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Original Dixieland Jazz Band & "Nick" Larocca of New Orleans, Creator
Jack "Papa" Laine (Sicilian native George Vitale), Leader of his famous Reliance Brass Military Marching Band of New Orleans. Nick LaRocca was a regular member from 1910 to 1916. Original Dixieland Jazz Band & "Nick" LaRocca of New Orleans, Creator of Jazz Original Dixieland Jazz Band Members Victor release of "Livery Stable Blues" 1917. Victor release of "Dixie Jass Band One-Step" 1917. Original Dixieland Jazz Band - A 1918 promotional postcard showing (from left), drummer Tony Sbarbaro (aka Tony Spargo), trombonist Edwin "Daddy" Edwards, cornetist Dominick James "Nick" LaRocca, clarinetist Larry Shields, and pianist Henry Ragas 1917 Nick LaRocca Bust Courtesy Nick LaRocca Cultural Arts Center in Salaparuta, Sicily Dominic James "Nick" LaRocca Jimmy LaRocca 1889-1961 Continuing the Tradition In 1917, under the leadership of Nick LaRocca, the Original Dixieland Jazz Band (ODJB) made the first jazz recording. This first and many to follow were instant sensational “Hits” that were inspirational and influential beyond imagination. The success of the ODJB recordings was immense and musicians worldwide changed instrumentation to emulate the sound and style they made famous. From 1917 to 1938 they recorded fifty-two 78’s that are still sold today on various CD compilations. (Click on the photo below for a printable 8 X 10.) On February 8, 2006 the Original Dixieland Jazz Band was inducted into the Grammy Hall of Fame for their 1917 recording of the “Darktown Strutter’s Ball.” The ODJB is back in full swing under the direction of the original leader’s son, Jimmy LaRocca, on trumpet and vocals, with a fine ensemble of New Orleans musicians. -
The Original Dixieland Jass Band
The Original Dixieland Jass Band April 1967 organiseerde platenmaatschppij RCA-Victor, voor genodigden, een feestje in het Nieuwe De La Mar Theater in Amsterdam, t.g.v. het uitbrengen van een heruitgave op single (vi- nyl) van de eerste ‘jass’ (lees ‘jazz’) gram- mofoonplaat op 26 februari 1917, met daarop de titels ‘That Teasing Rag’en ’Ori- ginal Dixieland One Step’. Het ongedwon- gen feestje van dit 50- jarige jubileum bleek voor veel Nederlandse jazzmusici en -liefhebbers aanleiding om aanwezig te zijn. Als vaste bezoeker van de Amster- damse Jazzclub ‘De Blokhut’ wilde ik dit beslist niet laten schieten, temeer daar er ook nog een orkest geformeerd was o.l.v. Frithjof Sterrenburg, de onlangs over- leden leider van het roemruchte orkest ‘Charley’s Novelty Orkest The Growths’, dat de nummers van de Original Dixie- land Jass Band (O.D.J.B.) op originele wijze zou gaan vertolken. Het werd een ongedwongen middag en de vele verza- melaars en liefhebbers amuseerden zich kostelijk. Zelf heb ik die middag nog met Een uniek exemplaar uit de Wim Keller collectie. Joop Schrier van de Dutch Swing College gesproken. Na het boekje over de eerste jazzplaat en het bewuste singletje gekregen te heb- ben, verliet ik met een voldaan gevoel het theater, stapte op mijn fiets en toog huiswaarts. Als beginnend liefhebber en grammofoonplaten verzamelaar van jazzmuziek hield ik alle publica- ties over dat onderwep in de gaten en zo had ik ook een uitgave van ‘The Story of the Original Dixieland Jass Band’- met harde kaft - in mijn bezit (een collectors item), geschreven door H.O. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -