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And Gold 80 Years Ago
HIGHLIGHTS Welcome from our AAAA President ............. 3 AA Superintendent ..................................... 4 The Blue AA High School Principal ........................... 5 AA Elementary Principal ........................... 5 and Gold 80 years ago ............................................... 6 Past Yearbook Dedications ....................... 9 Outstanding Service Award ...................... 11 2019 Sports Hall of Fame Inductees ................. 12 Alfred Almond Central School Spotlight on Alumni ................................... 16 Alumni Newsletter Scholarships Class of 2018 ..................... 20 Summer Campers say Thank You ............ 23 Reunion News ........................................... 24 Alumni News .............................................. 29 Dues Payers .............................................. 33 Donations ................................................... 36 ALMOND--- More than 260 Alfred-Almond Central School alumni gathered at Alfred Memorials ................................................... 42 State’s Central Dining Hall on July 21 for their 58th annual alumni banquet. The theme, Condolences ............................................. 45 “A Blue and Gold Christmas in July” was carried out in the room décor, printed pro- Notice of Annual Membership meeting ..... 46 grams and table decorations. RSVP/Reservation Form ........................... 49 Special guests for the event were the 2018 scholarship winners, who received $40,000 in awards presented by AAAA President Lisa Patrick, -
WG Sebald and Outsider
Writing from the Periphery: W. G. Sebald and Outsider Art by Melissa Starr Etzler A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in German and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Winfried Kudszus, Chair Professor Anton Kaes Professor Anne Nesbet Spring 2014 Abstract Writing from the Periphery: W. G. Sebald and Outsider Art by Melissa Starr Etzler Doctor of Philosophy in German and the Designated Emphasis in Film Studies University of California, Berkeley Professor Winfried Kudszus, Chair This study focuses on a major aspect of literature and culture in the later twentieth century: the intersection of psychiatry, madness and art. As the antipsychiatry movement became an international intervention, W. G. Sebald’s fascination with psychopathology rapidly developed. While Sebald collected many materials on Outsider Artists and has several annotated books on psychiatry in his personal library, I examine how Sebald’s thought and writings, both academic and literary, were particularly influenced by Ernst Herbeck’s poems. Herbeck, a diagnosed schizophrenic, spent decades under the care of Dr. Leo Navratil at the psychiatric institute in Maria Gugging. Sebald became familiar with Herbeck via the book, Schizophrenie und Sprache (1966), in which Navratil analyzed his patients’ creative writings in order to illustrate commonalities between pathological artistic productions and canonical German literature, thereby blurring the lines between genius and madness. In 1980, Sebald travelled to Vienna to meet Ernst Herbeck and this experience inspired him to compose two academic essays on Herbeck and the semi-fictionalized account of their encounter in his novel Vertigo (1990). -
Active Applicant Report Type Status Applicant Name
Active Applicant Report Type Status Applicant Name Gaming PENDING ABAH, TYRONE ABULENCIA, JOHN AGUDELO, ROBERT JR ALAMRI, HASSAN ALFONSO-ZEA, CRISTINA ALLEN, BRIAN ALTMAN, JONATHAN AMBROSE, DEZARAE AMOROSE, CHRISTINE ARROYO, BENJAMIN ASHLEY, BRANDY BAILEY, SHANAKAY BAINBRIDGE, TASHA BAKER, GAUDY BANH, JOHN BARBER, GAVIN BARRETO, JESSE BECKEY, TORI BEHANNA, AMANDA BELL, JILL 10/1/2021 7:00:09 AM Gaming PENDING BENEDICT, FREDRIC BERNSTEIN, KENNETH BIELAK, BETHANY BIRON, WILLIAM BOHANNON, JOSEPH BOLLEN, JUSTIN BORDEWICZ, TIMOTHY BRADDOCK, ALEX BRADLEY, BRANDON BRATETICH, JASON BRATTON, TERENCE BRAUNING, RICK BREEN, MICHELLE BRIGNONI, KARLI BROOKS, KRISTIAN BROWN, LANCE BROZEK, MICHAEL BRUNN, STEVEN BUCHANAN, DARRELL BUCKLEY, FRANCIS BUCKNER, DARLENE BURNHAM, CHAD BUTLER, MALKAI 10/1/2021 7:00:09 AM Gaming PENDING BYRD, AARON CABONILAS, ANGELINA CADE, ROBERT JR CAMPBELL, TAPAENGA CANO, LUIS CARABALLO, EMELISA CARDILLO, THOMAS CARLIN, LUKE CARRILLO OLIVA, GERBERTH CEDENO, ALBERTO CENTAURI, RANDALL CHAPMAN, ERIC CHARLES, PHILIP CHARLTON, MALIK CHOATE, JAMES CHURCH, CHRISTOPHER CLARKE, CLAUDIO CLOWNEY, RAMEAN COLLINS, ARMONI CONKLIN, BARRY CONKLIN, QIANG CONNELL, SHAUN COPELAND, DAVID 10/1/2021 7:00:09 AM Gaming PENDING COPSEY, RAYMOND CORREA, FAUSTINO JR COURSEY, MIAJA COX, ANTHONIE CROMWELL, GRETA CUAJUNO, GABRIEL CULLOM, JOANNA CUTHBERT, JENNIFER CYRIL, TWINKLE DALY, CADEJAH DASILVA, DENNIS DAUBERT, CANDACE DAVIES, JOEL JR DAVILA, KHADIJAH DAVIS, ROBERT DEES, I-QURAN DELPRETE, PAUL DENNIS, BRENDA DEPALMA, ANGELINA DERK, ERIC DEVER, BARBARA -
Packet 12 (1).Pdf
The 2018 Scottie Written and edited by current and former players and coaches including Todd Garrison, Tyler Reid, Olivia Kiser, Anish Patel, Rajeev Nair, Garrison Page, Mason Reid, Parker Bannister, Daniel Dill. Packet Twelve TOSSUPS 1. This mountain has two summits, of which the South summit is approximately 1100 feet higher. The Kahiltna Glacier comes off the southwest side of this mountain, which is named after a Koyukon word meaning ‘high’ or ‘tall’. It was renamed in the lead up to the (*) 1896 presidential election, and retained that name until 2015. For 10 points, name this mountain, which was named Mount McKinley for 119 years before having its original name restored. (OK) ANSWER: Denali [accept Mount McKinley before mention] 2. One work by this non-Ovid poet that was written under the patronage of Maecenas is about the running of a farm and devotes an entire book to bees. Another work by this poet largely consists of pastoral themes, and is sometimes considered to include a reference to Jesus. This author’s most famous work traces the journey of a (*) Trojan warrior to Italy via Carthage. For 10 points, name this Roman poet of the Georgics, the Eclogues, and The Aeneid. (OK) ANSWER: Virgil [ or Publius Vergilius Maro] 3. One event taking place on this holiday is a drawing of lots where one goat is sacrificed and another is sent “to Azazel.” On the day before it, some practitioners swing a chicken over a person’s head in the kapparot ritual. This holiday ends with a long blast of the shofar in the Ne’ila prayer, and during it five (*) prohibitions are observed. -
SM a R T M U S E U M O F a R T U N Iv E R S It Y O F C H IC a G O B U L L E T in 2 0 0 6 – 20
http://smartmuseum.uchicago.edu Chicago, Illinois 60637 5550 South Greenwood Avenue SMART SMART M U S EUM OF A RT UN I VER SI TY OFCH ICAG O RT RT A OF EUM S U M SMART 2008 – 2006 N I ET BULL O ICAG H C OF TY SI VER I N U SMART MUSEUM OF ART UNIVERSITY OF CHICAGO BULLETIN 2006– 2008 SMART MUSEUM OF ART UNIVERSITY OF CHICAGO BULLETIN 2006–2008 MissiON STATEMENT / 1 SMART MUSEUM BOARD OF GOVERNORS / 3 REPORTS FROM THE CHAIRMAN AND DiRECTOR / 4 ACQUisiTIOns / 10 LOANS / 34 EXHIBITIOns / 44 EDUCATION PROGRAMS / 68 SOURCES OF SUPPORT / 88 SMART STAFF / 108 STATEMENT OF OPERATIOns / 112 MissiON STATEMENT As the ar t museum of the Universit y of Chicago, the David and Alfred Smar t Museum of Ar t promotes the understanding of the visual arts and their importance to cultural and intellectual history through direct experiences with original works of art and through an interdisciplinary approach to its collections, exhibitions, publications, and programs. These activities support life-long learning among a range of audiences including the University and the broader community. SMART MUSEUM BOARD OF GOVERNORS Robert Feitler, Chair Lorna C. Ferguson, Vice Chair Elizabeth Helsinger, Vice Chair Richard Gray, Chairman Emeritus Marilynn B. Alsdorf Isaac Goldman Larry Norman* Mrs. Edwin A. Bergman Jack Halpern Brien O’Brien Russell Bowman Neil Harris Brenda Shapiro* Gay-Young Cho Mary J. Harvey* Raymond Smart Susan O’Connor Davis Anthony Hirschel* Joel M. Snyder Robert G. Donnelley Randy L. Holgate John N. Stern Richard Elden William M. Landes Isabel C. -
Geologic Map of the Victoria Quadrangle (H02), Mercury
H01 - Borealis Geologic Map of the Victoria Quadrangle (H02), Mercury 60° Geologic Units Borea 65° Smooth plains material 1 1 2 3 4 1,5 sp H05 - Hokusai H04 - Raditladi H03 - Shakespeare H02 - Victoria Smooth and sparsely cratered planar surfaces confined to pools found within crater materials. Galluzzi V. , Guzzetta L. , Ferranti L. , Di Achille G. , Rothery D. A. , Palumbo P. 30° Apollonia Liguria Caduceata Aurora Smooth plains material–northern spn Smooth and sparsely cratered planar surfaces confined to the high-northern latitudes. 1 INAF, Istituto di Astrofisica e Planetologia Spaziali, Rome, Italy; 22.5° Intermediate plains material 2 H10 - Derain H09 - Eminescu H08 - Tolstoj H07 - Beethoven H06 - Kuiper imp DiSTAR, Università degli Studi di Napoli "Federico II", Naples, Italy; 0° Pieria Solitudo Criophori Phoethontas Solitudo Lycaonis Tricrena Smooth undulating to planar surfaces, more densely cratered than the smooth plains. 3 INAF, Osservatorio Astronomico di Teramo, Teramo, Italy; -22.5° Intercrater plains material 4 72° 144° 216° 288° icp 2 Department of Physical Sciences, The Open University, Milton Keynes, UK; ° Rough or gently rolling, densely cratered surfaces, encompassing also distal crater materials. 70 60 H14 - Debussy H13 - Neruda H12 - Michelangelo H11 - Discovery ° 5 3 270° 300° 330° 0° 30° spn Dipartimento di Scienze e Tecnologie, Università degli Studi di Napoli "Parthenope", Naples, Italy. Cyllene Solitudo Persephones Solitudo Promethei Solitudo Hermae -30° Trismegisti -65° 90° 270° Crater Materials icp H15 - Bach Australia Crater material–well preserved cfs -60° c3 180° Fresh craters with a sharp rim, textured ejecta blanket and pristine or sparsely cratered floor. 2 1:3,000,000 ° c2 80° 350 Crater material–degraded c2 spn M c3 Degraded craters with a subdued rim and a moderately cratered smooth to hummocky floor. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
The Thyroid in Art
THE THYROID IN ART Luigi Massimino SENA Clinical Pathology Faculty of Medicine University of Turin (Italy) 1 TAKE ART AND PUT IT IN SCIENCE Art and science are different aspects of human creativity. Over the centuries, artists have made use of the expressive power of images to awaken both emotions and empathy, which are often universal. 2 The thyroid gland (tireos, oblong "shield" , but which in reality meant big stone used as a door or for shutting the wooden door: cover, defend with the shield) is located in a part of the human body, i.e., in the neck, making it clearly visible in the throat when enlarged (goiter from Latin guttur). The prevalence of goiter was already known in ancient times, but the writings that described it were almost always devoid of explanatory drawings. The representation of the goiter is illustrated in the numerous depictions of goitrous men, women and children in coins, sculptures, paintings, simple craft objects and even in forms of folklore that involved persons not engaged in the medical art. The depictions were the works of artists living in endemic areas, or of travelers who illustrated the reality they encountered. The size of the goiter has always provoked amazement or fear, feelings that are associated with the mystery surrounding its origin and function. Over the centuries, it has stimulated the imagination of people, while at the same time it has paved the way to understanding the historical relationship between disease and society (pathocoenosis). 3 PATHOCOENOSIS In 1969, Mirko Drazen Grmek (1924-2000) created the neologism pathocenose or pathocoenosis , that is a “community of diseases”: “the collection of pathological states present in a given population in a certain time and space”. -
1992-1993 Catalog
College of the Holy Cross Mission Statement The College of the Holy Cross is,by tradition and choice,a Jesuit liberal arts college serving the Catholic community, American society, and the wider world. To participate in the life of Holy Cross is to accept an invitation tojoin in dialogue about basic human questions: Whatis the moral character of learning and teaching? How do we find meaning in life and history? What are our obligations to one another? Whatis our special responsibility to the world's poor and powerless? As a liberal arts college,Holy Cross pursues excellence in teaching,learning, and research. All who share its life are challenged to be open to new ideas, to be patient with ambiguity and uncertainty,to combine a passion for truth with respectfor the views of others. Informed by the presence of diverse interpretations of the human experience, Holy Cross seeks to build a community marked by freedom, mutual respect,and civility. Because the search for meaning and value is at the heart of the intellectual life,critical examination offundamental religious and philosophical questions is integral to liberal arts education. Dialogue about these questions among people from diverse academic disciplines and religious traditions requires everyone to acknowledge and respect differences. Dialogue also requires us to remain open to that sense of the whole which calls us to transcend ourselves and challenges us to seek that which might constitute our common humanity. The faculty and staff of Holy Cross,now primarily lay and religiously and culturally diverse, also affirm the mission of Holy CIDSS as a Jesuit college. -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
Catalogue Number [Of the Bulletin]
BULLETIN OF WELLESLEY COLLEGE CATALOGUE NUMBER 1967-1968 JULY 1967 CATALOGUE NUMBER BULLETIN OF WELLESLEY COLLEGE July 1967 Bulletins published six times a year by Wellesley College, Green Hall, Wellesley, Massachusetts 02181. January, one; April, one; July, one; Ocober, one; Novem- ber, two. Second-Class postage paid at Boston, Massachusetts and at additional mailing offices. Volume 57 Number 1 CALENDAR Academic Year 1967-1968 Term I Registration of new students, 9:00 a.m. to 11:00 p.m Sunday, September 10 Registration closes for all students, 11:00 p.m Tuesday, September 12 Opening Convocation, 8:30 a.m Wednesday, September 13 Classes begin Thursday, September 14 _, , . C Wednesday, November 22 . after classes iiianksgivmg recess ° <. , ^^ a^ j m i a-r ^ ) to 1:00 A.M Monday, November 27 _, ( from Tuesday, December 12 Exammations: <,, , c i. j rA u ic y through Saturday, December lb Christmas vacation begins after the student's last examination. Term II Registration closes for all students, 1:00 a.m. .Thursday, January 4 „ (after classes Wednesday, February 21 /to 1:00 a.m Monday, February 26 from Tuesday, April 2 Examinations: <., , through Saturday,c i. i Aprila i bc I Spring vacation begins after the student's last examination. Term III Registration closes for all students, 1:00 a.m. .Tuesday, April 16 ^ ( from Monday, May 27 Exammations: <^, , t- j a/t oc ) through Tuesday, May 28 Commencement Saturday, June 1 2 TABLE OF CONTENTS Visitors; Correspondence 5 Board of Trustees . 6 Officers of Instruction and Administration 7 The College 21 The Curriculum 26 Requirements for the Degree of Bachelor of Arts; Exemp- tion; Advanced Placement; Credit Outside the Regular Course Program; Course and Special Examinations; Research or In- dividual Study; Academic Distinctions and Honors; Require- ments for Master of Arts Degree Special Programs and Preparation for Careers . -
Vergangenheitsbewältigung and the Danzig Trilogy
vergangenheitsbewältigung and the danzig trilogy Joseph Schaeffer With the end of the Second World War in 1945, Germany was forced to examine and come to terms with its National Socialist era. It was a particularly difficult task. Many Germans, even those who had suspected the National Socialist crimes, were shocked by the true barbarity of the Nazi regime. Günter Grass, who spent 1945 in an American POW camp listening to the Nurem- berg Trials, was one of those Germans. How could the Holocaust have arisen from the land of poets and philosophers? German authors began to seek the answer to this question immediately following the end of WWII, and this pursuit naturally led to several different genres of German post-war literature. Some authors adopted the style of Kahlschlag (clear cutting), in which precise use of language would free German from the propaganda-laden connotations of Goebbel’s National Socialist Germany. Others spoke of a Stunde Null (Zero Hour), a new beginning without reflec- tion upon the past. These styles are easily recognizable in the works of early post-war authors like Alfred Andersch, Günter Eich, and Wolfgang Borchert. However, it would take ten years before German authors adopted the style of Vergangenheitsbewältigung, an analysis and overcom- ing of Germany’s past.1 In 1961 Walter Jens wrote that only works written after 1952 should be considered part of the genre of German post-war literature (cited in Cunliffe 3). Without a distanced analysis of the Second World War an author would be unable to produce a true work of art.