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Uytnemende Schilder Van Antwerpen' Leeflang, Micha University of Groningen 'Uytnemende Schilder van Antwerpen' Leeflang, Micha IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2007 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Leeflang, M. (2007). 'Uytnemende Schilder van Antwerpen': Joos van Cleve: atelier, productie en werkmethoden. s.n. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 25-09-2021 Bibliografie Abramowski 1927 Ainsworth 2001a P. Abramowski, Gotische Altäre der Danziger M.W. Ainsworth, ‘Commentary: An Marien-kirche , Berlijn 1927. Integrated Approach’, in Ainsworth 2001 , pp. 106-121. Adhémar 1946 J. Adhémar, ‘The collection of Paintings of Ainsworth 2001b Francis I’, in Gazette des Beaux-Arts , 30 (1946), M.W. Ainsworth, Caveat emptor, An early pp. 5-16. twentieth-century workshop for Flemish primitives’, in Apollo (juni 2001), pp. 20-29. Adriaanse 1993 W.J.J. Adriaanse, H.E. Mees, F.J. van der Anoniem 1956 Vaart et al., Het Lijdensaltaar, in de St.- Anoniem, ‘The ex-Holford Joos van Cleve’, Janskathedraal te ’s-Hertogenbosch , Den Bosch in The Connoisseur , 138 (1956), p. 281. 1993. Anoniem 1957 Ainsworth 1983 Anoniem, ‘The ex-Holford Joos van Cleve’, M.W. Ainsworth, ‘Underdrawings in in The Art Quarterly , 20 (1957), pp. 218-219. Paintings by Joos van Cleve in The Metropolitan Museum of Art’, in D. Anoniem 1957 Hollanders-Favart en R. van Schoute (eds.), Anoniem, ‘Joos van Cleve’s Holy Family in the Le dessin sous-jacent dans la peinture, Colloque IV, Currier Gallery of Art’, in Art Quarterly , 20 29-31 octobre 1981: Le problème de l'auteur de (zomer 1957), pp. 218-221. l'oeuvre de peinture. Contribution de l'étude du dessin sous-jacent a la question des attributions , Louvain- Anoniem 1958 la -Neuve 1983, pp. 161-167. Anoniem, ‘Joos van Cleve, “Madonna and Child with cherries”’, in Die Weltkunst , Ainsworth 1983a jaargang 28, 10 (1958), p. 17. M.W. Ainsworth, ‘New insights into Joos van Cleve as a draughtsman’, in A.M. Logan (ed.), Anoniem 1959-1960 Essays in Northern European Art presented to Anoniem, ‘Joos van Cleve, St. John on Egbert Haverkamp-Begemann on his sixtieth Patmos, ca. 1525’, in College Art Journal , 19 birthday , Doornspijk 1983, pp. 15-17. (1959-1960), p. 170. Ainsworth/ Faries 1986 Anoniem 1963 M.W. Ainsworth en M.A. Faries, Northern Anoniem, Washington National Gallery of Art Renaissance Paintings, The Discovery of Invention, acquisitions , jaargang 11, 65 (1963) p. 30. The Saint Louis Art Museum 18 (Summer Bulletin, 1986). Anoniem 1969 Anoniem, ‘Joos van Cleve, Portrait of a man Ainsworth 1998 in a fur robe’, in The Connoisseur , 171 (1969), M.W. Ainsworth, Gerard David: Purity of p. 246. Vision in an Age of Transition , New York 1998. Anoniem 1972 Ainsworth/ Christiansen 1998 Anoniem, ‘Cleve der Ältere, Joos van der M.W. Ainsworth en K. Christiansen (eds.), Beke, genannt van Cleve’, in Staatlichen From Van Eyck to Bruegel, Early Netherlandish Kunstsammlungen, Gemäldegalerie Dresden, Alte Painting in The Metropolitan Museum of Art , New Meister , Dresden 1972, p. 37. York 1998. Anoniem 1996 Ainsworth 2001 Anoniem, Et Barn er fodt… Nasjonalgalleriet, M.W. Ainsworth (ed.), Early Netherlandish Oslo , Oslo 1996. Painting at the Crossroads, A Critical Look at Current Methodologies , New York 2001. 279 Anoniem 1999 Baes 1899 Anoniem, Museo e Gallerie Nazionale di E. Baes, ‘Gérard David et l’élément étranger Capodimonte, Dipinti dal XIII al XVI secolo, le dans la peinture flamande, du XVe au XVIe collezioni borboniche e post-unitarie , Napels 1999, siècle’, in Annales de la société d’archéologie de pp. 158-162. Bruxelles , 13 (1899), p. 408. Antwerpen 1988 Baldass 1913 Catalogus Schilderkunst Oude Meesters. Koninklijk L. von Baldass, ‘Die Bildnisse Kaiser Museum voor Schone Kunsten Antwerpen , Maximilians I’, in Jahrbuch der Kunsthistorischen Antwerpen 1988. Sammlungen des allerhöchsten Kaiserhauses , 31 (1913), 5, pp. 247-334. Antwerpen 1993 H. Nieuwdorp (ed.), Antwerpse retabels 15de- Baldass 1923 16de eeuw , 2 delen, Museum voor religieuze L. von Baldass, ‘Die Anfänge des Joos van Kunst Antwerpen/Kathedraal Antwerpen, Cleve’, in Festschrift für Adolph Goldschmidt zum Antwerpen 1993. 60. Geburtstag am 15 Januar 1923 , Leipzig 1923, pp. 83-90. Antwerpen/ Maastricht 2005 M. Martens, P. van den Brink, K Belkin (eds), Baldass 1925 ExtravagAnt! A Forgotten Chapter of Antwerp L. von Baldass, Joos van Cleve. Der Meister des Painting 1500-1530 , Antwerpen/ Maastricht Todes Mariä , Wenen 1925. 2005. Baldass 1928-1929 Asaert 1973 L. von Baldass, ‘Neue Bildnisse und G. Asaert, De Antwerpse scheepvaart in de XVe Bildniszeichnungen von Joos van Cleve’, in eeuw (1394-1480). Bijdrage tot de ekonomische Zeitschrift für Bildende Künst , 62 (1928-1929), geschiedenis van de stad Antwerpen , Brussel 1973. pp. 145-152. Asaert 1993 Baldass 1930 G. Asaert, ‘Antwerpse retabels - L. von Baldass, ‘Bildnisse der economische aspecten’, in Antwerpen 1993 , niederländischen Romanismus’, in Städel deel 2, pp. 17-22. Jahrbuch , 6 (1930), pp. 82-95. Aschenheim 1910 Bambach 1999 C. Aschenheim, Der italienische Einfluss in der C. Bambach, Drawing and Painting in the Italian vlämischen Malerei der Frührenaissance , Strassburg Renaissance Workshop: Theory and Practice, 1300- 1910. 1600 , Cambridge 1999. Van Asperen de Boer 1976 Baudisch 1940 J.R.J. van Asperen de Boer, ‘An Introduction C.P. Baudisch, Jan Joest von Kalkar, ein Beitrag to the Scientific Examination of Paintings’, in zur Kunstgeschichte des Niederrheins , Bonn 1940, Van Asperen de Boer/ Filedt Kok ed., met name: pp. 27-50. Scientific Examinations of Early Netherlandish Painting: Applications in Art History, Nederlands Bauman 1986 Kunsthistorisch Jaarboek , vol. 26, Bussum 1976, G.C. Bauman, ‘The Jack and Belle Linsky pp. 1-40. Collection in The Metropolitan Museum of Art: Addenda to the Catalogue, Joos van Van Asperen de Boer/ Dijkstra/ Van Cleve, A.I. Virgin and Child’, in Metropolitan Schoute 1992 Museum Journal , 21 (1996), pp. 154-159. J.R.J. van Asperen de Boer, J. Dijkstra en R. van Schoute, Underdrawings in Paitings of Bautier 1929 Rogier van der Weyden and the Master of P. Bautier, ‘Een portret van Keizer Flémalle Groups, Nederlands Maximiliaan naar Joos van Cleef, den Kunsthistorisch Jaarboek, vol. 41, Zwolle Meester der Dood Mariä’, in Onze Kunst , 46 1992. (1929), p. 139. 280 Beck 1983 ze Zbirow Polskich’, in Biuletyn Historii Sztuki , C. Beck, ‘La Nation Genoise à Anvers dans 16 (1954), pp. 464-468. première moitie du 16 e siècle’, in R. Belvederi (ed.), Atti del congresso internazionale di studi Bialostocki 1955 storici : Rapporti Genova-Mediterraneo-Atlantico J. Bialostocki, ‘New observations on Joos van nell’ età moderna , Genua 1983, pp. 213-223. Cleve’, in Oud Holland , 70 (1955), pp. 121- 129. Becker 1973 J. Becker, ‘Zur niederländischen Bialostocki/ Walicki 1957 Kunstliteratur des 16. Jahrhunderts: J. Bialostocki en M. Walicki, Europaïsche Dominicus Lampsonius’, in Nederlands Malerei in Polnischen Sammlungen 1300-1800 , Kunsthistorisch Jaarboek , 24 (1973), pp. 45-52. Warschau 1957, pp. 28, 495-497. Baetens 1983 Bialostocki 1963 R. Baetens, ‘De Zuidelijke Nederlanden en J. Bialostocki, The National Museum in Warsaw: de handel op de Baltische ruimte (17e eeuw)’, Handbook of the Collections , Warschau 1963. in J.M. van Winter (ed.), The Interactions of Amsterdam and Antwerp with the Baltic Region Bialostocki 1970 1400-1800 , Leiden 1983, pp. 59-71. J. Bialostocki, ‘The Eye and the Window Realism and Symbolism of light Reflection in Benoit 1899 the Art of Albrecht Dürer and his C. Benoit, ‘Les peintres primitifs des Pays- Predecessors’, in Festschrift für Gert von der Bas à Gênes II Le Maître de la Mort de Osten , Keulen 1970, pp. 159-195. Marie’, in La revue de l’art , 5 (1899), 10 april, pp. 299-312. Białostocki 1972 J. Białostocki, ‘Joos van Cleve in dem Berckenhagen 1965 Kalkarer Altar’, in Kunsthistorische Forschungen E. Berckenhagen, ‘Ein von Joos van Cleve Otto Pächt zu seinem 70. Geburtstag , Salzburg signiertes (?) Portät Köning Franz I’, in 1972, pp. 189-195. Berliner Museen , 15-1 (1965), 12-14. Boccardo 1997 Bergeon 1980 P. Boccardo, ‘Dipinti Fiamminghi del S. Bergeon, Restauration des Peintures Les dossier Secondo Cinquecento a Genova: il Ruolo di du Département des Peintres , 21, Parijs 1980. una Collezione Balbi’, in P. Boccardo en C. Di Fabio (eds.), Pittura Fiamminga in Liguria, Bergström 1955 secoli XIV-XVII , Milaan 1997, pp. 151-175. I. Bergström, ‘Disguised Symbolism in “Madonna” Pictures and Still Life’, in The Boccardo/ Di Fabio 1997 Burlington Magazine , 97 (1955), pp. 303-308, P. Boccardo en C. Di Fabio (eds.), Pittura 342-349. Fiamminga in Liguria, secoli XIV-XVII , Milaan 1997. Berlijn 1975 Gemäldegalerie Staatliche Museen Preussischer Bode 1889 Kulturbesitz Berlin. Katalog der ausgestellten W. Bode, ‘Rezension von H. Toman, Jan van Gemälde des 13-18. Jahrhunderts , Berlijn 1975. Scorel und die Geheimnisse der Stylkritik’, in Repertorium für Kunstwissenschaft , 12 (1889), pp. Bermejo 1991 72-75. E. Bermejo, ‘ Una virgin con el niño, de Joos Van Cleve, monogramada y noticias sobre Bogdanowicz 1995 una adoratión’, in Archivo Español de Arte , 64 S. Bogdanowicz, St. Mary’s Church in Gdansk , (1991) pp. 349-354.
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