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Mozart Magic Philharmoniker
THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro). -
What Is Conductorcise® ?
WHAT IS CONDUCTORCISE® ? Place yourself in the sneakers of an orchestra conductor and raise your baton to a mighty Sousa march, an impetuous Strauss polka, or an elegant Tchaikovsky waltz as you enjoy a great musical workout. CONDUCTORCISE® is a combination aerobic workout, symphonic performance, and music history lesson that swings to the sounds of the masters. A unique program recognized internationally by health and fitness experts, CONDUCTORCISE® fosters upper body fitness that can help strengthen your heart and open your ears and mind in a natural, invigorating workout. This low-impact fitness fusion for all ages stimulates the cardio-vascular system, energizes and engages the senses and creates balance, stretching, blood circulation and brain stimulation throughout the workout. Learn basic conducting techniques, improve cognitive and listening skills, and discover the lives and work of great composers, as you keep your body and mind in tune, relieve stress and secure balance, increase circulation, manage diabetes, and build upper body strength. The brain child of clarinetist/Conductor David Dworkin, it’s an exhilarating and unique alternative to “traditional” exercise programs that has successfully traveled the globe. The only program of its kind in the world, Dworkin has brought it to pre-school children, teenagers, healthy seniors, and those in assisted- living facilities, as well as stroke, wheelchair bound, and Alzheimer’s patients and beyond, allowing participants to keep ones “body and mind in tune.” Who Leads CONDUCTORCISE®: Maestro David Dworkin Maestro David Dworkin has led orchestras across America and abroad, and served as conductor and Artistic Consultant of three PBS Television documentaries in the series Grow Old With Me, including “The Poetry of Aging,” featuring Richard Kiley, Julie Harris, and James Earl Jones. -
The 28Th Edition of Aria
The newsletter of the Kiri Te Kanawa Foundation ISSUE 28 | DECEMBER 2019 Dame Kiri comments … My seventy-fifth birthday year has been incredibly busy and filled with memorable moments, but when they told me about the move to attach my name to the Concert Hall in the Aotea Centre it took me by complete surprise. Looking back on those 75 years, for me, this has to be the high point of all the high points! 2019 has been another very interesting year for me – full of surprises and memorable experiences, interesting musical projects and lots of contact with young singers being supported by the Foundations. There is so much good news to report – from the UK Foundation’s 12-monthly report, Manase Latu taking out the Australian Singing Competition with Samson Setu CREDIT JOHN SWANNELL close behind and the appointment of two new trustees. Our current singers in the UK are also continuing to Welcome to the 28th perform and study well. edition of Aria I know you will enjoy this 28th edition of Aria. Featured in this issue . Finally I want to thank my Trustees in New Zealand and Gala Concert honours Dame Kiri 2 the UK for their untiring efforts to achieve our goals and News in brief 3 to wish them, all our enthusiastic supporters and the New UK Trustees 4 singers we are currently helping, a very Happy Christmas UK Foundation reflects 4 and New Year! on a busy year Dame Kiri and the Trustees of the Kiri Te Kanawa Foundations extend their very best wishes for a very happy Christmas to all our supporters and their families and the singers that the Foundations are privileged to work with and support. -
Download Biography
HAYDN RAWSTRON LIMITED Initially trained as a biologist, Kristinn Sigmundsson taught for a few years before becoming a singer, studying first at the Reykjavik Academy of Singing and then at the Hochschule für Musik und darstellende Kunst in Vienna, Austria. He began his career performing principally in his native Iceland, before going on to join the Hessische Staatstheater in Wiesbaden. As one of the world’s most sought after basses, Kristinn Sigmundsson regularly sings at the world's greatest opera houses: The MET, The Royal Opera House Covent Garden, L'Opéra National de Paris, where he has very nearly sung his entire repertoire, Vienna State Opera, Munich State Opera and the Semperoper Dresden. His broad repertoire extends from Don Basilio over Zaccaria to Gurnemanz. Some of his career highlights include, but are not limited to: Baron Ochs at the Maggio Musicale Florence; Il Kristinn Sigmundsson Commendatore in Munich, Berlin and New York; Baron Ochs and Vodnik in Rusalka at the MET; Gurnemanz Bass in Cologne and Florence; King Heinrich in Madrid; Hunding at the MET, in Naples, Venice and Cologne; Landgraf in Geneva and Amsterdam; Méphistophélès, King Marke, Sparafucile, Il Commendatore, Sarastro and Baron Ochs in San Francisco; Raimondo (Lucia di Lammermoor) in Munich, as well as Sarastro in Houston and Chile. Among some of Kristinn Sigmundsson’s past engagements were: Der fliegende Holländer (Daland) at the San Francisco Opera, the Opéra du Rhin Strasbourg and the Ravinia Festival, at which he also sang Don Giovanni (Commendatore) -
Download Augustin Dumay Biography
Augustin Dumay International critics have compared Augustin Dumay to the great violinists of the 20th century, describing him as a “great classical stylist”, a reputation underscored by his outstanding recordings for Deutsche Grammophon: Beethoven’s complete sonatas with Maria João Pires, a set that “surely ranks with Grumiaux/Haskil, Menuhin/Kempff, or Perlman/Ashkenazy” (International Piano), Brahms’ trios in which “the Milstein legacy in Dumay’s playing is wonderfully apparent” (Gramophone), and Mozart’s concertos with the Camerata Salzburg, “without exaggeration one of the finest Mozart violin concerto discs ever made” (Classic CD), in which he “confirms that he is an exceptional interpreter of Mozart as were Stern or Grumiaux before him” (Classica). Born into a family of musicians – his mother is a cellist and pianist, his father an amateur violinist – Augustin Dumay started violin lessons at the age of 5, after attending a concert by Nathan Milstein. Aged ten, he entered the Paris Conservatoire, winning the premier prix at the age of thirteen. His first concert at the Théâtre des Champs- Élysée followed a year later and he then appeared at the Montreux Festival, playing for Joseph Szigeti and Henryk Szeryng, who invited him to replace him on a tour of South America. On his return, Augustin Dumay worked in Paris with Nathan Milstein, who said of him: “I believe he will take his place amongt the great violinists of the year 2000”. He then went on to work in Brussels with Arthur Grumiaux for five years. He soon became familiar to concert audiences in France, but his international career took off thanks to his encounter with Herbert von Karajan. -
AOR Management Ltd E-Mail: [email protected] Tel: 001 206 729 6160 6910 Roosevelt Way NE Fax: 001 206 985 8499 PMB 221 Cell Tel: 001 206 915 5145 Seattle
AOR Management Ltd E-mail: [email protected] Tel: 001 206 729 6160 6910 Roosevelt Way NE Fax: 001 206 985 8499 PMB 221 Cell Tel: 001 206 915 5145 Seattle. WA 981115 ALASDAIR ELLIOTT - TENOR One of Europe’s leading character tenors, Alasdair Elliott’s acclaimed portrayals include such roles as Mime for Scottish Opera’s production of Der Ring; Pong (Turandot) for the Teatro Real, Madrid, the Royal Opera, Covent Garden and Reisopera, Netherlands; Monostatos (Die Zauberflöte) ) for the Royal Opera, Covent Garden, English National Opera, Glyndebourne Touring Opera and in Lisbon; Red Whiskers ( Billy Budd ) and the Gamekeeper ( Rusalka ) for Glyndebourne Festival Opera; Bardolpho and Ciaus ( Falstaff ) for the Royal Opera, Scottish Opera, Glyndebourne Festival Opera, and with the London Symphony Orchestra; and First and Fourth Jew ( Salome ) for Opera Royal de la Monnaie, English National Opera, Welsh National Opera and Netherlands Opera also recorded for Chandos. Other operatic roles he has made his own include Brighella ( Ariadne auf Naxos ) for the Royal Opera and ENO; Snout ( A Midsummer Night’s Dream ) for Glyndebourne Festival Opera; Goro ( Madama Butterfly ) for the Royal Opera, Opera North and Holland Park Opera; Valzacchi ( Der Rosenkavalier ) for the English National Opera and Scottish Opera; Guidobald Usodimare ( Die Gezeichneten ) for the Netherlands Opera; David (Die Meistersinger) for Staatstheatre Stuttgart; Vitek ( The Makropulos Case ) and Shvonder ( Dog’s Heart ) for English National Opera; Sellem ( The Rake’s Progress ) in Israel and Lille; Andres ( Wozzeck ) for the Royal Opera and Israeli Opera; Red Whiskers ( Billy Budd ) with the London Symphony Orchestra; Nick ( Fanciulla del West ) for Opera Zuid; Cabaretier ( Benvenuto Cellini ) with the London Symphony Orchestra; and Der Bucklige ( Die Frau ohne Schatten ) with the Netherlands Radio Philharmonic. -
John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens
2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll. -
Influencersnfluencers
Professionals MA 30 The of the year IInfluencersnfluencers december 2015 1. GEOFFREY JOHN DAVIES on the cover Founder and CEO The Violin Channel 2. LEILA GETZ 4 Founder and Artistic Director 3 Vancouver Recital Society 1 5 3. JORDAN PEIMER Executive Director ArtPower!, University of CA, San Diego 2 4. MICHAEL HEASTON 10 11 Director of the Domingo-Cafritz Young 6 7 9 Artist Program & Adviser to the Artistic Director Washington National Opera Associate Artistic Director Glimmerglass Festival 15 8 5. AMIT PELED 16 Cellist and Professor Peabody Conservatory 12 6. YEHUDA GILAD 17 Music Director, The Colburn Orchestra The Colburn School 13 Professor of Clarinet 23 Colburn and USC Thornton School of Music 14 7. ROCÍO MOLINA 20 Flamenco Dance Artist 22 24 8. FRANCISCO J. NÚÑEZ 19 21 Founder and Artistic Director 18 Young People’s Chorus of New York City 26 25 9. JON LIMBACHER Managing Director and President St. Paul Chamber Orchestra 28 10. CHERYL MENDELSON Chief Operating Officer 27 Harris Theater for Music and Dance, Chicago 30 11. MEI-ANN CHEN 29 Music Director Chicago Sinfonietta and 18. UTH ELT Memphis Symphony Orchestra R F Founder and President 24. AFA SADYKHLY DWORKIN San Francisco Performances President and Artistic Director 12. DAVID KATZ Sphinx Organization Founder and Chief Judge 19. HARLOTTE EE The American Prize C L President and Founder 25. DR. TIM LAUTZENHEISER Primo Artists Vice President of Education 13. JONATHAN HERMAN Conn-Selmer Executive Director 20. OIS EITZES National Guild for Community Arts Education L R Director of Arts and Cultural Programming 26. JANET COWPERTHWAITE WABE-FM, Atlanta Managing Director 14. -
Così Fan Tutte
Wolfgang Amadeus Mozart Così fan tutte CONDUCTOR Opera in two acts James Levine Libretto by Lorenzo Da Ponte PRODUCTION Lesley Koenig Saturday, April 26, 2014, 1:00–4:40 pm SET & COSTUME DESIGNER Michael Yeargan LIGHTING DESIGNER Duane Schuler STAGE DIRECTOR Robin Guarino This production of Così fan tutte was made possible by a generous gift from Alberto Vilar. Additional funding was provided by the Metropolitan Opera Club; the Denenberg Foundation, in honor of Dan Denenberg; The DuBose and Dorothy Heyward Memorial Fund; and the late Mr. and Mrs. Samuel L. Tedlow. The revival of this production is made possible GENERAL MANAGER Peter Gelb by a gift from DOLCE & GABBANA. MUSIC DIRECTOR James Levine PRINCIPAL CONDUCTOR Fabio Luisi 2013–14 Season The 184th Metropolitan Opera performance of Wolfgang Amadeus Mozart’s Così fan tutte This performance is being broadcast live over The Conductor Toll Brothers– James Levine Metropolitan Opera International IN ORDER OF VOCAL APPEARANCE Radio Network, sponsored by Ferrando Toll Brothers, Matthew Polenzani America’s luxury homebuilder®, with Guglielmo generous long-term Rodion Pogossov* support from Don Alfonso The Annenberg Maurizio Muraro Foundation, The Neubauer Family Fiordiligi Foundation, the Susanna Phillips Vincent A. Stabile Endowment for Dorabella Broadcast Media, Isabel Leonard and contributions from listeners Despina worldwide. Danielle de Niese* This performance is Cello Continuo also being broadcast David Heiss live on Metropolitan Opera Radio on Harpsichord Continuo SiriusXM channel 74. Howard Watkins* Saturday, April 26, 2014, 1:00–4:40 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
Vesko Eschkenazy
VESKO ESCHKENAZY Violin virtuoso, Vesko Eschkenazy is 1st Concertmaster of the Royal Concertgebouw Orchestra; a position he has held since January 1, 2000. “Vesko Eschkenazy is a brilliant violinist” – remarks the “De Telegraaf” in November 2000, one of the largest dailies in the Kingdom of Netherlands, after his interpretation of the Violin Concerto #1 by Szymanovski with the Royal Concertgebouw Orchestra in Amsterdam. Eschkenazy has been its concertmaster since the beginning of the 1999/2000 season. Born in Bulgaria in 1970 into a family of musicians, still a child, Vesko appeared as an orchestra leader. At 11 years old he became concertmaster of the youth Philharmonic Orchestra of Prof. Vladi Simeonov. He is a graduate of the L. Pipkov National Music School in Sofia and of the P. Vladiguerov State Music Academy where he studied violin with Angelina Atanazzova and Prof. Petar Hristoskov. In 1990, Vesko Eschkenazy left Bulgaria for London and completed a two year Masters Degree for solo performers with Prof. Ifra Neaman at the Guildhall School of Music, and received a Solo Recital Diploma – 1992. He is a laureate of the International Violin Competitions “Wieniawski” , Beijing and Carl Flesch in London. He performs extensively in Europe, USA, South America, India, China and takes part in the festivals Midem in Cannes, Montpellier and Atlantic – France, the Music Festivals in Nantes and Rheims, the New Year Music Festival in Sofia, Varna Summer and Apolonia. Vesko Eschkenazy has performed as soloist with the Royal Concertgebouw Orchestra, London Philharmonic Orchestra, English Chamber Orchestra, Monte Carlo Philharmonic, Sofia Philharmonic Orchestra, Mexico City Symphony, the Netherlands Philharmonic Orchestra, Prague Symphony Orchestra, National Symphony Orchestra of Ireland, Bach Chamber Orchestra – Berlin to name a few. -
A CONCERT with COMMENTARY, JEFFREY SIEGEL to PRESENT MOZART and HAYDN “The Leonard Bernstein of the Piano” Returns for His Ninth Season
Contact: Dave Webb Phone: 530-400-1253 E-mail: [email protected] Web: harriscenter.net/about/press-room A CONCERT WITH COMMENTARY, JEFFREY SIEGEL TO PRESENT MOZART AND HAYDN “The Leonard Bernstein of the piano” returns for his ninth season (August 2, 2019, Folsom, CA) Hailed as “an artist who means every note he plays” (New York Times), internationally acclaimed pianist Jeffrey Siegel brings power and passion to his celebrated Keyboard Conversations — returning to Folsom for his ninth season. He has been called “the Leonard Bernstein of the piano” (Chicago Tribune); "Jeffrey Siegel has everything: massive technique, musical sensitivity and character, wide tonal resources, immense reserves of power, and the ability to communicate" (Los Angeles Times). In presenting these “concerts with lively commentary” Mr. Siegel offers comments on the work, the composer, even the times in which the work was composed and then gives a virtuosic performance of a piano masterpiece. A lively Q&A concludes the concert. His presentations enrich the listening experience for the avid music lover as well as provide an inviting, instantly accessible introduction to great music for those new to classical music. "Siegel's programs strengthen the fragile bonds of communication between composer and listener and are as welcome as they are rare." (Chicago Tribune). For his concert on Saturday, August 24, Mr. Siegel will perform MOZART AND HAYDN – HUMOR AND HEARTACHE, an evening of irresistible charm and wit – and deep anguish and sadness. Haydn’s exuberant “Gypsy Rondo” and melancholy “F Minor Variations,” Mozart’s passionate “A Minor Sonata.” The inaugural Keyboard Conversations® With Jeffrey Siegel commences on Saturday, August 24 at 7:30 pm. -
Sir Colin Davis Anthology Volume 1
London Symphony Orchestra LSO Live Sir Colin Davis Anthology Volume 1 Sir Colin Davis conductor Colin Lee tenor London Symphony Chorus London Symphony Orchestra Hector Berlioz (1803–1869) – Symphonie fantastique, Op 14 (1830–32) Recorded live 27 & 28 September 2000, at the Barbican, London. 1 Rêveries – Passions (Daydreams – Passions) 15’51’’ Largo – Allegro agitato e appassionato assai – Religiosamente 2 Un bal (A ball) 6’36’’ Valse. Allegro non troppo 3 Scène aux champs (Scene in the fields) 17’16’’ Adagio 4 Marche au supplice (March to the Scaffold) 7’02’’ Allegretto non troppo 5 Songe d’une nuit de sabbat (Dream of the Witches’ Sabbath) 10’31’’ Larghetto – Allegro 6 Hector Berlioz (1803–1869) – Overture: Béatrice et Bénédict, Op 27 (1862) 8’14’’ Recorded live 6 & 8 June 2000, at the Barbican, London. 7 Hector Berlioz (1803–1869) – Overture: Les francs-juges, Op 3 (1826) 12’41’’ Recorded live 27 & 28 September 2006, at the Barbican, London. Hector Berlioz (1803–1869) – Te Deum, Op 22 (1849) Recorded live 22 & 23 February 2009, at the Barbican, London. 8 i. Te Deum (Hymne) 7’23’’ 9 ii. Tibi omnes (Hymne) 9’57’’ 10 iii. Dignare (Prière) 8’04’’ 11 iv. Christe, Rex gloriae (Hymne) 5’34’’ 12 v. Te ergo quaesumus (Prière) 7’15’’ 13 vi. Judex crederis (Hymne et prière) 10’20’’ 2 Antonín Dvořák (1841–1904) – Symphony No 9 in E minor, Op 95, ‘From the New World’ (1893) Recorded live 29 & 30 September 1999, at the Barbican, London. 14 i. Adagio – Allegro molto 12’08’’ 15 ii. Largo 12’55’’ 16 iii.