University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 7-2020 New Flesh Cinema: Japanese Cyberpunk-Body Horror and Cinema as Catharsis in the Age of Technology Sarah Henry University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Critical and Cultural Studies Commons, Politics and Social Change Commons, Social Psychology and Interaction Commons, Sociology of Culture Commons, and the Visual Studies Commons Citation Henry, S. (2020). New Flesh Cinema: Japanese Cyberpunk-Body Horror and Cinema as Catharsis in the Age of Technology. Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/3805 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact
[email protected]. New Flesh Cinema: Japanese Cyberpunk-Body Horror and Cinema as Catharsis in the Age of Technology A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Communication by Sarah Henry University of Arkansas Bachelor of Arts in Communication, 2017 July 2020 University of Arkansas This thesis is approved for recommendation to the Graduate Council. _________________________ Russell Sharman, Ph.D. Thesis Director _________________________ _________________________ Ryan Neville-Shepard, Ph.D. Frank Scheide, Ph.D. Committee Member Committee Member Abstract This thesis provides a critical analysis of a specific group of films that combine the subgenres of cyberpunk and body horror which I call New Flesh Cinema. Films of this subgenre counter fears and anxieties of technological advancements by re-imagining the rise of technology and its societal effects as a transitional process through the illustration of literal and visceral depictions of the necessary alterations people will have to undergo in order to transition successfully into the new world.