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SPRING 2015 ART ARCHITECTURE DESIGN PHOTOGRAPHY Jananggoo Butcher Cherel, Floodwater, 1993 (Detail)

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SPRING 2015 ART ARCHITECTURE DESIGN PHOTOGRAPHY Jananggoo Butcher Cherel, Floodwater, 1993 (Detail) SPRING 2015 ART ARCHITECTURE DESIGN PHOTOGRAPHY Jananggoo Butcher Cherel, Floodwater, 1993 (detail). Synthetic polymer paint on canvas, 24 x 15 in. (61 x 38 cm). From No Boundaries: Aboriginal Australian Contemporary Abstract Painting (see page 36) ART CHILDREN’S BOOKS ADVENTURES OF THE BLACK SQUARE: ABSTRACT ART AND SOCIETY 1915–2015 21 ALHAMBRA: CREATE YOUR OWN CASTLE!–STICKER BOOK 56 AMERICAN EPICS: THOMAS HART BENTON AND HOLLYWOOD 17 ARCHITECTURE: CREATE YOUR OWN CITY!–STICKER BOOK 55 ART NOUVEAU 23 COLORING BOOK HOKUSAI 57 BABE 5 CRAZY MAZES: LABYRINTHS AND MAZES IN ART 53 DEVENDRA BANHART: I LEFT MY NOODLE ON RAMEN STREET—DRAWINGS & PAINTINGS 4 KEITH HARING: I WISH I DIDN'T HAVE TO SLEEP 54 MAX BECKMANN AT THE SAINT LOUIS ART MUSEUM: THE PAINTINGS 18 IMPRESSIONISM: 13 ARTISTS CHILDREN SHOULD KNOW 52 LOUISE BOURGEOIS: STRUCTURES OF EXISTENCE—THE CELLS 26 IN THE BUTTERFLY GARDEN 50 MARK BRADFORD: SCORCHED EARTH 34 BRAND-NEW & TERRIFIC: ALEX KATZ IN THE 1950s 33 FASHION ELAINE DE KOONING: PORTRAITS 27 25,000 YEARS OF JEWELRY 39 MARK DI SUVERO 24 KIMONO NOW 6 EMBODIMENTS: MASTERWORKS OF AFRICAN FIGURATIVE SCULPTURE 37 THE FEMINIST AVANT-GARDE OF THE 1970s: WORKS FROM THE SAMMLUNG VERBUND, VIENNA 31 PHOTOGRAPHY THE ISLAND: LONDON MAPPED 15 EVE ARNOLD: MAGNUM LEGACY 3 FRIDA KAHLO’S GARDEN 12 EDWARD CURTIS: ONE HUNDRED MASTERWORKS 2 MAGNIFICENT OBSESSIONS: THE ARTIST AS COLLECTOR 20 DESIRE: NEW EROTIC PHOTOGRAPHY 44 MASTERPIECES FROM THE STÄDEL MUSEUM: YURI DOJC: LAST FOLIO 46 SELECTED WORKS FROM THE STÄDEL MUSEUM COLLECTION 22 EUROPEAN PORTRAIT PHOTOGRAPHY 45 MONET AND THE BIRTH OF IMPRESSIONISM 16 JEAN-FRANÇOIS LEPAGE: MOONLIGHT ZOO 43 NEW OBJECTIVITY: MODERN GERMAN ART IN THE WEIMAR REPUBLIC 1919–1933 19 PERFECT LIKENESS 40 NO BOUNDARIES: ABORIGINAL AUSTRALIAN CONTEMPORARY ABSTRACT PAINTING 36 GUILLERMO SRODEK-HART: STORIES 41 OUTDOOR ART: EXTRAORDINARY SCULPTURE PARKS AND ART IN NATURE 25 TIM RICHARDSON: SPIRITUAL MACHINE 42 THE PAINTINGS THAT REVOLUTIONIZED ART 10 NOAH PURIFOY: JUNK DADA 35 BACKLIST REGEN PROJECTS 25 38 ART 63–78 RUSSIAN MODERNISM 13 AFRICA, ASIA, AND OCEANIA 79 ARLENE SHECHET 30 ARCHITECTURE 80–81 STATION TO STATION 28 CHILDREN’S BOOKS 58–62 SUPER INDIAN: FRITZ SCHOLDER 1967–1980 32 DESIGN 82 ANDY WARHOL: THE COMPLETE COMMISSIONED RECORD COVERS 29 E-BOOKS 92 KEHINDE WILEY: A NEW REPUBLIC 7 FASHION 83–85 GRAFFITI AND STREET ART 85 ARCHITECTURE AND DESIGN PHOTOGRAPHY 86–91 THE BUILDINGS THAT REVOLUTIONIZED ARCHITECTURE 11 FRANK GEHRY 14 APPENDIX THE HERITAGE OF THE MUGHAL WORLD 47 INDEX 93–95 THE NEW PREMISES OF THE EUROPEAN CENTRAL BANK 48 SALES INFORMATION 96–97 PRINT IS DEAD. LONG LIVE PRINT: THE WORLD’S BEST INDEPENDENT MAGAZINES 9 UPCYCLIST: RECLAIMED AND REMADE FURNITURE, LIGHTING AND INTERIORS 8 ZOOM TPU: CONTEMPORARY INTERIOR DESIGN FROM ISTANBUL 49 2 PRESTEL PHOTOGRAPHY PRESTEL PHOTOGRAPHY 3 Showcasing Edward Curtis's most compelling This first volume in a major new series of and important works, this beautiful publication illustrated biographies of Magnum photographers highlights both iconic and rarely seen images, traces the life and achievements of Eve Arnold, demonstrating his artistry and mastery of who captured an incredible array of subjects with photographic mediums, and his commitment to remarkable clarity and compassion. documenting and preserving for posterity the Native Americans’ traditions and ways of life. Published in association with the Magnum Foundation. Exhibition Itinerary: Taft Museum of Art, Cincinnati, Ohio June 12–September 20, 2015 Figge Art Museum, Davenport, Iowa October 10, 2015–January 17, 2016 Additional venues to be announced. Published in association with the Foundation EDWARD CURTIS for the Exhibition of Photography (FEP). EVE ARNOLD ONE HUNDRED MASTERWORKS MAGNUM LEGACY CHRISTOPHER CARDOZO, WITH CONTRIBUTIONS BY A.D. JANINE DI GIOVANNI, WITH A FOREWORD BY COLEMAN, ERIC JOLLY, AND MICHAEL TOBIAS SUSAN MEISELAS AND ANDREW E. LEWIN Widely acknowledged as the world’s leading authority on Eve Arnold (1912–2012) was born to a poor immigrant family Edward Curtis, author Christopher Cardozo has curated a in Philadelphia and became a photographer by chance. In groundbreaking monograph on internationally renowned 1950 Arnold was a 38-year-old Long Island housewife when photographer Edward Curtis. Curtis’s magnum opus, The North she enrolled in a six-week photography course that led to American Indian, the most extensive photographic portrait of her groundbreaking photo essay on black fashion models Native Americans, is a crucial contribution to the history of in Harlem. She went on to become the first woman to join America’s Native peoples as well as a testament to his tireless Magnum Photos and, eventually, one of the most accomplished efforts to document and express the spirit of over eighty distinct photojournalists of her time. Filled with reproductions of tribal groups. In this book Cardozo selected from an unmatched Arnold’s acclaimed photographs, shot in both color and black- private archive of rare and unique Curtis original, vintage and-white, as well as previously unseen archival images, this photographs. Never before have Curtis’s finest photographs biography relates Arnold’s bold images to the fascinating story been presented with such fidelity and power in book form. of their making. Renowned for her intimate portraits of figures Every style, subject matter, cultural and geographic area, such as Marilyn Monroe, Malcolm X, and Queen Elizabeth, and print medium Curtis worked in is included. The stunning Arnold was equally comfortable documenting the lives of the photographs are further enriched and contextualized by essays poor and dispossessed. “I don’t see anybody as either ordinary from world-recognized experts. Creating a unique visual mosaic, or extraordinary. I see them simply as people in front of my the photographs give the viewer a deep, rich understanding of lens.” To her images of migrant workers, disabled veterans, Curtis’s accomplishments as an artist, while exploring the crucial and protesters for civil rights in the US and against apartheid role the Native American participants played in co-creating this in South Africa, she brought an unflinching eye and a strong iconic body of work. sense of social justice. This highly engrossing narrative tells a compelling story of an intrepid artist whose life’s purpose was CHRISTOPHER CARDOZO has written eight books on Edward Curtis and curated Curtis exhibitions seen in more than forty countries. A.D. COLEMAN is to report on the lives of others. an internationally known photography critic and historian based in New York City. ERIC JOLLY is President of the Science Museum of Minnesota as well as JANINE DI GIOVANNI is a contributing editor to Vanity Fair who writes regularly a scientist, educator, Cherokee storyteller, and artist. MICHAEL TOBIAS is an for The New York Times and Newsweek. Her books include Ghosts by Daylight internationally recognized author, ecologist, mountaineer, and filmmaker. and The Place at the End of the World: Essays from the Edge. She lives in Paris. 192 pages with 150 color illustrations 192 pages with 182 illustrations, 68 in color Hardcover Hardcover 3 1 3 9 /4 x 12 in. / 24.8 x 30.5 cm 9/4 x 10 /4 in. / 23.5 x 27.3 cm ISBN 978-3-7913-5421-7 ISBN 978-3-7913-4963-3 US$65 £45 Can.$72 US$49.95 £29.99 Can.$54.95 Pub. date: US / UK June 2015 Pub. date: US April / UK March 2015 DelMonico Books 4PRESTEL ART PRESTEL ART 5 As eclectic, whimsical, and esoteric as his Curated by one of today’s most sought-after music, this collection of drawings, paintings, photographers, this collection of work by young and mixed media pieces by Devendra Banhart female artists captures the voices and visions confirms his status as one of today’s most that are shaping a generation of women. imaginative and accomplished artists. DEVENDRA BANHART BABE I LEFT MY NOODLE ON RAMEN STREET EDITED BY PETRA COLLINS, WITH A FOREWORD BY DRAWINGS & PAINTINGS TAVI GEVINSON AND CONTRIBUTIONS BY LENA DUNHAM, WITH TEXT BY BECK, A CONTRIBUTION BY JEFFREY DEITCH, KARLEY SCIORTINO (SLUTEVER), JENNY ZHANG, AND AND INTERVIEWS WITH THE ARTIST BY DIEGO CORTEZ AND JAMIA A. WILSON ADAM GREEN 21-year-old Canadian photographer Petra Collins is leading With a growing reputation as a visual artist, indie-rock star the way in a contemporary girl power revolution that proves Devendra Banhart moves as effortlessly between genres as he feminism and sexuality aren’t mutually exclusive. Babe does between musical instruments. In fact, Banhart trained as includes work by Collins as well as over 30 artists who have a visual artist before making a name in the music world. He been part of her online collective The Ardorous. Though their draws daily and creates the illustrations for his albums, and this work is aesthetically varied, it all represents a current zeitgeist book reveals that his visual creations are as sophisticated as his characterized by explorations of female identity, scrutinization music, and worthy of attention. Banhart draws inspiration from of the role of the Internet and social media, and a penchant for artists such as Henry Darger, Paul Klee, and Cy Twombly, but pastel colors. The artists in the book, such as Arvida Bystrom, his work clearly reflects a 21st century aesthetic that is at once Sandy Kim, Harley Weir, Jeanette Hayes, and Kristie Muller, hail self-effacing and sharp-witted. Featuring a cross-section of his from a variety of places, including New York, London, Moscow, best work from the last decade, this collection is presented as a Stockholm, Los Angeles, Berlin, and Toronto. Together they kind of “idea book”—including Banhart’s own commentary and reflect an all-accepting, affirming, distinctly female point of musings as well as photographs and other ephemera, an essay view that teens and young women everywhere can respond by renowned art dealer Jeffrey Deitch, and an interview with to.
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