Corpus Inscriptionum Arabicarum Palaestinae, Volume Four: -G

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Corpus Inscriptionum Arabicarum Palaestinae, Volume Four: -G- Author: Moshe Sharon Western Palestine is extremely rich in Arabic inscriptions, whose dates range from as early as CE 150 until modern times. Most of the inscriptions date from the Islamic period, for under Islam the country gained particular religious and strategic importance, even Pages: xvi, 308 pp. though it made up only part of the larger province of Syria. Language: English This historical importance is clearly reected in the hundreds of inscriptions, the texts of which cover a variety of topics: Subjects: General, Middle East construction, dedication, religious endowments, epitaphs, Qur'anic and Islamic Studies texts, prayers and invocations, all now assembled in the Corpus Publisher: Brill Inscriptionum Arabicarum Palaestinae ( CIAP). The CIAP follows the method established at the end of last century Series: by Max van Berchem, namely, the studying of the Arabic Handbook of Oriental Studies. inscriptions 'in context'. Van Berchem managed to publish two Section 1 The Near and Middle volumes of the inscriptions from Jerusalem: the CIAP covers the East, Volume: 30/4 entire country. The inscriptions are arranged according to site, and Corpus Inscriptionum are studied in their respective topographical, historical and Arabicarum Palaestinae, Volume: cultural context. In this way the CIAP ofers more than a survey of 30/4 inscriptions: it represents the epigraphical angle of the E-Book (PDF) geographical history of the Holy Land. Publication Date: 30 Nov 2008 Volume One: A, has been published in 1997, Volume Two: -B-C- in ISBN: 978-90-47-42416-1 1999, Volume Three: -D-F- in 2004 and an Addendum in 2007. All List price volumes are still available. EUR €212.00 / USD $264.00 Readership Hardback All those interested in the history of Palestine and the Near East, Publication Date: 27 Nov 2008 Islamic epigraphy, medieval studies, comparative religions, history ISBN: 978-90-04-17085-8 of art and architecture. List price EUR €212.00 / USD $264.00 For more information see brill.com Order information: Order online at brill.com The Americas: 1 (860) 350 0041 | [email protected] Outside the Americas: 44 (0) 1767 604-954 | [email protected] Submission information: brill.com/authors .

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New Draft of Art Historiography Article
Regarding the exhibition: the Munich exhibition Masterpieces of Muhammadan Art (1910) and its scholarly position Eva-Maria Troelenberg ‘Muhammadan art’ in the Weltstadt It was the cultural event of the year 1910:1 on 14 May, the municipal exhibition ground in Munich’s Theresienhöhe opened its gates to an unprecedented and exotic event, the exhibition Masterpieces of Muhammadan Art. This mammoth undertaking featured more than 3,600 artworks from approximately 250 international collections, museums and institutions and was installed in eighty halls (figure 1). * This paper summarizes and partially expands some aspects of my dissertation, which is the first comprehensive and contextualized monograph on the Munich exhibition Masterpieces of Muhammadan Art (Meisterwerke muhammedanischer Kunst): Eva-Maria Troelenberg, Eine Ausstellung wird besichtigt. Die Münchner ‘Ausstellung von Meisterwerken muhammedanischer Kunst’ 1910 in kultur- und wissenschaftsgeschichtlicher Perspektive, Frankfurt and Berlin: Peter Lang, 2011. For the sake of brevity, I will not refer to every corresponding section of my own book in this paper. For specific facets of the Munich show see also the contributions in Andrea Lermer and Avinoam Shalem, eds, After One Hundred Years. The 1910 Exhibition ‘Meisterwerke muhammedanischer Kunst’ Reconsidered, Leiden and Boston: Brill, 2010; as well as the catalogue for the exhibition The Future of Tradition – The Tradition of Future, which was held at Haus der Kunst in Munich in 2010-11: see Chris Dercon, León Krempel and Avinoam Shalem, eds, The Future of Tradition – The Tradition of Future. 100 years after the exhibition Masterpieces of Muhammadan Art in Munich, Munich, London and New York: Prestel, 2010. Apart from these publications, which were prompted by the centenary of the event, and appeared almost simultaneously, the 1910 Munich exhibition had been addressed by several scholars who have touched upon it within larger contexts of art history, historiography or museology, most notably: David J.
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14 Islamic Visual Culture
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