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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Nbcuniversal International Television Production, Mediengruppe RTL Deutschland and TF1 Enter Ground- Breaking Partnership to Produce US Procedural Dramas
NBCUniversal International Television Production, Mediengruppe RTL Deutschland and TF1 enter ground- breaking partnership to produce US procedural dramas LONDON – 13 April 2015: NBCUniversal International Television Production (NBCU-ITVP), Mediengruppe RTL Deutschland and TF1 today announce that they have entered into an international co-production partnership to produce original US-style TV procedural dramas, allowing these leading international broadcasters to secure a pipeline of high quality, US-style procedural content from NBCUniversal. It is the first time that European broadcasters have partnered with a major US media company for a deal of this nature. This unique tripartite collaboration, conceived by Michael Edelstein, President of NBCU-ITVP, brings together leading international broadcasters – Mediengruppe RTL Deutschland and TF1 – with a major US media company that produces world class content across multiple genres. The partnership is designed to produce up to three new dramas over two years and will benefit from NBCUniversal’s wealth of expertise in producing high-quality, long-running procedural dramas such as Law & Order and House. Commenting on the partnership, Michael Edelstein said: “Procedural drama is a highly popular TV format in the global marketplace due to its episodic, rather than serialized, format. This pioneering venture with RTL and TF1 has the ability to create a number of exciting new series and represents the bold approach of these forward thinking broadcasters. For the first time, our partners will have the opportunity to commission US procedural drama directly from a company with a proven track record of success in the genre.” Procedural drama is particularly valuable to European broadcasters who are able to schedule programs with far greater freedom – episodes can be stacked and aired out of sequence. -
Case M.8861 - COMCAST / SKY
EUROPEAN COMMISSION DG Competition Case M.8861 - COMCAST / SKY Only the English text is available and authentic. REGULATION (EC) No 139/2004 MERGER PROCEDURE Article 6(1)(b) NON-OPPOSITION Date: 15/06/2018 In electronic form on the EUR-Lex website under document number 32018M8861 EUROPEAN COMMISSION Brussels, 15.6.2018 C(2018) 3923 final In the published version of this decision, some information has been omitted pursuant to Article 17(2) of Council Regulation (EC) No 139/2004 concerning non-disclosure of business secrets and PUBLIC VERSION other confidential information. The omissions are shown thus […]. Where possible the information omitted has been replaced by ranges of figures or a general description. To the notifying party Subject: Case M.8861 - Comcast/Sky Commission decision pursuant to Article 6(1)(b) of Council Regulation No 139/20041 and Article 57 of the Agreement on the European Economic Area2 Dear Sir or Madam, (1) On 7 May 2018, the European Commission received notification of a proposed concentration pursuant to Article 4 of the Merger Regulation by which Comcast Corporation ("Comcast" or the "Notifying Party", United States) proposes to acquire within the meaning of Article 3(1)(b) of the Merger Regulation sole control of the whole of Sky plc ("Sky", United Kingdom and the "Proposed Transaction"). Comcast and Sky are collectively referred to as the "Parties".3 1. THE OPERATION (2) Comcast is a US listed global media, technology and entertainment company, with two primary businesses: Comcast Cable and NBCUniversal ("NBCU"). Comcast is present in Europe almost entirely through NBCU, which is active in Europe in: (i) production, sales and distribution of film and television content; (ii) wholesale supply of TV channels and on-demand services; (iii) CNBC, a business news service, as well as NBC News; (iv) the provision of television content to end users through NBCU’s video on demand service; (v) the licensing of its 1 OJ L 24, 29.1.2004, p. -
Justin Pollard Film & TV Historian / Writer
Justin Pollard Film & TV Historian / Writer Agents Thea Martin [email protected] Credits In Development Production Company Notes OPIUM Tiger Aspect Exec Producer and Historical Consultant UNTITLED PROJECT Mandabach TV Historical Advisor UNTITLED PROJECT STX Historical Advisor 12 CAESARS Green Pavilion Co-Writer Television Production Company Notes VALHALLA MGM Associate Producer and Historical Consultant BROOKLYN HBO Historical Advisor 2018 BORGIA Company of Wolves Research Consultant. BRITANNIA Vertigo Films Historical Consultant United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes WILL Monumental / TNT Historical Consultant THE VIKINGS, Series MGM/ History Channel Associate Producer & Historical 1, 2, 3, 4 and 5 Consultant. 10 part drama series based on Viking Europe in the 9th century. PAGE EIGHT Carnival Films/ BBC Research Consultant. Film noir thriller starring Ralph Fiennes and Rachel Weisz. Directed by David Hare. QI Quite Interesting Ltd/ Talkback Writer/ Associate Producer. (Series 2 Thames/ BBC1 onward). PEAKY BLINDERS Tiger Aspect/ BBC Research Consultant. Drama series set amongst Birmingham gangs in the early 1920s. THE DRAGONS OF National Geographic Television Writer. MIDDLE EARTH Animated special on the symbolism of the dragon in the medieval Christian world. CAMELOT Starz/ GK-TV Script Consultant. 10 part drama series based on the Morte D’Arthur, starring Joseph Fiennes and Eva Green. THE TUDORS: SERIES Reveille/ Working Title/ TM Research Consultant. I-IV Productions/ Peace Arch Drama series starring Jonathan Rhys Entertainment Group, Inc. for Meyers as Henry VIII. Showtime ALEXANDRIA, Lion Television/ Channel 4 Writer/ Producer. -
Masterpiece Trust 2019 Impact Report.Docx
2019 Impact Report I am delighted to share the enclosed MASTERPIECE Trust Impact Report. Let us look back fondly on MASTERPIECE and the MASTERPIECE Trust’s achievements in 2019. MASTERPIECE enjoyed myriad successes in 2019: the series released its first-ever feature film, The Chaperone, expanded its podcast lineup with Mining Poldark, and published new educational outreach materials, all while broadening its reach in both broadcast and digital spaces. We look forward to celebrating the series’ upcoming 50th birthday with our MASTERPIECE family. Through the generosity of Trust members like you, MASTERPIECE will continue to do what it does best – delivering the finest British drama to the next generation of American viewers – for another half-century! Warmly, Emma Thomas Major Gifts Officer, The MASTERPIECE Trust MASTERPIECE Trust Members Around the Country MASTERPIECE Trust Partner Stations o HPM/Houston o TPT/Twin Cities o KERA/North Texas o VPBS/Vermont o KLRU/Austin o WGBY/Springfield o KPBS/ San Diego o WHRO/Norfolk o KQED/ San Francisco o WNET/New York o KWSU/Washington o WPBT2/South Florida o MPBN/Maine o WPT/Wisconsin o MPT/Maryland o WTCI/Chattanooga o PBS SoCal/Los Angeles o WTTW/Chicago o WUCF/Orlando MASTERPIECE Trust in 2019 2 MASTERPIECE Behind the Scenes MASTERPIECE in the Press Exceptional…it Poise, passion and resounds with heart higher stakes Compellingly dark and twisty … Les Misérables; Victoria Season 3; Mrs. Wilson; The Daily Beast The Telegraph A masterclass in The Boston Globe dodging clichés Unforgotten Season 3; The Independent Its own distinct and sure-footed entity Endeavor Season 6; A story that’s ever more The Guardian A heaping amount of laughter and joy timely and relevant The Press Season 1; The Durrells in Corfu Season 4; The Atlantic Paste Magazine The Boston Globe The Boston Globe 3 New on MASTERPIECE MASTERPIECE was excited to premiere several new series this past year, including: Mrs. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
MASTERPIECE Launches 50Th Anniversary Season with Hit Drama
MASTERPIECE Launches 50th Anniversary Season with Hit Drama Elizabeth is Missing Starring Glenda Jackson Flagship PBS Drama Series Turns 50 on Sunday, January 10, 2021 Boston, MA; July 29, 2020---MASTERPIECE on PBS will kick off its 50th anniversary season in January 2021 with Elizabeth is Missing, a BAFTA-nominated mystery starring two-time Academy Award® winner Glenda Jackson in her triumphant return to MASTERPIECE. In a performance described by the Guardian (UK) as “harrowing, compelling, unsentimental and altogether magnificent,” Jackson portrays a woman in the grip of dementia trying to solve the case of her missing friend. Almost 50 years ago, in 1971, Jackson won two Emmy® awards for her role as Queen Elizabeth I in MASTERPIECE’s Elizabeth R. Elizabeth is Missing will premiere on Sunday, January 3 at 9pm ET. January will also see the premiere of a new adaptation of All Creatures Great and Small, a seven-part series based on James Herriot’s heartwarming, entertaining and hilarious adventures as a veterinarian in 1930s Yorkshire; a 1970s adaptation was a hit when it aired on public television. Later in January at the special time of 8pm, MASTERPIECE will air Miss Scarlet and the Duke, a new six-part mystery starring Kate Phillips (Peaky Blinders) as the feisty, first-ever female detective in Victorian London. “We’re thrilled Glenda Jackson will lead off our 50th anniversary year,” says MASTERPIECE executive producer Susanne Simpson. “MASTERPIECE has been home to some of the best British dramas of our time, and a showcase for British ‘acting royalty’ such as Maggie Smith, Kenneth Branagh, Helen Mirren and Benedict Cumberbatch, and of course, Glenda Jackson.” One of the longest-running weekly series on primetime television, MASTERPIECE is presented by WGBH Boston and is funded by Viking, Raymond James and the MASTERPIECE Trust. -
Competition and Public Service Broadcasting: Stimulating Creativity Or Servicing Capital?
COMPETITION AND PUBLIC SERVICE BROADCASTING: STIMULATING CREATIVITY OR SERVICING CAPITAL? Centre for Business Research, University of Cambridge Working paper No. 408 by Simon Turner Department of Health Services Research and Policy, London School of Hygiene & Tropical Medicine, Keppel Street, London, WC1E 7HT Email: [email protected] Ana Lourenço School of Economics and Management, Catholic University of Portugal, Rua Diogo Botelho, 1327, 4169-005, Porto, Portugal. Email: [email protected] June 2010 This working paper forms part of the CBR Research Programme on Corporate Governance Abstract In UK public service broadcasting, recent regulatory change has increased the role of the private sector in television production, culminating in the BBC’s recent introduction of ‘creative competition’ between in-house and independent television producers. Using the concept of ‘cognitive distance’, this paper focuses on the increasing role of the independent sector as a source of creativity and innovation in the delivery of programming for the BBC. The paper shows that the intended benefits of introducing new competencies into public service broadcasting have been thwarted by, on the one hand, a high level of cognitive proximity between in-house and external producers and, on the other, a conflict in values between the BBC and the independent sector, with the latter responding to a commercial imperative that encourages creativity in profitable genres, leaving gaps in other areas of provision. While recent regulatory reform appears to have had a limited impact on the diversity of programming, it does suggest a closer alignment of programme content with the imperatives of capital. Implications for the literature on communities of practice are noted. -
The 7.39 Written by David Nicholls
THE 7.39 WRITTEN BY DAVID NICHOLLS Carnival Films and BBC One The 7.39 Carnival Films and BBC One’s new two-part romantic drama written by David Nicholls (One Day, Starter For Ten), The 7.39 stars David Morrissey (The Walking Dead), Sheridan Smith (Mrs Biggs), Olivia Colman (Broadchurch) and Sean Maguire (Scott & Bailey). Writer, David Nicholls says, “The 7.39 is a love story for grown-ups, the sort of drama that has not been seen on television for a while. I'm delighted to be writing for the BBC again and working with such a terrific cast and production team.” Carl Matthews (David Morrissey) is stuck. At the age of 45 his life has become routine. Every morning Carl fights his way onto the 7.39 train where he sees the same unhappy faces doing the same daily commute into Waterloo. Happily married to his best friend from college, Maggie (Olivia Colman), with whom he has two healthy, if sullen, teenage kids, life for Carl has become predictable. Sally Thorn (Sheridan Smith) has recently moved out of London, where she still works as the manager of a health club. But she’s unsure if she likes her new suburban life and is anxious about the prospect of marriage to Ryan (Sean Maguire), an enthusiastic personal trainer. Ryan is desperate to start a family, get married, settle down. Not that there’s much time to worry about these things, not while she’s running to catch the 7.39. Over a fight for a seat one morning Sally and Carl begin talking and suddenly their daily commute becomes a lot more interesting. -
02 the Hollow Crown Bios
Press Contact: Harry Forbes 212.560.8027, [email protected] Lindsey Bernstein 212.560.6609, [email protected] Great Performances: The Hollow Crown Bios Tom Hiddleston After he was seen in a production of A Streetcar Named Desire by Lorraine Hamilton of the notable actors’ agency Hamilton Hodell, Tom Hiddleston was shortly thereafter given his first television role in Stephen Whittaker’s adaptation of Nicholas Nickleby (2001) for ITV, starring Charles Dance, James D’Arcy and Sophia Myles. Roles followed in two one-off television dramas co-produced by HBO and the BBC. The first was Conspiracy (2001), a film surrounding the story of the Wannsee Conference in 1942 to consolidate the decision to exterminate the Jews of Europe. The film prompted Tom’s first encounter with Kenneth Branagh who took the lead role of Heydrich. The second project came in 2002 in the critically acclaimed and Emmy Award- winning biopic of Winston Churchill The Gathering Storm, starring Albert Finney and Vanessa Redgrave. Tom played the role of Randolph Churchill, Winston’s son, and cites that particular experience – working alongside Finney and Redgrave, as well as Ronnie Barker, Tom Wilkinson, and Jim Broadbent – as extraordinary; one that changed his perspective on the art, craft and life of an actor. Tom graduated from RADA in 2005, and within a few weeks was cast as Oakley in the British independent film Unrelated by first-time director Joanna Hogg. Unrelated tells the story of a woman in her mid-40s who arrives alone at the Italian holiday home of an extended bourgeois family. -
Biographical Notes
Biographical Notes Rebecca Eaton Executive Producer, MASTERPIECE Rebecca Eaton took over the helm of the PBS series MASTERPIECE THEATRE and MYSTERY! in 1985, and oversaw a highly successfully relaunch of MASTERPIECE in 2008 that has attracted a new generation of viewers to the series. Eaton has brought American audiences the recent hits Sherlock and Downton Abbey, the top-rated PBS drama of all time, as well as such high-profile titles as Mr Selfridge, Endeavour, Wallander, Prime Suspect, Cranford, Little Dorrit, Inspector Lewis, and The Complete Jane Austen. Under her leadership, MASTERPIECE has won 55 Primetime Emmy Awards®, 15 Peabody Awards, 6 Golden Globes®, and two Academy Award® nominations. In 2011, Eaton was named one of TIME's 100 most influential people. Her distinguished career has earned her the official recognition of Queen Elizabeth II—with an honorary OBE (Officer, Order of the British Empire). A graduate of Vassar College, Eaton began her career at the BBC World Service, then moved on to PBS station WGBH Boston where she produced programs ranging from business to sports to dance to drama before becoming Executive Producer of MASTERPIECE. Eaton's memoir, MAKING MASTERPIECE: 25 Years Behind the Scenes at Masterpiece Theatre and Mystery! on PBS, was published by Viking in 2013. About MASTERPIECE The top-rated primetime show on PBS, MASTERPIECE is presented on PBS by WGBH Boston. Rebecca Eaton is Executive Producer. Funding for the series is provided by Viking River Cruises and Audible with additional support from public televisionviewers and contributors to The MASTERPIECE Trust, created to help ensure the series’ future. -
MASTERPIECE "Downton Abbey, Season 5"
BIOGRAPHICAL NOTES Laura Carmichael Lady Edith Crawley in Downton Abbey Lady Edith has been through a lot since the early seasons of Downton Abbey, when she was treated like the ugly duckling of the Crawley clan. She’s been jilted at the alter, had a fling with a married man, and now—unbeknownst to her parents and sister— she’s a mother! Actress Laura Carmichael plays this complex character with charm and vulnerability. A graduate of the Bristol Old Vic Theatre School, she headlined a 2012 production of Uncle Vanya in the West End opposite Anna Friel and Sam West to critical acclaim, and she will appear in a new film adaptation of Madame Bovary opposite Mia Wasikowska and Paul Giamatti. Carmichael's television and film credits include The Heart of Thomas Hardy, House at the End of Our Street, and Tinker Tailor Soldier Spy, in which she played Sal opposite Gary Oldman, Colin Firth, and Benedict Cumberbatch. Her previous stage appearances include The London Cuckolds, A Chaste Maid in Cheapside, The Vicar of Wakefield, and As You Like It—all at the Bristol Old Vic. She has recently appeared in glamorous shoots for Vogue and Harper's Bazaar. Michelle Dockery Lady Mary Crawley in Downton Abbey Emerging from her deep depression after Matthew’s sudden death at the end of Season 3, Lady Mary is now an active partner in running Downton Abbey. Since the estate seems to be shaping up, she can focus on what to do about her suitors. Decisions! Decisions! Actress Michelle Dockery has sailed through Lady Mary’s troubles with critical accolades, including Best Actress nominations for the Golden Globe® Award and for a string of Emmys® (Seasons 2, 3, and 4).