and Mythical Postmemory………………………………………………………….…184 Conclusion “Different Ones of Us: A (Re)Cognition of the Sacred”……………………….224 Bibliography….………………………………………………………...………………239 v Introduction According to Benedict Anderson, the nation is an “imagined political community” (7). Individuals imagine their belonging within the nation because those from even the smallest of nations can never all meet and acknowledge one another. Therefore, there is a creative process in constructing one’s belonging within such a space. Homi K. Bhabha argues that there is an ambiguous and constant tension between producing the nation’s mythic past and the contemporary moment of the nation’s people. He states, We…have a contested conceptual territory where the nation’s people must be thought in double-time; the people are the historical ‘objects’ of a nationalist pedagogy, giving the discourse an authority that is based on the pre-given or constituted historical origin in the
Load more

Recommended publications
  • Zoé Valdés and Mayra Montero a DISSERTATION SUBMITTED TO
    (Em)bodied Exiles in Contemporary Cuban Literature: Zoé Valdés and Mayra Montero A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sarah Anne Miller Boelts IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Luis A. Ramos-García, Adviser June 2010 © Sarah Anne Miller Boelts, June 2010 Acknowledgements I would like to thank my adviser, Professor Luis Ramos-García, for his consistent support and encouragement from the beginning of this project. My other committee members, Ana Forcinito, Raúl Marrero-Fente, and Patrick McNamara have also been instrumental in this process. A special thank you goes to Zoé Valdés and Mayra Montero who so graciously invited me into their homes and shared their lives and their literature. It is my goal for their voices to shine through in this project. I do agree with Valdés that we are all “bailando con la vida,” in “este breve beso que es la vida.” Also, crucial to my success has been the unwavering presence of my Dissertation Support Group through the University of Minnesota Counseling and Consulting Services. Our biweekly meetings kept me on track and helped me to meet my goals while overcoming obstacles. I have learned more from this group of people than I could ever give back. I would be remiss if I did not thank my high school Spanish teacher, Ruth Lillie, for instilling a love of languages and cultures in me. Her continuous interest and passion for the Spanish language and Hispanic culture influenced me greatly as I continued with my college studies and study abroad opportunities.
    [Show full text]
  • The Cuban Ajiaco and Chinese Cuban Voices in the Narrative of Mayra Montero and Daína Chaviano
    Nova Southeastern University NSUWorks CAHSS Faculty Articles Faculty Scholarship 2009 The Three Origins: The Cuban Ajiaco and Chinese Cuban Voices in the Narrative of Mayra Montero and Daína Chaviano Yvette Fuentes Nova Southeastern University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/shss_facarticles Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons NSUWorks Citation Fuentes, Y. (2009). The Three Origins: The Cuban Ajiaco and Chinese Cuban Voices in the Narrative of Mayra Montero and Daína Chaviano. Anthurium: A Caribbean Studies Journal, 7 (1), 1-12. https://doi.org/ 10.33596/anth.139 This Article is brought to you for free and open access by the Faculty Scholarship at NSUWorks. It has been accepted for inclusion in CAHSS Faculty Articles by an authorized administrator of NSUWorks. For more information, please contact [email protected]. 1 The Three Origins: The Cuban Ajiaco and Chinese Cuban Voices in the Narratives of Mayra Montero and Daína Chaviano by Yvette Fuentes (Ph.D.) Published in Anthurium, A Caribbean Studies Journal. University of Miami, Vol 7, Issue 1 & 2 (Spring & Fall 2009). The real history of Cuba is the history of its intermeshed transculturations. — Fernando Ortiz Cuban Counterpoint In his well-known essay “Los factores humanos de la cubanidad,” Cuban anthropologist Fernando Ortiz argues that Cuba’s origins could be found in the various ethnic groups that had inhabited the island through the centuries. Cuba’s distinctness was a result of its diversity, the mixing of cultures that had transpired throughout the island’s history. According to Ortiz, Cuba could best be defined an “ajiaco.” The ajiaco, the island’s national stew, is made by combing diverse ingredients originating from different parts of the globe, placing them into a large casserole, and slowly cooking them to create a new culinary concoction.
    [Show full text]
  • Inter-American Encounters in the Travel and Migration Narratives of Mayra Montero and Cristina Garcı´A: Toward a Decolonial Hemispheric Feminism
    Laura Gillman Inter-American Encounters in the Travel and Migration Narratives of Mayra Montero and Cristina Garcı´a: Toward a Decolonial Hemispheric Feminism mpire’s acts of epistemic violence upon its others, women and the na- E tive informant, have been central themes of travel and migration nar- ratives. In its early modern iteration, the travel genre encapsulated the knowledge production of European travelers, who cultivated the genre with the aim of rendering the European superior ðPratt 1992, 5–6Þ. Mo- bility, in these cases, resulted from the voluntary travel of Europeans in circuits of limited duration. Conversely, the migration narrative, which emerged during the massive migrations along the North-South axis that resulted from changing labor patterns in the late modern period, represents migrants’ struggles with the construction of their identities as peripheral in home and host nations. Mobility in the migration narrative is an effect of the involuntary and often enduring epistemic and physical dislocation of colonial subjects resulting from the ongoing effects of Anglo-European hegemony. But what if travel and migration narratives were not considered sepa- rate genres, albeit with analogous concerns, but rather understood as dia- lectically related? What if we read the travel narrative as embedded within the migration narrative, mobilizing its oppressive logic into new terrains? Mary Louise Pratt ð2008Þ has shown how Latin American writers of the high modernist period inverted the travel genre, adopting its conventions to create a counterhistory by expressing a view from “the position of the people ½traveling and places traveled to” ð466Þ. Telling the story from the point of view of its reception, she argues, disrupts the hierarchical order- ing of European-American relations, allowing for a renegotiation of asym- metrical identities and relations between the neocolony and the metropole ð467–75Þ.
    [Show full text]
  • Download the Red of His Shadow, Mayra Montero, Random House
    The Red of His Shadow, Mayra Montero, Random House, 1999, , . DOWNLOAD http://bit.ly/18tpRC2 El CapitГЎn de los Dormidos , Mayra Montero, 2002, Fiction, 215 pages. Con El Capitan de los Dormidos, Mayra Montero nos sorprende una vez mas por su capacidad para transmitir lo literalmente intransmisible.Corre el mes de octubre de 1950. Andres .... The Last Night I Spent With You A Novel, Mayra Montero, Jul 3, 2001, Fiction, 128 pages. Celia and Fernando, a long-married couple, embark on a Caribbean cruise in order to revitalize their fading marriage, but their voyage takes an unexpected turn when a .... Love Is Hell , Scott Westerfeld, Melissa Marr, Justine Larbalestier, Gabrielle Zevin, Laurie Faria Stolarz, Oct 6, 2009, Juvenile Fiction, 272 pages. Sure, love is hell. But it,s totally worth it. In these supernatural stories by five of today's hottest writersвЂ―Melissa Marr (Wicked Lovely), Scott Westerfeld (Specials .... Fourteen love stories , Jose Y. Dalisay, Angelo Rodriguez Lacuesta, Jan 1, 2004, Fiction, 122 pages. In the palm of darkness a novel, Mayra Montero, Edith Grossman, May 1, 1997, Fiction, 181 pages. Two men of very different cultures--American herpetologist Victor Griggs and his Haitian guide, Thierry Adrien--embark on a obsessive odyssey through the mountains of Haiti in .... Persian brides a novel, DГґrГ®t RabГ®nyan, Yael Lotan, 1998, Fiction, 236 pages. Relates the tales of a turn-of-the-century Persian village through the experiences of two teenaged Jewish girls. You, darkness , Mayra Montero, Nov 1, 1997, History, 182 pages. TГє, la oscuridad , Mayra Montero, 1995, Literary Collections, 241 pages.
    [Show full text]
  • Tesis Doctoral
    FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE LITERATURA ESPAÑOLA Y TEORÍA DE LA LITERATURA Y LITERATURA COMPARADA TESIS DOCTORAL: REALIDAD Y FICCIÓN EN LAS NOVELAS DE MAYRA MONTERO: UN ACERCAMIENTO DESDE EL NUEVO PERIODISMO Presentada por Dña. María Isabel Chaparro de Escabí para optar al grado de doctor por la Universidad de Valladolid Dirigida por: Dr. D. José Ramón González García A la memoria de mi madre, María Luisa, lucero inspirador. A mi padre, Rafael, con agradecimiento y cariño. A mi hijo, José Roberto, y a mis nietas, Gabriela Sofía y Catalina Isabel, con ilusión. A mi esposo, José Roberto, Tito, con amor. 2 AGRADECIMIENTOS El trabajo que hoy presentamos es producto de muchos años dedicados a la investigación y al análisis de las novelas de Mayra Montero. A pesar de que requirió mucho esfuerzo de mi parte, no lo habría logrado sin la ayuda y el estímulo de muchas personas que contribuyeron de distintas maneras a la consecución de mi objetivo. Agradezco profundamente a mi esposo, Tito, por su comprensión, su paciencia, su asistencia tecnológica- cada vez que la computadora me fallaba-, y por las muchas horas que pasó en soledad mientras yo me dedicaba a la tesis. A mi hijo, José, y a su esposa, Margaret, por su interés en el progreso del proyecto y su fe en que conseguiría terminarlo. A toda mi familia, especialmente, a mis padres, Rafael y María Luisa, por el estímulo y el ejemplo de superación que me brindaron. A mi hermana Mildred, a mis hermanos Chiqui y Chapa por apoyarme siempre. A Mami Delia, Hilda, a mis ahijadas, Maritere, Brenda y Rosario, a mi comadre, Maricarmen, gracias por su comprensión y sus palabras de aliento.
    [Show full text]
  • Smoke and Mirrors: Generic Manipulation and Doubling in <Em
    Anthurium: A Caribbean Studies Journal Volume 13 | Issue 2 Article 4 December 2016 Smoke and Mirrors: Generic Manipulation and Doubling in Dancing to “Almendra” Amanda Ruth Waugh Lagji University of Massachusetts - Amherst, [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/anthurium Recommended Citation Lagji, Amanda Ruth Waugh (2016) "Smoke and Mirrors: Generic Manipulation and Doubling in Dancing to “Almendra”," Anthurium: A Caribbean Studies Journal: Vol. 13 : Iss. 2 , Article 4. Available at: http://scholarlyrepository.miami.edu/anthurium/vol13/iss2/4 This Article is brought to you for free and open access by Scholarly Repository. It has been accepted for inclusion in Anthurium: A Caribbean Studies Journal by an authorized editor of Scholarly Repository. For more information, please contact [email protected]. Smoke and Mirrors: Generic Manipulation and Doubling in Dancing to “Almendra” Cover Page Acknowledgments I'd like to thank Professor Rachel Mordecai for her feedback on the first draft of this article, as well as the journal's anonymous reviewers. This article is available in Anthurium: A Caribbean Studies Journal: http://scholarlyrepository.miami.edu/anthurium/vol13/iss2/4 Lagji: Smoke and Mirrors: Generic Manipulation and Doubling in Dancing “Maybe she’d been creating a smoke screen with the story of Rodney only to hide the details of this other story, a much harsher and more complicated story, from me,” protagonist Joaquin Porrata muses in Mayra Montero’s Dancing to “Almendra” (132). Montero’s novel is alternately structured by Joaquin’s investigation of Umberto Anastasia’s murder in New York (and its connection to Havana’s gangsters and underground crime network) and his lover Yolanda’s italicized storytelling, which traces her family’s history and presents an additional mystery in the form of family ties.
    [Show full text]
  • Subversion and Transcendence in the Latin American Modern Travel Novel (1928-1976)
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2017 Subversion and Transcendence in the Latin American Modern Travel Novel (1928-1976) Andrea Babsky The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1854 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SUBVERSION AND TRANSCENDENCE IN THE LATIN AMERICAN MODERN TRAVEL NOVEL (1928- 1976) by Andrea Babsky A dissertation submitted to the Graduate Faculty in Hispanic Luso-Brazilian Literatures in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 © 2017 Andrea Babsky All Rights Reserved ii Subversion and Transcendence in the Latin American Modern Travel Novel (1928-1976) by Andrea Babsky This manuscript has been read and accepted for the Graduate Faculty in Hispanic and Luso-Brazilian Literatures in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ____10/28/2016_____________ ___Magdalena Perkowsa________________________ Date Chair of Examining Committee ______10/28/2016__________ _______José del Valle____________________________ Date Executive Officer Supervisory Committee: Magdalena Perkowska Elena Martínez Francisco Soto The City University of New York iii Abstract Subversion and Transcendence in the Latin American Modern Travel Novel (1928-1976) by Andrea Babsky Advisor: Professor Magdalena Perkowska Key words: travel, novel, Latin-American fiction, space, myth, Trickster, semiotics, voyage, subversion, transcendence, hegemonic discourses The focus of this dissertation is the role that travel plays in Latin American novels that stem from 1928 to 1976, specifically, Macunaíma, Los pasos perdidos, El reino de este mundo, and Mascaró, el cazador americano.
    [Show full text]
  • Derlas Vol. 12 No. 2 Ossa
    DeRLAS Vol. 12 No. 2 Ossa Delaware Review of Latin American Studies Vol. 12 No. 2 December 30, 2011 Babalawos chinos: Religion, Ethnicity and Identity in Mayra Montero's Como un mensajero tuyo Luisa Marcela Ossa Department of Foreign Languages and Literatures La Salle University Philadelphia, PA [email protected] Keywords: Mayra Montero, Chinese in Cuba, Santería, Syncretism, Identity. ******************************** Author Mayra Montero was born in Havana, Cuba in 1952, but has lived most of her life in Puerto Rico, having moved there as a child. She began her writing career as a journalist, and has also written one collection of short stories entitled Veintitrés y una tortuga. However, she is best known as a novelist. Montero has authored nine novels and is known for her exploration of ethnicity, religion, and sexuality, among other topics, in a Caribbean context. Her background as a journalist has influenced her fictional writing, as many of her works are filled with historical facts. Scholars such as Madeline Cámara and Vitalina Alfonso, among others, have noted how Montero obscures the lines between fact and fiction in her works.1 This study will explore issues of religious, racial, and ethnic identity in Mayra Montero’s Como un mensajero tuyo, and will pay particular attention to the presence and influence of characters of Chinese descent in the novel. The story, which takes place in Cuba in 1952, deals with the lives of Aida Cheng, a Chinese mulatta, and Enriqueta, Aida’s daughter with the famous Italian opera singer Enrico Caruso. Aida is a terminally ill older woman who decides to tell her daughter Enriqueta about some of the most important events in her life before she dies.
    [Show full text]
  • Reading Guide in the Palm of Darkness
    Reading Guide In the Palm of Darkness By Mayra Montero ISBN: 9780060929060 You want to know where the frogs go. I cannot say, sir, but let me ask you a question: Where did our fish go? Almost all of them left this sea, and in the forest the wild pigs disappeared, and the migratory ducks, and even the iguanas for eating, they went too. Just take a look at what's left of humans, take a careful look: You can see the bones pushing out under their skins as if they wanted to escape, to leave behind that weak flesh where they are so battered, to go into hiding someplace else. IntroductionIn the Palm of Darkness brings together two men, each of them hunters, from different worlds. Victor, a respected scholar and expert on amphibians, has come to Haiti in search of what may be the last existing eleutherodactylus sanguineus, or blood frog. Thierry is a local Haitian guide who grew up hunting zombies, or ghosts, in the jungles and hillsides of his native country. As the two men traverse Haiti's desolate landscape, they tell each other of their past life and loves, entrancing one another other with their stories. But in the quest for their elusive prey they stumble upon gruesome evidence that the area they're searching is a hideout for murderous macoutes, Haitian thugs and drugrunners who are using the hillside to store their shipments. While Thierry tries to dissuade Victor from pursuing his frog, the scientist tries to apply some logic, some natural order to the threat they face from these men.
    [Show full text]
  • Journal of Haitian Studies ISSN 1090-3488
    Journal Pou kat gwo Mapou Frisner Augustin, Vodou master drummer, 1949-2012 Lénord Fortuné, master rasin musician, 1965-2011 of And for Clothaire Bazile, wherever you are… These artists created splendor out of the oldest traditions of Haiti. Rasin fon; fwi bon. Haitian If the roots are deep the fruit will be good. Studies VOLUME 18, NUMBER 2 FALL 2012 COPYRIGHT © 2012 JOURNAL OF HAITIAN STUDIES ISSN 1090-3488 GUEST EDITOR: Roberto Strongman ASSISTANT GUEST EDITORS: Paul Humphrey & Eric Heuser CONTENTS 4 Détour d’Haïti: A Prologue Roberto Strongman INTRODUCTION 8 An Interview with Robert H. McCormick, Jr. Roberto Strongman DÉFENSE ET ILLUSTRATION DU VODOU 14 From “Voodooism” to “Vodou”: Changing a US Library of Congress Subject Heading Kate Ramsey 26 Replacing the Term “Voodoo” with “Vodou”: A Proposal Leslie G. Desmangles 28 Media Alerts Patrick Bellegarde-Smith and Kate Ramsey 34 Mama Lola’s Triplets, Haiti’s Sacred Ground, and Vodou Quintessential’s Lesson Claudine Michel 51 La couleur de l’aube de Yanick Lahens : cette horrible béance obscure Marie-Agnès Sourieau 64 “Children” of the Gods: Filming the Private Rituals of Haitian Vodou Charlotte Hammond 83 ‘Chevauchés des dieux’ : Mambos et Hassides dans l’œuvre schwarz- bartienne Kathleen Gyssels HAITI WITHIN THE ARCHIPELAGO 100 Servants Turned Masters: Carlos Esteban Deive’s Viento Negro, Bosque del Caimán, and the future of Hispaniola Maria Cristina Fumagalli 119 Gods, Gender, and Nation: Building an Alternative Concept of Nation in Four Novels by Mayra Montero Paul Humphrey 135 De isla en isla : diálogo entre tres poetas afro-caribeñas Prisca Agustoni de A.
    [Show full text]