Ambigua, Revista de Investigaciones sobre Género y Estudios Culturales, n.º 6, 2019, pp.137‐156. ISSN: 2386-8708 Mecano: modernidad y discursos de género en el pop español de los ochenta Mecano: modernity and gender in the Spanish pop of the eighties Fecha de recepción: 06/09/2019 Fecha de evaluación: 04/10/2019 Fecha de aceptación: 26/11/2019 Sara Arenillas Meléndez Universidad de Oviedo
[email protected] Abstract: Mecano was a successful pop band formed by Cano brothers, José María and Nacho, and the vocalist Ana Torroja. Mecano stood out within the Spanish popular music scene due to a high level of sales and listeners, as well as for being a Spanish eighties’ icon. The band began with a British- pop style, widely influenced by new wave and new romantics artists. Mecano also added clichés to its works associated with Spanish culture, easing the connection with the Spanish youth. The main goal of this re- search is to analyse how Mecano reflected new wave´s discourse of mo- dernity, which also permeated cultural phenomenon known as Movida. On gender issues, Mecano presented a new romantics discourse, namely, an interesting proposal that can be defined as queer, according to Jorge Pé- rez (2014). In the development of this research, I have used an interdisci- plinary methodology that joined fields of gender studies (Halberstam), cul- tural studies (Grossberg) and popular music studies (Cateforis). For the analysis I have taken songs such as No es serio este cementerio, Hijo de la luna or Mujer contra mujer, and paying special attention to musical, tex- tual and visual elements.