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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
DIONNE WARWICK ACCENDE<Br /> IL 'NORA JAZZ
DIONNE WARWICK ACCENDE IL 'NORA JAZZ FESTIVAL' Pula, 27 lug 2010 (CHB) - La cantante statunitense Dionne Warwick e il tastierista britannico Brian Auger alla II edizione del Nora jazz festival, che dal 3 al 4 agosto, per la prima volta, si svolgerà nella zona archeologica di Nora. Dopo il tutto esaurito del più grande batterista jazz-fusion, il panamense Billy Cobham e l'attenzione suscitata dal pianista newyorkese Jhon Regen , il Nora Jazz Festival per la seconda edizione, rilancia e schiera altri due artisti di primo piano della scena internazionale, molto apprezzati anche dal pubblico italiano. Il 3 e 4 agosto saliranno sul palco allestito per la prima volta nella zona archeologica di Nora, il tastierista britannico Jazz - rock, Brian Auger, popolare soprattutto negli anni sessanta e settanta, come virtuoso dell'organo Hammond e l'inossidabile cantante statunitense Marie Dionne Warwick. Auger sin dagli esordi ha voluto sperimentare la miscela tra il british pop, il jazz, il funk e il ryhthm e blues per un risultato che ha lasciato il segno e perdura da più di 40 anni. Ha creato un nuovo ibrido musicale, uno stile unico eseguito con uno strumento dal suono caldo e inconfondibile. Con gli Steampacket, accanto a Vic Briggs, Rod Steward ed una giovane Julie Driscoll Brian Auger si è fatto conoscere nei più importanti festival jazz europei e ha dato vita ad uno stile unico. Nei primi anni 70, Brian e Julie fondano Trinity ed arrivano ai primi posti delle charts europee con "This Wheel's On Fire",facendo diventare la Driscoll una sorta di icona pop del periodo. -
Neil Foster Carries on Hating Keith Listens To
April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig. -
NOTE: STILL OPEN More Details from Petition Creator
Petition 06 NOTE: STILL OPEN Petition to: install a commemorative plaque at 1a Hounslow High Street to mark the location of the Attic Club/Zambezi Club/Ricky Tick Club We the undersigned petition Hounslow Council to install a commemorative plaque at 1a Hounslow High Street to mark the location of the Attic Club/Zambezi Club/Ricky Tick Club. More details Submitted by Daniel Jon Morris – Deadline to sign up by: 06 January 2017 – Signatures: 32 More details from petition creator We the undersigned would like to ask for the council to install a commemorative plaque at the site of an old music venue at 1a Hounslow High Street, Hounslow. (This sits opposite Hounslow Bus Garage) ***The Attic Club***The Zambezi Club***The Ricky Tick Club*** Perhaps the most famous of all performers to play here was the late Jimi Hendrix !!! (It is believed his first ever UK gig was just across the road at the Duke Of Cambridge Pub in Kingsley Road, the day he landed at Heathrow). The first time he played here at The Ricky Tick ... He put the head of his guitar through the ceiling!!! It is also the place where Steve Marriott first met organist Ian McLagan (a local Hounslow Lad). They later joined forces with Kenney Jones and Ronnie Lane to form The Small Faces. The club, which now hosts an employment agency based above a Nandos Restaurant, is the stuff of legend ... The list speaks for itself! ***The Attic Club*** The Moments (feat. Steve Marriott) Alex Harvey Soul Band Spencer Davis Group The Yardbirds (feat. -
Firifdt -5Z,Jit C$ V
8 RECORD MIRROR, Week ending January 9,1965 , firifdt -5z,Jit_c$ v. FLAMINGO & ALL MARQUEE CIS\111)ANW CLASSIFIED ADVERTISEMENTS NIGHTER CLUBS NtEtIU DEAD MONEY! Your old records 100A 90 WARDOUR ST., W.1. 33-37 Wardour St., London, W.I. itoAsT records for sale could fetch ff's! THAT DELETED Telephone: GER 8923 Gerrard 1549. Guests welcome RECORD BAZAAR, 50,000 from 2s. RECORDyouwant,couldstill Tony Harris & Rik Gunnell Write for lists,1142/6 Argyle Street, be obtainable, Buy "Pop -Shop" CLUB Thursday, January 7th (7.30-11) present: - Glasgow. 1139 Monthly,Is.,obtainableallnews- 00 (WORD ST, W.1 LONG JOHN BALDRY agents, or Is. 3d. from "Pop -shop," and the (RM) Heanor, Derbyshire. 1152 7.3010 11 p.m. Thursday17th) 7.30 - 11 p.m. (Sutipkf-Ric.i4Mot4o) HOOCHIE COOCHIE MEN SUE RECORDS APPRECIATION OPENING NITE SOCIETY. England's hippest and THURSDAY, January 7th ROD STEWART ALEXIS KORNER SOBITSblmio only authentic R & B Label. From songwriting and THE SOUL AGENTS MULESKINNERS James Brown to Homesick James. MUSIC WRITTEN/ARRANGED - GRAHAM BOND Friday, January 8th (7.30-11) Friday(8tln 7.30 - 11.30 p.m. Monthlynewsletters,biogs.and RIP 4299.8, Melford Avenue, Bark. FOOTPRINTS TONY COLTON Ng nix of artistes,records and 111g, Essex. 610. T-BONES FridayAll Night Session advancereleasesheetsmailed LYRICS WANTED by Music Pub- MULE SKINNERS 12 midnight - 6 a.m. direct,Send 5s.formembership lishing record- to: House - 11,St.Alban's alsoRadioLuxembourg RONNIE JONES 108 Cambridge Road, London, Avenue, London. W.4. 575 FRIDAY, January 8th ingof"Ready,Steady,Radio" PICKLED (FRP:4UENTLY1) N.W.6. -
Animal Imagery in Toni Morrison: Degradation and Community
Cusanelli 1 Olivia Cusanelli ENG 390 Dr. Boudreau 29 April 2016 Animal Imagery in Toni Morrison: Degradation and Community Toni Morrison’s novels Song of Solomon and Beloved are rich with imagery of nature that often connects with the characters. Something which is not always a prevalent aspect of the nature Morrison describes but is inherently present throughout the texts is the detailed descriptions and portrayal of animals. There are some explicit connections between animals and characters, most significantly between birds and Milkman and Paul D and numerous animals such as cows, beasts, and a rooster. What is so unique about the animals connected with the two central male characters of Song of Solomon and Beloved is the underlying symbolism associated with man and animal. Throughout both novels Milkman and Paul D are on very different paths of the African American male. Milkman, brought up in comfortable middle-class wealth has not been subjected to hardship because of his race unlike many of his peers. Paul D on the other hand, has struggled immensely during his life as a slave. The novels are set in two different time periods, Song of Solomon during 1931-1963 in Michigan, Pennsylvania, and Virginia and Beloved in 1873 Cincinnati, Ohio with flashbacks as far back as 1850. These two vastly different experiences as African American men are possibly a representation of the progression of the social roles of the African American male. In her novel Beloved Toni Morrison uses animals to portray the degradation of African American men through Paul D who struggles to obtain an ideal sense of manhood, and in Song of Solomon Morrison uses animals to show that in order to survive in this country as a black male, one must share the struggle through community. -
JAZZLONDONLIVE FEB 2019 01/02/2019 CON CELLAR BAR, NW1 21:00 CASH DOOR TRUDY KERR VOCALS-PIANO DUO Bass, David West - Drums
02/02/2019 ARCHDUKE, WATERLOO 19:30 FREE Miss Rosie - Vocals, Reuben Ard - Piano, Stephanie Legg - Clarinet & Sax, Jose Canha - JAZZLONDONLIVE FEB 2019 01/02/2019 CON CELLAR BAR, NW1 21:00 CASH DOOR TRUDY KERR VOCALS-PIANO DUO Bass, David West - Drums NICK MALCOLM'S 'J A D E' + JZ REPLACEMENT Nick Malcolm - trumpet / compositions, Jake 02/02/2019 RONNIE SCOTT'S, SOHO 19:30 £30 - £52.50 02/02/2019 ARCHDUKE, WATERLOO 22:00 FREE 01/02/2019 SOUTHBANK CENTRE 13:00 FREE McMurchie - sax, Will Harris - bass, Ric NU CIVILISATION ORCHESTRA FIRST HOUSE FRIDAY LUNCH: TAMAS TESZARY QUARTET Yarborough - drums SIMON PURCELL QUARTET PIANO-LED QUARTET Peter Edwards - musical director, Cherise What in the world is nouveau-bop? Find out from 01/02/2019 PIZZAEXPRESS JAZZ CLUB, SOHO 21:00 Adams-Burnet - vocals, Becca Toft - trumpet 1, the jazz vibraphonist and his quartet £38.50 Ife Ogunjobi - trumpet 2, Rosie Turton - 02/02/2019 RONNIE SCOTT'S, SOHO 23:00 £30 - £52.50 trombone 1, Hanna Mbuya - trombone 2, PAUL BROWN & MARC ANTOINE NU CIVILISATION ORCHESTRA SECOND HOUSE 01/02/2019 LE QUECUMBAR, BATTERSEA 18:00 FREE Nathaniel Facey - alto sax, Alam Nathoo - tenor sax, Rhiannon Jeffreys - baritone sax, Shirley BEFORE 8PM £6 AFTER 8PM 01/02/2019 606 CLUB, CHELSEA 21:30 £14.00 Tetteh - guitar, Sarah Tandy - keys, Jay Darwish - 02/02/2019 RONNIE SCOTT'S, SOHO 23:30 £12 DOOR bass, Tello Morgado - percussion, Rod Youngs - GOLDEN GIRL AVA SINGS FOR YOU... TESS BURRSTONE VOCAL-LED GROOVE/R&B BAND £6 NUS/ MU drums, Rhiannon Dimond - violin, Valeria Pozzo - Tess Burrstone-vocals, -
PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
The White Animals
The 5outh 'r Greatert Party Band Playr Again: Narhville 'r Legendary White AniMalr Reunite to 5old-0ut Crowdr By Elaine McArdle t's 10 p.m. on a sweltering summer n. ight in Nashville and standing room only at the renowned Exit/In bar, where the crowd - a bizarre mix of mid Idle-aged frat rats and former punk rockers - is in a frenzy. Some drove a day or more to get here, from Florida or Arizona or North Carolina. Others flew in from New York or California, even the Virgin Islands. One group of fans chartered a jet from Mobile, Ala. With scores of people turned away at the door, the 500 people crushed into the club begin shouting song titles before the music even starts. "The White Animals are baaaaaaack!" bellows one wild-eyed thirty something, who appears mainstream in his khaki shorts and docksiders - until you notice he reeks of patchouli oil and is dripping in silver-and-purple mardi gras beads, the ornament of choice for White Animals fans. Next to him, a mortgage banker named Scott Brown says he saw the White Animals play at least 20 times when he was an undergrad at the University of Tennessee. He wouldn't have missed this long-overdue reunion - he saw both the Friday and Saturday shows - for a residential closing on Mar-A-Lago. Lead singer Kevin Gray, a one-time medical student who dropped his stud ies in 1978 to work in the band fulltime, steps onto the stage and peers out into the audience, recognizing faces he hasn't seen in more than a decade. -
If the Stones Were the Bohemian Bad Boys of the British R&B Scene, The
anEHEl s If the Stones were the bohemian bad boys of the British R&B scene, the Animals were its working-class heroes. rom the somber opening chords of the than many of his English R&B contemporaries. The Animals’ first big hit “House of the Rising Animals’ best records had such great resonance because Sun,” the world could tell that this band Burdon drew not only on his enthusiasm, respect and was up to something different than their empathy for the blues and the people who created it, but British Invasion peers. When the record also on his own English working class sensibilities. hitP #1 in England and America in the summer and fall of If the Stones were the decadent, bohemian bad boys 1964, the Beatles and their Mersey-beat fellow travellers of the British R&B scene, the Animals were its working- dominated the charts with songs like “I Want to Hold Your class heroes. “We Gotta Get Out of This Place” and “It’s My Hand” and “Glad All Over.” “House of the Rising Sun,” a tra Life,” two Brill Building-penned hits for the band, were ditional folk song then recently recorded by Bob Dylan on informed as much by working-class anger as by Burdons his debut album, was a tale of the hard life of prostitution, blues influences, and the bands anthemic background poverty and despair in New Orleans. In the Animals’ vocals underscored the point. recording it became a full-scale rock & roll drama, During the two-year period that the original scored by keyboardist Alan Price’s rumbling organ play Animals recorded together, their electrified reworkings of ing and narrated by Eric Burdons vocals, which, as on folk songs undoubtedly influenced the rise of folk-rock, many of the Animals’ best records, built from a foreboding and Burdons gritty vocals inspired a crop of British and bluesy lament to a frenetic howl of pain and protest. -
Sky Pilot, How High Can You Fly - Not Even Past
Sky Pilot, How High Can You Fly - Not Even Past BOOKS FILMS & MEDIA THE PUBLIC HISTORIAN BLOG TEXAS OUR/STORIES STUDENTS ABOUT 15 MINUTE HISTORY "The past is never dead. It's not even past." William Faulkner NOT EVEN PAST Tweet 19 Like THE PUBLIC HISTORIAN Sky Pilot, How High Can You Fly by Nathan Stone Making History: Houston’s “Spirit of the Confederacy” I started going to camp in 1968. We were still just children, but we already had Vietnam to think about. The evening news was a body count. At camp, we didn’t see the news, but we listened to Eric Burdon and the Animals’ Sky Pilot while doing our beadwork with Father Pekarski. Pekarski looked like Grandpa from The Munsters. He was bald with a scowl and a growl, wearing shorts and an official camp tee shirt over his pot belly. The local legend was that at night, before going out to do his vampire thing, he would come in and mix up your beads so that the red ones were in the blue box, and the black ones were in the white box. Then, he would twist the thread on your bead loom a hundred and twenty times so that it would be impossible to work with the next day. And laugh. In fact, he was as nice a May 06, 2020 guy as you could ever want to know. More from The Public Historian BOOKS America for Americans: A History of Xenophobia in the United States by Erika Lee (2019) April 20, 2020 More Books The Munsters Back then, bead-craft might have seemed like a sort of “feminine” thing to be doing at a boys’ camp. -
Our Autumn Production of the Farce, Caught on the Hop by Derek Benfield, Although Playing to Somewhat Diminished Audiences
Our Autumn Production of the farce, Caught on the Hop by Derek Benfield, although playing to somewhat diminished audiences, provided a great evening’s entertainment to those who did turn out to support us. We congratulate again the cast of David Rose, David Fanthorpe, Julie Cumbo, Vicki Stanbury, Jackie Barrett, Tony Goddard, Croia Reilly and Biff Harrison who worked really well together under the direction of Chris Hepher. Reviews were favourable, with newcomer to The Barn, Julie Cumbo, receiving special praise for her portrayal of Maggie, the long suffering wife of serial philanderer Phil. Preparations are already underway for our exciting January 2005 Pantomime, Snow White and the Seven Dwarfs, directed by Janette White with Lawrie Horton as Musical Director and Fran Roberts (nee Newitt) as Choreographer. Carly Thompson is our Snow White with Chrissie Webb as her wicked Stepmother. Vicki Stanbury who was Jack in our 2004 Panto plays the Prince and we are very pleased to welcome back to The Barn, after several years’ absence at University, Lucy Coward as Sir Dashing. Our Dame this year is Mike Rourke as Nursey who teams up with new member Jonathan Wilson as Muddles to provide much of the comedy. Janette has chosen a mixture of adults and teenagers to portray the seven “little people” who are Kay Davies, Sophie McTavish, Sam Davies, Ben Atterbury, Laura Brand, Abigail Thomas-Verweij and Jo Cox. Fran has created lively dance routines for the dancing team of Tonia Porter, Neila Dawes, Nicola Wilson and Natalie Bristow and also for the Adult and the Junior Chorus members with some great popular songs.