{TEXTBOOK} 100 Years of London
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Texts’, 237-44, in Remembering Protest in Britain Since 1500
Cohn, S. (2019) The topography of medieval popular protest. Social History, 44(4), pp. 389-411. (doi: 10.1080/03071022.2019.1655884). This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/181815/ Deposited on: 14 March 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk The topography of medieval popular protest The topography of revolt has been essential for understanding changes in popular insurgency during the Middle Ages and to distinguish more broadly and globally ‘modern’ revolt from what some historians and social scientists have labelled as ‘pre- modern’. To begin, what constituted popular revolt in the Middle Ages remains ill- defined, and when defined, the notions are often conflicting. Riots, revolts, risings, uprisings, conflicts, disturbances, popular movements, insurgency, and other terms for popular protest are often used interchangeably.1 Other historians, however, have drawn a sharp divide between ‘riot’ or ‘revolt’ or ‘revolution. For Michel Mollat and Philippe Wolff, a revolt is ‘a spontaneous reaction, a reflect of anger or self-defence’, while ‘revolution is something planed and prepared’, and in the Middle Ages, the authors assert, the latter was extremely rare.2 Guy Fourquin went further: ‘rebellion’ was ‘the complete overthrow of a society’s foundations’, and in the Middle Ages this was an impossibility; -
The City of Ghent 1316-1337 Ghent in the Fourteenth Century
The City – Rebellion Page: 1 / 194 René Jean-Paul Dewil The City of Ghent 1316-1337 Ghent in the fourteenth century Rebellion © René Dewil Number of words: 120480 March 2013 – July 2013 The City – Rebellion Page: 2 / 194 Copyright Clause Copyright © René Jean-Paul Dewil 2014 René Jean-Paul Dewil is identified as the sole author of this work. All rights reserved. No part of this publication may be altered without the written permission of the author. The book may be copied in electronic or other forms for personal use only. It may not be printed, introduced in any retrieval system, electronic or otherwise, photocopied or otherwise recorded without the prior written permission of the author. The only system where the e-book may be retrieved from is the Internet website www.theartofpainting.be, which holds the only and original text acknowledged by the author. This publication remains under copyright. ‘The City - Rebellion’ is a work of fiction. Except for the names of the van Artevelde family, the names of the kings, popes, dukes and counts, the other names used and the characters of the novel are only the result of the imagination of the author. Any resemblance to persons existing or dead is purely coincidental. © René Dewil Number of words: 120480 March 2013 – July 2013 The City – Rebellion Page: 3 / 194 Table of Contents Table of Contents ....................................................................................................................... 3 The Characters ........................................................................................................................... -
7 Political Power and Social Groups, C.1300–C.1500
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography 268 7 Political Power and Social Groups, c.1300– c.1500 Jan Dumolyn , Frederik Buylaert , Guy Dupont , Jelle Haemers , and Andy Ramandt At the turn of the fourteenth century, the character of political rule in the major cities of Flanders changed decisively. Around 1280, the manual work- ers who during the thirteenth century had been systematically excluded from the city government, fi nally entered the political stage. Aft er the pop- ular victory of 1302 the craft guilds, especially in the larger urban centres of Bruges and Ghent , gained access to the arenas of political decision- making. Th e cities emerged with new constitutions in which control of the urban government was shared between the old merchant class and the guilds, which were now given new liberties, though the equilibrium between the two would always remain precarious. 1 Guild power became a prominent feature of social and political life, so much so that the late medieval period in Bruges can be justly termed the age of ‘corporatism’, with the city being regarded as a body politic strongly infl uenced by the ‘political guilds’. While this development partly emerged from longer- term economic change, the momentous events around 1300 altered the nature of communal politics. While corporatist ideas and practices of governing the urban body politic borrowed from an earlier communal ideology, aft er 1302 the craft guilds would become, or would at least present themselves as, the embodiment of the urban commune. -
Adelheid Ceulemans the MEDIUM IS the MESSAGE HISTORICAL
Adelheid Ceulemans THE MEDIUM IS THE MESSAGE HISTORICAL HEROES IN FLEMISH LYRICAL DRAMAS OF THE NINETEENTH CENTURY (1830-1914) Introduction In 1792 the Théâtre du Vaudeville opened its doors in Paris. The fact that a separate theatre house was built for staging (only) vaudevilles, illustrates this genre’s immense popularity in France at the end of the eighteenth century. In the first decades of the nineteenth century, playwrights in the United Kingdom of the Netherlands slowly got acquainted with the phenomenon. From 1830-1840 onwards the genre of the ‘lyrical drama’, rooted in French vaudeville and opéra comique, flourished in Flemish theatre houses.1 The staging of lyrical dramas drew full houses – it was a very popular kind of entertainment in nineteenth-century Flanders. The interdisciplinary nature of lyrical dramas (at the crossroads of poetry, music and drama) renders them highly interesting subjects for research. Until now, however, these genres have garnered little scholarly attention. In international research, lyrical dramas, especially French melodramas, have received attention from literary scholars, historians and musicologists in recent years.2 The lack of scholarly attention for these genres in Flanders is remarkable, not least as the connection between music and literature was strikingly evident in nineteenth-century Flemish Adelheid Ceulemans, ‘The medium is the message. Historical heroes in Flemish lyrical dramas of the nineteenth century (1830-1914)’, in: Studies on National Movements, 3 (2015). http://snm.nise.eu/index.php/studies/article/view/0303a -
Saint George for England, by G
The Project Gutenberg EBook of Saint George for England, by G. A. Henty This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Saint George for England Author: G. A. Henty Release Date: February 25, 2009 [EBook #3429] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SAINT GEORGE FOR ENGLAND *** Produced by Martin Robb, and David Widger SAINT GEORGE FOR ENGLAND By G. A. Henty Contents PREFACE. CHAPTER I: A WAYFARER CHAPTER II: THE HUT IN THE MARSHES CHAPTER III: A THWARTED PLOT CHAPTER IV: A KNIGHT'S CHAIN CHAPTER V: THE CITY GAMES CHAPTER VI: THE MELEE CHAPTER VII: THE YOUNG ESQUIRE CHAPTER VIII: OFF TO THE WARS CHAPTER IX: THE SIEGE OF HENNEBON CHAPTER X: A PLACE OF REFUGE CHAPTER XI: A STORMY INTERVIEW CHAPTER XII: JACOB VAN ARTEVELDE CHAPTER XIII: THE WHITE FORD CHAPTER XIV: CRESSY CHAPTER XV: THE SIEGE OF A FORTALICE CHAPTER XVI: A PRISONER CHAPTER XVII: THE CAPTURE OF CALAIS CHAPTER XVIII: THE BLACK DEATH CHAPTER XIX: BY LAND AND SEA CHAPTER XX: POITIERS CHAPTER XXI: THE JACQUERIE CHAPTER XXII: VICTORY AND DEATH PREFACE. MY DEAR LADS, You may be told perhaps that there is no good to be obtained from tales of fighting and bloodshed,—that there is no moral to be drawn from such histories. Believe it not. War has its lessons as well as Peace. -
“The Price of Pestilence: England's Response to the Black Death in the Face of the Hundred Years War” DISSERTATION Present
“The Price of Pestilence: England’s response to the Black Death in the face of the Hundred Years War” DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sarah Kathryn Douglas Graduate Program in History The Ohio State University 2015 Dissertation Committee: Dr. John Guilmartin, Professor of History Dr. Geoffrey Parker, Andreas Dorpelan Professor of History Dr. Barbara Hanawalt, King George III Professor of British History, Emerita Copyright by Sarah Kathryn Douglas 2015 Abstract In 1348, the Black Death swept across Europe and killed nearly 50% of the population. Immediately prices for labor, livestock, and consumables skyrocketed and governments everywhere ground to a halt. England was no exception as King Edward III had the additional concern of paying for his military campaigns against France during the opening phase of the Hundred Years War (1337-1453). While the Black Death has received ample attention from historians of everything from economics and culture to disease and environment, none have addressed the effect of the plague upon military affairs. This has generated a significant gap, not only in the study of medieval military history, but in our understanding of the effects of pandemic as a whole. This dissertation compares two expeditions, one before the plague and one after: the 1346-47 Crécy-Calais campaign and the 1359-60 Reims campaign. This comparison reveals that despite the shock caused by the plague to all spheres of life, the English Crown quickly and efficiently adapted to its new political, economic, and demographic limitations. -
Bruges, Cradle of Capitalism, 1280-1390 James M
Cambridge University Press 0521819210 - Bruges, Cradle of Capitalism, 1280-1390 James M. Murray Index More information Index Aachen, St. Mary’s chapel in, Charlemagne’s Arnulf I, Count, 45, 47, 362 church, 362 Arquato, Bartholomeo de (notary public), 271 Aalter, 41, 42 Arques, treaty of, 13 Aardenburg, 13, 23, 28, 38, 39, 62, 220, 282 Arras, 45, 323 Acciaiuoli company, 230 Artevelde, Jacob van, 15, 85, 108, 350 Ackerman, Francis, 357 politics of, 15–16 Adornes, family of, 185–186, 192 death of, 16 Anselm, 192 Artevelde, Philip van, 19, 164, 350, 356 Jacob, 186 politics of, 19 Pieter, 164, 186 Artiaus, Foukaut d’, 247 Advent (Adventus, Entry, Blijde Inkomst, artisans, 82 Intochten), 344, 360 Artois, 39, 40, 99 count’s 1384, 361, 363–364 Artrike, Simon van, 176 liturgy of, 364–366 Assenede, 39 long-term implications of, 367 assizes, 173 Ake, Trude and Pieter van, 211 on wine and beer, 95, 105, 115, 172, 324 hostel of, 320 on mead, 115 exchange of, 320 Athis-sur-Orge, treaty of, 8, 10, 13 Alberti, Antonio de, 270 Auderve, Stevin van (drayman), 136 aldermen (schepenen, ´echevins), 7, 17, 20, 37, 41, Augustinians, 54, 73, 92, 225 62, 63, 68, 92, 114, 116, 331 abbey of Eekhout, 93 alehouses, 76 abbey of St. Trudo, 93 alewife, 302 Ausebourc, Le Demisielle van, 323 Alsace, comital house of, 38 Peter van, 323 Dirk of, 364 Auweele, Dirk van den, 116 amber, 370 avaintage, 296 Amelakens, Celie (Ghent money changer), 313 Avignon, 234 Amerov, Baernt, 247 Amsterdam, 259 bakers, 101 Antwerp, 144, 175, 178, 212, 239, 249, 253, 259, Baldwin I “Iron Arm,” -
The Austrian Netherlands 40
Belgium Studies in Modern European History Frank J. Coppa General Editor Vol. 50 PETER LANG New York Washington, D.C./Baltimore Bern Frankfurt am Main Berlin Brussels Vienna Oxford Bernard A. Cook Belgium A History PETER LANG New York Washington, D.C./Baltimore Bern Frankfurt am Main Berlin Brussels Vienna Oxford Library of Congress Cataloging-in-Publication Data Cook, Bernard A. Belgium: a history / Bernard A. Cook. p. cm. — (Studies in modern European history; v. 50) Includes bibliographical references and index. 1. Belgium—History I. Title. II. Series. DH521 .C66 949.3—dc21 2001050655 ISBN 0-8204-5824-4 ISSN 0893-6897 Die Deutsche Bibliothek-CIP-Einheitsaufnahme Cook, Bernard A.: Belgium: a history / Bernard A. Cook −New York; Washington, D.C./Baltimore; Bern; Frankfurt am Main; Berlin; Brussels; Vienna; Oxford: Lang. (Studies in modern European history; Vol. 50) ISBN 0-8204-5824-4 The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council of Library Resources. © 2002 Peter Lang Publishing, Inc., New York All rights reserved. Reprint or reproduction, even partially, in all forms such as microfilm, xerography, microfiche, microcard, and offset strictly prohibited. Printed in the United States of America Although Belgium has only been an independent state since the 1830s, it has a long and complex past. This history is essential for understanding the complexities of issues that led to a devolution of the unitary Belgian state into a federation of linguistically based regions. In addition to the elements that contributed to Belgium’s particular political evolution, the history which is traced in this book is a composite of many themes of broad historical interest and importance. -
Université De Strasbourg Universiteit Gent
UNIVERSITÉ DE STRASBOURG UNIVERSITEIT GENT ÉCOLE DOCTORALE 270 EA 4378 THÈSE en cotutelle présentée par : Milan PAJIC soutenue le : 22 novembre 2016 pour obtenir le grade de : Docteur de l’Université de Strasbourg et de l’Université de Gand Discipline/ Spécialité : Histoire (Gand) et études anglophones (Strasbourg) The Migration of Flemish Weavers to England in the Fourteenth Century: the Economic Influence and Transfer of Skills 1331-1381 THÈSE dirigée par : TOURNU Christophe Professeur, Université de Strasbourg BOONE Marc Professeur, Universiteit Gent RAPPORTEURS : GENET Jean-Philippe Professeur, Université de Paris 1 Panthéon-Sorbonne ORMROD Mark Professeur, University of York AUTRES MEMBRES DU JURY : TOCK Benoît Professeur, Université de Strasbourg DUMOLYN Jan Professeur, Universiteit Gent Acknowledgments After almost four years of exiting work, in three different cities Strasbourg, Ghent, and London, I can finally say that it is submitted. However, this would have not been possible without the support and help from many people who were around in these places during the past years. By the following sentences, I would like to express my gratitude to them. First and foremost, I am extremely grateful to my supervisors, Marc Boone and Christophe Tournu (in alphabetical order and certainly not in terms of importance), for their guidance and support. Since my master studies whenever I had any scientific, personal or administrative problem, they were more than ready to help and encourage me. In the same rank, I would also like to thank my colleagues and friends, Jan Dumolyn and Bart Lambert. Jan, who was my ‘unofficial’ supervisor, his guidance and advice were of crucial help for the success of this thesis.