Analysis of Louis Bloom's Psychopath Symptoms In
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The Patients Psychiatrists Dislike
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/19932548 Personality disorder: The patients psychiatrists dislike ARTICLE in THE BRITISH JOURNAL OF PSYCHIATRY · AUGUST 1988 Impact Factor: 7.99 · DOI: 10.1192/bjp.153.1.44 · Source: PubMed CITATIONS READS 183 83 2 AUTHORS, INCLUDING: Glyn Lewis University of London 515 PUBLICATIONS 19,434 CITATIONS SEE PROFILE Available from: Glyn Lewis Retrieved on: 04 February 2016 Personality disorder: the patients psychiatrists dislike G Lewis and L Appleby The British Journal of Psychiatry 1988 153: 44-49 Access the most recent version at doi:10.1192/bjp.153.1.44 References Article cited in: http://bjp.rcpsych.org/cgi/content/abstract/153/1/44#otherarticles Reprints/ To obtain reprints or permission to reproduce material from this paper, please write permissions to [email protected] You can respond http://bjp.rcpsych.org/cgi/eletter-submit/153/1/44 to this article at Email alerting Receive free email alerts when new articles cite this article - sign up in the box at the service top right corner of the article or click here Downloaded bjp.rcpsych.org on July 11, 2011 from Published by The Royal College of Psychiatrists To subscribe to The British Journal of Psychiatry go to: http://bjp.rcpsych.org/subscriptions/ British Journal of Psychiatry (1988), 153, 44—49 Personality Disorder: The Patients Psychiatrists Dislike GLYN LEWISand LOUISAPPLEBY A sample of psychiatrists was asked to read a case vignette and indicate likely management and attitudes to the patient on a number of semantic-differential scales. -
Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man. -
The Psychopath Whisperer
The Psychopath Whisperer Kent Kiehl is Executive Science Offi cer of the nonprofi t Mind Re- Inside the Minds of Those Without a search Network and Professor of Psychology, Neurosciences, and Law at the University of New Mexico. In addition to authoring more than Conscience 130 articles in peer-reviewed publications, including Nature and Sci- ence, Kiehl has writ ten for Scientifi c American, has appeared on US National Public Rardio, and was profi led by John Seabrook in The New Yorker. He currently directs fi ve major projects in psychopathy and related mental health funded by the UN National Institutes of Health. He lectures extensively to judges, lawyers, prison offi cials, and lay audiences about the inter section of neuroscience and the law. Kent Kiehl Psychopath Whisperer short royal.indd 3 11/03/2014 12:40 A Oneworld Book First published in Great Britain and Australia by Oneworld Publications 2014 Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House LLC, a Penguin Random House Company Copyright © Kent Kiehl 2014 For Mom and Dad The moral right of Kent Kiehl to be identifi ed as the Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved Copyright under Berne Convention A CIP record for this title is available from the British Library ISBN 978-1-78074-539-8 eBook ISBN 978-1-78074-540-4 Book design by Lauren Dong Illustrations by Fred Haynes Cover design by shepherdstudio.co.uk Printed and bound by -
Emotional Deficiency and Psychopathy 569
I I I Behavioral Sciences and the Law I Behav. Sci. Law 18: 567- 580 (2000) Emotional Deficiency and I Psychopathy Sabine C. Herpertz, M.D.* and Henning Sass, I M.D. Aside from an antisocial life-style, the concept of psychopathy is based on character features which can be I described in terms of specl.fi.c patterns of interpersonal, behavioral, and, in particular, affective characteristics. Concluding from studies which have dealt with the I affective domain in psychopaths, emotional deficiency may predispose to violence in several ways. (1) Poor conditioning implicates a failure to review the harmful consequences of one's actions leading to a deficit of I avoidance behavior. (2) Emotional detachment prevents experiencing feeUngs, which naturally inhibit the acting out of violent impulses. (3) Emotional deficiency is closely associated with a general underarousal, leading I to sensation seeking. Current data suggest that there may be a close association between difficulties in emotional processing and poor prefrontal functioning. From . a psychosocial perspective, psychopaths were I shown to have been exposed to severe familial and societal difficulties. Whether biological or environmental factors dominate in the etiology of this personality dis I order, psychopathy does not per se justify the assump tion of decreased legal responsibility. Copyright «;;> 2000 I John Wiley & Sons, Ltd. HISTORY OF THE CONCEPT OF PSYCHOPATHY I The concept of psychopathy results from a confluence of views entertained in the French, German, and Anglo-American psychiatric traditions (see Table 1). Pinel's description of a "Mania sans delire", which was mainly characterized by emotional instability and social drift, can be looked upon as the beginning of I the scientific study of personality disorders (Sass & Herpertz, 1995). -
The Mediating Role of Emotion Dysregulation in Psychopathy
THE MEDIATING ROLE OF EMOTION DYSREGULATION IN PSYCHOPATHY AND BORDERLINE TRAITS A Thesis By BRITTANY NICOLE PENSON Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Chair of Committee, John F. Edens Committee Members, Steven Woltering Brandon J. Schmeichel Head of Department, Heather C. Lench May 2017 Major Subject: Psychology Copyright 2017 Brittany Nicole Penson ABSTRACT Research over the last several decades has more clearly specified the nature of the relationships between emotion regulation and various pathologies. For example, a growing body of literature suggests that psychopathic traits show divergent associations with emotion dysregulation. Among men, interpersonal-affective features of psychopathy (e.g., social dominance and fearlessness) demonstrate a negative relationship with emotion dysregulation; whereas impulsive-antisocial characteristics show a positive association. However, such findings have yet to be demonstrated with women, whose presentation of core psychopathic traits is thought to differ from men. In particular, research has pointed to borderline personality traits, to which emotion dysregulation is a core feature, to be closely linked to psychopathic traits in women. The current study sought to extend the literature concerning the relationship between emotion dysregulation and psychopathy by examining this association as a function of gender. Additionally, the current study examined the mediating role emotion dysregulation plays in the relationship between borderline personality traits and psychopathy as it relates to the phenotypic expression of psychopathy across men and women. The results of the present study reveal the same divergent pattern of emotion dysregulation and psychopathic traits in women as in men. -
THE RIGHTS and WRONGS of the PSYCHOPATH in CRIMINAL LAW: HOW MODERN SCIENCE MUST RESHAPE OLD POLICY. © Jasmine Nicolson* INTROD
THE RIGHTS AND WRONGS OF THE PSYCHOPATH IN CRIMINAL LAW: HOW MODERN SCIENCE MUST RESHAPE OLD POLICY. © Jasmine Nicolson* INTRODUCTION Psychopaths have long been enshrined in both popular culture and in law as the face of evil and danger;1 their classic characteristics of callousness, impulsivity, and remorselessness have helped to cement the conceptual link between psychopathy and violent crime.2 Psychiatrists from the 19th century, with all the equipment they had available at the time, made sweeping generalisations about the nature of the disorder. Pinel described patients who appeared without delusions or psychosis, as mentally unimpaired but engaged in impulsive acts of ‘instincte fureur’.3 Prichard built upon this definition to develop the concept of ‘moral insanity’. This term has evolved since its original intent – coming from the original French, ‘moral’ was taken to mean ‘emotional’ rather than ethical – and so the original ‘moral insanity’ was a ‘madness’ of emotional disposition and social ability, but without hallucinations or delusions.4 The concept has since evolved to include a lack of comprehension and appreciation of ethics and morality,5 but ultimately the M’Naghten rules in 1842 forged the legal defence of insanity, which required a clear presence of delusion, rather than a mere lack of morality.6 Both jurisdictions of England and Scotland have since built upon this to include an inability to 1 Cary Federman, Dave Holmes, and Jean Daniel Jacob, "Deconstructing the Psychopath: A Critical Discursive Analysis," Cultural Critique 72, no. 1 (2009). 2 Eric Silver, Edward P. Mulvey, and John Monahan, "Assessing Violence Risk among Discharged Psychiatric Patients: Toward an Ecological Approach," Law and Human Behavior 23, no. -
Interpersonal Dynamics in Personality and Personality Disorders
European Journal of Personality, Eur. J. Pers. 32: 499–524 (2018) Published online 27 June 2018 in Wiley Online Library (wileyonlinelibrary.com) DOI: 10.1002/per.2155 Interpersonal Dynamics in Personality and Personality Disorders CHRISTOPHER J. HOPWOOD* University of California, Davis, CA USA Abstract: Clinical and basic personality psychologists interact less than they should, given their similar interests. In clinical personality psychology, available evidence supports a transition from the current categorical system to a hierarchical trait scheme for diagnosing the stable features of personality disorder. However, trait models do not capture the dynamic aspects of personality disorders as they have been described in the clinical literature, and thus miss a clinically critical feature of personality pathology. In contrast, basic personality psychologists have coalesced around a consensual structure of individual differences and become increasingly interested in the dynamic processes that underlie and contextualize traits. But trait psychology models are not sufficiently specific to characterize dynamic personality processes. In this paper, I filter clinical descriptions of personality disorders through the lens of interpersonal theory to specify a recursive within-situation interpersonal pattern of motives, affects, behaviours, and perceptions that could contribute to the stable between-situation patterns of maladaptive behaviour of historical interest to both basic and clinical personality psychologists. I suggest that this interpersonal -
Pop-Culture Psychopathy: How Media and Literature Exposure Relate To
Pop-Culture Psychopathy: How Media and Literature Exposure Relate to Lay Psychopathy Understanding Dissertation Presented to The Faculty of the College of Arts and Sciences Drexel University In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy by Michael E. Keesler, M.S., J.D. Department of Psychology May, 2013 Pop-Culture Psychopathy ii Table of Contents Table of Contents ............................................................................................................................ ii Abstract ........................................................................................................................................... v Introduction ..................................................................................................................................... 1 Background and Literature Summary ............................................................................................. 2 Psychopathy’s Evolution Over Time ........................................................................................ 2 Contemporary Psychopathy ................................................................................................ 4 The Public’s Evolving Relationship with Psychology.............................................................. 8 Increase in Psychopathy Professional Literature for Lay Consumer ...................................... 10 Increase in Psychopathy Popular Media Delivered to Lay Consumer ................................... 13 What Effect Do Mixed Messages -
A Critical Appraisal of the Dark Triad 1 Running Head
A critical appraisal of the Dark Triad 1 Running Head: A critical appraisal of the Dark Triad A critical appraisal of the Dark Triad literature and suggestions for moving forward Joshua D. Miller University of Georgia Colin Vize Purdue University Michael L. Crowe University of Georgia Donald R. Lynam Purdue University In press: Current Directions in Psychological Science Correspondence: Josh Miller, PhD, Department of Psychology, University of Georgia, Athens, GA, 30602. [email protected] A critical appraisal of the Dark Triad 2 Abstract Since its introduction in 2002, Dark Triad (DT) research– the simultaneous study of psychopathy, narcissism, and Machiavellianism – has exploded, with the publication of hundreds of peer reviewed articles, books and chapters, as well as coverage by the lay media. Unfortunately, there are several limitations to this research that are unrecognized or ignored. These limitations include 1) the treatment of DT constructs as unidimensional contrary to evidence for their multidimensionality, 2) the indistinctness between current measures of Machiavellianism and psychopathy, 3) the use of multivariate statistical approaches that pose statistical and interpretive difficulties, 4) failure to test DT relations directly against one another, and 5) methodological limitations related to convenience sampling and reliance on mono-method approaches. We discuss these problems in detail and describe solutions that can result in a more robust, replicable, and meaningful literature moving forward. Keywords: psychopathy, narcissism, Machiavellianism, partialing, multidimensionality A critical appraisal of the Dark Triad 3 In 2002, Paulhus and Williams published a seminal study on the “Dark Triad” (DT), the simultaneous study of psychopathy, narcissism, and Machiavellianism with the goal of examining the ways in which these personality constructs overlap and diverge. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Psychopathological Excursus on Anti-Social Personality Disorder, Psychopathy and the Dark Triad: a Review of International Literature
JOURNAL OF PSYCHOPATHOLOGY 2020;26:242-247 Review doi: 10.36148/2284-0249-334 Psychopathological excursus on anti-social personality disorder, psychopathy and the dark triad: a review of international literature Francesca Giannini, Raffaella Raimondi Dirigente medico psichiatra ULSS2 marca trevigiana, Villorba (TV), Italy SUMMARY Aim This work is made up of two parts. The first part aims to give a general overview of psy- chopathy and anti-social personality disorder. The second part goes into more depth on the conceptual and empirical studies of the three correlated personality constructs, until now defined as the Dark Triade, but considering them independently. Methods We consulted information available in literature through the PubMed site and Google Scholar without filtering by year. Searches were made using the keywords “psychopathy”, “psychop- athy and anti-social personality disorder” and “dark triad”. Results and discussion We highlight not only the specific peculiarities, but also similarities and differences that help the reader better understand that the two terms, psychopathy and anti-sociality, are not syn- onyms although often used as such. We also offer a definition of the concept of Dark Triad, outlining both its “undesirable” and functional aspects. Key words: psychopathy, psychopathy and anti-social personality disorder, dark triad Received: July 8, 2019 Accepted: June 8, 2020 Correspondence Francesca Giannini Introduction Unità di Dipartimento di Salute Mentale, Very often the terms anti-sociality and psychopathy are mistakenly used ULSS2 marca trevigiana. via S. Pellico 14, 31020 Villorba (TV), Italy as synonyms. Hare believes the distinction between psychopathy and an- E-mail: [email protected] ti-social personality disorder is very important, both for clinicians and for the rest of society 1,2. -
Amicus Est Une Production Cinématographique Britannique Basée À Shepperton Studios En Angleterre
Amicus est une production cinématographique britannique basée à Shepperton Studios en Angleterre. Elle a été fondée par le producteur et scénariste américain Milton Subotsky et Max Rosenberg . Amicus est mieux connu pour ces films d’horreurs d’anthologies, bien que leurs deux premiers films étaient des comédies musicales pour le marché des adolescents : C'est Trad, papa! (1962) et Just for Fun (1963). Toutefois, avant la création d'Amicus les deux producteurs avaient collaborés à un film d’horreur de 1960 La Cité des morts. Ces films sont généralement dotés de quatre, parfois cinq histoires d'horreur reliées les unes aux autres par une intrigue globale avec un narrateur et ceux qui écoutent son histoire. Ces films sont invariablement interprétés par des acteurs de renom, chacun d'entre eux jouant de petits rôles dans les différentes histoires. Ainsi on retrouve des stars tels que Peter Cushing , Christopher Lee et Herbert Lom , Amicus fait également appel à des acteurs de la scène britannique classique ( Patrick Magee , Margaret 1 Leighton et même Sir Ralph Richardson ), mais aussi à ( Donald Sutherland , Robert Powell et Tom Baker ), ou d'anciennes gloires comme ( Richard Greene , Robert Hutton , et Terry Thomas ). Certaines, comme Joan Collins , connaissaient une perte de vitesse dans leur carrière quand ils ont signé avec Amicus. Torture Garden et The House That Dripped Blood ont été écrits par Robert Bloch , basé sur ses propres histoires. The Skull était auparavant également basé sur une histoire de Robert Bloch (scénarisé par Milton Subotsky), et Robert Bloch était aussi le scénariste du Psychopathe et l'adaptateur de The Bees Deadly.