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Equestrian Facility & Events Center
Beaver County Multi-use Facility What We Will Discuss • Uses of the Facility • Strategic Planning Process • Location Analysis • Phase I Scope of Work • Funding, Costs, Revenue/Economic Benefits History of Public Investments for Quality of Life Assets • Swimming Pools • Golf Course • Race Track • Libraries • Fairgrounds • Playgrounds • KT & Milford Gymnasiums • 2007 Beaver County Acquired the Minersville Lake Park • Beaver City & Milford City Baseball Complexes • 2001 Restaurant Tax Implemented for Equestrian Facility • Correction Facility - $2,400,000 payroll • Milford Valley Hospital USES OF THE FACILITY Multi-use Facility What makes this a multi-use facility and not just an equine facility? • Large Assembly 1,800+ • Large Open Space (dirt footing, mat flooring, high ceilings) • Indoor, Climate Controlled • Full Kitchen, Concessions, Restrooms • Ample Parking • Mecca for Recreation Opportunities These specifications are compatible with many uses. Uses of Event Center Equestrian Non-Equestrian • Barrel Racing Events • Dog Training Events • Dog Shows • Roping Events • Wrestling Tournaments • Working Cow Horse Events • Indoor Soccer Events • Local & Regional Horse 4H Events • Baseball Practice (inclement weather) • Youth Sports Events • Rodeos • Concerts • High School Rodeo Events • Tradeshows (Cars, Guns, Angling, ATV’s etc…) • Dance Events • Equestrian Training Clinics • Fair Activities (inclement weather) • Draft/Team Horse Events • Weddings • Graduations • Riding Clubs • ATV Jamboree Staging & Events • Endurance Rides • Paintball Tournaments • Equine Therapy • Motocross Events • Non-equestrian 4H Activities • AQHA Advancement Events • Family Reunions • Horse & Livestock Auctions • Business Retreat Opens Up Possibility for Winter Events Cowboy Culture STRATEGIC PLANNING Strategic planning is the art and science of strategic change making, in which leaders proactively invent their communities future. When done properly, it can lead to a dynamic and highly positive community life-altering experience. -
Official Handbook of Rules and Regulations
OFFICIAL HANDBOOK OF RULES AND REGULATIONS 2021 | 69th EDITION AMERICAN QUARTER HORSE An American Quarter Horse possesses acceptable pedigree, color and mark- ings, and has been issued a registration certificate by the American Quarter Horse Association. This horse has been bred and developed to have a kind and willing disposition, well-balanced conformation and agile speed. The American Quarter Horse is the world’s most versatile breed and is suited for a variety of purposes - from working cattle on ranches to international reining competition. There is an American Quarter Horse for every purpose. AQHA MISSION STATEMENT • To record and preserve the pedigrees of the American Quarter Horse, while maintaining the integrity of the breed and welfare of its horses. • To provide beneficial services for its members that enhance and encourage American Quarter Horse ownership and participation. • To develop diverse educational programs, material and curriculum that will position AQHA as the leading resource organization in the equine industry. • To generate growth of AQHA membership via the marketing, promo- tion, advertising and publicity of the American Quarter Horse. • To ensure the American Quarter Horse is treated humanely, with dignity, respect and compassion, at all times. FOREWORD The American Quarter Horse Association was organized in 1940 to collect, record and preserve the pedigrees of American Quarter Horses. AQHA also serves as an information center for its members and the general public on matters pertaining to shows, races and projects designed to improve the breed and aid the industry, including seeking beneficial legislation for its breeders and all horse owners. AQHA also works to promote horse owner- ship and to grow markets for American Quarter Horses. -
Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
2015 Rodeo Queen Pageant Study Guide for Little Miss
2015 Rodeo Queen Pageant Study Guide For Little Miss The Events in Rodeo Calf Roping Team Roping Steer Wrestling Bull Riding Saddle Bronc Bareback Bronc Barell Racing Meet Miss Rodeo America Lauren Heaton, MISS RODEO AMERICA 2015 Alva, Oklahoma is home to Lauren Heaton, Miss Rodeo Oklahoma 2014. Lauren is a 2013 graduate of Oklahoma State University with a Bachelor’s of Arts, Strategic Communications dual degree in Public Relations and Advertising. She plans to continue on with her education by pursuing her Masters of Business Administration and go on to a career with an advertising and public relations agency. When time allows, Lauren enjoys: traveling, reading, working out and running, team roping, hunting, skeet shooting, and baking. She also enjoys participating with “Lil’ Cowgirl’s Club” an organization she developed and implemented for young girls to learn about rodeo and to show how queens can benefit the sport, with all proceeds donated to the Justin Cowboy Crisis Fund. She volunteers as a member of Omega Phi Alpha, a national service sorority whose mission is to provide opportunities for leadership through participation in service activities, with organizations such as Habitat for Humanity, Girl Scouts of America, Food Bank of Oklahoma, and the Oklahoma Children’s Hospital. “The purpose of life is to be useful, honorable and compassionate. By making a difference, you will have lived fully and well. As someone in the first decade of my adult life, I already know that service to others makes me feel authentic and rewarded.” “As part of a fifth-generation family with roots in farming, ranching and rodeo, I have a passion for America’s unique Western heritage and its character traits and positive habits that have been fundamental to our nation’s past and keys to its future. -
16. Ipra and Ifr Records
IPRA AND IFR RECORDS (Updated through IFR 51) Most All Around World Championships: 17, Dan Dailey (1976, 1978-82, 1984-94) Most Bareback Bronc Riding World Championships: 8, Ronnie Williams (1970-72, 1976- 78, 1980, 1983) Most Saddle Bronc Riding World Championships: 11, Dan Dailey (1976, 1979-82, 1989- 90, 1992-95) Most Bull Riding World Championships: 4, Glen Bird (1966-68, 1970); Jack Wiseman (1969, 1971-73) and Dennis Morris (1990, 1992-94) ; Corey Bailey (2015-2019) Most Steer Wrestling World Championships: 11, Dale Yerigan (1985-86, 1991-99) Most Tie-Down Roping World Championships: 9, Justin Thigpen (2009-2014, 2016- 2018) Most Barrel Racing World Championships: 6, Betty Roper (1972, 1996, 1998-2001) Most Team Roping World Championships: (6) Stephen Britnell (2000, 2003, 2005,2006, 2016, 2017) Most World Championships Total: 29, Dan Dailey (17 All Around, 1976, 1978-82, 1984- 94; 11 Saddle Bronc Riding 1976, 1979-82, 1989-90, 1992-95; 1 Steer Wrestling 1981) Most Consecutive All Around World Championships: 11, Dan Dailey (1984-94) Most Consecutive Bareback Riding World Championships: 5, Ben Jordan (1961-65) Most Consecutive Saddle Bronc Riding World Championships: 6, Gene Maynard (1970- 75) Most Consecutive Bull Riding World Championships: 3, Glen Bird (1966-68); Jack Wiseman (1971-73); Dennis Morris (1992-94) Corey Bailey (2016-2018) Most Consecutive Steer Wrestling World Championships: 9, Dale Yerigan (1991-99) Most Consecutive Tie-Down Roping World Championships: 6, Justin Thigpen (2009- 2014) Most Consecutive Barrel Racing World Championships: 4, Betty Roper (1998-2001); Codi Baucom (2002-05), Mesa Leavitt (2006-2009) Most Consecutive Team Roping World Championships: 2, Jim Rutherford (1974-75); Rick Rutherford (1978-79); D.J. -
Animal Athletes 2019 2018 2017
Animal Athletes 2019 Event: Animal: Owner: Bareback Riding “Full Baggage” Frontier Rodeo Steer Wrestling “Scooter” Kyle Irwin / Tyler Pearson Ridden by Tyler Waguespack Team Roping (header) “Smoke” Tate Kirchenschlager Team Roping (heeler) “Ice Cube” Ross Ashford Saddle Bronc Riding “Womanizer” Cervi Championship Rodeo Tie-Down Roping “Bam Bam” Shane Hanchey Barrel Racing “Sister” Hailey Kinsel Bull Riding “Sweet Pro’s Bruiser D&H Cattle Co. 2018 Event: Animal: Owner: Bareback Riding “Special Delivery” Calgary Stampede Steer Wrestling “Rusty” Dakota Eldridge Team Roping (header) “Dilinger” Coleman Proctor Team Roping (heeler) “Kevin” Billy Jack Saebens Saddle Bronc Riding “Tiger Warrior” Calgary Stampede Tie-Down Roping “Trouble” Ryle Smith Barrel Racing “Sister” Hailey Kinsel Bull Riding “Shooting Stars” Beutler & Son Rodeo Co. Steer Roping “Possum” Scott Snedecor 2017 Event: Animal: Owner: Bareback Riding “Full Baggage” Frontier Rodeo Steer Wrestling “Cadillac” Clayton Haas Ridden by Ty Erickson Team Roping (header) “Doc” Kaleb Driggers Team Roping (heeler) “Green Card” Junior Nogueira Saddle Bronc Riding “Stampede Warrior” Calgary Stampede Tie-Down Roping “Dundee” Hunter Herrin Barrel Racing “Paige” Amberleigh Moore Bull Riding “SweetPro’s Bruiser” D&H Cattle Co. Steer Roping “Possum” Scott Snedecor 2016 Event: Animal: Owner: Bareback Riding “PTSD” Power Play Andrews Rodeo Co. Steer Wrestling “Charlie” Jason Thomas Team Roping (header) “Yahtzee” Dustin Bird Team Roping (heeler) “Tara” Russell Cardoza Saddle Bronc Riding “Wrong Flavour” Calgary Stampede Tie-Down Roping “Hustler” Hunter Herrin Barrel Racing “Slick” Michele McLeod Bull Riding “Speckled Buck” Andrews Rodeo Co. Steer Roping “Buster” Rocky Patterson 2015 Event: Animal: Owner: Bareback Riding “Cool Water” Andrews Rodeo Co. Steer Wrestling “Two Guns” Wade Sumpter Ridden by Seth Brockman Team Roping (header) “Drake” Kaleb Driggers Team Roping (heeler) “Sug” Travis Woodard Saddle Bronc Riding “Killer Bee” Beutler & Son Rodeo Co. -
Quiz Study Guide 1 Sp 2013.Docx.Docx
MAS 10B Quiz #1 Study Guide Acuña: ● What is wrong with the myth that the U.S. “liberated” the land which was “unoccupied?” And to what extent was America NOT the “land of opportunity” for people of Mexican descent in the early 1900s? ● Name at least one positive outcome of the mining strikes and labor organizing in the mines. ● What led to the dramatic growth of population in the Southwest? ● Why were growers and capitalists forced to look toward Blacks in the South and Mexicans in the Southwest for the labor force at the end of the 1800s and into the early 1900s? ● What were some of the characteristics and conditions of the different types of labor (railroad, mining, farm work, for example)? ● How did Mexicans respond to the poor labor conditions in the fields and orchards? ● Flores Magon Brothers ● Why did Anti-Mexican hysteria develop as a result of the Great Depression of the 1930s? How does the nation react, both through policy and the treatment of Mexican Americans? Give specific examples of policies that affect Mexican Americans. ● Mutualistas ● Why was there a sharp increase of Mexican migration north during 1910-1920? ● “Mexican Schools”/Lemon Grove Incident ● Explain “Barrioization” and the factors that lead to the creation of ethnic enclaves. Describe the experience/s of at least one urban Mexican American community as detailed in Acuña. ● Repatriation/Federal Deportation Programs ● When did the Repatriation acts take place? ● What does Repatriation mean literally? ● What were the main causes of the Great Depression? ● Emma Tenayucca ● Rosalio Ronquillo ● LULAC ● Why did LULAC want to separate themselves from Mexican Immigrants? ● How was the participation and goals of the U.S. -
The Songs of Mexican Nationalist, Antonio Gomezanda
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-5-2016 The onS gs of Mexican Nationalist, Antonio Gomezanda Juanita Ulloa Follow this and additional works at: http://digscholarship.unco.edu/dissertations Recommended Citation Ulloa, Juanita, "The onS gs of Mexican Nationalist, Antonio Gomezanda" (2016). Dissertations. Paper 339. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2016 JUANITA ULLOA ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School THE SONGS OF MEXICAN NATIONALIST, ANTONIO GOMEZANDA A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Juanita M. Ulloa College of Visual and Performing Arts School of Music Department of Voice May, 2016 This Dissertation by: Juanita M. Ulloa Entitled: The Songs of Mexican Nationalist, Antonio Gomezanda has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Visual and Performing Arts, School of Music, Department of Voice Accepted by the Doctoral Committee ____________________________________________________ Dr. Melissa Malde, D.M.A., Co-Research Advisor ____________________________________________________ Dr. Paul Elwood, Ph.D., Co-Research Advisor ____________________________________________________ Dr. Carissa Reddick, Ph.D., Committee Member ____________________________________________________ Professor Brian Luedloff, M.F.A., Committee Member ____________________________________________________ Dr. Robert Weis, Ph.D., Faculty Representative Date of Dissertation Defense . Accepted by the Graduate School ____________________________________________________________ Linda L. Black, Ed.D. -
Approved Class List
FOUNDATION QUARTER HORSE REGISTRY SHOW DEPARTMENT APPROVED CLASS LIST Name_______________________________________________ Date(s) of Show____________________ Show CoorDinator _____________________________________Phone___________________________ Address___________________________________________City__________________________ ST___ Zip CoDe______________________ email__________________________ FQHR#__________________ Circle classes you will be having at your show. Conformation Classes Open 1058 – O LimiteD Horse Working Ranch Horse 3001-Y Mares All Ages 1059 – O LimiteD RiDer Working Ranch Horse 3002-Y GelDings All Ages 1060 – O Cow Horse Ranch Challenge 1001 - O Weanling Fillies 1061 – O Down & Back 1002 – O Yearling Fillies 1062 – 0 3-5 Yr OlD HerD Work 1003 –O Two & Three Year OlD Fillies 1063 – O 3-5 Yr OlD Ranch Pleasure 1004-O Four to Ten Year OlD Mares 1064 – O 3-5 Yr OlD Ranch Reining Performance Classes SR Youth 1005-O AgeD Mares 11 & Up 1065 – O 3-5 Yr OlD HanDy Ranch 0024-O BrooDmares 1066 – O 3-5 yr olD Limited Working Cow Horse 3003-Y HanDy Ranch Horse 1006-O GranD & Reserve Champion Mare 1067 – O 3-5 yr olD Limited Working Ranch Horse 3004-Y Ranch Reining 1021-O Yearling GelDings 3005-Y Working Ranch Horse 1007-O Two & Three Year OlD GelDings 3006-Y Breakaway Calf Roping 1008-O Four to Ten Year OlD GelDing Performance Classes Amateur 3007-Y Western RiDing 1009-O AgeD GelDing 11 & Up 3008-Y Barrel Race 2001-A Handy Ranch Horse 1010-O GranD /Reserve Champion GelDinng 3009-Y Pole BenDing 2002-A Working Cow Horse 1011-O Weanling -
Thinking Gender 2012
THINKING GENDER 2012 Performative Metaphors: The "Doing" of Image by Women in Mariachi Music. Leticia Isabel Soto Flores In music studies, scholars have often explored music as a metaphor for emotions, thoughts, and life. In the 19th century, music critic Edward Hanslick recognized the inherent metaphorical sense of musical discourse. As he stated in 1891, "what in every other art is still description is in music already metaphor", (Hanslick 1986: 30). When verbalizing what music is, from representation to technique, one cannot avoid using figurative language, metaphors in particular, because a verbal description of sound is, of necessity, an interpretation. In the first case regarding metaphors in music, metaphorical language is used to describe music in relation to musical practice or music theory. These metaphorical descriptions have unavoidably succumbed to the ideological horizons manifested through language. Musicologist Susan McClary refers to this as gendered aspects of traditional music theory in Feminine Endings (1991), a founding text in feminist musicology. She states: "music theorists and analysts quite frequently betray an explicit reliance on metaphors of gender ("masculinity" vs. "femininity") and sexuality in their formulations. The most venerable of these—because it has its roots in traditional poetics—involves the classification of cadence-types or endings according to gender" (McClary 1991: 9). Musicians and music critics utilize the terms “feminine endings” and “masculine endings” to describe how a cadence ends, most without ever realizing that these metaphors perpetuate sexual difference through musical language. In mariachi music, a similar situation has manifested with the increasing participation of women mariachi musicians. As more and more women perform in mariachi ensembles, the songs traditionally in a vocal register for men are necessarily transposed to suit the female voice. -
The Following Event Descriptions Are Presented for Your Edification and Clarification on What Is Being Represented and Celebrated in Bronze for Our Champions
The following event descriptions are presented for your edification and clarification on what is being represented and celebrated in bronze for our champions. RODEO: Saddle Bronc Riding Saddle Bronc has been a part of the Calgary Stampede since 1912. Style, grace and rhythm define rodeo’s “classic” event. Saddle Bronc riding is a true test of balance. It has been compared to competing on a balance beam, except the “apparatus” in rodeo is a bucking bronc. A saddle bronc rider uses a rein attached to the horse’s halter to help maintain his seat and balance. The length of rein a rider takes will vary on the bucking style of the horse he is riding – too short a rein and the cowboy can get pulled down over the horse’s head. Of a possible 100 points, half of the points are awarded to the cowboy for his ride and spurring action. The other half of the points come from how the bronc bucks and its athletic ability. The spurring motion begins with the cowboy’s feet over the points of the bronc’s shoulders and as the horse bucks, the rider draws his feet back to the “cantle’, or back of the saddle in an arc, then he snaps his feet back to the horse’s shoulders just before the animal’s front feet hit the ground again. Bareback Riding Bareback has also been a part of the Stampede since 1912. In this event, the cowboy holds onto a leather rigging with a snug custom fit handhold that is cinched with a single girth around the horse – during a particularly exciting bareback ride, a rider can feel as if he’s being pulled through a tornado. -
Horse Show Schedule 15
East Region 4-H Horse Show District 4 and District 5 4-H members participating Henderson County Fair Park Complex – Athens, Texas – June 15-17, 2015 Monday, June 15, 2015 3:00 – 9:00 p.m. – Office opened for early arrival and early check-in Coliseum J.D. Lewis Arena 7:30 p.m. Barrels and Poles Exhibition 7:30 p.m. Jackpot Team Roping Arenas will close 1 hour prior to the show time Tuesday, June 16, 2015 6:30 a.m. – Office opens 7:00 a.m. – Registration opens Coliseum – 8:00 a.m. J.D. Lewis Arena – 8:00 a.m. Class 22 Tie Down Calf Roping Class 13 Hunter Showmanship Class 23 Breakaway Roping Class 14 Hunter Under Saddle Class 24 Team Roping Class 15 Hunt Seat Equitation Class 25 Working Cow Horse Class 33 Hunter Hack Class 26 Cow Boxing Class 16 Hunt Seat Versatility ====== 15 minute Futurity Warm-Up Class 30 Stock Horse Trail Class 21 3-year-old Futurity Reining Class 5 Western Trail Class 28 Reining ====== 30 minute Futurity Warm-Up 3-year-olds Class 32 Team Penning Class 21 3-year-old Futurity Trail ====== Mandatory Ranch Sorting Orientation Class 21 3-year-old Futurity Pleasure Pattern Class 40 Ranch Sorting Class 29 Stock Horse Pleasure Class 31 Stock Horse Horsemanship Wednesday, June 17, 2015 6:30 a.m. – Office opens 7:00 a.m. – Registration opens Coliseum – 8:00 a.m. J. D. Lewis Arena – 8:00 a.m. Class 1 Showmanship at Halter Time TBA 2-year-old Futurity Warmup Class 6 Mares 5 and Over Class 7 Mares 4 and Under Class 20 2-year-old Futurity Pleasure Pattern Champion and Reserve Champion Mare Class 20 2-year-old Futurity Versatility Class 8 Geldings 5 and Over Class 20 2-year-old Futurity Western Pleasure Class 9 Geldings 4 and Under Champion and Reserve Champion Geldings ====== 20-Minute Yearling Futurity Warm-Up Class 19 Longe Line - Futurity Class 18 Yearling Halter Filly – Futurity Class 17 Yearling Halter Gelding – Futurity Class 2 Western Pleasure Class 3 Western Horsemanship Class 4 Western Riding Class 10 Pole Bending Class 11 Barrel Racing Class 12 Stakes Race .