Celebrities the Cowardly Lion Dr

Celebrities the Cowardly Lion Dr. Seuss Ebenezer Scrooge Bugs Bunny James Bond Amelia Earhart Andy Warhol Jimmy Stewart Dr. Emmett Brown John Hancock Dennis the Menace Dumbledore Eleanor Roosevelt Sirius Black Sean Connery Dracula Shakespeare Bruce Willis Babe Ruth James Earl Jones Buzz Lightyear Spider Man Albert Einstein Inigo Montoya Denzel Washington Jim Henson Barbie James Madison Sherlock Holmes Fozzy Brad Pitt Buddy Holly Elizabeth Bennett Scooby Doo E.T. Jackson Pollock Indiana Jones Shel Silverstein Henry Ford Cap'n Crunch Dora the Explorer Abraham Lincoln Elvis Presley Stephanie Meyer Lance Armstrong Leonardo Da Vinci C-3P0 Celine Dion Davy Crockett Mahatma Gandhi Justin Beiber Anakin Skywalker Eli Whitney Audrey Hepburn Isaac Newton Robin Hood Rocky Frankenstein Beethoven Pocahontas Copyright © 2012 The Game Gal | www.thegamegal.com Kevin Bacon John Williams Louis Armstrong Hannah Montana David Beckham Helen Keller Lucille Ball Sacajawea Benjamin Franklin Captain Kirk Billy the Kid Franklin D. Roosevelt Mario Han Solo Mark Twain C. S. Lewis Salvador Dali Captain Hook Rapunzel Charles Dickens Luke Skywalker Harry Houdini Santa Claus Harrison Ford Batman George Lucas Darth Vader Mufasa Oprah Winfrey Garﬁeld Genghis Khan Gilligan Michael Phelps Michelangelo Charles Darwin Betsy Ross Bill Gates Walt Disney Harry Potter Marty McFly Hamlet Mother Teresa Cleopatra Mr. Darcy Clark Kent Grace Kelly Thomas Edison Tony Hawk Neil Armstrong Bill Cosby George Washington Cinderella Willy Wonka Mary Poppins Peter Pan Frodo Neil Diamond George of the Jungle Mr. Rogers Pablo Piccaso Voldermort Winnie the Pooh Christopher Columbus Copyright © 2012 The Game Gal | www.thegamegal.com.

Copy Link

Recommended publications

Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
[Show full text]
In the Shadow of Billy the Kid: Susan Mcsween and the Lincoln County War Author(S): Kathleen P
In the Shadow of Billy the Kid: Susan McSween and the Lincoln County War Author(s): Kathleen P. Chamberlain Source: Montana: The Magazine of Western History, Vol. 55, No. 4 (Winter, 2005), pp. 36-53 Published by: Montana Historical Society Stable URL: http://www.jstor.org/stable/4520742 . Accessed: 31/01/2014 13:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Montana Historical Society is collaborating with JSTOR to digitize, preserve and extend access to Montana: The Magazine of Western History. http://www.jstor.org This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions In the Shadowof Billy the Kid SUSAN MCSWEEN AND THE LINCOLN COUNTY WAR by Kathleen P. Chamberlain S C.4 C-5 I t Ia;i - /.0 I _Lf Susan McSween survivedthe shootouts of the Lincoln CountyWar and createda fortunein its aftermath.Through her story,we can examinethe strugglefor economic control that gripped Gilded Age New Mexico and discoverhow women were forced to alter their behavior,make decisions, and measuresuccess againstthe cold realitiesof the period. This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions ,a- -P N1878 southeastern New Mexico declared war on itself.
[Show full text]
Billy the Kid and the Lincoln County War 1878
Other Forms of Conflict in the West – Billy the Kid and the Lincoln County War 1878 Lesson Objectives: Starter Questions: • To understand how the expansion of 1) We have many examples of how the the West caused other forms of expansion into the West caused conflict with tension between settlers, not just Plains Indians – can you list three examples conflict between white Americans and of conflict and what the cause was in each Plains Indians. case? • To explain the significance of the 2) Can you think of any other groups that may Lincoln County War in understanding have got into conflict with each other as other types of conflict. people expanded west and any reasons why? • To assess the significance of Billy the 3) Why was law and order such a problem in Kid and what his story tells us about new communities being established in the law and order. West? Why was it so hard to stop violence and crime? As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. This was a time of robberies, range wars and Indian wars in the wide open spaces of the West. Gradually, the forces of law and order caught up with the lawbreakers, while the US army defeated the Plains Indians. As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other.
[Show full text]
Audrey Hepburn and James Bond Lead the Film and Entertainment Sale This Winter
For Immediate Release 2 November 2006 Contact: Zoë Schoon 020.7752.3121 [email protected] Audrey Hepburn and James Bond Lead the Film And Entertainment Sale This Winter Dr. No, 1962 (Sean Connery) Breakfast at Tiffany’s, 1961 (Audrey Hepburn) A Walther PP - the first gun used by James Bond Black dress by Hubert de Givenchy Estimate: £15,000-25,000 Estimate: £50,000-70,000 © 1962 Danjaq, LLC and United Artists. ©Ronald Grant Archive All rights reserved Film and Entertainment Christie’s South Kensington Tuesday 5 December, 1pm South Kensington – Christie’s Film and Entertainment sale on Monday 5th December will feature some 277 lots of props and memorabilia from film, TV and theatre. Ranging from the films of the silent era to the present day, as well as much-loved TV productions, and modern day phenomenons such Harry Potter and Star Wars, the sale is expected to realise in excess of £500,000. Two superb selections of Audrey Hepburn and James Bond memorabilia lead the sale. The highlight of the Audrey Hepburn section is the sleek black Givenchy dress made for her in the much-loved 1961 classic film, Breakfast at Tiffany’s. This famous dress was personally donated to the current owners, Monsieur and Madame Lapierre by Hubert de Givenchy, who designed Hepburn’s wardrobe for the film. It has an estimate of £50,000-70,000 and is being auctioned on behalf of the charity City of Joy Aid, which benefits the under-privileged in India. Other Hepburn highlights include an exquisite black Givenchy two-piece cocktail suit from the 1963 film Charade (estimate £8,000-12,000) which is as wearable today as it was then, an original costume design by Edith Head for Audrey Hepburn in Sabrina, 1954, (estimate £3,000-5,000) and a selection of original cinema posters, photographs and autograph material associated with the films Hepburn starred in (estimates start at £200).
[Show full text]
Issue No. 87: April 2011
ZIM CSWR OVII ; F 791 IC7x CII nOl87 ~r0111Ca oe Nuevo Mexico ~ Published since 1976 - The Official Publication of the Historical Society ofNew Mexico OJ April 2011 Issue Nurrrbez- 87 Lincoln County - Full of History According to the New Mexico Blue county seat was in the now historic Book, Lincoln County was . at one time. district of the village of Lincoln where the the largest county in New Mexico. Lincoln County War and Billy the Kid's Created on January 16, 1869 and named role in the conflict are a major part of in honor of Presid ent Abraham Lincoln. their history. the area in the south central part of the Not only is Lincoln County known as state. has had more than its share of "Billy the Kid Country" it also is the site of "exciting" (then and now) events. The first Fort Stanton which has a lonq and colorful history beqinntns in the days before the CivilWar. They have a museum and visitors center. To learn more about Fort Stanton. see recently published book by Lynda Sanchez. Fort Stanton: An Illustrated History. Legacy of Honor, Tradition ofHealing. Capitan qained fame with Smokey Bear when a cub was found on May 19, 1950 after a fire in the Lincoln National Signs in Lincoln New Mexico (Photograph by Carlee n Lazzell, April 28 . 2010) Forest. Shortly thereafter Smokey was the Smokey Bear Historical Park where A few miles to the northeast of taken to the National Zoo in Washin~ton , there is a museum and a nearby qift shop. Capitan are the ruins of the New Deal DC and he became the livin~ symbol of Community businesses have capitalized camp for young women.
[Show full text]
OSU-Tulsa Library Michael Wallis Route 66 Archive NEW MEXICO
OSU-Tulsa Library Michael Wallis Route 66 archive NEW MEXICO Rev. September 2016 Box 1 Accommodations Lists of motels and hotels acquired from internet sources, circa 2001. Articles and press cuttings: 1930s-2004 1 “Route 66: Across 1930s New Mexico. Excerpt from The WPA Guide to 1930s New Mexico . “US 66 Opened to Travel: New Program is Planned.” New Mexico: The Highway Journal , Dec 1937. Sagebrush Lawyer . Arthur Thomas Hannett, 1964. Excerpt. “Route 66: The Long and Lonesome Main Street of the West.” Today’s Empire, Jun 1982. 2 “Buckle Up: Let’s Get Some Kicks.” The Albuquerque Tribune , Jun 1990. “The New Mexico Misunderstanding.” El Palacio , Summer 1994. “Dad Got His Kicks Building Route 66.” Reminisce , Mar/Apr 1995. “The Interstates Midlife Crisis. The Albuquerque Tribune , Jun 1996. “Not Too Many Kicks Now Along Route 66.” Phoenix Newspapers, Inc., Oct 1997. “N.Y. Artists Win Socorro Commission.” Albuquerque Journal , Nov 1997. “State Planning to Save Bridge to American Past.” Albuquerque Journal , Mar 1998. “Speed Reads.” The Albuquerque Tribune , Apr 1998. “Museum Exhibit Tribute to Route 66.” Albuquerque Journal , Jul 1999. “Dig This!” Albuquerque Journal , Jul 1999. “Signs of Life.” Albuquerque Journal , Aug 1999. “County Shares Route 66 History.” Albuquerque Journal , Aug 1999. “Road to Yesterday.” Albuquerque Journal , Aug 2000. 1 “Plan to Help Restore the Kicks on Old Route 66 Gets a $10 Million Boost.” The San Diego Union-Tribune , Aug 1999. “Mother Road Gold.” Albuquerque Journal , Sept 1999. “First a Trail, Then Two Rails and a Road.” Albuquerque Journal , Sept 1999. “Calendar Brings State’s History Into Focus.” Albuquerque Journal , Dec 1999.
[Show full text]
GCSE: Musical Theatre
Jeremy Fisher is a vocal and Great musicals from this era include West Side Story (Bernstein and GCSE: musical performance coach, writer and Sondheim), My Fair Lady (Lerner and Loewe) and Guys and Dolls (Frank prizewinning accompanist. Loesser). Gillyanne Kayes is a vocal consultant, lecturer and author of theatre Singing and the Actor. Contemporary influences Together they have written the book Successful Singing Auditions, and Defining musical theatre post-1970 is more complex. Musical influ- Jeremy Fisher and Gillyanne Kayes run Vocal Process, which offers ences are numerous, ranging from motown, rock or country (The Wiz, training for teachers and performers Hair, Tommy) to pop and Bollywood (Rent, Aida, Bombay Dreams) and The origins and characteristics of musical theatre are complex and var- through the Integrated Voice the epic musicals of the 80s and 90s (Les Miserables, Miss Saigon, Phan- ied. In this article we examine eight key features, which together form programme. tom of the Opera). Dramatic structure also varies enormously, and con- a broad approach to the topic. cept musicals (Cats, Jerry Springer: The Opera) can rub shoulders with classic book musicals (Chitty Chitty Bang Bang): we might say that the implausible plot of We Will Rock You, which uses some of the greatest Historical roots and influences A list of resources for further study popular song material of the 20th century, is a throwback to the old can be found on the Rhinegold musical comedies of the 1920s (and it is by no means the only exam- website, www.rhinegold.co.uk Although many people think of musicals as a resolutely American ple).
[Show full text]
Dressing the Screen: Costume Design in Hollywood
URBAN CULTURE Dressing the Screen: Costume NEW YORK Design in Hollywood Fri, November 15, 2013 6:00 pm Venue Two famed costume designers discuss their highly acclaimed Fashion Institute of Technology, Katie Murphy Amphitheatre, ?Fred P. designs as they explore the past and present of film and Pomerantz Art and Design Center, television fashion. 227 West 27th Street, New York, NY 10001 Join Deborah Landis and Yvonne Blake as they discuss the role of View map Phone: 212-217-4585 fashion. Dr. Landis, an Oscar nominee, designed Michael Jackson’s Thriller and curated the 2012 Victoria and Albert exhibition, Hollywood Credits Costume. Organized by Spain Culture New York in collaboration with the Academy Award winner Yvonne Blake dressed film legends such as Museum at the Fashion Institute of Sophia Loren, Audrey Hepburn, Sean Connery, Robert de Niro, Marlon Technology. Brando and Al Pacino in dozens of films. Some of her most outstanding works can bee seen in Superman, Nicholas and Alexandria, Jesus Christ Superstar, Looking for Richard, Flesh & Blood and The Three Musketeers. The Spanish costume designer of British origin has an extensive career working in Spain as well, where she was awarded by Royal Decree of H.M. King Juan Carlos of Spain, and the Ministry for Works and Immigration the Gold Medal for her work in Spanish Cinema in 2011, and The National Film Award by the Ministry of Culture of Spain in 2012. A signing of Landis’s two most recent books and a reception offered by Freixenet will follow the presentation. Reservations are required for all events, as space is limited.
[Show full text]
La Valse D'amelie Yann Tiersen 4
LA VALSE D'AMELIE YANN TIERSEN 4 DREAMER OZZY OSBOURNE 8 HOUSE OF CARDS MAIN THEME JEFF BEAL 13 WISH YOU WERE HERE PINK FLOYD 16 KEINE 1ST WIE DU GREGOR MEYLE 20 BESAME MUCHO ANDREA BOCELLI 27 ATLAS COLDPLAY 30 MICHELLE THE BEATLES 35 A NIGHT LIKE THIS CARO EMERALD 38 BUDAPEST GEORGE EZRA 42 I WANNA BE LOVED BY YOU MARILYN MONROE 46 LOVE ME LIKE YOU DO ELLDE GOULDING 48 FEELS LIKE HOME RANDY NEWMAN 52 I FOLLOW RIVERS LYKKE LI 57 LOVE HURTS NAZARETH 60 FALLIN' ALICIA KEYS 63 MERRY CHRISTMAS, MR.LAWRENCE RYUICHI SAKAMOTO 68 I SEE YOU LEONA LEWIS 75 WALK LUDOVICO EINAUDI 80 HALLELUJAH LEONARD COHEN 84 MAD WORLD MICHAEL ANDREWS & GARY JULES 88 MOONLIGHT SERENADE GLENN MILLER ORCHESTRA 92 DANCE ME TO THE END OF LOVE LEONARD COHEN 94 IN DER HALLE DES BERGKONIGS EDVARD GRIEG 98 SAMBA PA Tl SANTANA 102 KUSSEN KANN MAN NICHT ALLEINE MAX RAABE 104 BALLADE POUR ADELINE RICHARD CLAYDERMAN 109 RISE LIKE A PHOENIX CONCHITA WURST 112 OVER THE RAINBOW JUDY GARLAND 116 SKYFALLADELE 118 STOP CRYING YOUR HEART OUT OASIS 124 THE HANGING TREE JENNIFER LAWRENCE 128 MOON RIVER AUDREY HEPBURN 132 SAILING ROD STEWART 135 NOTHING IS OVER SUNRISE AVENUE 142 GYMNOPEDIE NR.1 ERIC SATDE 146 SWAY DEAN MARTIN 148 TRAUMEREI ROBERT SCHUMANN 152 VIDEOGAMES LANA DEL REY 154 IF I WERE A BOY BEYONCE 158 FUR ELISE LUDWIG VAN BEETHOVEN 162 MY LOVE KOVACS 166 READ ALL ABOUT IT EMELI SANDE 172 SOMEONE LIKE YOU ADELE 177 RIVER FLOWS IN YOU YIRUMA 184 SHE ELVIS COSTELLO 188 TIME AFTER TIME CYNDI LAUPER 191 BLUES EYES ELTON JOHN 196 I HAVE A DREAM ABBA 200 MEMORY ANDREW LLOYD WEBBER 204 http://d-nb.info/1082351369.
[Show full text]
Hooray for Hollywood the Sequel
Hooray for Hollywood! The Sequel Music & Color; The Glamour Years Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 HoorayMusic & Color; for The GlamourHollywood! Years Movie Makers Walt Disney (1901–1966) Alfred Hitchcock (1899–1980) Scott 1355 Legends of Hollywood series • Scott 3226 The creator of Mickey Mouse and a host of other magical The master of the suspense film genre — which he is said cartoon characters began his professional career as an virtually to have invented — Hitchcock’s thrillers usually animator in the early 1920s with a friend, Ub Iwerks, and involved an ordinary person getting swept up in threatening with the financial backing of Walt’s brother Roy. With the events beyond his or her control and understanding. His first help of Walt and Roy’s wives, Lily and Edna, they produced U.S. film, Rebecca (1940) for David Selznick, won that year’s three cartoons featuring a mouse (who was almost named Oscar for Best Picture. He was voted Greatest Director of all Mortimer) in 1928, but it wasn’t until Disney added Time by Entertainment Weekly, whose list of 100 Greatest synchronized music to Steamboat Willie that their fortune was Films included four of his, more than any other director: made. Numerous popular short animated features followed, Psycho (1960, #11), Vertigo (1958, #19), North by Northwest including Flowers and Trees (1932), the first color cartoon (1959, #44), and Notorious (1946, #66).
[Show full text]
Audrey Hepburn at the National Press Club, April 7, 1989
Audrey Hepburn at the National Press Club, April 7, 1989 Audrey Hepburn, April 7, 1989. Photo by Stan Jennings. National Press Club Archives Audrey Hepburn (1929-1993), Goodwill Ambassador for the United Nations Children’s Fund, or UNICEF, spoke at a National Press Club luncheon a few days before journeying to Sudan, where she publicized the organization’s attempt to distribute food, medicine, and supplies to more than two million people in the southern portion of that war-torn country before the rainy season made conditions impossible for relief efforts to operate. UNICEF’s director, James P. Grant, had negotiated an unprecedented agreement with government and guerrilla forces to allow aid workers safe corridors through which to transport materials. Hepburn’s role was to act as a witness to the effort, named Operation Lifeline Sudan, and thereby attract the press’s attention to the plight of children in danger, a cause to which she dedicated herself during the last five years of her life. In her talk to the Press Club, she urged reporters to focus on the Sudan. A day earlier, she appealed to a House appropriations subcommittee to take action to help relieve the mounting third world debt problem, arguing that children, the principle victims, “are too fragile to wait until the economic crisis is past.” The voyage to the Sudan was Hepburn’s sixth since she joined UNICEF in 1988, a decision motivated in part by the deprivations she herself had suffered as a child in occupied Holland during World War II. Her uncle was executed by Nazi troops.
[Show full text]
Fanny Brice, Funny Girl, and “The Streisand Phenomenon”
____________________________________________________________________ Glorifying the Jewish-American Girl: Fanny Brice, Funny Girl, and “The Streisand Phenomenon” ____________________________________________________________________ ____________________________________________________________________ “What makes [a contemporary production of Funny Girl] all the more impressive is that few actors, or theater companies outside of summer stock, dare to attempt Jule Styne's and Bob Merrill's grand spectacle that propelled Barbra Streisand's career nearly 40 years ago.” Jillian Hornbeck Ambroz, The New York Times (April 2001) “Our renewed fondness, even adoration, of Streisand is evidence of a nostalgia for a time when striving for excellence was at least as important as making a buck, and when originality was prized over focus- grouped packaging. In the early 1960s, Streisand reset the cultural parameters when she walked onstage in Funny Girl and said ‘Hello, Gorgeous’ to herself in the mirror – a slender, unusual girl who wouldn’t compromise on appearance, performance, or integrity. Fifty years later, she still matters, and for all the same reasons.” William Mann, Hello, Gorgeous (2012) ____________________________________________________________________ Alexandra Strycula Thesis submitted in partial fulfillment of the requirements for the major in American Studies, Barnard College April 25, 2014 Thesis Advisers: Elizabeth Esch and Severin Fowles Abstract Rarely has there been a marriage of actress-and-role as lasting and profound as that
[Show full text]