Programa MADATAC 04

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Programa MADATAC 04 INTRODUCCIÓN INTRODUCTION y la tecnología. En esta edición, huéspedes del ceptional CentroCentro Palacio de Cibeles, we privilegiado espacio CentroCentro Palacio de have opened a Pandora’s box of cybernetic cul- Cibeles, hemos abierto la caja de Pandora de la ture linked to the evolution of our cities. The MADATAC 04 cultura cibernética asociada al laberíntico de- title-phrase this year portrays and challenges MUESTRA DE ARTE DIGITAL AUDIOVISUAL YTECNOLOGÍAS AVANZADAS venir de la ciudad bajo not the end of the world, CONTEMPORÁNEAS un lema que retrata y but a dated way of un- se enfrenta, no ya al derstanding New Media final del mundo, pero Art. Among the selected MADATAC 04 si a una manera cadu- works, grouped into di- CONTEMPORARY ADVANCED NEW MEDIA AUDIOVISUAL ART FESTIVAL ca de entender el arte fferent programmes, we de los nuevos medios. will be screening a huge Como parte de las pro- number of experimen- 10-16 DICIEMBRE 2012 puestas seleccionadas tal audiovisual artworks 10-16 DECEMBER 2012 y en consonancia pro- from all four corners of gramática, habrá una the globe. Leading figures ingente cantidad de from the sector will pre- CIBERCIVITAS proyecciones de obras sent their viewpoints at CIBERCIVITAS audiovisuales experi- the I Symposium on Cy- mentales provenientes berculture and New Me- de todos los rincones dia Art and there will be del mundo, la puesta a permanent exhibition en marcha del I Sim- of installations by artists posio de Cibercultura who employ new commu- CIBERCIVITAS: y New Media Art con la nications or information Cibercultura y arte audiovisual para el fin de los tiempos presencia y ponencias technology to investigate CYBERCIVITAS: de destacadas personalidades, así como una ex- the aesthetic, cultural or critical opportuni- Cyberculture and audiovisual art for the end of time hibición permanente de artistas e instalaciones ties afforded by these tools. Redefining artistic que hacen uso de las nuevas tecnologías de los processes across the board is not only one of medios de comunicación e información con el MADATAC’s objectives, but also the basis upon En consonancia con los frágiles momentos para At a delicate time for culture and the arts, it objetivo de investigar las posibilidades estéti- which new media artists both determine and la cultura, era difícil que nos augurasen de que was difficult to predict that we would arrive at cas, culturales y críticas de estas herramientas. question the very media now bringing about llegaríamos a la 4ª Edición de MADATAC, con una this 4th edition of MADATAC with ever-greater Re-definir los procesos artísticos de todas las the digital revolution. visibilidad cada vez mas renovada, y menos aún visibility. Even less so, with solid expectations corrientes no es solo uno de los objetivos de con expectativas firmes para la celebración en of holding a 5th edition in 2013, complete MADATAC, sino también el fundamento a partir Iury Lech el 2013 de una 5ª Edición en torno a la partici- with the participation of an international del cual los artistas de los nuevos medios defi- Festival Director” pación de una referencia internacional para el figurehead for audiovisual creation, whose nen y cuestionan estos nuevos medios con los mundo de lo audiovisual cuyo ADN artístico des- artistic DNA will be revealed in due course. que se estállevando a cabo la revolución digital. velaremos a su debido momento. Como es vox As is vox populi, each MADATAC competition populi, cada convocatoria de MADATAC intenta aims to take the pulse on what is new in this Iury Lech tomarle el pulso a los procesos de transforma- ever-changing environment and put forward Director de la Muestra ción del cambiante entorno y plantear un tema an attention-grabbing and inspirational theme que atraiga la atención y la inspiración, que that enables radical new processes to storm permita el asalto al arte audiovisual por par- the audiovisual arts, conquering screens with te de procesos iconoclastas que sometan a las groundbreaking pixels and a re-assimilation pantallas con pixeles subvertidos y una re-asi- of the relationship between art, matter and milación de las relaciones entre arte, materia technology. For this edition, guests at the ex- 2 3 ACTIVIDADES PARALELAS SIMPOSIO CIBERCULTURA Y NEW MEDIA ART PARALLEL ACTIVITIES INTRODUCCIÓN / INTRODUCTION SYMPOSIUM CYBER-CULTURE AND NEW MEDIA ART Las jornadas del Simposio propondrán una The Symposium panels will reflect on the refexión acerca de la interrelación entre interplay between art, science, technolo- AUDITORIO CENTROCENTRO arte, ciencia, tecnología y los procesos gy and the creative processes connected to creativos conectados a la vida urbana y los urban life and contemporary media. AUDITORIUM CENTROCENTRO medios contemporáneos. LUNES 10 DE DICIEMBRE VIERNES 16 DE DICIEMBRE MONDAY 10th DECEMBER FRIDAY 16th DECEMBER PONENCIAS Lunes 10 de Diciembre LECTURES Monday 10th December Dra. RAQUEL CAEROLS MATEO Doctora en Creatividad Aplicada. Universidad Specialist in creativity studies within the visual Complutense de Madrid, Facultad de Bellas Ar- arts, Raquel Caerols graduated in Audiovisual tes. Departamento de Didáctica de la Expresión Communication from Madrid Complutense Uni- Plástica. Licenciada en Comunicación Audiovi- versity before going on to complete her PhD in sual por la Universidad Complutense de Madrid, Applied Creativity at the Department for Tea- especializada en estudios de creatividad en el ching and Visual Expression at the Fine Arts Fa- campo de las artes visuales. culty of the same university. Ha trabajado en Informati- She has worked for Tele 5 vos Tele 5 y en la producto- News and the El Mundo pro- ra El Mundo. Ha impartido duction company and taught clases en la Universidad Eu- classes, seminars and work- ropea Miguel de Cervantes shops on audiovisual techno- (Valladolid) y en la Univer- logy or video at a number of sidad Francisco de Vitoria en institutions, including Miguel el área de tecnología audiovi- de Cervantes European Uni- sual. Ha impartido diferentes versity (Valladolid), Francisco seminarios y talleres, como el Taller de video de Vitoria University, Complutense University ACTIVIDAD REALIZADA CON LA AYUDA DEL MINISTERIO DE EDUCACIÓN, CULTURA Y DEPORTE dentro del Curso de Experto Universitario en and Antonio de Nebrija. Raquel has participa- Educación Artística, en el departamento de Di- ted in international congresses such as Compu- dáctica de la Expresión Plástica de la Facultad de ter Art (Mexico DF) or theVI Congreso de lúdica Educación de la Universidad Complutense, o los y pedagogía. Por un nuevo aprender, organised 4 5 cineclub de la Universidad Antonio de Nebrija. by the Madrid Technology Foundation and held Desde el descubrimiento e invención de Brune- Brunelleschi’s discovery and development of in Cartagena de Indias (Colombia). lleschi de la perspectiva lineal– puro modelo de linear perspective, a pure model of scientific También ha participado como ponente en Con- abstracción científica, resultado de un hacer ya abstraction, was the result of an approach gresos internacionales como el Computer Art en Her work has been published in magazines in- basado en la experimentación, en el binomio already based on experimentation: ‘trial and México DF, o el VI Congreso de lúdica y pedagogía. cluding Revista de Artes Plásticas, Estética, Di- central generador de conocimiento del pensa- error’, the key generator of knowledge in Por un nuevo aprender, organizado por la Funda- seño e Imagen, Bellas Artes, La Laguna Univer- miento occidental “ensayo-error”, adelantado Western thought. Using scientific method be- ción Tecnológica de Madrid y celebrado en Car- sity, Trípodos, Arteliebre.com, and with Fragua metodologías centrales del Método Científico, y fore its time, linear perspective became the tagena de Indias (Colombia). Asimismo, tiene di- publishing group; she also took part in the convirtiéndose ésta en instrumento fundamental fundamental instrument in shaping the repre- de la conformación de la representación y mira- versas publicaciones en revistas: Revista de Artes International Television Festival on Urban Life sentation and viewpoint of our Western ‘way da, de la visualidad occidental–, hasta la llegada Plásticas, Estética, Diseño e Imagen, Bellas Artes, and Ecology held at La Casa Encendida, Madrid. of seeing.’ From Brunelleschi, right up to the de las realidades virtuales y simuladas, el arte, Universidad de La Laguna, Trípodos, Arteliebre. arrival of virtual and simulated realities, art, la ciencia y la tecnología han experimentado una com, así como en la Editorial Fragua, o en el Fes- science and technology have been permanently permanente relación, aunque de naturaleza va- linked – although to a varying degree – in sha- tival Internacional de Televisión sobre Vida y Eco- riable, en la configuración de dicha episteme. logía Urbanas, celebrado en La Casa Encendida. ping said episteme. Ahora es un momento de acercamiento entre Now is a time when these variables – art, scien- esas variables, arte, ciencia y tecnología. Pero ce and technology – are coming together. Yet it también, afirmamos, de confusión conceptual, is also, we would suggest, a moment of concep- Arte, ciencia y tecnología: de indefinición, de la necesidad de determina- tual confusion, where definitions are lacking, el hacer tecnológico en el pensamiento occidental ción de espacios de distribución, de circuitos, when there is a need to determine the distri- de buscar un lugar en el que ubicar esta pro- bution networks, circuits or spaces in which
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