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Books and Articles in English

GENERAL

Allen, Ray and Lois Wilcken, eds.

1998 Island Sounds in the Global City: Caribbean Popular and Identity

in New York. New York: New York Folklore Society.

Béhague, Gerard, ed.

1992 Music and Black Ethnicity: The Caribbean and South America. New

Brunswick, NJ: North‐South Center.

Figueroa, Rafael

1992 Salsa and Related Genres. Westport, Conn: Greenwood Press.

Jahn, Ja hnein z

1989 Muntu: African Culture and the Western World. New York: Grove

Weidenfeld.

Leymarie, Isa belle

2002 Cuban Fire: The Story of Salsa and . New York: Continuum.

Manuel, Peter

2006 Caribbean Currents, 2nd edition. Philadelphia, PA: Temple University

Press.

Manuel, Peter, ed.

2009 Creolizing Contradance in the Caribbean. Philadelphia, PA: Temple

University Press.

Negrón‐Muntaner, Frances 2004 Boricua Pop: Puerto Ricans and the Latinization of American Culture.

New York: New York University Press.

Rivera, Raqu el, Deborah Pacini Hernández and Wayne Marshall, eds.

2009 . Durham, NC: Duke University Press.

Rondón, César

2008 The Book of Salsa. A Chronicle of Urban Music from the Caribbean to

New York City. Chapel Hill, NC: University of North Carolina Press.

Steward, Sue

¡Musica!: The Rhythm of Latin America: Salsa, Rumba, Merengue, and

More. San Francisco, Calif.: Chronicle.

Washburne, Christopher

2008 Sounding Salsa: Performing in New York City. Philadelphia,

PA: Temple University Press.

Waxer, Lise, ed.

2002 Situating Salsa. Global Markets and Local Meanings in Latin Popular

Music. London: Routledge.

CUBA

Acosta, Leonardo

1987 From the Drum to the Synthesizer, transl. M. Zimmerman. Havana:

José Martí Publishing House.

2003 Cubano Be, Cubano Bop. One Hundred Years of Jazz in Cuba.

Washington D.C.: Smithsonian Books.

Amira, John, and Steven Cornelius 1992 The Music of Santería: Traditional Rhythms of the Batá Drums. Book

with accompanying CD. Crown Point, IN: White Cliffs Media.

Carpentier, A lejo

2001 Music in Cuba, transl. Alan West‐Durán. Minneapolis, MN: University

of Minnesota Press.

Cruz, Celia wi th Ana Cristina Reymundo

2004 Celia: My Life. New York: Sarao Publishers.

Daniel, Yvonn e P.

1995 Rumba: Dance and Social Change in Contemporary Cuba.

Bloomington: University of Indiana Press.

Davies, Rick

2003 Trompeta : Chappottín, Chocolate, and the Afro­Cuban Trumpet Style.

Lanham, Md. : Scarecrow Press

Gerard, Charl ey.

2001 Music from Cuba : Mongo Santamaría, Chocolate Armenteros, and

Cuban musicians in the United States. Westport, Conn., London : Praeger.

Grenet , Emili o

1939 Popular Cuban Music: 80 Revised and Corrected Compositions

Together with an Essay on the Evolution of Music in Cuba. Havana:

Carasa y Cía.

Hagedorn, Ka therine

2001 Divine Utterances. The Performance of Afro­Cuban Santería.

Washington D.C.: Smithsonian Institution Press. Lapidus, Ben

2008 Origins of Cuban Music and Dance: . Lanham, MD: Scarecrow

Press.

Manue l, Pete r, ed.

1991 Essays on Cuban Music: North American and Cuban Perspectives.

Maryland: University Press of America.

Moore, Robin

1997 Nationalizing Blackness. Afrocubanismo and Artistic Revolution in

Havana, 1920­1940. Pittsburgh, PA: University of Pittsburgh Press.

2006 Music and Revolution. Cultural Change in Socialist Cuba. Berkeley, CA:

University of California Press.

Perna, Vincen zo

2005 : The Sound of Cuban Crisis. London: SOAS.

Sublette, Ned

2004 Cuba and its Music. From the First Drums to the Mambo. Chicago, IL:

Chicago Review Press.

Thomas, Susan

2009 Cuban . Performing Race and Gender on Havana’s Lyric Stage.

Champain‐Urbana, IL: University of Illinois Press.

Vélez, María Teresa

2000 Drumming for the Gods: The Life and Times of Felipe García Villamil,

Santero, Palero and Abakuá. Philadelphia: Temple University Press.

White, Charles. 2002 Alejandro García Caturla. Blue Ridge Summit, PA: Scarecrow Press.

DOMINICAN REPUBLIC

Austerlitz, Pa ul

1997 Merengue. Dominican Music and Dominican Identity. Philadelphia:

Temple University Press.

Davis, M artha Ellen

1976 Afro­Dominican Religious Brotherhoods: Structure, Ritual, and Music.

PhD dissertation, Univ. of Illinois.

Duany, Jorge

1994 "Ethnicity, Identity, and Music: An Anthropological Analysis of the

Dominican Merengue." G. Béhague, ed., Music and Black Ethnicity: The

Caribbean and South America, pp. 65‐90.

Pacini Herná ndez, Deborah

1995 Bachata: A Social History of a Dominican Popular Music. Phildelphia:

Temple University Press.

Tejeda Ortiz, Juan Dagoberto and Odalis Rosado

2003 Atlas Folklórico De La República Dominicana. Santo Domingo:

Ediciones Santillana.

PUERTO RICO

Aparicio, Frances R. 1996 Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican

Cultures. New Hampshire: University Press of New England.

Barton, Halbert E.

1968 The Drum­Dance Challenge. An Anthropological Study of Gender, Race,

and Class Marginalization of in Puerto Rico. PhD Thesis,

Cornell University.

Bloch, Peter

1973 La le­lo­lai: Puerto Rican Music and its Performers. New York: Plus

Ultra.

Dower , Cathe rine

1983 Puerto Rican Music Following the Spanish American War: 1898: The

Aftermath of the Spanish American War and its Influence on the Musical

Culture of Puerto Rico. University Press of America.

Duany, Jorge

1984 “Popular Music in Puerto Rico: Toward and Anthropology of Salsa.”

Latin American Music Review vol. 5 no. 2 (Fall/Winter 1984), pp. 186‐

216.

Flores, Juan

2000 From Bomba to Hip­Hop: Puerto Rican Culture and Latino Identity.

New York: Columbia University Press.

Glasser, Ruth

1995 Music is My Flag: Puerto Rican Musicians and their New York

communities, 1917­1940. Berkeley: University of California Press. McCoy, James

1968 The Bomba and Aguinaldo of Puerto Rico as they have Evolved from

Indigenous, African and European Cultures. PhD dissertation, Florida

State Univ.

Pagano , Césa r

1993 Ismael Rivera: Sonero mayor. Bogotá: Ediciones Antropos.

Rivera, Raquel

2003 New York Ricans from the Hip­Hop Zone. New York: Palgrave

Macmillan.

Thompson, Donald

2002 Music in Puerto Rico A Readers Anthology. Lanham: Scarecrow Press.

Thomp son, D onald, and Annie F. Thompson

1991 Music and Dance in Puerto Rico from the Age of Columbus to Modern

Times: An Annotated Bibliography. Metuchen, N.J.: Scarecrow.