A Technical Overview of the Format and Production Workflow
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Recommended Formats Statement 2019-2020
Library of Congress Recommended Formats Statement 2019-2020 For online version, see https://www.loc.gov/preservation/resources/rfs/index.html Introduction to the 2019-2020 revision ....................................................................... 2 I. Textual Works and Musical Compositions ............................................................ 4 i. Textual Works – Print .................................................................................................... 4 ii. Textual Works – Digital ................................................................................................ 6 iii. Textual Works – Electronic serials .............................................................................. 8 iv. Digital Musical Compositions (score-based representations) .................................. 11 II. Still Image Works ............................................................................................... 13 i. Photographs – Print .................................................................................................... 13 ii. Photographs – Digital ................................................................................................. 14 iii. Other Graphic Images – Print .................................................................................... 15 iv. Other Graphic Images – Digital ................................................................................. 16 v. Microforms ................................................................................................................ -
Marantz Guide to Pc Audio
White paper MARANTZ GUIDE TO PCAUDIO Contents: Introduction • Introduction As you know, in recent years the way to listen to music has changed. There has been a progression from the use of physical • Digital Connections media to a more digital approach, allowing access to unlimited digital entertainment content via the internet or from the library • Audio Formats and TAGs stored on a computer. It can be iTunes, Windows Media Player or streaming music or watching YouTube and many more. The com- • System requirements puter is a centre piece to all this entertainment. • System Setup for PC and MAC The computer is just a simple player and in a standard setup the performance is just average or even less. • Tips and Tricks But there is also a way to lift the experience to a complete new level of enjoyment, making the computer a good player, by giving the • High Resolution audio download responsibility for the audio to an external component, for example a “USB-DAC”. A DAC is a Digital to Analogue Converter and the USB • Audio transmission modes terminal is connected to the USB output of the computer. Doing so we won’t be only able to enjoy the above mentioned standard audio, but gain access to high resolution audio too, exceeding the CD quality of 16-bit / 44.1kHz. It is possible to enjoy studio master quality as 24-bit/192kHz recordings or even the SACD format DSD with a bitstream at 2.8MHz and even 5.6MHz. However to reach the above, some equipment is needed which needs to be set up and adjusted. -
Saracon Manual
Ultra High-QualitySar Audio-File And acSample-Rate Conversionon Software Manual Please see page two for version of this manual. Weiss Engineering Ltd. Florastrasse 42, 8610 Uster, Switzerland Phone: +41 44 940 20 06, Fax: +41 44 940 22 14 Email: [email protected], Websites: www.weiss.ch or www.weiss-highend.com 2 This is the manual for Saracon on Windows: c Weiss Engineering LTD. August 20, 2020 Typeset with LATEX 2". Author: Uli Franke Acknowledgements: Daniel Weiss, Rolf Anderegg, Andor Bariska, Andreas Balaskas, Alan Silverman, Kent Poon, Helge Sten, Bob Boyd, all the beta-testers and all other persons involved. Saracon Version: 01 . 61 - 37 Manual Revision: 00.03 Legal Statement The software (Saracon) and this document are copyrighted. All algorithms, coefficients, code segments etc. are intellectual property of Weiss Engineering ltd.. Neither disassembly nor re-usage or any similar is allowed in any way. Contravention will be punished by law. Information in this document is provided solely to enable the user to use the Saracon software from Weiss Engineering ltd.. There are no express or implied copyright licenses granted hereunder to design or program any similar software based on the information in this document. Weiss Engineering ltd. does not convey any license under its patent rights nor the rights of others. Weiss Engineering ltd. reserves the right to make changes without further notice to any products herein. Weiss Engineering ltd. makes no warranty, representation or guarantee regarding the suitability of its products for any particular purpose, nor does Weiss Engineering ltd. assume any liability arising out of the application or use of any part of this software or manual, and specifically disclaims any and all liability, including without limitation consequential or incidental damages. -
Owner's Reference
Owner’s Reference ® Owner’s Reference NuWave Phono Converter Instructions for use NuWave® Phono Converter™ 4826 Sterling Drive, Boulder, CO 80301 PH: 720.406.8946 [email protected] www.psaudio.com Introduction i ©2013 PS Audio International Inc. All rights reserved. Introduction ® Owner’s Reference NuWave Phono Converter Important Safety Read these instructions Instructions Heed all warnings Follow all instructions WARNING. TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. Clean only with a dry cloth. Do not place flammable material on top of or beneath the component. All PS Audio components require adequate ventilation at all times during operation. Rack mounting is acceptable where appropriate. Do not remove or bypass the ground pin on the end of the AC cord unless absolutely necessary to reduce hum from ground loops of connected equipment. This may cause RFI (radio frequency interference) to be induced into your playback setup. All PS products ship with a grounding type plug. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Unplug this apparatus during lightning storms or when unused for long periods of time. When making connections to this or any other component, make sure all components are off. Turn off all systems’ power before connecting the PS Audio component to any other component. Make sure all cable terminations are of the highest quality. -
The New Reference Dedicated to Detail
SA-10 SUPER AUDIO CD PLAYER the new reference dedicated to detail For many years, the Marantz Reference Series of MA-9, SC-7 and SA-7 has set the standards for playback and amplification: not only does it draw on all the expertise the company has developed over decades, it’s also the embodiment of the thinking underpinning every product the company makes, summed up in the simple phrase ‘because music matters’. Now Marantz is challenging its own Reference Series with the introduction of the Premium 10 Series – products designed to create a new reference through new design and engineering. Comprising the SA-10 SACD/CD Player and matching PM-10 integrated amplifier, this new series sees a complete re-invention of the design principles behind the company’s statement products. The player and amplifier are the result of an extensive research, development and – of course – listening process, leading to the incorporation of new thinking and new architectures alongside established Marantz technologies and strengths. All of this has targeted one very clear aim – the best possible reproduction of music, from CD quality all the way up to the latest ultra-high-resolution formats. because music matters 3 SUPER AUDIO CD PLAYER SA-10 SUPER AUDIO CD PLAYER Reference class Super Audio CD player with USB DAC, digital inputs and unique Marantz Musical Mastering technology The SA-10 is an exceptional player of both CD and SACD discs, but can also play high-resolution At a glance music stored on computer-burned discs, as well as being a high-end digital to analog converter for • All-new SACD-M3 transport mechanism computer-stored music. -
Frequently Asked Questions About the DVRA1000 • Updated May 26, 2005
Frequently Asked Questions about the DVRA1000 • Updated May 26, 2005 Q: What is DSD? A: Direct Stream Digital is a digital format devised by Sony for the Super Audio CD player. It plays audio at 2.822MHz, or 64 times the rate of a traditional 44.1KHz CD. It is a 1bit signal, unlike the 16bit signal of a CD. Many audiophiles agree that DSD has the best sound quality of any digital format, and better than any analog format as well. Q: Does the DVRA1000 record Super Audio CD or DVDAudio discs? A: No. It records audio files that are ideal for mastering to DVDAudio (DVDA) or Super Audio CD (SACD). However, discs recorded in the DVRA1000 cannot be played in a SACD or DVDA player. Q: Does it play SACD or DVDA discs? A: No, it will play DVRA1000 discs or CDs. Q: Can I record and play back CDs? A: Yes, the DVRA1000 records standard CDs. Q: Does it record DVD Video files that I can play in a DVD player? A: No, there is no video on the unit and DVRA1000 discs can't be played in a DVD player. Q: What can I do with the discs? A: The discs can be played in any computer with a DVDROM drive capable of playing DVD+RW discs. It creates UDF discs, a standard format read by virtually all computer platforms, including Mac, Windows and Linux. The files recorded are Broadcast Wave (.WAV) or DSDIFF (.DFF) files. -
Be Ready. * Battery Life Subject to Conditions PMD661 | Professional High-Resolution Audio Recorder PMD620 | Professional Handheld Recorder
PORTABLE FLASH RECORDERS The Widest Selection of Portable Recorders is at BSW! This Pro Portable Recorder is BSW Every Reporter’s First Choice! Industry-Favorite Field Recorder CUSTOMER The PMD661 records MP3/WAV to SDHC and The solid-state Marantz PMD620 digital audio FAVORITE features built-in condenser mics, a pair field recorder boasts an easy-to-use interface, of XLR inputs, a stereo line-level minijack two built-in omnidirectional condenser port, and an S/PDIF digital connection. microphones for stereo recording and a speaker • Records direct to MP3 or WAV formats in 16- or 24- • Switchable balanced XLR Mic/Line inputs with bit resolution on SD and SDHC flash memory cards +48V phantom power • 1/8" input for external mics (provides +5v phantom • Large, easy-to-use multi-function interface with power for electret condensers) improved navigation • Non-destructive editing to create customized files • 1/4" headphone jack with independent level control • Runs on 2 AA or NiMH batteries for up to 5 hours of operation • Built-in stereo speakers • Mark Editor software included for quick referencing. • USB 2.0 data port for fast transfer of files to PC/ PMD620 List $429.00 Mac • Advanced editing features, including Timer Re- Contact BSW For Lowest Prices cord/Playback, Copy segment, and File divide Accessories: PRC620 Carry Case For PMD620 $45.00 PMD661 List $649.00 Accessories: Contact BSW For Lowest Prices PRC661 Carry Case For PMD661 $69.00 Rugged, Reliable CompactFlash Recorder The PMD660 handheld digital recorder combines convenient solid-state CompactFlash digital recording with Marantz audio know-how, for rugged and reliable performance in the field. -
Sonic Studio Nexstage Overview
nexStage Tools for Transcoding & Sonic Studio Authoring from Sonic Studio nexStage, Complete Solutions for SACD Creation A Comprehensive Line of Tools for Audio Post nexStage offers DSD and SACD post–production tools for most workstation users. Whether it’s a DSD recorder/editor from SA- DiE, Merging Technolgies, Sonoma, Super Audio Center, Tascam or Sony or, a PCM DAW from Magix, Digidesign, Steinberg or many others, there’s a SACD delivery solution from Sonic Studio. ...a Rosetta Stone for Music In the world of consumer audio distribution, there are two modern release formats; SACD and DVD-Audio. Most digital audio products are able to handle some version of linear PCM which is good for CD and DVD releases but, increasingly, SACD capa- bilities are needed to stay competitive. Our nexStage product line bridges the technological divide between CD and DVD on one hand, and SACD on the other. PCM or DSD…It’s Your Call DSD or Direct Stream Digital is the na- tive file format for SACDs. Super Audio CDs are the successor to the univer- sally accepted Compact Discs from the inventors of the Compact Disc, Philips and Sony. SACDs enjoy broad accep- tance by consumers for their forward and backward compatibility, ease of use and “ultra–analog” sound quality. Record labels appreciate their tightly locked intellectual property protection and ability to deliver a single SKU to retailers. Now, no matter what DAW or digital recorder you use, the nexStage tool complement provides the ability to create any digital audio release format, from multichannel audio for SACD or DVD-A to good ol’ stereo CDs, all on your desktop. -
Delivery of Recorded Music Projects
TECHNICAL DOCUMENT AES TECHNICAL COUNCIL Document AESTD1002.1.03-10 Recommendation for delivery of recorded music projects Nashville members of the P&E Wing of The Recording Academy® formed a Delivery Specifications Committee, and in collaboration with the Audio Engineering Society’s Technical Committee on Studio Practices and Production have created The Delivery Recommendations for Master Recordings document. AUDIO ENGINEERING SOCIETY, INC. INTERNATIONAL HEADQUARTERS 60 East 42nd Street, Room 2520 . New York, NY 10165-2520, USA Tel: +1 212 661 8528 . Fax: +1 212 682 0477 E-mail: [email protected] . Internet: http://www.aes.org AUDIO ENGINEERING SOCIETY, INC. INTERNATIONAL HEADQUARTERS 60 East 42nd Street, Room 2520, New York, NY 10165-2520, USA Tel: +1 212 661 8528 . Fax: +1 212 682 0477 E-mail: [email protected] . Internet: http://www.aes.org The Audio Engineering Society’s Technical Council and its Technical Committees respond to the interests of the membership by providing technical information at an appropriate level via conferences, conventions, workshops, and publications. They work on developing tutorial information of practical use to the members and concentrate on tracking and reporting the very latest advances in technology and applications. This activity is under the direction of the AES Technical Council and its Committees. The Technical Council and its first Technical Committees were founded by the Audio Engineering Society in 1979, and standing rules covering their activities were established in 1986, with the intention of defining and consolidating the technical leadership of the Society for the benefit of the membership. The Technical Council consists of the officers of the Technical Council, the chairs of the Technical Committees, the editor of the Journal, and as ex-officio members without vote, the other officers of the Society. -
Crescent-Music-Services-Cd-Project
Introduction — 3 8 reasons why you need a CD — 4 table of contents Questions you will need to answer — 5 Project Checklist — 6 Scanning — 42 Pressing — 72 Schedule — 7 Resolution — 43 Duplication versus Replication — 73 Design process — 8 Proofs and proofing — 44 How CDs are Pressed — 76 Proofing tips and guidelines — 45 Concept — 10 Proofing checklist — 46 FAQs — 77 Design — 11 Proofs — 47 Shipping — 77 Cover Design — 12 Doing your own production files — 49 Pricing your CD — 77 Images — 13 Working with a designer — 52 Color — 15 about the author — 78 Design Process Walkthrough — 53 Paper — 19 the printing process — 54 Layout — 20 Printing Lingo — 57 Preparing your packaging — 21 Mastering — 58 Packaging Styles — 21 Master checklist — 59 Digipaks vs. Jewelcases — 24 This is an interactive PDF. Liner Notes Checklist — 25 Mastering FAQs — 60 Choosing a Mastering Engineer — 61 Insert/Booklet — 26 Watch for hyperlinks throughout that Folding Choices — 28 ISRC codes — 63 will take you to other places in this Traycard / Back cover — 29 other mastering options — 64 document and on the web. Barcode — 31 Legal and Business Stuff — 65 Disc Face — 32 IPR Forms — 66 other packaging options — 34 Mechanical Use this Table of Contents to jump Preparing Text & Images — 35 Licenses — 67 to different sections (or use your Preparing Your Text — 36 Public Domain — 68 Bookmarks panel in Acrobat Reader). Photography / Artwork — 37 BMI ASCAP — 69 Photography techniques & tips — 39 Sound Exchange — 69 To PRINT, select "Fit to paper" in the Hiring a photographer (or artist) — 40 Copyright — 70 Print dialog box. Image Copyrights — 41 Other Legal and Business Stuff — 71 CD Project Planner • Crescent Music Services • www.crescentmusic.com • 504-312-2354 Jump to: TOC • DESIGN • PACKAGING • MASTERING • LEGAL • PRESSING • FAQs • <<<<< • >>>>> Introduction This publication will take you through the steps and discuss However, you still must coordinate things, so you need to the different aspects of creating your CD from the point educate yourself. -
Soundblade Version 1.3 — User Manual
Page 2 soundBlade SE User Manual Table of Contents studioCare Support Program — ............................................................................ 15 Why Do You Need studioCare?: ....................................................................................................15 What Is studioCare?: ......................................................................................................................15 Annual Support & Maintenance Programs: ................................................................................15 On Demand Support Offerings: ....................................................................................................16 Chapter 1 Introduction ....................................................................................... 17 Chapter 2 Quick Start ......................................................................................... 18 2.1 Before You Begin .................................................................................................18 2.1.1 Requirements ............................................................................................................................18 2.1.2 Installation .................................................................................................................................18 2.2 Creating CDs With soundBlade SE ....................................................................18 First: Assemble your audio ................................................................................................................19 -
TECHNOLOGYFIELD TEST B Y E R I K Z O B L E R Sonic Studio Premaster CD Software Professional Prep and Finishing Tool for Replication
FIELD TEST TECHNOLOGYFIELD TEST B Y E R I K Z O B LER Sonic Studio PreMaster CD Software Professional Prep and Finishing Tool for Replication onic Studio began as workstation make. You can easily make pioneer Sonic Solutions. Today, Sonic very long crossfades by SStudio makes hardware interfaces and holding the Option key Mac software for PCM and DSD production, and mousing up the center as well as integrated premastering for CD, of the crossfade: Crossfade SACD and rich-media distribution. PreMas- beginning and end regions ter CD (PMCD) is Sonic Studio’s premaster- both expand while keeping ing software, designed to trim and space the fade parameters that your tracks, make edits, add gain changes, you just created. A small create fades, input text and add PQ codes. “bead” lets you adjust the fade curves without having GETTING STARTED to access another window. Installation on my Mac G5 Quad running What PCMD won’t do? OS 10.4 (PMCD uses Core Audio) was It won’t record files. It can easy. Authorization is more involved due change polarity, reverse to challenge/response registration; this took audio, normalize and make about an hour, but the installation guide gain changes, but it doesn’t PMCD is used as the last step before sending your CD for replication. warns it can take up to three business days. support DSP processing. PMCD creates a CD in six steps. However, There’s no provision for scrubbing; only SURVEY SAYS if you want to do fine-tuning, then be half-speed playback is available.