DOCSLIB.ORG

Antique Oriental Rugs: the Writing Is on the Wall

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Antique Oriental Rugs: the Writing Is on the Wall spring 2012 T h e i n s u r e r s o f Te h C h u b b G r o u p o f i n s u r a n C e C o m p a n i e s | 1 5 m o u n T a i n V i e w r o a d , w a r r e n , n J 07059 Antique Oriental Rugs: The Writing Is On The Wall by Jan David Winitz C l a r e m o n t P r e s i d e n t & F o u n d e r While echoing the grandeur of this finely crafted Great Room, this antique Ferahan Sarouk carpet creates a comfortable ambiance for intimate conversation and relaxation in the two seating areas. Architectural and Interior Designer: Mitchell Weiner – Ross, CA ANTIQUE ART CARPETS A s I begin to write I become once again immersed for years, most of my clients could not visualize in the 200-year-old Persian Bakshaish “Dragon and my suggestions of hanging rugs on walls as art, Phoenix” carpet that hangs on the wall above my those who did found the effect enchanting. Today, desk. The rug, which I fell in love with some 40 some clients are even extending this non-floor use years ago, remains completely beguiling. That it’s by displaying their rugs under glass on tabletops or attracting my attention right now, as I gather my draping them over stair railings and sofa backs. In fact, thoughts about the burgeoning trend of hanging rugs in 2011 more than half of our client projects involved on the wall as art, seems particularly timely. using rugs in non-floor display. The Oriental rug world has evolved dramatically since I started my business in 1980. Then, almost all The Ascent of Great Oriental dealers viewed antique rugs merely as elite decorative Rugs on the Art Radar furnishings. Over three decades later, we are Historically, Oriental rugs served as confirmation witnessing a tremendous change in the perception of of one’s status and level of refinement. Since Marco the best antique Oriental rugs. Beginning in 2011, Polo introduced them to Europe at the end of the we saw a dramatically increased interest in putting 13th century, rug enthusiasts have ranged from noteworthy antique rugs not only on the floor, but in Detail from 200-year-old the Dragon and Phoenix queens and emperors to corporate titans and Silicon hanging them on the wall alongside paintings. While Bakshaish carpet. Valley entrepreneurs. But for the most part, their From the collection of Jan David Winitz true and rightful merit has been overshadowed in the Western world by the idea that something walked on The geometric simplicity of this spectacular antique Serapi is something less valued, at best more craft than art. carpet harmonizes the Pre-Columbian artifacts, Napoleonic ‘Under foot’ equaled under-appreciated. mantle and mirror, and elegant designer chairs. Design: Gary Hutton, Gary Hutton Design — San Francisco, CA Long “under the radar,” they’re finally emerging to take their proud place alongside traditionally recognized artworks…. Numerous connoisseurs are building major collections of art-level 19th century oriental rugs… So what explains this transformation of attitude struck a similar tone, emphasizing, “Antique rugs among collectors? My view is that it is stems from a are as valuable as art — and not always for treading confluence of factors. upon” (11-19-11). In 2010, antique rugs received center stage The recent attention given to these “portable recognition when Christie’s London sold a mid-17th monuments,” as the New York Times called them century Persian Laver Kirman for $9.59 million, (10-27-11), is already having an enormous influence almost double the previous world record set just on the interest in, and steadily increasing value of, a year before. The Wall Street Journal ran a feature these weavings in today’s market. Long “under entitled “The Rug Market Takes Flight”, citing both the radar,” they’re finally emerging to take their historical carpets and 19th century antique rugs as proud place alongside traditionally recognized major collecting niches, adding, “These days, top artworks. antique rugs are sold more like works of art than The exquisite 150-year-old Persian Laver Kirman carpet gracing this master bedroom reflects a connoisseur’s taste for the intimate details Although museums such as the Metropolitan and extraordinary beauty this style offers. pieces of décor” (6-19-10). The Financial Times Museum in New York, the J. Paul Getty Museum Design: Deanna Staats & Co. / Peggy Platner and Associates — Malibu, CA A 150-year-old Kermanshah carpet in this sitting room creates a triangle of artwork with the two paintings that together cumulatively establish an atmosphere of romance and timeless elegance. Many who collect other art forms extol the merits of adding great antique carpets to rooms that showcase their art collections, recognizing how harmonious the ensemble becomes. in Los Angeles and The Museum of Islamic Art in A trend I have witnessed during the 40 years I Qatar are actively acquiring major historical carpets, have been collecting 19th century Oriental rugs is the best art-level rugs from circa 1800-1900, the dramatically escalating at this time. While there “Second Golden Age” of Oriental rug weaving, can is still a supply of 19th century decorative-level still be found in private homes. The art value of carpets on the international market, art-level pieces from this era can be seen in purchases such as antique rugs typically become available only when a Caucasian “Eagle Kazak”, measuring 4x7, selling families divest long-held collections. A result of their for $341,625, more than 13 times its $25,000 high increased recent exposure is that art-level pieces estimate at Freeman’s Auction in Philadelphia. are disappearing much more rapidly as established Caucasian Shirvan Ferahan Sarouk collectors purchase more ambitiously and younger 3ft. 5in. x 5ft. 5in. | 3rd quarter, 19th century 3ft. 6in. x 4ft. 10in. | 3rd quarter, 19th century Numerous connoisseurs are building major aficionados strive toward higher-level pieces. I firmly This small art-level rug’s exquisite medallion and collections of art-level 19th century oriental rugs, Striking in its combination of a rarely seen, radiant believe that the art-level rugs occasionally found fascinating variety of flower forms would be equally storing their pieces that are not on display in French blue field, extremely clear articulation of design, today will not be available to the next generation at spectacular when hung on a wall or used in a number and an assured use a asymmetry, this virtuoso piece dedicated chests or rug vaults. They consistently of possible applications on the floor. any price. holds great interest for the seasoned art collector either note the tremendous “staying power” that elite as wall art or used on the floor. rugs possess and often emphasize that rather than v growing tired of their rugs, one becomes ever more The Impact of Rugs as Wall Art v enthralled, discovering the myriad individual designs There are several advantages to displaying antique and nuances of color the weavers employed to create Oriental rugs vertically. It literally “elevates” the a unique vision of balance and harmony. rug’s accessibility; when examined from a distance of only a few inches, the rug’s subtle color shadings those by Holbein and Memling, and their influence and ambitious, imaginative patterns can be explored in 19th and 20th century Western art touches more intimately. Unlike many works on canvas, everything from the large, bold blocks of color found the finest vertically displayed rugs have a deeply in Matisse and the Fauves and Gauguin to the power satisfying impact when viewed at close range or from and resonance of abstract shapes in Kandinsky across the room. and Klee. Displaying antique rugs on the wall also allows them Given the often prohibitive cost of major paintings, to interplay with the furniture, architectural details lithographs and sculpture, coupled with a continuing and especially other works of art in the room. I have unpredictable economy, today’s investors are pulling always found art-level rugs to be “great unifiers.” funds out of the stock market and other traditional Many who collect other art forms extol the merits of portfolio venues and re-investing them in precious adding great antique carpets to rooms that showcase tangibles that will accrue in value over time and their art collections, recognizing how harmonious enhance the quality of their lives every day. the ensemble becomes. For all their potential merit, gold bars, corporate Certain types of 19th century rugs are experiencing certificates and commodity shares cannot provide an upsurge of attention for vertical display. the same satisfaction as living with a never-to-be- Particularly favored are antique Caucasian tribal reproduced work of art. Reuters’ observations in a rugs because of their extraordinarily graphic, recent article concur with my own, “Many of these elemental designs and primary colors. Art- families who have been holding gold for a decade or level Caucasian rugs marry extremely well with more... are now taking profits and putting the money contemporary and postmodern decors. Many clients to work in the art market” (10-12-11). with more traditional decors hang classical Persian rugs with intricate floral designs, exquisite color Now as I finish this article, I again look up at the shifts and a significantly tighter weave. Styles they monumental Bakshaish carpet above my desk. consistently favor for vertical display include 19th Its creators are unknown, yet their artistic vision century Persian Laver Kirmans, Hadji Jallili Tabrizs touches my feelings and sets my mind to wonder.
Load more

Recommended publications
  • Glossary of Carpet and Rug Terms
    Glossary of Carpet and Rug Terms 100% Transfer - The full coverage of the carpet floor adhesive into the carpet backing, including the recesses of the carpet back, while maintaining full coverage of the floor. Absorbent Pad (or Bonnet) Cleaning - A cleaning process using a minimal amount of water, where detergent solutions are sprayed onto either vacuumed carpet, or a cotton pad, and a rotary cleaning machine is used to buff the carpet, and the soil is transferred from the carpet to the buff pad, which is changed or cleaned as it becomes soiled. Acrylic/Modacrylic - A synthetic fiber introduced in the late 1940's, and carpet in the late 1950's, it disappeared from the market in the late 1980's due to the superior performance of other synthetics. Acrylics were reintroduced in 1990 in Berber styling to take advantage of their wool-like appearance. Modacrylic is a modified acrylic. While used alone in bath or scatter rugs, in carpeting it's usually blended with an acrylic. Acrylics are known for their dyeability, wearability, resistance to staining, color retention and resistance to abrasion. They're non-allergenic, mildew proof and moth proof. Adhesive - A substance that dries to a film capable of holding materials together by surface attachment. Anchor Coat - A latex or adhesive coating applied to the back of tufted carpet, to lock the tufts and prevent them from being pulled out under normal circumstances. Antimicrobial - A chemical treatment added to carpet to reduce the growth of common bacteria, fungi, yeast, mold and mildew. Antistatic - A carpet's ability to dissipate an electrostatic charge before it reaches a level that a person can feel.
    [Show full text]
  • Azerbaijani Carpet of Safavid Era
    Traditional crafts Roya TAGIYEVA Doctor of Arts Azerbaijani carpet of Safavid era Fragments of the Sheikh Safi carpet. Tabriz, 1539. Victoria and Albert Museum, London he Azerbaijani carpet has always, especially during mastered the art of miniature painting. In this respect, the cultural upsurge in the East, been a synthe- the 16th century, which went down in the history of Azer- Tsis of many aesthetic principles. Remaining tra- baijan as a golden age of culture, is characteristic. The ditional in their spirit and organization of the material, authentic masterpieces of carpet making of that time carpets absorbed a variety of elements of the reality - combined the subtlety and grace of miniature painting, their creators drew motifs from literature and creatively the traditional decorative-planar solution of motifs and 18 www.irs-az.com 2(30), SPRING 2017 Sheikh Safi carpet. Tabriz, 1539. Victoria and Albert Museum, London www.irs-az.com 19 Traditional crafts Namazlig. Tabriz, 16th century. Topkapi Museum, Istanbul 20 www.irs-az.com 2(30), SPRING 2017 Namazlig. Tabriz, 16th century. Topkapi Museum, Istanbul a magnificent color palette reflecting all the colorfulness and diversity of nature. In the 16th century, the Azerbaijani Safavid dynasty, which created a strong centralized state, encouraged the development of culture and art. In Tabriz, the capital of the mighty Safavid state, which became one of the leading cultural centers of the East, a bright and distinc- tive school of miniature painting took shape. Miniatures of this period stored in private collections, in the British Museum in London and in the Topkapi Museum in Istan- bul depict beautiful carpets with Kufic inscriptions, art compositions “islimi”, “khatai”, “bulud”, namaz (prayer) rugs with a smooth background, afshan compositions, “lachak- turunj” compositions, etc., as well as carpets with a plot.
    [Show full text]
  • CARPET WARRANTY BROCHURE Technical and Cleaning Instructions
    CARPET WARRANTY BROCHURE Technical and Cleaning Instructions Please check your sample to confirm what warranties apply Southwind Carpet Mills is proud to provide products made here in the USA. Page 1 of 14 Southwind Warranty Brochure CMGH01162019 HOUSEHOLD TEXTURE SOIL ABRASIVE LIMITED FADE ANTI MANUFACTURING SOUTHWIND LIMITED WARRANTY CHART* COVERAGE** PET RETENTION RESISTANCE WEAR STAIN RESISTANCE STATIC DEFECTS TM So Soft PET 25 Year 25 Year Life Time 25 Year Material Life Time 25 Year Life Time 2 years Sosoft NYLON® 25 Year 25 Year Lift Time 25 Year Material Life Time 25 Year Life Time 2 years NA 20 Year 20 Year 20 Year Material 20 Year NA NA 2 years Office I Solutions™ NA NA NA 10 Year Material NA* NA NA 2 years Polyester / Olefin / Polypropylene SOUTHWIND NA NA 3 Year 3 Year Material 3 Year 3 Year NA 3 years Indoor Outdoor / Carpet * This chart provides a snap shot of the warranties. For full details please refer to the actual copy of your warranty ** Material is pro-rated. For full details please refer to the actual copy of your warranty Page 2 of 14 Southwind Warranty Brochure CMGH01162019 Table of Contents Southwind Warranty Chart 2 General Warranty Information 4 Southwind Carpet Mills Performance Warranty Detail 5 Limited Stain Resistance Warranty 5 Limited Soil Resistance Warranty 6 Limited Anti-Static Warranty 6 Limited Abrasive Wear Warranty 6 Limited Texture Retention Warranty 7 Limited Fade Resistance Warranty 7 Limited Pet Urine Stain Warranty 7 General Terms, Limitations and Warranty Exclusions 8 Proration of Warranties 9 Limitations for all Southwind Carpet Mills' Carpet 10 Southwind Carpet Mills Limited Liability 11 Disclaimer of Implied Warranties 11 Carpet Cushion requirements 11 Homeowners Responsibilities and Obligations 12 How Do I File A Claim? 12 Caring for Your Carpet 12 What Is Normal and Acceptable? What Is Not? 13 Manufacturing Defect Warranty 14 Page 3 of 14 Southwind Warranty Brochure CMGH01162019 This brochure will explain Southwind’s warranty coverage and what you can expect from your recently installed carpet.
    [Show full text]
  • Afghan Wars, Oriental Carpets, and Globalization
    University of Pennsylvania ScholarlyCommons Department of Anthropology Papers Department of Anthropology 3-2011 Afghan Wars, Oriental Carpets, and Globalization Brian Spooner University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/anthro_papers Part of the Anthropology Commons Recommended Citation Spooner, B. (2011). Afghan Wars, Oriental Carpets, and Globalization. Expedition, 53 (1), 11-20. Retrieved from https://repository.upenn.edu/anthro_papers/63 View this article on the Expedition Magazine website. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_papers/63 For more information, please contact [email protected]. Afghan Wars, Oriental Carpets, and Globalization Abstract The afghan war rugs on exhibit at the Penn Museum from April 30 to July 31, 2011, raise a number of interesting questions—about carpets, Afghanistan, and the way the world as a whole is changing. These rugs, which come in a variety of sizes and qualities, derive from a tradition of oriental carpet-weaving that began to attract the attention of Western rug collectors in the late 19th century. Unlike the classic museum pieces that were produced on vertical looms in the cities of western Asia for use in palaces and grand houses, war rugs came from horizontal looms in small tribal communities of Turkmen and Baloch in the areas of central Asia on either side of the northern border of Afghanistan—tribal communities that were incorporated into the Russian Empire in the 19th century. Disciplines Anthropology | Social and Behavioral Sciences Comments View this article on the Expedition Magazine website. This journal article is available at ScholarlyCommons: https://repository.upenn.edu/anthro_papers/63 Afghan Wars, Oriental Carpets, and Globalization by brian spooner he afghan war rugs on exhibit at the Penn Museum from April 30 to July 31, 2011, raise a number of interest- ing questions—about carpets, TAfghanistan, and the way the world as a whole is changing.
    [Show full text]
  • Areathe Offical Publication of the Oriental Rug Importers Association, Inc
    AREATHE OFFICAL PUBLICATION OF THE ORIENTAL RUG IMPORTERS ASSOCIATION, INC. DESIGN FOCUS Brian Murphy SPRING 2016 spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 HERMITAGE COLLECTION TRULY ORIGINAL RUGS, PILLOWS AND THROWS Visit us at High Point | April 16-20, IHFC D320 LOLOIRUGS.CO M/HERMITAGE spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 jamison 53304 jamison 53308 maddox 56503 Invite your customers to experience island-inspired living at its fi nest through the refi ned yet casual Tommy Bahama area rug collection. OWRUGS.COM/ Tommy spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 INTRODUCING THE CHELSEA COLLECTION AN EXCLUSIVE FINE WOOL AND SILK CARPET PRODUCTION N e w J e r s e y D e l h i S h a n g h a i D u b a i M e l b o u r n e spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 spring 2016 final.qxp_001 FALL 2006.qxd 3/16/16 11:57 AM Page 6 From the President’s Desk Dear Colleagues and Friends, will enhance the image of the oriental and orien- tal style rug and spark a new awareness and Judging from reports, the most recent January appreciation of a wide variety of rugs from all rug trade shows were well attended and sales were producing countries. So while congratulations are solid. Dealers in attendance reported they had a in order for members who had been and now will good 2015, finishing the year with be actively importing rugs from strong sales.
    [Show full text]
  • En | Friezing Machine for Carpet Yarn
    EN | FRIEZING MACHINE FOR CARPET YARN aaaaaaaaaaaaaaa FRIEZING MACHINE • Texturizing device for carpet yarn • Possible single step process with MCD3 space-dyeing machine New styles of frieze yarn for new styles of carpet WIDE RANGE of FRIEZE EFFECTS HIGH PRODUCTIVITY ELECTRONIC CONTROL • Bulkier yarn for a better carpet coverage • No false twist device for an easy threading • New CP4 fully digital taking-up regulation • Adjustable frieze effect from light to strong • Up to 500Kgs/hour (with TVP3-15m) • Independent from external light • Very even waves - Knit-deknit imitation • Anti-roll-up laser detection fluctuations - micro controller based • More even crimp on the yarn gives a more • Better yarn density consistency on the • High level of reproducibility thanks to even surface covering appearance on the conveyor belt thanks to the mixing drum PLC control and unlimited number of textile carpet recipes CHARACTERISTICS & ENERGY CONSUMPTION TECHNICAL INFORMATION installed power: 9 KVA Production : Up to 10 Tons/day and more 600 m/min (depending on yarn count / number of ends, tunnel length) ~ consumption: 3-5 KW/h Dimensions : - LENGTH : 130 cms up to 72 ends air pressure: 90 psi - WIDTH : 102 cms - HEIGHT : 150 cms - WEIGHT : 600 Kgs steam: 25 - 30 Kgs/h LINE CONFIGURATION PROCESS ADVANTAGES ERGONOMIC & EASY TO USE • The MF400 friezing machine needs to • Delicate yarns can be processed (single • 6’’ colour touch-screen for easy process be used in conjonction with a TVP3 end low twist and/or low DPF yarns) management heat-setting line (at the line entry). • The MF400 is connected to the TVP3 • Adjustment of frieze effect • It can also be used at the output of a heatsetting line to enable the control of • Textile recipes MCD3 space-dyeing machine (before the laying and pre-feeding speed (for yarn TVP3 heat-setting), as one single step tension setting).
    [Show full text]
  • Natural Dyeing in a Milas Carpet Weaving Village
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2008 Documentary Film Presentation Local Colors: Natural Dyeing in a Milas Carpet Weaving Village Ulara Tamura Kyoto University, [email protected] John Wells [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Tamura, Ulara and Wells, John, "Documentary Film Presentation Local Colors: Natural Dyeing in a Milas Carpet Weaving Village" (2008). Textile Society of America Symposium Proceedings. 137. https://digitalcommons.unl.edu/tsaconf/137 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Documentary Film Presentation Local Colors: Natural Dyeing in a Milas Carpet Weaving Village Ulara Tamura & John Wells [email protected] [email protected] Supplemental Technical Notes and Analysis to the Film BOZALAN, written by Ulara Tamura (2008, Filmed and Edited by John Wells, Edited and Translated by Ulara Tamura, Produced and Directed by Ulara Tamura & John Wells, 38min, http://bozalan.com.) This documentary, filmed in 2006, examines the process of naturally dyed carpet production in a village in the Milas region of Muğla Prefecture in southwest Turkey, a region well known as a traditional Turkish carpet production area. In large numbers of villages of this region, carpet weaving is the household based work of every woman who lives there.
    [Show full text]
  • The Effects of Carpet Dye on the Bagmati River
    THE EFFECTS OF CARPET DYE ON THE BAGMATI RIVER By Hillary Monette Green BE Chemical Engineering Stevens Institute of Technology, 2002 Submitted to the Department of Civil and Environmental Engineering In Partial Fulfillment of the Requirements for the Degree of MASTER OF ENGINEERING in Civil and Environmental Engineering at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2003 ©2003 Hillary Green All rights reserved. The author hereby grants to M.I.T. permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole and in part. Signature of Author _______________________________________________________ Department of Civil and Environmental Engineering May 9, 2003 Certified by _____________________________________________________________ Bettina Voelker Thesis Co-Supervisor Associate Professor, Department of Civil and Environmental Engineering Certified by _____________________________________________________________ Susan Murcott Thesis Co-Supervisor Lecturer, Department of Civil and Environmental Engineering Certified by _____________________________________________________________ Oral Buyukozturk Professor of Civil and Environmental Engineering Chairman Departmental Committee on Graduate Studies THE EFFECTS OF CARPET DYE ON THE BAGMATI RIVER By Hillary Monette Green Submitted to the Department of Civil and Environmental Engineering on May 9th, 2003 in partial fulfillment of the requirements for the degree of Master of Engineering in Civil Civil and Environmental Engineering. ABSTRACT The objective of this thesis is to determine what, if any, significant effects effluent from the carpet dyeing industry has on the water quality of the Bagmati River in Kathmandu, Nepal. The water quality parameters studied were absorbance, as a color indicator, total chromium, dissolved oxygen (DO) and chemical oxygen demand (COD). Total chromium was measured both in samples from the Bagmati River and in dye samples.
    [Show full text]
  • The Enrapturing World of Antique Oriental Carpets
    CLAREMONT RUG COMPANY ANTIQUE ORIENTAL ART CARPETS Extraordinarily Beautiful Antique Carpets for Today's Homes volume 29 | number 2 “One of the World’s Best Sources of Antique Rugs” financial times Welcome to the Enrapturing World of Antique Oriental Carpets Dear Friend, Antique Oriental rugs are timeless, iconic furnishings that are equally at home in contemporary or traditional decors. They define space in an open floor plan, provide intimacy to a seating area and add an unparalleled grandeur to your largest spaces. Our international clientele finds that antique rugs of the caliber we offer are remark- ably on par with their paintings and sculptures. Recognizing that the Oriental carpet market can be confusing, I assembled the pyramid below to clarify it. Our extensive selection offers a highly-curated collection of levels 2 and 3 and the very best of levels 4 and 5. Most of what one finds in the market are levels 5 and 6. (Read in depth about the pyramid in an article accessible from the homepage on our website.) We hope you enjoy perusing this catalog and will visit our website to view over 950 more carpets from our vast collection. While you're there, read about our concierge services and find answers to many of your questions. Warm Regards, President and Founder Oriental Rug Market Pyramid Museum-Quality | 13th to 18th centuries and early 19th century High-Collectible | Primarily early 19th century to 1875 Connoisseur-Caliber | Primarily circa 1850 to late 19th century High-Decorative | Primarily circa 1875 to 1910 Decorative | Primarily circa 1910-1970 Reproductions | Typically 1970 to present Persian Sultanabad “Blossom” Rug | 8' 11" x 11' 7" | 3rd quarter, 19th century, Connoisseur-Caliber Our collection offers a multiplicity of standout 19th and turn-of-the 20th century Persian and tribal rugs for elite home decoration.
    [Show full text]
  • The Carpet Primer
    THE CARPET PRIMER THE CARPET AND RUG INSTITUTE ISBN 0-89275-084-7 Copyright(c) 2003 update by the Carpet and Rug Institute. All rights reserved. Copyright(c) 2001 update by the Carpet and Rug Institute. All rights reserved. Copyright(c) 1997 update by the Carpet and Rug Institute. All rights reserved. Copyright(c) 1995 by the Carpet and Rug Institute. All rights reserved. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Printed in the United States of America. The Carpet and Rug Institute 310 Holiday Avenue P. O. Box 2048 Dalton, GA 30722-2048 Telephone: 800-882-8846 www.carpet-rug.com TABLE OF CONTENTS INTRODUCTION SECTION 1: CARPET CONSTRUCTION Figure 1.1 Typical Cut Pile Carpet Profile ......................................................................................1-1 Figure 1.2 Typical Loop Pile Carpet with Attached Cushion............................................... 1-1 Pile Fibers and Yarns....................................................................................................................................................... 1-2 Fiber/Yarn Types and Characteristics........................................................................................................ 1-2 Natural Fibers................................................................................................................................................
    [Show full text]
  • Vol. XXVIII, No. 3 March, 2021 Newsletter
    View from the Fringe Newsletter of the New England Rug Society Vol. 28 No. 3 March 2021 www.ne-rugsociety.org March Meeting (Online): Stefano Ionescu, “Tracing the Ottoman Rugs in Transylvania” Meeting Details Date and Time: 11 AM (EST), on Saturday, March 13 Venue: Your desktop, laptop, or tablet! Directions: Jim Sampson 1 will email invitation links to members; to receive the Stefano Ionescu, examples, including Ushaks, Holbeins, Lottos, Selendis, and Zoom login, you must register and a view of Lotto a wealth of “Transylvanian” rugs. The presentation will draw before the meeting by clicking and small-pattern on his new ideas and latest findings about these carpets— on the link in Jim’s email. Holbein rugs including the nature of their “intentional imperfections.” He Non-members should email in Saint Margaret’s will conclude by showing some unpublished examples of the [email protected] Church, Mediaş, Bistritza collection held in the Germanisches Nationalmuseum to get an invitation link. Transylvania in Nuremberg, and will briefly report on a project of weaving high-quality Anatolian copies of these rugs, to be displayed Transylvania is the repository of the richest and best- in the Bistritza Parish. preserved group of small-format Anatolian rugs outside the Born in 1951 in Transylvania, Stefano has lived in Rome Islamic world—almost four hundred examples (including since 1975. An independent scholar, he is the major expert on the fragments) attributable to the golden age of Ottoman corpus of Anatolian rugs surviving in his homeland. His first rug weaving. On March 13, Stefano Ionescu will tell NERS book, Antique Ottoman Rugs in Transylvania (2005), was attendees and guests how these rugs arrived in Transylvania, awarded the Romanian Academy Prize in Art History.
    [Show full text]
  • Azerbaijani Carpets
    Azerbaijani Ministry of Culture and carpets Tourism of Azerbaijan 2 Azerbaijani carpets Azerbaijani carpets 3 ♦ ♦ ♦ ft- 9$ \ / v Carpet weaving has traditionally been a preoccupation of йA Ж been famed for its art with carpet weaving playing women, who carefully transmitted this art from one generation to " * the leading role. another. They say that there was no woman in Azerbaijan unable Carpet weaving for the Azerbaijani people has always been the to weave a carpet. It is not surprising that one of a girl's basic very sphere of culture, where its the rich inner world, world out­ dowry objects was a carpet set called "Dast-hali-gaba" consist­ look and aesthetics are reflected. For centuries, Azerbaijanis ing of 3 - 5 parts. The girl herself had to take part in its weaving. were born, lived and died on carpets. This centuries-old tradition spread and made carpet weaving extremely popular among Azerbaijani people; this was one of the Origins of carpet weaving in Azerbaijan are traced back to principal types of art in the region. the Bronze Age. Archaeological findings and written sources tes­ tify that as early as in the 2nd millennium BC people living in the According to the weaving techniques, carpets are divided territory of Azerbaijan used to weave various carpet-wares. into piled and pileless ones. The pileless carpets include such famous ones as palas, jejim, shedde, kilim, zili, verni, soumakh According to numerous historical sources and descriptions and ladi. Since ancient times carpet-ware have been quite pop­ of European travellers, Azerbaijan in the Middle Ages was one of ular in household use: pileless carpet-ware - khurjun (saddle­ the outstanding centres of carpet-making in the whole Orient.
    [Show full text]