DOCSLIB.ORG

Richard Diebenkorn Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Richard Diebenkorn Free Download RICHARD DIEBENKORN FREE DOWNLOAD Sarah C. Bancroft,Edith Devaney,Steven Nash | 192 pages | 23 Mar 2015 | Royal Academy of Arts | 9781907533846 | English | London, United Kingdom Richard Diebenkorn Charles H. Download the Richard Diebenkorn print labels here. See our Privacy Policy for more information about cookies. Color Field Painting Style - 17 artworks. For the academic year —53, Richard Diebenkorn took a faculty position at the University of Illinois in Urbana, where he taught painting and drawing. In late Diebenkorn took up a professorship at the University of California in Los Angeles, where he would teach untiland moved into a studio in Santa Monica. Edward HopperAmerican painter whose realistic depictions of everyday urban scenes shock the viewer into recognition of the strangeness of familiar surroundings. Diebenkorn served in the United States Marine Corps from to Students were allowed to visit Richard Diebenkorn in the studio during scheduled times. Jacobs, Jr. In SeptemberDiebenkorn was named the first artist-in- residence at Stanford University in Palo Alto, California, an appointment that lasted until June It is difficult Richard Diebenkorn to Richard Diebenkorn enormous weight to this experience for the direction his work took from that time on. Richard Diebenkorn in the fall ofDiebenkorn Richard Diebenkorn a faculty member at the San Francisco Art Institute, where he taught periodically until Download as PDF Printable version. Also at this time, he had his first exposure to the new New York—based artists who were beginning their abstract Surrealism-based paintings. Talks and tours Get more out of the exhibition Exhibition tours 45 minutes Free with an exhibition ticket, no booking required. This experience fed his work of the ensuing years. Sign up here to see what happened On This Dayevery day in your inbox! Ocean Park 54 Richard Diebenkorn In what proved to be a crucial moment in the history of the movement, Diebenkorn, along with countless other artists, took advantage of the G. The Art Richard Diebenkorn Richard Diebenkorn. We caught up with Royal Academy curator Edith Devaney to learn about the genesis of the show. Live Now. Untitledacrylic, gouache, crayon, pasted paper, and graphite on paper, 14 x 10 in. Diebenkorn left the process of making Richard Diebenkorn image visible, integrating his earlier investigations into the final painting. This was a landmark event for the artist and his public, including, as it did, the entire range of his stylistic journey right through the late s. It is our privilege to share his creations. Watercolour and gouache on paper. Used Richard Diebenkorn permission of Mark Melnicove, literary executor for Bern Porter. Marine Corps from until Piet Mondrian - Upon his return Richard Diebenkorn Berkeley in fallDiebenkorn began seriously exploring drypoint and printmaking with Kathan Brown at her newly established fine Richard Diebenkorn printing press, Crown Point Press. Archived from the original on March 8, At the same time a quirky, meandering line entered into his work, often linking forms within a shallow surface space. Exhibition tours 45 minutes Free with an exhibition ticket, no booking required. This would become a series of events perhaps even more appreciated than his earlier Ocean Park shows at Marlborough. Richard Diebenkorn, Seawall, Richard Diebenkorn Richard Dixon Oldham. Livingston went on to say, "Diebenkorn must have experienced French Window at Collioure as Richard Diebenkorn epiphany. See all events. Diebenkorn became a leading abstract expressionist on the West Coast. Views Read Edit View history. Abstract Expressionism Style - 36 artworks. Photograph by Rose Mandel. Featured Article Inside the exhibition: Gauguin Richard Diebenkorn the Impressionists. Richard Diebenkorn, Girl On a Terrace, By the mids, Diebenkorn had become an important figurative painter, in a style that bridged Henri Matisse and abstract expressionism. Richard Allen Davis Trial: Diebenkorn was particularly close to his grandmother, Florence Stephens, who supported his artistic interests and encouraged him to paint. Berkeley 8 Richard Diebenkorn Richard Diebenkorn As the resident artist there he drew portraits and animated maps. All Rights Reserved. Seated Woman in Chemise Wikipedia: en. They married in and Richard Diebenkorn on to have two children together, a daughter, Gretchenand a son, Christopher Portland, Oregon. A visually striking object measuring nearly 10 by 12 inchesthe book includes a handsome slipcase box and features illustrations in new color photography. With fellow artists David Park, Elmer Bischoff and Frank Lobdell, he regularly worked on figure drawing from models; one Richard Diebenkorn his largest bodies of Richard Diebenkorn comprises exhaustively experimental figure drawings. Stimulated by these contacts as well as by the work of the surrealist painters Joan Miro and Archille Gorky whose work he saw in New York City in while living briefly in Woodstock, New YorkDiebenkorn began to paint more abstractly. List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act protection of cultural objects on loan. The beginning of the United States's involvement in World War II Richard Diebenkorn Deibenkorn's education at Stanford, and he was not able complete his degree at that time. He was offered a place on the CSFA faculty in and taught there until Richard Diebenkorn Featured. American painter. Diebenkorn served in the U. Palo Alto Circle Richard Diebenkorn Exhibition curator Sarah C. https://cdn.shopify.com/s/files/1/0501/2573/4069/files/4-ingredients-gluten-free-more-than-400-new-and-exciting-recipes-all-made-with-4-or- fewer-ingredien-27.pdf https://uploads.strikinglycdn.com/files/99818401-41b9-4383-b632-1c0af5ecf0d1/lift-the-flap-telling-the-time-33.pdf https://uploads.strikinglycdn.com/files/8c283931-70bb-4d94-b837-3922d5b677d4/valuation-measuring-and-managing-the-value-of-companies- 71.pdf https://uploads.strikinglycdn.com/files/eec1bcce-2c33-441b-a839-58938e278bc7/hard-time-20.pdf https://cdn.shopify.com/s/files/1/0500/0835/9082/files/big-hero-6-the-essential-guide-46.pdf https://cdn.shopify.com/s/files/1/0499/9328/5823/files/if-this-is-a-gift-can-i-send-it-back-surviving-in-the-land-of-the-gifted-and-twice- exceptional-69.pdf.
Load more

Recommended publications
  • Golden Decade Info Sheet
    THE GOLDEN DECADE Photography at the California School of Fine Arts 1945-1955 Shortly after World War II the California School of Fine Arts (now the San Francisco Art Institute) in San Francisco hired renowned photographer Ansel Adams to establish one of the rst ne art photography departments in the United States. The CSFA's photography program, established by Adams and taught by Minor White, also included as guest instructors, some of the great photographers of the time. Top names such as Edward Weston, Dorothea Lange, Imogen Cunningham, Lisette Model, Nancy and Beaumont Newhall, and Homer Page. The newly enacted G.I. Bill enabled all veterans to attend the college or trade school of their choice. For many this opened the door to an educational opportunity which would have otherwise been unavailable to them. This exhibition showcases the work of some of those early students. The accompanying book The Golden Decade focuses on CSFA’s photography department between 1945 and 1955, and is the result of a collaboration between three former students of Adams and White, William Heick, Ira H. Latour, C. Cameron Macauley, and editors (and local residents) Ken Ball and his wife Victoria Whyte Ball (whose father, Don Whyte, had bequeathed them an abundance of negatives and contact prints from his student years at CSFA). Together this team embarked on an important journey into photography’s past that is embodied in this book. The Golden Decade presents imagery from over 32 photographers, among them Pirkle Jones, Ruth Marion Baruch, Philip Hyde, Rose Mandel, David Johnson, Gerald Ratto and John Upton.
    [Show full text]
  • AUTUMN 2013 ART ARCHITECTURE DESIGN PHOTOGRAPHY Kendell Geers, Hanging Piece, 1933 © the Artist
    AUTUMN 2013 ART ARCHITECTURE DESIGN PHOTOGRAPHY Kendell Geers, Hanging Piece, 1933 © the artist. In: Kendell Geers. 1988−2012 (see page 22). ART FASHION 2013 California-Pacifi c Triennial 29 Caps: One Size Fits All 8 Art Deco 4 Drive Style 10 The Blue Rider in the Lenbachhaus Munich 18 Talking Fashion: From Nick Knight to Raf Simons in Their Own Words 9 Calder and Abstraction: From Avant-Garde to Iconic 5 Chihuly 6 PHOTOGRAPHY Cityscapes: From Paris to New York —Gottfried Salzmann 26 Afghanistan: A Distant War 37 Albrecht Dürer: His Art in the Context of Its Time 16 Roger Ballen: Die Antwoord—I Fink You Freeky 32 Damage Control: Art and Destruction since 1950 20 Beat Memories: The Photographs of Allen Ginsberg 42 Kendell Geers: 1988–2012 22 Bright Nights: Photographs of Another New York 31 Cristina Iglesias: Metonymy 28 A Diff erent Kind of Order: The ICP Triennial 39 Koloman Moser: Designing Modern Vienna 1897–1907 19 John Divola: As Far as I Could Get 41 The Museum of the Horse 49 An English Room 11 The Museum of Scandals: Art That Shocked the World 13 The Errand of the Eye: Photographs by Rose Mandel 40 The Olympics: Past and Present 50 Lines, Marks, and Drawings: Through the Lens of Roger Ballen 33 The Paintings That Revolutionized Art 12 Robert Mapplethorpe: Polaroids 43 Pop Art: 50 Works of Art You Should Know 15 Mother 35 Maurice Prendergast: By the Sea 17 Orchard Beach: The Bronx Riviera 34 Allan Ramsay: Portraits of the Enlightenment 27 Photo Synthesis: Photography, Perception, and Cognition 38 The Reckoning: Women Artists of the
    [Show full text]
  • Rose Mandel: a Sense of Abstraction November 15, 2017 – January 13, 2018
    FOR IMMEDIATE RELEASE Rose Mandel: A Sense of Abstraction November 15, 2017 – January 13, 2018 Deborah Bell Photographs is honored to present the first solo exhibition in a New York gallery of work by the American photographer Rose Mandel (1910-2002). Comprising some 30 rare, and often unique, vintage prints from her archive, the exhibition will feature portraits, close-up abstracted views of nature, and dynamic seascapes made between 1946 and 1972. The exhibition's title, A Sense of Abstraction, refers to the primary visual and psychological currents of Mandel's work: symbolism, surrealism and abstract expressionism. Although Mandel's photographs were published and exhibited in her lifetime, and her work received renewed appreciation in the 1990s, she rarely sold her prints. Mandel is closely associated with the well-established modernist tradition in Northern California photography as represented by Edward Weston, Ansel Adams and Imogen Cunningham, yet her nature studies and abstract landscapes also belong to the broader American landscape tradition exemplified by Minor White, Walter Chappell, Harry Callahan, Ralph Eugene Meatyard, and others who explored complex symbolic meanings in their images of the natural world. In 2013, eleven years after her death, Mandel received her first retrospective exhibition. Held at the de Young Museum in San Francisco, and organized by Guest Curator Susan Ehrens, an independent photography historian, the accompanying catalogue represents the first monograph on Mandel's work. In his introductory essay, Julian Cox, Founding Director of the Department of Photography at the Fine Arts Museums of San Francisco, praises the "retrospective 'rediscovery'" of Mandel's oeuvre. Born in Poland, Mandel studied art in Paris, and child psychology with Jean Piaget in Switzerland.
    [Show full text]
  • 20Th-Cent. Portraits #2 Press Release 2.23.19
    FOR IMMEDIATE RELEASE 20th-Century Portraits February 1 – March 30, 2019 Deborah Bell Photographs is pleased to present an exhibition of portraits by American and European photographers of the 20th Century. Photographers whose works are on view include Erwin Blumenfeld, Louis Faurer, G.P. Fieret, Hiro, Rose Mandel, Marcia Resnick, August Sander, and Deborah Turbeville. Uniting many of the various images selected is the photographers' use of dramatic lighting and innovative, experimental printing techniques, resulting in captivating, and often abstract or even surreal, renditions of their subjects in ordinary contexts. Erwin Blumenfeld (American, b. Germany 1897; d. 1969) Erwin Blumenfeld was born in Berlin, where he practiced photography as a young boy. From 1916-1918 he served as an ambulance driver in the German army. He began to write and paint at the time when the German Dada movement was becoming established. In 1918 Blumenfeld moved to Holland, where he was involved with the Dada movement in Amsterdam; four years later he opened a leather goods shop, the Fox Leather Company, on the fashionable Kalverstraat. In 1932 Blumenfeld moved Fox to a new location, where he discovered a darkroom in the back of the store that was left by a previous occupant, and began taking photographs again. During this period Blumenfeld's photographs and art became well known, and his work was included in two exhibitions at the modern art gallery Kunstzaal Van Lier in Amsterdam in 1932 and 1933, the second of which, "Dutch Faces," consisted of 50 photographic portraits. Blumenfeld's shop went bankrupt in 1935, and in 1936 he left Holland to establish himself in Paris as a professional photographer.
    [Show full text]
  • SPRING 2015 ART ARCHITECTURE DESIGN PHOTOGRAPHY Jananggoo Butcher Cherel, Floodwater, 1993 (Detail)
    SPRING 2015 ART ARCHITECTURE DESIGN PHOTOGRAPHY Jananggoo Butcher Cherel, Floodwater, 1993 (detail). Synthetic polymer paint on canvas, 24 x 15 in. (61 x 38 cm). From No Boundaries: Aboriginal Australian Contemporary Abstract Painting (see page 36) ART CHILDREN’S BOOKS ADVENTURES OF THE BLACK SQUARE: ABSTRACT ART AND SOCIETY 1915–2015 21 ALHAMBRA: CREATE YOUR OWN CASTLE!–STICKER BOOK 56 AMERICAN EPICS: THOMAS HART BENTON AND HOLLYWOOD 17 ARCHITECTURE: CREATE YOUR OWN CITY!–STICKER BOOK 55 ART NOUVEAU 23 COLORING BOOK HOKUSAI 57 BABE 5 CRAZY MAZES: LABYRINTHS AND MAZES IN ART 53 DEVENDRA BANHART: I LEFT MY NOODLE ON RAMEN STREET—DRAWINGS & PAINTINGS 4 KEITH HARING: I WISH I DIDN'T HAVE TO SLEEP 54 MAX BECKMANN AT THE SAINT LOUIS ART MUSEUM: THE PAINTINGS 18 IMPRESSIONISM: 13 ARTISTS CHILDREN SHOULD KNOW 52 LOUISE BOURGEOIS: STRUCTURES OF EXISTENCE—THE CELLS 26 IN THE BUTTERFLY GARDEN 50 MARK BRADFORD: SCORCHED EARTH 34 BRAND-NEW & TERRIFIC: ALEX KATZ IN THE 1950s 33 FASHION ELAINE DE KOONING: PORTRAITS 27 25,000 YEARS OF JEWELRY 39 MARK DI SUVERO 24 KIMONO NOW 6 EMBODIMENTS: MASTERWORKS OF AFRICAN FIGURATIVE SCULPTURE 37 THE FEMINIST AVANT-GARDE OF THE 1970s: WORKS FROM THE SAMMLUNG VERBUND, VIENNA 31 PHOTOGRAPHY THE ISLAND: LONDON MAPPED 15 EVE ARNOLD: MAGNUM LEGACY 3 FRIDA KAHLO’S GARDEN 12 EDWARD CURTIS: ONE HUNDRED MASTERWORKS 2 MAGNIFICENT OBSESSIONS: THE ARTIST AS COLLECTOR 20 DESIRE: NEW EROTIC PHOTOGRAPHY 44 MASTERPIECES FROM THE STÄDEL MUSEUM: YURI DOJC: LAST FOLIO 46 SELECTED WORKS FROM THE STÄDEL MUSEUM COLLECTION 22 EUROPEAN
    [Show full text]
  • Photographs We Like: Four
    PHOTOGRAPHS WE LIKE: FOUR Photographers from the California School of Fine Arts 1945- 55 A folder labeled “CSFA exchange prints” found in her father’s darkroom propelled Victoria Whyte and her husband, Ken Ball, on a search for a group of almost unknown photographers. Like her father Don Whyte, these photographers had all attended the California School of Fine Arts (now the San Francisco Art Institute) between 1945 and 1955, a decade in which the teachers included Minor White, Ansel Adams, Edward Weston, Dorothea Lange, and Lisette Model. The students regularly exchanged prints among themselves. Don Whyte’s folder held his collection of “exchange prints.” Collaborating with Bill Heick, Ira Latour and Cameron Macauley, themselves students at the CSFA during that decade, Whyte and Ball embarked on a 20-year project that led them to the other photographers whose work was filed away in Don Whyte’s folder. The Golden Decade, their book about these talented CSFA photographers was published by Steidl in October, 2016. Coincidentally, we were searching for these photographers at the same time, and our paths crossed Victoria’s and Ken’s soon enough. Our 2004 catalogue Ten Photographers, 1946-1954: The Legacy of Minor White offered photographs for sale by ten of the students at the California School of Fine Arts students. Since then, Deborah Klochko and Stephanie Comer’s 2006 book, The Moment of Seeing: Minor White at the California School of Fine Arts, delved further into this fertile period of photography. The Golden Decade is the third publication to bring the work of these overlooked photographers to the public’s attention.
    [Show full text]
  • Ten Photographers, 1946–54
    TEN PHOTOGRAPHERS, 1946–54 THE LEGACY OF MINOR WHITE California School of Fine Arts The Exhibition Perceptions TEN PHOTOGRAPHERS,1946–54 THE LEGACY OF MINOR WHITE California School of Fine Arts The Exhibition Perceptions Essay by Deborah Klochko 1. Front cover: photograph by Nata Piaskowski 2. Inside front cover: Paul M. Hertzmann, Inc. Tel: 415-626-2677 photograph by Bob Hollingsworth 3. Title page: Susan Herzig Post Office Box 40447 Fax: 415-552-4150 photograph by Nata Piaskowski Paul Hertzmann San Francisco, CA 94140 E–mail: [email protected] Press release issued by George Eastman House announcing the Perceptions Exhibition. INTRODUCTION With the opening of the exhibition Perceptions at the San Francisco Museum of Art1 on August 10, 1954, a decade of photography in San Francisco and the Bay Area was recognized and celebrated. Forty-six photographers exhibited in Perceptions. Among them were Ansel Adams, Imogen Cunningham, Dorothea Lange, Edward Weston, and Minor White. Between 1946 and 1954, these highly influential photographers had given guidance and inspiration to the students of the new fine art photography program at the California School of Fine Arts (renamed the San Francisco Art Institute in 1961). “Distinguished students”2 of these renowned photographers exhibited their photographs in Perceptions as well. Ten of those students are the subject of this catalogue. John Bertolino Nata Piaskowski Zoe [Lowenthal] Brown F. W. Quandt, Jr. Benjamen Chinn Donald Ross Bob Hollingsworth Charles Wong Gene Petersen Harold Zegart A half-century after the exhibition is not too soon to rediscover these photographers. Today their photographs are as visually and psychologically penetrating, as fresh, vibrant, intelligent and witty as they were fifty years ago.
    [Show full text]
  • 20Th-Cent. Portraits Press Release Feb-March 2.2.19
    FOR IMMEDIATE RELEASE 20th-Century Portraits February 1 – March 30, 2019 Deborah Bell Photographs is pleased to present an exhibition of portraits by American and European photographers of the 20th Century. Photographers whose works are on view include Erwin Blumenfeld, Louis Faurer, G.P. Fieret, Hiro, Rose Mandel, Marcia Resnick, August Sander, and Deborah Turbeville. Uniting many of the various images selected is the photographers' use of dramatic lighting and innovative, experimental printing techniques, resulting in captivating, and often abstract or even surreal, renditions of their subjects in ordinary contexts. Erwin Blumenfeld (American, b. Germany 1897; d. 1969) Erwin Blumenfeld was born in Berlin, where he practiced photography as a young boy. From 1916-1918 he served as an ambulance driver in the German army. He began to write and paint at the time when the German Dada movement was becoming established. In 1918 Blumenfeld moved to Holland, where he was involved with the Dada movement in Amsterdam; four years later he opened a leather goods shop, the Fox Leather Company, on the fashionable Kalverstraat. In 1932 Blumenfeld moved Fox to a new location, where he discovered a darkroom in the back of the store that was left by a previous occupant, and began taking photographs again. During this period Blumenfeld's photographs and art became well known, and his work was included in two exhibitions at the modern art gallery Kunstzaal Van Lier in Amsterdam in 1932 and 1933, the second of which, "Dutch Faces," consisted of 50 photographic portraits. Blumenfeld's shop went bankrupt in 1935, and in 1936 he left Holland to establish himself in Paris as a professional photographer.
    [Show full text]
  • La Confianza
    1 2 • P E R I ó DICO BILING ü E LA VOZ WWW.LAVOZ.US.COM • j ulio 2 0 1 3 Lupe: Trabajos de Costura Se suben bastillas. Se cambian cierres. Se ajusta la ropa a su medida. Se hacen cortinas para ventanas. Precios razonables. Clothing Repairs; Alterations; Reasonable Prices; Santa Rosa (707) 548-8552 o (707) 566-8410 La confianza es hermosa! Tratamos a los pacientes con el sistema de alta tecnología Damon ComienCe sus • la mayorìa de los casos son tratados sin la necesidad de remover dientes frenos por sólo • mayor comodidad $ • citas cada 8 a 10 189 semanas con pagos mensuales Oficina privada con de $189 o menos un personal amable y atento. Braces for Children & Adults 176 A Main Street St. Helena, CA 94574 (707) 963-1203 www.Wild4Smilez.com Offerta valida asta 8/31/13. Incluye consulta y radiografias digitales sin costo alguno. No incluye extracciones, limipeza o cualquier trabajo requerido antes de comenzar su tratamiento de ortodoncia. El costo puede variar entre $5,000 y $7,000. Divorcio ~ Custodia ~ Cartas Poderes ANTONIA E. GARZA Cambios de Nombre ~ Permisos de Viajar ~ 707 864-2000 o 510 734-0367 707 542-1400 Demandas Pequeñas ~ Casos Civiles ~ Yo no soy abogada. Solamente proveo servicios de auto Desalojo ~ Notary Public ayuda a su específica discreción. I am not an attorney. Divorce ~ Custody ~ Powers of Attorney I only provide self-help services at your specific Name Changes ~ Authorizations for Travel ~ Small discretion. LDA-34, Sonoma County claims ~ Civil Cases ~ Evictions ~ Notary Public j ul y 2013 • WWW.LAVOZ.US.COM LA VOZ BILINGUAL NEWSPAPER • 13 Lorena Ochoa • Por/by Ruth González • Illustración por Emilio Jiménez Rodríguez Lorena Ochoa “La Tigresa” es considerada como la mejor Lorena Ochoa “La Tigresa” is considered to golfista profesional mexicana de todos los tiempos.
    [Show full text]
  • SFMOMA Exhibition List, 1935-1991 Exhibitiontitle Startdate Enddate
    SFMOMA Exhibition List, 1935-1991 ExhibitionTitle StartDate EndDate ExhibitionNumber ExhibitionID Drawings by Old and Modern Masters from the Collection of the late Mrs ... 1/18/1935 7/9/1935 1935.01.012 100699 55th Annual Exhibition of the San Francisco Art Association 1/18/1935 3/3/1935 1935.01.006 100968 Gothic Tapestries 1/18/1935 3/13/1935 1935.01.007 101917 Important Prints of Five Centuries 1/18/1935 3/3/1935 1935.01.010 101918 Early Chinese Art 1/18/1935 9/5/1935 1935.01.001 101920 Modern French Painting 1/18/1935 3/3/1935 1935.01.011 102036 Numismatic Exhibition 3/3/1935 3/9/1935 1935.01.013 101966 1934 Carnegie International, European Section 3/15/1935 4/25/1935 1935.01.015 100864 San Francisco Artists 3/15/1935 4/25/1935 1935.01.014 101965 1934 Carnegie International, US Selections 3/15/1935 4/25/1935 1935.01.002 102344 18th Century Chinese Painting 4/25/1935 5/19/1935 1935.01.016 102453 San Francisco Bay Bridge Photographs by Peter Stackpole 4/28/1935 5/16/1935 1935.01.017 100916 Watercolor Exhibition 4/28/1935 6/23/1935 1935.01.018 101903 Sixth Annual Book Fair 4/28/1935 6/23/1935 1935.01.019 104049 Kandinsky Abstractions 5/5/1935 6/9/1935 1935.01.020 101035 National Annual Association of Junior League Exhibition 5/12/1935 5/26/1935 1935.01.003 100683 Hamlin School Exhibition 5/12/1935 5/22/1935 1935.01.021 101770 Sculpture by Beniamino Bufano 5/18/1935 8/12/1935 1935.01.024 100575 Biennial Exhibition of American Institute of Architects 5/18/1935 6/8/1935 1935.01.022 101470 1 SFMOMA Exhibition List, 1935-1991 ExhibitionTitle StartDate EndDate ExhibitionNumber ExhibitionID Methods of Wall Decoration by California Society of Mural Artists 5/18/1935 6/22/1935 1935.01.023 102312 Walter Sloss and Permanent Collections 5/26/1935 6/23/1935 1935.01.025 101964 Water Colors from Albert M.
    [Show full text]
  • N E W S L E T T E R
    September/October 2013 N E W S L E T T E R In Viewpoint’s Main Gallery Gary Cawood Stu Levy Excavation Grid-Portraits September 11 to October 5 October 9 to November 2 Members Reception: September 13, 5:30 - 8:30 Members Reception: October 11, 5:30 - 8:30 Gary Cawood began his ongoing body of photographs, Excavation, in 2006. “Since the natural landscape is considered expendable in our culture, the surface scars we create seemed like an intriguing subject to explore,” he explains. “I selected sites that were exca- vated long ago, and at first I focused on the surprising forms and colors created by ero- sion. Soon I began adding throwaways to the compositions. Like the land, much of the stuff we buy is considered disposable and makes its way to sites like these. I utilized the scarred landscape as a context for the stuff we abandon.” In the latest images in the evolving project, Cawood finds himself continued on page 2 Stu Levy, The No-Bull Captain Ferricyanide Rides Again (Jay Dusard) In Stu Levy's Grid-Portraits, in which several negatives are contact-printed in a grid arrangement to create “a space and time scan,” function both as environmental portraiture and as explorations of how we perceive complex imagery. Referring to the phrase Henri Cartier-Bresson famously used to characterize his pho- tographic ideal, Levy states, “this work gives a new meaning to 'The Decisive Moment', for the lattice- window view presents a maze of scrambled time and recombinant architecture.” continued on page 3 Gary Cawood, Crushed Globe Viewpoint Photographic Art Center • 2015 J Street, Suite 101, Sacramento, 95811 • 916-441-2341 • www.viewpointgallery.org Gallery Hours • Tuesday, Wednesday, Thursday: 12 to 6 p.m.
    [Show full text]