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Rol Aug 2015 Dr. Subhaschandra Doddamani
Reviews of Literature Impact Factor : 1.4716(UIF) ISSN 2347-2723 Volume - 2 | Issue - 1 | Aug - 2015 ART AND ARCHITECTURE OF RASHTRA KUTA DYNASTY Dr. Subhaschandra Doddamani Lecturer in History ABSTRACT he Rashtrakutas who managed the deccan from Manyakheta, Gulbarga region, Karnataka in the Tperiod AD 753 - 973 constructed a portion of the finest dravidian landmarks at Ellora (the Kailasanatha sanctuary), in the stone cut engineering Development. Some other fine landmarks are the Jaina Narayana sanctuary at Pattadakal and the Navalinga sanctuaries at Kuknur in Karnataka. The Rashtrakutas contributed much to the way of life of the Deccan. The Rashtrakuta commitments to craftsmanship and engineering are reflected in the breathtaking rock-cut hallowed places at Ellora and Elephanta58, arranged in present day Mahárashtra. It is said that they out and out built 34 rock-cut hallowed places, yet most broad and extravagant of every one of them is the Kailasanatha sanctuary at Ellora. The sanctuary is an unbelievable accomplishment of Dravidian workmanship. The dividers of the sanctuary have radiant figures from Hindu mythology including Ravana, Úhiva and Parvathi while the roofs have depictions. KEYWORDS :Rashtra Kuta Dynasty , Hindu mythology , Art and Architecture . INTRODUCTION : Rashtrakuta was an illustrious line controlling expansive parts of the Indian Subcontinent between the 6th and tenth hundreds of years. The soonest known Rashtrakuta engraving is a seventh century copper plate award enumerating their guideline from Manapura, a city in Central or West India. Other decision Rashtrakuta factions from the same time frame said in engravings were the rulers of Achalapur (present day Elichpur in Maharashtra) and the leaders of Kannauj. -
History of Jainism in Karnataka
History of Jainism in Karnataka November 26, 2020 UPSC has in recent times shown a lot of interest in the subsects and art and culture of Buddhism and Jainism as can be seen in the questions on sarvastivada and sthanakvasi in the past 3 years. In this light we want to cover some important manifestations of these religions in regional centers. And Jainism and its impact on Karnataka is one such important topic that needs to be covered and the current article is an endeavour to do the same. In news: Recently Copper plate inscriptions dated to the 8th and 9th century CE have been discovered in and around Halebelagola in Chanrayapatna taluk of Hassan district. Placing it in syllabus: Indian history – Jainism Dimensions 1. Origin of Jainism 2. Patronage of Jainism by various dynasties 3. Jaina architecture in Karnataka 4. Jaina contribution to Kannada literature Content: Origin of Jainism: Jaina Dharma or sramana dharma is a small but very influential religious tradition in India. Called Nirgantha (without bonds) by ancient texts, it is one of the oldest sramana (ascetic) traditions still surviving in India. The community is most prominent in Gujarat, Maharashtra and Rajasthan and also has a good presence in Delhi- Mathura, Karnataka, Madhya Pradesh and Bundelkhand regions. The Rig Veda contains clear references to Rishabhdeva, the first Tirthankara and to Aristanemi, the twenty- second. The Yajur Veda mentions the names of three Tirthankaras: Rishabhdeva, Ajitanatha and Aristanemi. Rishabha has also been mentioned in the Bhagavata Purana. According to the tradition, it is believed that Mahavira (24th Tirthankara) visited Karnataka and initiated King Jivandhara of Hemanagada country of the Kuntala (Karnataka) region. -
CULTURE Karnataka’S Cultural Heritage Is Rich and Variegated
Chapter XIII CULTURE Karnataka’s cultural heritage is rich and variegated. Kannada literature saw its first work during 9th Century and in modern times it has created seven winners of Jnanapeetha Award for their literary talents. Literary activity in other languages of neighbouring areas in this state and purely local languages like Tulu and Kodava is also considerable. Journalism in Kannada has its history dating back to 1843 and has many achievements to its credit. Karnataka has thrown up outstanding personalities of historical significance. In the musical map of India, the State has bright spots, whether it is Hindustani or Karnatak, the latter having originated in this land. In the field of dance and art too Karnataka has creditable achievements. Yakshagana is both a folk and elite art is flourishing here. The State’s tradition in folk arts is also colourful.When one thinks of the cultural scene, Shivaram Karanth, Kuvempu, Dr. Rajkumar, Maya Rao, Mallikarjuna Mansur, T. Chaudiah, K.K.Hebbar, Panith Bheemasen Joshi, Gangubai Hangal, B.V. Karanth U.R. Anantha Murthy, Girish Karnad, Chandrashekar Kambar are a few bright faces that shine forth. An attempt is made to survey the cultural pageant of Karnataka in this chapter. LITERATURE Kannada Literature: Kannada literature has a history dating back to at least 1500 years. This apart, the folk literature which began earlier, still runs parallel to the written form Ganga king. Saigotta Sivarama’s ‘Gajashtaka’ is cited as an example of early folk literature. The oldest available work in Kannada is however, a book on poetics, called ‘Kavirajamarga’. Some controversy surrounds this work regarding the authorship, but the consensus is that it was written more likely by the court poet Srivijaya than the Rashtrakuta king Amoghavarsha Nripathunga. -
Download Book
A A 2 6 = THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES THE HERITAGE OF INDIA The Right Reverend V. S. Azariah, Joint Bishop of Dornakal. Editors. J. N. Farquhar, M.A., D.Litt. (Oxon.). Already published. The Heart of Buddhism. K. J. Saunders, M.A. Asoka. Rev. J. M. Macphail, M.A., M.D. Indian Painting. Principal Percy Brown, Calcutta. Subjects proposed and volumes under preparation. SANSKRIT AND PALI LITERATURE. Hymns from the Vedas. Prof. A. A. Macdonell, Oxford. Anthology of Mahayana Literature. Prof. L. DE LA Vallee Poussin, Ghent. Selections from the Upanishads. F. J. Western, M.A., Delhi. Scenes from the Ramayana. James Morison, M.A., Ph.D., Oxford. Selections from the Mahibharata. THE PHILOSOPHIES. The Sarhkhya System. Prof. A. Berriedale Keith, Edinburgh. The Philosophy of the Upanishads. Safikara's Vedanta. A. K. Sharma, M.A.. Patiala. Rimanuja's Vedanta. The Buddhist System. FINE ART AND MUSIC. Indian Architecture. R. L. Ewing, B.A., Madras. Indian Sculpture. Principal W. M. ZUMBRO, Madura. 11 Indian Music. H. A. Popley, B.A., Erode. The Minor Arts. Principal Percy Brown, Calcutta. Indian Coins. BIOGRAPHIES OF EMINENT INDIANS. Gautama Buddha. K. J. Saunders, M.A., Rangoon. Ramanuja. Akbar. F. V. Slack, M.A., Calcutta. Tulsl Das. 5. K. Dutta, B.A., M.B., Ch.B., Lahore. VERNACULAR LITERATURE. The Kurral. H. A. Popley, B.A., Erode. Hymns of the Adiyars. G. E. Phillips, M.A., and Francis Kingsbury, Bangalore. Hymns of the Alvars. Tayumanavar. Isaac Tambyah, M.A., Bar.-at-Law, Penang. Hymns of Hindustan. Chaitanya Hymns. O. Stursberg, Ph.D., Berhampore, Murshid- abad. -
Dr. Md. Neyaz Hussain
B.A. (HISTORY) PART -2 PAPER-3 DR. MD.NEYAZ HUSSAIN ASSOCIATE PROFESSOR & HOD PG DEPARTMENT OF HISTORY MAHARAJA COLLEGE, VKSU , ARA (BIHAR) The Rashtrakuta dynasty ruled over large portions of India from the 8th to 12th century A.D. India at the time was under the threat of invasion from the Arabs, who conquered Sind in 712 A.D. and were looking to expand to the west and control trade routes in the region. A royal family called the Chalukyas controlled this territory and successfully resisted Arab attacks . This significantly weakened their power. Seeing an opportunity an official in the Chalukyas ’ administration named Dantidurga declared his independence in 753 A.D. The dynasty that he and his family formed the core of was called the Rashtrakuta, with their capital based at Manyakheta. Geographically the Rashtrakuta kingdom located nearly in the middle of India along the top of the Deccan Plateau. This position afforded many opportunities for expansion. The Rashtrakutas took advantage of this and frequently interfered with both the northern and southern kingdoms of India. The northern kingdoms were particularly easy to prey on, as there was no one powerful enough to effectively repel the Rashtrakutas . The Rashtrakutas also controlled large portions of the western coast of India. The majority of the trade with West Asia came through these ports and much of the Rashtrakutas wealth along with it. Tea and cotton textiles were exported out of the kingdom and horses were imported to be sold further inland. The Rashtrakutas also maintained good relations with the Arabs in Sind and traded extensively with them. -
Translations Into Kannada in the 10Th Century: Comments On
Translations into Kannada in the 10 ththth Century: Comments on Precolonial Translation V.B.THARAKESHWAR Abstract Looking at early Kannada literary texts like Kaviraja Maarga and Vikramarjuna Vijaya (10th century), this paper tries to argue that employing binaries such as western/indian, colonial/indigenous, Kannada / Sanskrit would not do.Such early texts have to be placed in the context of the emerging writing culture (textual production) in the region, the uses to which it was put (economy, polity, religion), the question of patronage, the religious order of the day apart from subjecting it to a comparison with the source texts so as to figure out the function that they perform in the target culture. The paper identifies the existing pitfalls in theorizing pre-colonial translation practices and suggests that the complex matrix in which the practice is embedded has to be unearthed in further research in this area. It has been thought over the last two decades that in pre- colonial times, India had a different notion of "bringing" texts into Indian languages from "classical languages" such as Sanskrit, Prakrit etc., from the one that exists today. People who posit such an Translation Today Vol. 2 No. 1 Mar. 2005 © CIIL 2005 V.B.Tharakeshwar 127 argument also inform us that it was a "dynamic notion of translation" compared to the one that is prevalent today, which is "western" and "colonial". It has been pointed out by several critics/scholars that the writers, who "rewrote" Sanskrit texts in Kannada, have transformed the "original text" to "suit the politics of Kannada" which was trying to negotiate the "hegemony of Sanskrit". -
KSEEB Class 6 Social Science Part 2(Eng)
Government of Karnataka SOCIAL SCIENCE PART - II ENGLISH MEDIUM (Revised) ©KTBS6 SIXTH STANDARD NotKARNATAKA to be TEXTBOOK republished SOCIETY (R.) 100 Feet Ring Road, Banashankari 3rd Stage, Bengaluru - 560 085. CONTENTS Page Sl.No. HISTORY No. 01 OUR KARNATAKA (CONTINUED) 01 02 IMPORTANT DYNASTIES OF SOUTH INDIA 46 KOGADGU, KITTUR, TULUNADU AND 03 85 HYDERABAD - KARNATAKA RELIGIOUS AND SOCIAL REFORM MOVE- 04 104 MENTS 05 RAJPUTS IN INDIAN HISTORY 111 CIVICS 06 GOVERNMENT©KTBSrepublished 119 THE UNION GOVERNMENT, STATE 07 126 GOVERNMENTbe AND JUDICIARY 08 HUMANto RIGHTS 141 GEOGRAPHY 09 EUROPE-PENINSULA OF ASIA 145 10NotAFRICA - THE CENTRAL CONTINENT 167 ii LESSON 1 OUR KARNATAKA (CONTINUED) Kalaburagi Division Bidar Kalaburagi Yadagir Raichur Koppala Ballari ©KTBSrepublished District wise map of Kalaburagi Division Kalaburagi Divisionbe has six districts. They are: Kalaburagi, Bidar, Ballari, Raichur, Koppala and Yadagir. The Kalaburagi division has the lowest place with regard to literacy, per capital income, yield perto hectare and life expectancy in the state. In order to understand the reasons for this backwardness, the government of Karnataka had formed a High Power Committee on Redressal of Regional Imbalances under the chairmanshipNot of Dr Nanjundappa in 2000. As per its report the least developed part of Karnataka state is Kalaburagi Division. In order to provide special grants to the districts of this division, the central government accorded special status to this division under article 371(J) of the constitution. 1 History Every district of this division has rich ancient history. Pre-historic relics can be seen here. In the beginning of the historical period, this area was under the rule of Mauryas. -
Medieval Kannada Literature
www.ijcrt.org © 2013 IJCRT | Volume 1, Issue 1 August 2013 | ISSN: 2320-2882 Medieval Kannada literature Dr. Y. A. DEVARUSHI Assistant professor Kannada Dept, C.B.College BHALKI, Dist: BIDAR, Karnatak Abstract: Kannada literature is the corpus of written forms of the Kannada language, a member of the Dravidian family spoken mainly in the Indian state of Karnataka and written in the Kannada script. Attestations in literature span something like one and a half millennia, with some specific literary works surviving in rich manuscript traditions, extending from the 9th century to the present. The Kannada language is usually divided into three linguistic phases: Old (450–1200 CE), Middle (1200–1700 CE) and Modern (1700–present); and its literary characteristics are categorised as Jain, Veerashaiva and Vaishnava—recognising the prominence of these three faiths in giving form to, and fostering, classical expression of the language, until the advent of the modern era. Although much of the literature prior to the 18th century was religious, some secular works were also committed to writing. Introduction: Medieval Kannada literature covered a wide range of subjects and genres which can broadly be classified under the Jain, Virashaiva, Vaishnava and secular traditions. These include writings from the 7th century rise of the Badami Chalukya empire to the 16th century, coinciding with the decline of Vijayanagara Empire. The earliest known literary works until about the 12th century CE were mostly authored by the Jainas along with a few works by Virashaivas and Brahmins and hence this period is called the age of Jain literature, . The 13th century CE, to the 15th century CE, saw the emergence of numerous Virashaiva and Brahminical writers with a proportional decline in Jain literary works. -
8. India Between AD 750-1200
MODULE - 1 Ancient India 8 Notes INDIA BETWEEN AD 750–1200 The period between AD 750 and AD 1200 is referred to as an early medieval period of Indian History. It was earlier treated by historians as a ‘dark phase’. It was so because during this time the whole country was divided into numerous regional states which were busy fighting with each other. But recent studies have indicated that, though politically divided, India witnessed a growth of new and rich cultural activities in the fields of art, literature and language. In fact, some best specimens of temple architecture and Indian literature belong to this period. Thus, far from being ‘dark’ it may be treated as a bright and vibrant phase of Indian history. OBJECTIVES After studying this lesson, you will be able to: identify the various regional kingdoms which emerged during AD 750 and AD 1200; examine the nature of state; highlight the social and economic changes; evaluate the cultural activities; th and assess the significance of India’s contact with Southeast Asia during 8 and 12th centuries; 8.1 POLITICAL DEVELOPMENTS The political developments after Harshavardhan, about whom you have read in the last chapter, can be best understood if we divide the period from AD 750 to AD 1200 in two parts (a) AD 750–AD 1000; (b) AD 1000–AD 1200. The first phase was marked by the growth of three important political powers in India. These were Gurjara Pratiharas in north India, Palas in eastern India and Rashtrakutas in South India. These powers were constantly fighting with each other with a aim to set up their control on Gangetic region in northern India. -
Translation Practices in Kannada
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347–4564; ISSN (E): 2321–8878 Vol. 9, Issue 1, Jan 2021, 95–104 © Impact Journals TRANSLATION PRACTICES IN KANNADA R. Tarini Shubhadayini Associate Professor, Department of English, Government First Grade College, Bengaluru, Karnataka, India Received: 14 Jan 2021 Accepted: 18 Jan 2021 Published: 30 Jan 2021 ABSTRACT Translation activity in India was indeed active and produced texts abundantly by adapting the trans-creation strategy. Later this kind of translation practice has been transformed countering the colonial translation practices. Thus a paradigmatic shift occurred in the Indian translation practices. It is interesting to probe how regional languages like Kannada tried to redesign their strategies against colonial practices of translation. The pan Indian curve of translation practice is reflected in the little glass of Kannada. The essay pursues the diachronic steps of Kannada translation practice and how the strategic transformations reflected the magnum opus of Indian translation during colonial period. KEYWORDS: Colonial Translation, Strategic Transformation, Indian Translation Practice INTRODUCTION Translation activity is a long done practice in Kannada literature. Being the part of Indian literature magnum, Kannada also displayed the features of Indian translation. Going back to early kinds of translation practices, the Kannada attitudes shared the pan Indian attitudes of translation. Early traces of translation activities can be traced in the texts of tenth and eleventh centuries. The pan Indian mode of translation was indeed to reset the traditions of mainstream textsand produce them in respective regional languages. This was more or less historically seasoned and produced according to the cultural spirits of the regional languages. -
Mahabharata in Kannada Language Pdf
Mahabharata in kannada language pdf Continue Hindi, Marathi or Kannada versions soon. Added 2011-09-19 07:01:12 KumaraVyasaKarnatnatakaMahabhara ID-Ark:/13960/t6543pj0z Ocr ABBYYRead Fineer 8.0 Ppi 600 Suddenly from yesterday this page disappeared. An interesting story between Eklavya-Guru Dronaharya in Mahabharata Eklavya wanted to save a deer hunted by leopards in the forest. Among the lesser-known of the many Mahabharata stories, this short South Indian tale shows the king of Udipi and Krishna's penchant for peanuts. For the first time it is read in Takshashile by the sage Vaishamaynaya, a disciple of Viasya, King Janamejaya, who was a great-grandson ... Find out the whole epic in just 10 minutes a day. The epic uses history within the history of the structure, otherwise known as frametales, popular in many Indian religious and non-religious works. plays which use themes from the Tamil version of Mahabharata,. ... Hindi, Kannada, Telugu, Tamil and Samskritam. So... Mahabharata history books, comics, audio chapters, bhagavad gita and motivational videos ... Mahabharata's story is told as a short audio chapter. All volumes in 12 PDF. Download the free PDF here: Here's the full Mahabharata translated into English prose directly from the original Sanskrit text by Pratap Chandra Roy. Among the main works and stories in. New video - Saraswati Puja. Comic 1 - Vyasa composes. Description. Krishna and Arjuna in Kurukshetra, paintings of the 18th and 19th centuries. A contemporary image of Vyasa, narrating mahabharata Ganesh in the temple of Murudeshvar, Karnataka. Browse and read the story of Mahabharata in the language of Kannada Mahabharata History in The Language of Cannada Find the secret to improving the quality of life by reading this mahabharata. -
Creators of Telugu Epic Literature
Creators of Telugu Epic Literature A COLLECTION OF FIVE SHORT ESSAYS ON POETS WHO COMPOSED EPIC LITERATURE IN TELUGU © SAISWAROOPA IYER Saiswaroopa Iyer 1 Contents Preface .................................................................................................................................................... 2 Acknowledgements .............................................................................................................................. 4 Andhra Maha Bharatamu - Kavitrayam ............................................................................................ 5 Nannayya Bhattaraka ....................................................................................................................... 5 Tikkanna Somayaji ........................................................................................................................... 8 A Reflection of Contemporary Experiences .......................................................................... 10 Yerrapragada ................................................................................................................................... 12 Historical Background ............................................................................................................... 12 Yerrapragada’s Literary Versatility ........................................................................................... 13 Andhra Maha Bhagavatamu – .......................................................................................................... 15 Bammera