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Download the Red of His Shadow, Mayra Montero, Random House The Red of His Shadow, Mayra Montero, Random House, 1999, , . DOWNLOAD http://bit.ly/18tpRC2 El CapitГЎn de los Dormidos , Mayra Montero, 2002, Fiction, 215 pages. Con El Capitan de los Dormidos, Mayra Montero nos sorprende una vez mas por su capacidad para transmitir lo literalmente intransmisible.Corre el mes de octubre de 1950. Andres .... The Last Night I Spent With You A Novel, Mayra Montero, Jul 3, 2001, Fiction, 128 pages. Celia and Fernando, a long-married couple, embark on a Caribbean cruise in order to revitalize their fading marriage, but their voyage takes an unexpected turn when a .... Love Is Hell , Scott Westerfeld, Melissa Marr, Justine Larbalestier, Gabrielle Zevin, Laurie Faria Stolarz, Oct 6, 2009, Juvenile Fiction, 272 pages. Sure, love is hell. But it,s totally worth it. In these supernatural stories by five of today's hottest writersвЂ―Melissa Marr (Wicked Lovely), Scott Westerfeld (Specials .... Fourteen love stories , Jose Y. Dalisay, Angelo Rodriguez Lacuesta, Jan 1, 2004, Fiction, 122 pages. In the palm of darkness a novel, Mayra Montero, Edith Grossman, May 1, 1997, Fiction, 181 pages. Two men of very different cultures--American herpetologist Victor Griggs and his Haitian guide, Thierry Adrien--embark on a obsessive odyssey through the mountains of Haiti in .... Persian brides a novel, DГґrГ®t RabГ®nyan, Yael Lotan, 1998, Fiction, 236 pages. Relates the tales of a turn-of-the-century Persian village through the experiences of two teenaged Jewish girls. You, darkness , Mayra Montero, Nov 1, 1997, History, 182 pages. TГє, la oscuridad , Mayra Montero, 1995, Literary Collections, 241 pages. "Haiti, sus leyendas, supersticiones y su violencia. En esta atmosfera se encuentra un estudioso de ranas y sapos.". Ezulwini Place of Heaven, Jayne Galassi, 2006, Fiction, 188 pages. This is a novel set in a time and place that is as authentic as you can get. The character, Gillian is allowed to borrow selectively from the real life experiences. This might .... Captain of the Sleepers A Novel, Mayra Montero, May 15, 2007, Fiction, 192 pages. For fifty years, Andres Yasin has carried a grudge against J.T. Bunker. Now, Bunker, eighty-two years old and dying of cancer, wants to tell his side of a story, a story of his .... Santo Domingo A Country With a Future, Otto Schoenrich, Aug 31, 2006, , 300 pages. Medium Raw A Bloody Valentine to the World of Food and the People Who Cook, Anthony Bourdain, Jun 8, 2010, Biography & Autobiography, 320 pages. The long-awaited follow-up to the megabestseller Kitchen Confidential In the ten years since his classic Kitchen Confidential first alerted us to the idiosyncrasies and lurking .... Amaryllis , Tricia McGill, Jan 1, 2001, Fiction, 250 pages. Chosen by a dying alien to take her spacecraft back to the planet Amaryllis, Melanie Ross must conquer her fears amid a superior race. Her husband, an undercover cop, has been .... Vana ilusiГіn las memorias noveladas de Narciso Figueroa, Mayra Montero, 2003, Biography & Autobiography, 129 pages. In the author's note to her novel, The Red of His Shadow, Mayra Montero describes the life of Haitian sugar cane cutters in the Dominican Republic as one of "untold privation and misery in working conditions patterned after the cruelest slave regimes." It is a life few of us will ever witness firsthand, but one that we gain searing access to in this unforgettable story. Hunger, death, and terror are daily realities for the "Congos," who constantly are reminded of their powerlessness against nature's brutality and the unpredictable whims of the field owners. Voudon, the religion they brought over from their native Haiti, offers them a way of coping with their plight. The haunting music and chants, the numerous and varied gods, or "loas," their elaborate ceremonies, and the fits and trances that signal possession by these loas are fascinating aspects of Voudon that are often characterized as sinister in literature and film. But this hypnotic novel, which takes place over the festivals of Voudon's Holy Week, personalizes the religion, reveals its mysteries and beauty, and brings into sharp focus the extraordinary courage and faith its practitioners depend on every day just to survive. Zulé, the novel's young and strong-willed heroine, is an Afro-Caribbean queen disguised as the rag-clad daughter of a cane cutter. Zulé's endurance, her stubbornness, her clairvoyance and self-confidence make her a strong spiritual leader. But she is still a girl, and suffers a girl's passions and uncertainties. When she is forced to choose between confronting Similá, a murderous, rival Voudon priest who is also her ex-lover, or giving in to his cruel dominance, she wavers in her heart, but never in her resolve to do the right thing. Similá's ferocity, corruption and hatred reflect the many repressive forces at work in Haiti and the Dominican Republic, but they are no match for Zulé's dignity and conviction. What finally conquers her is not the power of her enemy, but the jealous love of one of her own people. Montero's tale is as epic and moving as a Greek tragedy, but it is a story that could only be told amid the poverty and ruin of the Haitian people. By compelling us to look closely at this mysterious religion, by immersing us completely within its culture -- its potent smells, sounds, and surroundings -- Montero leads us toward an understanding of how truly remarkable it is that these people have retained such spiritual strength. Of how an impoverished society manages to treat its leaders as kings and queens, transform its shacks into temples, and find dignity, beauty, and love within the most desperate of conditions. 1. Zulé's father, Papa Luc, has an uncanny nose for news: he seems to get information before anyone else, and senses the truths that no one will tell him. "Each day in the batey Papa Luc learned something different. And that night he had learned that great secrets did not exist in the lives of men, only small snares waiting at each step, the bait lying right there on the ground." What is the difference between a secret and a snare? How does this comment on destiny prophesize what would become Zulé's fate? Why do you think Zulé repeatedly utters the line, "What have you heard about Similá Bolosse?" 2. "Coridón had taught her that Gagá wars can be very good. Good when you make an alliance and the Societé fattens like a maja snake in the shade and the men are barely bruised by an unlucky stone. But who ever heard of firearms in Gagá battles? It needed Similá Bolosse with his evil tonton macoute ways for things in the Dominican Republic to stop being what they had been." What does this passage tell you about how modern-day realities of drugs and weapons have affected the Voudon religion? Without the impact of these factors, how might Zulé's life -- and the lives of her Societé -- been different? 4. On one level, The Red of His Shadow is a classic battle of wills between two powerful leaders intent on dominating each other. How does Montero "tweak" this archetypal plot to make it her own? Is Zulé a heroine? A martyr? A scorned lover? Do you think she should have heeded the advice of her elders and taken a different route from Similá's Gagá? What impact does the fact that Similá and Zulé used to be lovers have on the story? It is Holy Week, and the Haitian sugar cane harvesters can temporarily forget their misery and lose themselves in the fervor of Voudon. But amidst the colorful festival, a struggle for power, as well as a devastating passion, develops between Mistress ZulÉ, a Voudon priestess and spiritual leader, and the infamous, bloodthirsty SimilÁ Bolosse, a rival Voudon priest backed by the tontons macoutes. Based on true events, The Red of His Shadow evokes ferocious love, intense hatred, and the specter of death looming within life. Written in a prose remarkable for its clarity and musicality, the novel manages to be both richly symbolic and intensely physical. Behind a case that Dominican police closed as a simple crime of passion pulses the spell of a war that remains unfinished today. A major writer of the contemporary, post-Boom generation in Latin America, Cuban-born Montero (The Last Night I Spent With You; The Messenger) offers up more of the startling imagery and hypnotizing storytelling her readers have come to expect in her fourth novel to be translated into English. This time, however, the brutal tale she has to tell sags under the weight of its dark portentousness. In her retelling of the true and tragic love story of Simil Bolosse and Zul‚ Rev‚, Montero illuminates the world of Haitian Voudon as it is practiced by the downtrodden Haitian immigrants who work in the sugar-cane fields of the Dominican Republic. At the age of 12, Zul‚, the wild and willful only surviving daughter of a cursed family, is anointed mambo, or priestess, of a powerful Dominican Voudon community and undergoes a seven-year apprenticeship. The most important of the celebrations she presides over is a Holy Week procession, a Gag , which each year wends its way across the sugar-cane fields. As the novel begins, a Gag is being planned, but threats of violence threaten to derail it. Simil Bolosse, a Haitian renegade once Zul‚'s lover and now her enemy, has pledged to cut her to pieces if she refuses to join forces with him.
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