Books and Articles in English
GENERAL
Allen, Ray and Lois Wilcken, eds.
1998 Island Sounds in the Global City: Caribbean Popular Music and Identity
in New York. New York: New York Folklore Society.
Béhague, Gerard, ed.
1992 Music and Black Ethnicity: The Caribbean and South America. New
Brunswick, NJ: North‐South Center.
Figueroa, Rafael
1992 Salsa and Related Genres. Westport, Conn: Greenwood Press.
Jahn, Ja hnein z
1989 Muntu: African Culture and the Western World. New York: Grove
Weidenfeld.
Leymarie, Isa belle
2002 Cuban Fire: The Story of Salsa and Latin Jazz. New York: Continuum.
Manuel, Peter
2006 Caribbean Currents, 2nd edition. Philadelphia, PA: Temple University
Press.
Manuel, Peter, ed.
2009 Creolizing Contradance in the Caribbean. Philadelphia, PA: Temple
University Press.
Negrón‐Muntaner, Frances 2004 Boricua Pop: Puerto Ricans and the Latinization of American Culture.
New York: New York University Press.
Rivera, Raqu el, Deborah Pacini Hernández and Wayne Marshall, eds.
2009 Reggaeton. Durham, NC: Duke University Press.
Rondón, César
2008 The Book of Salsa. A Chronicle of Urban Music from the Caribbean to
New York City. Chapel Hill, NC: University of North Carolina Press.
Steward, Sue
¡Musica!: The Rhythm of Latin America: Salsa, Rumba, Merengue, and
More. San Francisco, Calif.: Chronicle.
Washburne, Christopher
2008 Sounding Salsa: Performing Latin Music in New York City. Philadelphia,
PA: Temple University Press.
Waxer, Lise, ed.
2002 Situating Salsa. Global Markets and Local Meanings in Latin Popular
Music. London: Routledge.
CUBA
Acosta, Leonardo
1987 From the Drum to the Synthesizer, transl. M. Zimmerman. Havana:
José Martí Publishing House.
2003 Cubano Be, Cubano Bop. One Hundred Years of Jazz in Cuba.
Washington D.C.: Smithsonian Books.
Amira, John, and Steven Cornelius 1992 The Music of Santería: Traditional Rhythms of the Batá Drums. Book
with accompanying CD. Crown Point, IN: White Cliffs Media.
Carpentier, A lejo
2001 Music in Cuba, transl. Alan West‐Durán. Minneapolis, MN: University
of Minnesota Press.
Cruz, Celia wi th Ana Cristina Reymundo
2004 Celia: My Life. New York: Sarao Publishers.
Daniel, Yvonn e P.
1995 Rumba: Dance and Social Change in Contemporary Cuba.
Bloomington: University of Indiana Press.
Davies, Rick
2003 Trompeta : Chappottín, Chocolate, and the AfroCuban Trumpet Style.
Lanham, Md. : Scarecrow Press
Gerard, Charl ey.
2001 Music from Cuba : Mongo Santamaría, Chocolate Armenteros, and
Cuban musicians in the United States. Westport, Conn., London : Praeger.
Grenet , Emili o
1939 Popular Cuban Music: 80 Revised and Corrected Compositions
Together with an Essay on the Evolution of Music in Cuba. Havana:
Carasa y Cía.
Hagedorn, Ka therine
2001 Divine Utterances. The Performance of AfroCuban Santería.
Washington D.C.: Smithsonian Institution Press. Lapidus, Ben
2008 Origins of Cuban Music and Dance: Changüí. Lanham, MD: Scarecrow
Press.
Manue l, Pete r, ed.
1991 Essays on Cuban Music: North American and Cuban Perspectives.
Maryland: University Press of America.
Moore, Robin
1997 Nationalizing Blackness. Afrocubanismo and Artistic Revolution in
Havana, 19201940. Pittsburgh, PA: University of Pittsburgh Press.
2006 Music and Revolution. Cultural Change in Socialist Cuba. Berkeley, CA:
University of California Press.
Perna, Vincen zo
2005 Timba: The Sound of Cuban Crisis. London: SOAS.
Sublette, Ned
2004 Cuba and its Music. From the First Drums to the Mambo. Chicago, IL:
Chicago Review Press.
Thomas, Susan
2009 Cuban Zarzuela. Performing Race and Gender on Havana’s Lyric Stage.
Champain‐Urbana, IL: University of Illinois Press.
Vélez, María Teresa
2000 Drumming for the Gods: The Life and Times of Felipe García Villamil,
Santero, Palero and Abakuá. Philadelphia: Temple University Press.
White, Charles. 2002 Alejandro García Caturla. Blue Ridge Summit, PA: Scarecrow Press.
DOMINICAN REPUBLIC
Austerlitz, Pa ul
1997 Merengue. Dominican Music and Dominican Identity. Philadelphia:
Temple University Press.
Davis, M artha Ellen
1976 AfroDominican Religious Brotherhoods: Structure, Ritual, and Music.
PhD dissertation, Univ. of Illinois.
Duany, Jorge
1994 "Ethnicity, Identity, and Music: An Anthropological Analysis of the
Dominican Merengue." G. Béhague, ed., Music and Black Ethnicity: The
Caribbean and South America, pp. 65‐90.
Pacini Herná ndez, Deborah
1995 Bachata: A Social History of a Dominican Popular Music. Phildelphia:
Temple University Press.
Tejeda Ortiz, Juan Dagoberto and Odalis Rosado
2003 Atlas Folklórico De La República Dominicana. Santo Domingo:
Ediciones Santillana.
PUERTO RICO
Aparicio, Frances R. 1996 Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican
Cultures. New Hampshire: University Press of New England.
Barton, Halbert E.
1968 The DrumDance Challenge. An Anthropological Study of Gender, Race,
and Class Marginalization of Bomba in Puerto Rico. PhD Thesis,
Cornell University.
Bloch, Peter
1973 La lelolai: Puerto Rican Music and its Performers. New York: Plus
Ultra.
Dower , Cathe rine
1983 Puerto Rican Music Following the Spanish American War: 1898: The
Aftermath of the Spanish American War and its Influence on the Musical
Culture of Puerto Rico. University Press of America.
Duany, Jorge
1984 “Popular Music in Puerto Rico: Toward and Anthropology of Salsa.”
Latin American Music Review vol. 5 no. 2 (Fall/Winter 1984), pp. 186‐
216.
Flores, Juan
2000 From Bomba to HipHop: Puerto Rican Culture and Latino Identity.
New York: Columbia University Press.
Glasser, Ruth
1995 Music is My Flag: Puerto Rican Musicians and their New York
communities, 19171940. Berkeley: University of California Press. McCoy, James
1968 The Bomba and Aguinaldo of Puerto Rico as they have Evolved from
Indigenous, African and European Cultures. PhD dissertation, Florida
State Univ.
Pagano , Césa r
1993 Ismael Rivera: Sonero mayor. Bogotá: Ediciones Antropos.
Rivera, Raquel
2003 New York Ricans from the HipHop Zone. New York: Palgrave
Macmillan.
Thompson, Donald
2002 Music in Puerto Rico A Readers Anthology. Lanham: Scarecrow Press.
Thomp son, D onald, and Annie F. Thompson
1991 Music and Dance in Puerto Rico from the Age of Columbus to Modern
Times: An Annotated Bibliography. Metuchen, N.J.: Scarecrow.