Our Classifieds Eould Be Worth Inilliosi

Total Page:16

File Type:pdf, Size:1020Kb

Our Classifieds Eould Be Worth Inilliosi t.ntl. GST) 1 ' ph Wednesday fll June 7, 2000 s 41 'year F lands Issue 23 328 Lower Ganges Road, Sail Spring Island, B.C. V8K2V3 Tel: 250-537-9933 Fax: 250-537-2613 Toll-free: 1-877-537-9934 e-mail: [email protected] Website: www.gulfislands.net 134 grads bid farewell to high school A jubilant Class of 2000 celebrated comple­ tion of Grade 12 with family, friends and Gulf Islands Secondary School (GISS) staff at graduation ceremonies and a prom Saturday night. Speeches, music, awarding of 60 scholar­ ships and bursaries, and Health the traditional GISS grand march of the 134- treatments member graduating class at the Centre highlighted the ceremony A three-part series on at the GISS gymnasium. health treatments and Nicki Cameron, one of the parent prom organiz­ spas on Salt Spring ers, said the dance, which wraps up this week went on until 3 a.m., was with a look at new judged "a real success," treatments at Salt with an estimated 250 Spring Centre. attending. PageAl it "All the credit (for a problem-free evening) goes to the kids," she Class Of 2000 said. Sergeant Paul graduate Darbyshire of Salt Spring JfomCISS RCMP congratulated the grads, party organizers A gala ceremony and and volunteers "for a safe fun-filled after grad at and responsible grad cel­ die Farmers' Institute ebration." Police dealt helped island grads say with only two minor inci­ dents involving people good-bye to their high not in the graduating school years .Photos, class. PageAl 6 See photo spread on Page A16. Staging Peter Pan atArtSpring Crowd urges more time to discuss land use A Salt Spring Centre School children go all By GAIL SJUBERG of Bylaw #355, which was pay attention, and the good first reading, not release of — some wanted them out with their magical Driftwood Staff released May 10. meeting turn-out was evi­ the second draft. reduced, others larger. production of Peter If most of the 100-pIus John Woodward, speak­ dence of that. When the first "There are many lobby The varied discussion Pan. people attending last ing for a Farmers Institute draft was released 11 groups out there," she said. mirrored the audience, Thursday's local Trust com­ committee studying the months ago and adoption "I'm not going to be pushed whose members came from Page HI mittee meeting on the pro­ bylaw's impact on the farm­ was a long way off, few by lobby groups. I'm going more age brackets and posed land use bylaw have ing community, said no one people attended public to listen to everybody at a backgrounds than most Index their way, trustees Bev had time to devote to the meetings about it, she said. public meeting." meetings on local govern­ Byron and David issue during summer Woodward was also criti­ Other hot topics at the ment issues. Arts Bl* Borrowman won't he giving months. cal of the process because meeting were home-based Allowing "light industry" Classifieds.- A23 it first reading at the end of Others concurred, urging his group was told it would business regulations in the as a home-based business Community A17 July. a delay of a proposed public be able to see the second bylaw; not enforcing the occupation was a serious Crossword B31* A show of hands indicat­ hearing date of September draft before it was released. illegal renting of suites and concern for several people, Editorials A8 ed a majority wanted more 27. Byron said the farming cottages; making bylaws who did not feel comforted In-depth A9 time to study and provide Byron suggested immi­ group was told they could more farmer-friendly; and MORE TIME A2 Letters A 9 input into the second draft nent deadlines made people see the document before setbacks from water bodies Photo feature... A16 Sports A14 TVListings All View point A8 Loitering kids cause concerns Wood wins bronze What's On B4* Years A21 By ANASTACIA WILDE But at least one island resident says the Driftwood Staff issue stems from a community problem A Gulf Islands Secondary School (GISS) athlete rather than a youth problem. earned a medal at provincial high school track and field First of Two Parts championships in Vancouver Friday. Weather Scrape the surface of island paradise and Some Ganges merchants are concerned with issues of economics and tourism but Grade 10 student Thea Wood captured a bronze in the Sun and showers are you may find an ugly reality lurking underfoot. senior division of the 100-metre event, defeating many forecast throughout Downtown merchants say drugs, alcohol most seem distressed about the kids them­ of B.C.'s top Grade 11 and 12 sprinters. the week. Highs up to and vandalism are becoming rampant out­ selves and their confrontational approach to business owners and police, and the blatant Coach Doug Pearson said it was the first time GISS 18 C. (Thursday) and side their stores and they are fed up with lack of parental presence. has brought home a medal at the provincial level. lows down to 9 C, cleaning trash and strewn condoms, replac­ Tyler Cocker of GISS also attended the champi­ Thurs.-Sat. ing tom-down signs and gathering remnant Although there is an overall perception onships. beer bottles and cans from the teenagers' that the aggressive behaviour involves all of See story on page A4. •Ntn included in the Pendent hditu.fi night partying. COMMUNITY PROBLEM A3 Tbe Internet Gateway to tbe Gulf Islands hup:/Avww.gulfisla nils, net Gulf Islands Our Classifieds eould be Online worth inilliosi$$!! DETAILS PAGE A25 A2 * WEDNESDAY, JUNE 7, 2000 NEWSBEAT GULF ISLANDS DRIFTWOOD Best all-round paper included in 6 national nominations The Driftwood has been nominated for circulation between 3,500 and 6,500. The design. earth construction system. six national newspaper awards, including other two finalists are the Canmore (Alta.) The arts award nomination was made on The ad design award was for a process one for best all-round newspaper in its cir­ Leader and the Salmon Ann Observer. the basis of a submission that included sto­ colour ad designed and created by account culation class. Winners will be announced at the ries by senior reporter Gail Sjuberg and for­ representative Peter McCully, creative con­ The awards program, sponsored by the CCNA's annual convention, being held next mer staffer Tom Howell, and photography sultant Lorraine Sullivan and photographer Canadian Community Newspapers month in Magog, Quebec. by Derrick Lundy. Derrick Lundy. Association (CCNA), chose the Driftwood Other award nominations were for best The feature story nomination was for a The CCNA is a trade association of com­ as one of the top three finalists in the gener­ editorial page, best front page, best coverage piece written by managing editor Susan munity newspapers with 700 members al excellence category for newspapers with of the arts, best feature story and best ad Lundy on Meror Krayenhoff's rammed across Canada. MORE TIME: Needed to study LJJB i^ulfIsland {floss From Page 1 by assurances from trustees and 'They may be riff-raff to most on the rental of dwellings to planner Linda Adams that such of you, but they're pumping your tourists, which takes them out of WINDOWS... activities must take place within a gas and they're pouring your cof­ the affordable accommodation All shapes and sizes. building and, like all home-based fee," he said. pool for residents. The draft LUB Free estimates - call today! businesses, mask its impact on Fowler added to the coffee sce­ includes a paragraph prohibiting Shop now open 8 am - 4:30 pm others. nario, suggesting that if people such rentals, but again, the bylaw Rainbow Road (next to the cement plant) Tom Pickett said the LUB had to pay more for "legal" hous­ can only be enforced on a com­ home-based business regulations ing, other costs would follow. plaint basis. ROY CRONIN 537-4545 did not make sense in light of offi­ "Is the population of this island After the meeting, Adams cial community plan policies. He prepared to pay three or four dol­ addressed a couple of misconcep­ cited one which said the Trust lars for a cup of coffee so I can tions arising from last week's committee should consider rezon- live in a legal suite?" LUB story. She said logging and t&SZlSSj.* ing for light industry. Both Borrowman and Byron forestry are not actually prohibited "You opened the back door and were firm on the need to control in Rural and Upland zones, but closed the front," he said. the island's population, water con­ that because the Trust does not Some speakers urged the Trust sumption and traffic levels, asking have jurisdiction over those activi­ to shift the bylaw's general stance people to imagine what would ties they were removed in the new from prohibition of the negative to happen if every property had a draft bylaw. It may have been bolstering of the positive. second dwelling or suite it rented more confusing to point out the "This bylaw should encourage out. difference, she said. and foster the sorts of things we Some people made specific sug­ She also said input from gov­ want to see," said Terry Klokeid, gestions for how to encourage cre­ ernment agencies had been giving sustainable agriculture and ation of more affordable housing. received on the first draft and forestry as examples. Although the wording about changes made as a result, with the You WHO?. Affordable housing prompted secondary suites has changed, second draft now sent to them as major discussion, including pas­ Adams said the situation would well.
Recommended publications
  • The Inventory of the Richard Roud Collection #1117
    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
    [Show full text]
  • JLG CATALOG-MAIN1.Pdf
    Ο Ζαν Λυκ Γκοντάρ είναι κορυφαίος σκηνοθέτης που τα έργα του δεν έπαψαν να μαγνητίζουν το κοινό τα τελευταία πενήντα χρόνια αλλά και ένας διανο- ητής που συγκεντρώνει τον θαυμασμό ιστορικών, θεωρητικών και φιλοσόφων. Πώς εξηγείται αυτή η ακαταμάχητη γοητεία αυτού του τρομερού παιδιού της Νουβέλ Βαγκ; Είναι μήπως η ικανότητα του «να αντιπαραθέτει σε ασαφείς ιδέ- ες καθαρές εικόνες;» Σύμφωνα με την θεωρητικό Κατερίνα Λουκοπούλου: «Ο Γκοντάρ από την αρχή της πορείας του όχι μόνο χρησιμοποίησε λέξεις και εικόνες για να θέσει ερωτή- ματα του τύπου «τί είναι ο κινηματογράφος» αλλά και για να ξανασκεφτεί την πορεία του κινηματογράφου: επιτυγχάνει την αναθεώρηση των κινηματογρα- φικών ειδών, τον αναστοχασμό και την επανεφεύρεση της κινηματογραφικής γλώσσας, με κάθε ταινία του που βγήκε στην διανομή, από το με Κομμένη την Ανάσα (1960) ως το Αποχαιρετισμός στη Γλώσσα (2014), στρέφεται με πάθος σε συλλογικά εγχειρήματα (στην αρχή με την ομάδα Τζίγκα Βερτόφ και αργότερα με την Sonimage και την Αν-Μαρί Μιεβίλ), υπογράφει μεγάλο αριθμό έργων για την τηλεόραση και ολοκληρώνει το εμβληματικό έργο του Ιστορία/ες του Κινηματογράφου. Ο διαλογισμός του Γκοντάρ πάνω στον κινηματογράφο δεν σταματά ποτέ. Έχει γυρίσει ταινίες για το σινεμά, έχει γράψει αναλύσεις, έχει δώσει εμπνευσμένες συνεντεύξεις και έχει κάνει πολλές τηλεοπτικές εμφανί- σεις μιλώντας για τις ταινίες του αλλά και ευρύτερα για τον κινηματογράφο». Η Ταινιοθήκη με τη διοργάνωση του αφιερώματος Τώρα Γκοντάρ με 52 ταινίες, στο πλαίσιο του προγράμματος «Η κινηματογραφοφιλία στη Νέα Εποχή» και με τη συνεργασία του Γαλλικού Ινστιτούτου Ελλάδος και την υποστήριξη της Πρεσβείας της Ελβετίας είναι περήφανη γιατί θα δώσει τη δυνατότητα στους ειδικούς να τον ξαναδούν και στους νέους την ευκαιρία να γνωρίσουν τον με- γάλο εικονοκλάστη.
    [Show full text]
  • GAUMONT PRESENTS: a CENTURY of FRENCH CINEMA, on View Through April 14, Includes Fifty Programs of Films Made from 1900 to the Present
    The Museum of Modern Art For Immediate Release January 1994 GAUNONT PRESENTS: A CENTURY OF FRENCH CINEMA January 28 - April 14, 1994 A retrospective tracing the history of French cinema through films produced by Gaumont, the world's oldest movie studio, opens at The Museum of Modern Art on January 28, 1994. GAUMONT PRESENTS: A CENTURY OF FRENCH CINEMA, on view through April 14, includes fifty programs of films made from 1900 to the present. All of the films are recently restored, and new 35mm prints were struck especially for the exhibition. Virtually all of the sound films feature new English subtitles as well. A selection of Gaumont newsreels [actualites) accompany the films made prior to 1942. The exhibition opens with the American premiere of Bertrand Blier's Un deux trois soleil (1993), starring Marcello Mastroianni and Anouk Grinberg, on Friday, January 28, at 7:30 p.m. A major discovery of the series is the work of Alice Guy-Blache, the film industry's first woman producer and director. She began making films as early as 1896, and in 1906 experimented with sound, using popular singers of the day. Her film Sur la Barricade (1906), about the Paris Commune, is featured in the series. Other important directors whose works are included in the exhibition are among Gaumont's earliest filmmakers: the pioneer animator and master of trick photography Emile Cohl; the surreal comic director Jean Durand; the inventive Louis Feuillade, who went on to make such classic serials as Les Vampires (1915) and Judex (1917), both of which are shown in their entirety; and Leonce Perret, an outstanding early realistic narrative filmmaker.
    [Show full text]
  • Questions and Answers for the Centenary of the Brand Price : €6 GRÉGOIRE THONNAT
    Who is the founder of Citroën automobiles? What was the first car produced by Citroën? What is the ‘Citroën Central Asia’ Expedition? What do Citroën Traction Avant, Citroën 2 CV, Citroën DS and Citroën Ami 6 have in common? Who invented Citroën Mehari? What is the bestselling car in the Brand’s history? In 80 questions and answers, a timeline and the description of 10 iconic models, this little book will help you (re)discover Citroën’s fabulous history through iconic models, technical innovations and the people who wrote this unique industrial adventure that has revolutionised the history of the automobile since 1919. Questions and answers for the centenary of the Brand Price : €6 GRÉGOIRE THONNAT LE PETIT QUIZZ Questions and answers for the centenary of the Brand GRÉGOIRE THONNAT SUMMARY Preface 5 Questions and answers 7 A brief timeline of Citroën 89 10 iconic vehicles of the Brand 101 The Citroën brand 123 5 Dear readers, There is a reason why the Citroën 2 CV is as much a symbol of France as the Eiffel Tower…because we all have a Citroën story to tell! However, do you know the story of Citroën itself? Le Petit Quiz invites you to (re)discover Citroën’s journey from the origin of its logo to its many technological innovations, from legendary cars to its sporting achievements, and taking a detour through its cult advertising campaigns throughout the years. These 80 questions will help you discover amusing anecdotes and relive Citroën’s history! As the centenary of Citroën approaches, this is the essential tool to ensure you are ‘up to speed’ with one of the most collected car brands in the world… Linda Jackson, CEO, Citroën Brand 5 QUESTIONS AND ANSWERS 7 WHO WAS THE FOUNDER OF CITROËN? André Citroën! Born on 5 February 1878, André graduated from École Polytechnique and then went on to found Engrenages Citroën in 1905, before leading Mors automobiles in 1908.
    [Show full text]
  • Ambassade De France
    CINEMA Rétrospective Moshé Mizrahi Du 25 juin au 28 août 2019 Cinémathèques de Tel Aviv, Jérusalem, Haïfa, Herzliya et Sderot Les cinémathèques de Tel Aviv, Jérusalem, Haïfa, Herzliya et Sderot rendent hommage au réalisateur et scénariste israélien Moshé Mizrahi décédé en août 2018 en proposant une rétrospective de ses films, pour certains dans une version restaurée, avec l’aide de TF1 Studio et le soutien de l’Institut français d’Israël. Moshé Mizrahi a réalisé une dizaine de films, en France et en Israël, dont certains, comme « La vie devant soi » (1978), film éponyme du roman de Romain Gary, Oscar du meilleur film en langue étrangère la même année, lui ont valu une reconnaissance internationale. A l’approche de l’anniversaire de sa mort, les cinémathèques de Tel Aviv, Jérusalem, Haïfa, Herzliya et Sderot ont souhaité lui rendre hommage en proposant une rétrospective de 13 de ses films : « Le Client de la morte saison » (1970), « Les stances à Sophie » (1971), « Rosa, je t’aime » (1972), « La maison de la rue Chelouche » (1973), inspirée largement de sa propre vie, « Les filles à papa » (1974), « La vie devant soi » (1977), « Chère inconnue » (1979), « Une jeunesse » (1983), « Everytime we say goodbye » (1986), « Mangeclous » (1988), « Warburg : un homme d’influence » (1992), « Femmes » (1996), Et « Week-end en Galilée » (2007), Moshé Mizrahi a fait tourner de grands noms du cinéma français, comme Bernadette Lafont, Claude Rich, Simone Signoret, Jean Rochefort, Jacques Dutronc, Pierre Richard, Jacques Villeret, ou Bernard Blier. Le pôle catalogue de TF1 Studio qui administre les droits cinémas de 1000 films dont certains de Moshé Mizrahi a naturellement voulu soutenir l’initiative des cinémathèques israéliennes en apportant son concours au processus de restauration de trois des films présentés – « Les Stances à Sophie », « Une jeunesse », « Le Client de la morte saison » – en coopération avec les Archives Israéliennes du Cinéma - Cinémathèque de Jérusalem.
    [Show full text]
  • Le Cinéma Français De a À Z Olivier Bourque
    Document generated on 10/02/2021 5:23 a.m. Séquences La revue de cinéma Le cinéma français de A à Z Olivier Bourque Le cinéma français Number 253, March–April 2008 URI: https://id.erudit.org/iderudit/47352ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document Bourque, O. (2008). Le cinéma français de A à Z. Séquences, (253), 31–31. Tous droits réservés © La revue Séquences Inc., 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ LE CINÉMA FRANÇAIS I DOSSIER LE CINÉMA FRANÇAIS DE A À Z • ABDELLATIF KECHICHE: Nouveau grand réalisateur français. • ' NOUVELLE VAGUE: Ils sont plusieurs au tournant des années 60 César du meilleur film en 2004 avec L'Esquive, il a frappé à prendre la caméra à l'épaule et à se laisser emporter par un grand coup cette année avec La Graine et le mulet que une joie filmique: Claude Chabrol, Louis Malle, Éric Rohmer plusieurs considèrent comme le plus grand film tricolore ou Jacques Rivette. Le terme a été inventé par Françoise depuis Sous le soleil de Satan.
    [Show full text]
  • Nouvelles Vagues Georges Privet
    Document generated on 09/30/2021 4:01 p.m. 24 images Nouvelles vagues Georges Privet Tendances actuelles du cinéma américain Number 49, Summer 1990 URI: https://id.erudit.org/iderudit/24206ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this document Privet, G. (1990). Nouvelles vagues. 24 images, (49), 42–43. Tous droits réservés © 24 images inc., 1990 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ N S S par Georges Privet David Lean entreprendra à la mi-juin le tournage de Nos- tromo d'après le roman de Joseph Conrad. C'est Serge Sil- berman (déjà producteur de Bunuel et de Kurosawa) qui est finalement parvenu, après des années d'efforts, à réunir les qua­ rante millions de dollars néces­ saires à la réalisation du scénario de Christopher Hampton et Ro­ bert Boit. La production s'éten­ dra sur six mois, de Baja en Cali­ fornie à Almeria en Espagne, en passant par les studios de Pine- wood en Grande-Bretagne. Le film devrait mettre en vedette Georges Corraface (du Mahaba- ratta de Peter Brook), Irène Papas et Marlon Brando, qui au­ rait donné son accotd de prin­ cipe pour interprétet le rôle bref mais important d'un général sud-américain occupant le Su- laco mythique de Conrad.
    [Show full text]
  • The 'Darkening Sky': French Popular Music of the 1960S and May 1968
    The University of Maine DigitalCommons@UMaine Honors College Winter 12-2016 The ‘Darkening Sky’: French Popular Music of the 1960s and May 1968 Claire Fouchereaux University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the History Commons Recommended Citation Fouchereaux, Claire, "The ‘Darkening Sky’: French Popular Music of the 1960s and May 1968" (2016). Honors College. 432. https://digitalcommons.library.umaine.edu/honors/432 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. THE ‘DARKENING SKY’: FRENCH POPULAR MUSIC OF THE 1960S AND MAY 1968 AN HONORS THESIS by Claire Fouchereaux A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (History) The Honors College University of Maine December 2016 Advisory Committee: Frédéric Rondeau, Assistant Professor of French, Advisor François Amar, Professor of Chemistry and Dean, Honors College Nathan Godfried, Adelaide & Alan Bird Professor of History Jennifer Moxley, Professor of English Kathryn Slott, Associate Professor of French © 2016 Claire Fouchereaux All Rights Reserved ABSTRACT This thesis explores the relationship between ideas, attitudes, and sentiments found in popular French music of the 1960s and those that would later become important during the May 1968 protests in France. May 1968 has generated an enormous amount of literature and analyses of its events, yet there has been little previous work on popular music prior to May 1968 and the events of these protests and strikes that involved up to seven million people at its height.
    [Show full text]
  • MARIN KARMITZ and MK2 April 6 - 17, 1989
    The Museum of Modern Art For Immediate Release April 1989 MARIN KARMITZ AND MK2 April 6 - 17, 1989 A ten-day international retrospective of films by Marin Karmitz, French film director, producer, exhibitor, and distributor, opens on April 6 at The Museum of Modern Art. MARIN KARMITZ AND MK2 presents twelve features and two short films produced by the filmmaker between 1965 and 1988, including the New York premieres of Claude Chabrol's A Story of Women (1988) and Masques (1986) and Etienne Chatiliez's Life Is a Long Quiet River (1988). Through his commitment to supporting high quality and original work, Karmitz has helped to rejuvenate the French film industry and enrich world cinema. The series features works by major international directors, including Jean-Luc Godard, Every Man for Himself (1980); Alain Resnais, M61o (1986); Theo Angelopoulos, The Beekeeper (1986); Ken Loach, Looks and Smiles (1981); and Yilmaz Guney, The Wall (1983). Sabine Azema, Catherine Deneuve, Isabelle Huppert, Marcello Mastroianni, Philippe Noiret, and Jean-Louis Trintignant are among those actors appearing in the films. Films directed by Karmitz include two politically oriented works, Comrades (1970) and Blow for Blow (1972), and two short films, ComSdie (1965), based on a screenplay by Samuel Beckett, and Dark Night Calcutta (1964), based on a story by Marguerite Duras. Many of the films produced by Karmitz and MK2 have won strong critical recognition, including fifty-two awards and prizes, among them thirteen from the Cannes Film Festival, seven from the Venice Film Festival, and eighteen C6sars (the French equivalent of the Oscar). -more- 11 West 53 Street, New York, N.Y.
    [Show full text]
  • Coiffeurs Du Cœur
    Eindexamen Frans vwo 2003-II havovwo.nl Tekst 1 Coiffeurs du cœur plus pauvres: la coupe de cheveux. Un camion transformé en salon de coiffure traverse désor- 10 mais le département et les 20 centres d’accueil pour raser sont gratis. Pourquoi une telle ini- tiative? Parce que, avec la reprise économique, le grand mouvement de solidarité, commencé par Coluche il y a quinze ans, se trouve dans 15 une nouvelle situation. «De nos jours, les Res- tos du Cœur ne peuvent plus se contenter de distribuer des vivres pour l’hiver. Ils doivent également participer à l’insertion sociale: un candidat qui a une présentation irréprochable a 20 plus de chances de trouver un emploi», plaide Raymond Champion, qui se souvient du regard Coluche ne pourrait plus chanter comme en surprenant et de la dignité retrouvée d’une 1985: «Je te promets pas le grand soir, mais jeune femme qui est sortie transformée du juste à manger et à boire.» Car, depuis la cam- camion de coiffure. Avis donc aux coiffeurs pagne 2000 des Restos du Cœur1), Raymond 25 bénévoles, difficiles à trouver, qui pourront 5 Champion, responsable de l’association en ainsi prouver qu’ils ont le cœur sur la main. Seine-Saint-Denis, a ajouté à l’aide alimentaire un service destiné à flatter davantage l’ego des Corinne Scemama, dans «L’Express» noot 1 Les Restos du Cœur: een organisatie die gratis maaltijden verschaft aan daklozen www.havovwo.nl - 1 - Eindexamen Frans vwo 2003-II havovwo.nl Tekst 2 Françoise Hardy, ascendant sixties de Beethoven… On sent bien que ces artistes ont souffert, c’est pour cela que leurs œuvres sont à la fois si tragiques et si belles.
    [Show full text]
  • 240 Nouveaux
    100 nouveaux DVD à la Médiathèque ! 100 nowych DVD w Mediatece ! 2014 Films des années 60 Le Corniaud [Comédie ; 1964] Gérard Oury Louis de Funès ; Bourvil. Cote: OUR Hibernatus [Comédie ; 1969] Edouard Molinaro Louis de Funès ; Michael Lonsdale. Sous-titres : français sourds et malentendants. Cote: MOL Paris brûle-t-il? [Film historique ; 1966] René Clément Alain Delon ; Jean-Paul Belmondo. Sous-titres : français et français sourds et malentendants. Cote: CLE Films des années 70 Le Bossu L'horloger de Saint-Paul [Film historique ; 1959] [Drame ; 1974] André Hunebelle Bertrand Tavernier Bourvil, Jean Marais. Jean Rochefort, Philippe Noiret. Sous-titres : français sourds et Cote: TAV malentendants. Cote: HUN Films des années 80 La Piscine [Film policier ; 1968] Jacques Deray L'As des As Romy Schneider, Jane Birkin, Alain Delon. [1982] Cote: DER Gérard Oury Jean-Paul Belmondo, Marie-France Pisier. Cote: OUR 1 Carmen Le péril jeune [Opéra ; 1984] [Comédie dramatique ; 1994] Francesco Rosi Cédric Klapisch adapté de Georges Bizet. Romain Duris, Vincent Elbaz, Elodie Cote: M BIZ Bouchez, Hélène de Fougerolles. Cote: KLA La Chèvre [Comédie ; 1981] Francis Veber Films des années Gérard Depardieu, Pierre Richard. Cote: VEB 2000 Les Fugitifs Un barrage contre le Pacifique [Drame ; 2008] [Comédie ; 1986] Francis Veber Rithy Panh Gérard Depardieu, Pierre Richard, Jean adapté de Marguerite Duras ; Gaspard Benguigui. Ulliel, Isabelle Huppert. Sous-titres : espagnol, français, italien. Cote: PAN Cote: VEB La soupe aux choux [Comédie ; 1981] Jean Girault Louis de Funès, Jacques Villeret. Sous-titres : français sourds et malentendants. Cote: GIR Sous le soleil de Satan [1987] Maurice Pialat adapté de Georges Bernanos ; Gérard Depardieu, Sandrine Bonnaire.
    [Show full text]
  • Product Guideguide
    MIPT V PRODUCTPRODUCT GUIDEGUIDE LOVE CRUISE 2001CHRIS COLORADO 2 222 FBC A AAA Animation (6x26’) Reality Series (7 x 60min.) Language: French (original version), Cast: Sixteen Eligible Singles Dubbed English, 20TH CENTURY FOX Exec. Prods. Jonathan Murray, Mary- A&E Director: Franck Bertrand, Thibaut INTERNATIONAL Ellis Bunim Arts & Entertainment, A&E Television Chatel, Jacqueline Monsigny Audiences will cruise through the south- Network / The History Channel, 235 East Produced by: AB Productions and TELEVISION ern Caribbean and visit exotic enezuelan 45th Street, New York, NY 10017 USA. Studios Animage 20th Century Fox International ports with eighteen eligible single men Tel: 212.210.1400. Fax: 212.983.4370. Co-producers: MEDIASET /CANAL + / Television, P.O. Box 900, Beverly Hills, and women who are in competition to find At MIP-TV: Carl Meyer (Regional France 3 / AB PRODUCTIONS CA 90213-0900. Tel 310.369.1000. love and to gain an extraordinary grand Managing Director, Asia), Chris O’Keefe Delivery Status: Completed Australia Office: 20th Century Fox prize. (Regional Managing Director, Latin Budget: 43 MF International TV, Level 5, Frank Hurley KATE BRASHER America), Shelley Blaine Goodman (VP, Danger lurks, group of 666’ agents, have Grandstand, Fox Studios Australia. CBS Affiliates Sales, Canada), Maria infiltrated the higher levels power of the Driver Avenue, Moore Park NSW 1363, Drama (6 x 30 min.) Komodikis (SVP, International Managing world federation. Chris Colorado becomes Australia. Tel 61.2.8353.2200. Fax Cast: Mary Stuart Masterson, Rhea Director) the President’s man to save democracy and 61.2.8353.2205. Brazil Office: Fox Film Perlman, and Hector Elizondo Office: E3-08 peace.
    [Show full text]