What Is Native Advertising?
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\Guide the Comprehensive Guide to Native Advertising
\ guide The Comprehensive Guide to Native Advertising The Comprehensive Guide to Native Advertising A Vocus eBook Paid For and Posted by XYZ iPad 10:15AM Promoted by XYZ Sponsored by XYZ GET VOCUS. VOCUS GETS BUSINESS. GET STARTED NOW AT VOCUS.COM The Comprehensive Guide to Native Advertising The Comprehensive Guide to Native Advertising A Vocus eBook Native advertising – the purchasing of sponsored content on social networks and online websites – dominated digital marketing conversations the past year. Market research company BIA/Kelsey estimates that U.S. native ad spending on social sites might have reached $2.36 billion in 2013, or 38.9 percent of total U.S. paid social ad expenditures. How can you effectively work native advertising into your marketing mix? This eBook highlights some techniques brands are using to do just that. It will show you the rich native advertising ecosystem of publishers, vendors, social networks and search engines that help companies create, manage and track content. Finally, we’ll show you the ethical issues to avoid with sponsored content. The Federal Trade Commission (FTC) recently held a meeting with brands and publishers to discuss native advertising – and while some issues were highlighted, others were raised. Your brand can use this set of tools, as long as the ads disclose sponsorship so that consumers are better informed. iPad 10:15AM The Comprehensive Guide to Native Advertising What is Native Advertising? In The New York Times example below, the post is clearly labeled as “Paid For and Posted by Dell.” A survey from Online Publishers Asso- ciation says native ads include “con- iPad 10:15AM tent integrated into the design of the publishers site, living in the same domain, as well as content either provided by, produced in conjunction with or created on behalf of our advertisers that runs within the editorial stream.” In native ads, there is a clear delinea- tion, labeling the unit as ad content. -
Native Advertising Secrets
Native Advertising Secrets Copyright © All rights reserved worldwide. YOUR RIGHTS: This book is restricted to your personal use only. It does not come with any other rights. LEGAL DISCLAIMER: This book is protected by international copyright law and may not be copied, reproduced, given away, or used to create derivative works without the publisher’s expressed permission. The publisher retains full copyrights to this book. The author has made every reasonable effort to be as accurate and complete as possible in the creation of this book and to ensure that the information provided is free from errors; however, the author/publisher/ reseller assumes no responsibility for errors, omissions, or contrary interpretation of the subject matter herein and does not warrant or represent at any time that the contents within are accurate due to the rapidly changing nature of the Internet. Any perceived slights of specific persons, peoples, or organizations are unintentional. The purpose of this book is to educate and there are no guarantees of income, sales or results implied. The publisher/author/reseller can therefore not be held accountable for any poor results you may attain when implementing the techniques or when following any guidelines set out for you in this book. Any product, website, and company names mentioned in this report are the trademarks or copyright properties of their respective owners. The author/publisher/reseller are not associated or affiliated with them in any way. Nor does the referred product, website, and company names sponsor, endorse, or approve this product. COMPENSATION DISCLOSURE: Unless otherwise expressly stated, you should assume that the links contained in this book may be affiliate links and either the author/publisher/reseller will earn commission if you click on them and buy the product/service mentioned in this book. -
Branded Content Creation & Distribution Guide
Branded Content Creation & Distribution Guide Steps for Success. Developing and distributing branded content has become more complicated than ever with a wide array of package options and pricing that can vary significantly depending on the content creator, buy types, content types, publisher sites, and more. This guide is designed to help brand marketers and their agencies identify the various branded content creation and distribution options available today and, importantly, understand the key factors that should be considered upfront to make sure that all branded content/native advertising buy meets strategic objectives/KPIs. iab.com/branded-content April 2018 © 2018 Interactive Advertising Bureau Branded Content Creation & Distribution Guide Table of Contents Mission and Contributors ................................................................................................................... 3 Introduction ........................................................................................................................................ 5 Setting the Stage – The IAB Branded Content Creation & Distribution Definitions Framework ......... 6 Where to Start – Key Steps ............................................................................................................... 8 First step: What’s your strategy and KPIs? ..................................................................................... 8 Next Step: Content: Do you have content? Do you need content? ............................................. 9 Next step: -
WTF IS NATIVE ADVERTISING? Introduction
SPONSORED BY IS NATIVE ADVERTISING? Table of Contents Introduction WTF is Native 3 14 Programmatic? Nomenclature The Native Ad 4 16 Triumvirate 5 Decision tree 17 The Ad Man 18 The Publisher Issues Still Plaguing 19 The Platform 6 Native Advertising Glossary 7 Scale 20 8 Metrics 10 Labelling 11 The Church/State Divide 12 Credibility 3 / WTF IS NATIVE ADVERTISING? Introduction In 2013, native advertising galloped onto the scene like a masked hero, poised to hoist publishers atop a white horse, rescuing them from the twin menaces of programmatic advertising and sagging CPMs. But who’s really there when you peel back the mask? Native advertising is a murky business. Ad executives may not consider it advertising. Editorial departments certainly don’t consider it editorial. Even among its practitioners there is debate — is it a format or is it a function? Publishers who have invested in the studio model position native advertising as the perfect storm of context, creative capital and digital strategy. For platforms, it may be the same old banner advertising refitted for the social stream. Digiday created the WTF series to parse murky digital marketing concepts just like these. WTF is Native Advertising? Keep reading to find out..... DIGIDAY 4 / WTF IS NATIVE ADVERTISING? Nomenclature Native advertising An advertising message designed Branded content Content created to promote a Content-recommendation widgets Another form to mimic the form and function of its environment brand’s products or values. Branded content can take of native advertising often used by publishers, these a variety of formats, not all of them technically “native.” appear to consumers most often at the bottom of a web Content marketing Any marketing messages that do Branded content placed on third-party publishing page with lines like “From around the web,” or “You not fit within traditional formats like TV and radio spots, sites or platforms can be considered native advertising, may also like.” print ads or banner messaging. -
Disinformation, and Influence Campaigns on Twitter 'Fake News'
Disinformation, ‘Fake News’ and Influence Campaigns on Twitter OCTOBER 2018 Matthew Hindman Vlad Barash George Washington University Graphika Contents Executive Summary . 3 Introduction . 7 A Problem Both Old and New . 9 Defining Fake News Outlets . 13 Bots, Trolls and ‘Cyborgs’ on Twitter . 16 Map Methodology . 19 Election Data and Maps . 22 Election Core Map Election Periphery Map Postelection Map Fake Accounts From Russia’s Most Prominent Troll Farm . 33 Disinformation Campaigns on Twitter: Chronotopes . 34 #NoDAPL #WikiLeaks #SpiritCooking #SyriaHoax #SethRich Conclusion . 43 Bibliography . 45 Notes . 55 2 EXECUTIVE SUMMARY This study is one of the largest analyses to date on how fake news spread on Twitter both during and after the 2016 election campaign. Using tools and mapping methods from Graphika, a social media intelligence firm, we study more than 10 million tweets from 700,000 Twitter accounts that linked to more than 600 fake and conspiracy news outlets. Crucially, we study fake and con- spiracy news both before and after the election, allowing us to measure how the fake news ecosystem has evolved since November 2016. Much fake news and disinformation is still being spread on Twitter. Consistent with other research, we find more than 6.6 million tweets linking to fake and conspiracy news publishers in the month before the 2016 election. Yet disinformation continues to be a substantial problem postelection, with 4.0 million tweets linking to fake and conspiracy news publishers found in a 30-day period from mid-March to mid-April 2017. Contrary to claims that fake news is a game of “whack-a-mole,” more than 80 percent of the disinformation accounts in our election maps are still active as this report goes to press. -
Going Native: Can Consumers Recognize Native Advertising? Does It
Hyman et al.: GOING NATIVE: CAN CONSUMERS RECOGNIZE NATIVE ADVERTISING? DOES IT GOING NATIVE: CAN CONSUMERS RECOGNIZE NATIVE ADVERTISING? DOES IT MATTER? David A. Hyman, David Franklyn, Calla Yee, and Mohammad Rahmati* 19 YALE J.L. & TECH. 77 (2017) ABSTRACT Native advertising, which matches the look and feel of unpaid news and editorials, has exploded online. The Federal Trade Commission has long required advertising to be clearly and conspicuously labeled, and it recently reiterated that these requirements apply to native advertising. We explore whether respondents can distinguish native advertising and "regular" ads from unpaid content, using 16 native ads, 5 '"egular"ads, and 8 examples of news/editorial content, drawn from multiple sources and platforms. Overall, only 37% of respondents thought that the tested examples of native advertising were paid content, compared to 81% for "regular" advertising, with variation by platform, advertiser, and labeling. Modest labeling changes materially increased the number of respondents that correctly recognized that native ads are paid content - but even these improved results fell well short of those for "regular"advertising. We also explored labeling preferences and self-reported concern about native advertising. Our findings indicate that native advertising involves a significant risk of deception which self-regulation has not addressed. * Hyman is Professor of Law, Georgetown University. Franklyn is Professor of Law, University of San Francisco. Yee is an associate at Kilpatrick, Townsend & Stockton. Rahmati is an associate professor at Sharif University. We appreciate the comments and feedback we received when this paper was presented to FTC Bureau of Consumer Protection Staff; at the 2015 University of San Francisco McCarthy Institute Trademark Symposium; and at the 2016 Stanford IPSC Conference. -
Chapter 1: Introduction to Social Media: an Art and Science
INTRODUCTION TO SOCIAL MEDIA 1 An Art and Science Learning Objectives LEARNING OBJECTIVES Humans of Social Media Introduction After reading this chapter, you will be How Do We Define Social Media? able to How Has Social Media Evolved? The Current State of Social Media •• Define social media Who “Owns” Social Media? •• Differentiate between social Using Social Media Strategically media platforms Which Social Media Platforms Should I Use? distribute •• Explain the evolution of social Working in Social Media media over time Bridging the Science and Practice of Social Media •• Identify the main considerations What Can Science Tell Us About Social Media? or for using social media How Is Social Media Like a Practice? strategically How Can We Bridge Science and Art •• Identify the key characteristics Effectively? of the science and art of social Chapter Summary media Thought Questions Exercises post, References HUMANS OF SOCIAL MEDIA DEIRDRE BREAKENRIDGE, AUTHOR, PROFESSOR, AND CEO OF PURE PERFORMANCE Introduction copy, Putting the Public Back in Public Relations: How Social Media Is Reinventing the Aging Business I’ve been working in public relations and mar- of PR (with Brian Solis, 2009), and PR 2.0: New keting for 25-plus years. Although I started my Media, New Tools, New Audiences (2008). My sixth career focused on media relations and publicity, book, Answers for Modern Communicators, was todaynot I’m a chief relationship agent (CRA) and a published by Routledge in October 2017. I also communications problem solver to help organi- moved my authoring to a new platform when I zations tackle their relationship challenges and was asked to become a Lynda.com video author in build credibility and trust with the public. -
Platform Power Politics Facebook's Live Moment Vox's Platform Wrangler
Spring 2016 A quarterly magazine on the future of media from Digiday FRENEMY Platform Facebook’s Vox’s Power Live Platform Politics Moment Wrangler P. 16 P. 22 P. 48 OPENING SHOT THIS Welcome to Pulse. he modern publisher is expertise. There's a pair of profiles of facing fast-changing and this new breed of platform experts, challenging times. The rise one about Vox Media's Choire Sicha AD of platform giants like Face- and another on a day in the life of book offer unprecedented Complex Media's chief content offi- ability to reach new audienc- cer. While Justin Smith, global CEO of PULSE POINT Tes, but content distribution and mon- Bloomberg Media, told the audience wwt etization is often outside publishers’ at DPS that publishers shouldn’t rush control. It’s enough to make you want in when it comes to platforms, Mic’s to crank up the printing presses. Cory Haik argues that publishers While Digiday is at its core a digital who build there quickly will be the media company, we thought the winners. We also wade into ad-tech's printed format was ideal for exploring midlife crisis, and why Facebook live IS FOR these critical issues in a thoughtful video is such a big deal. way. Pulse is our way of periodically At Digiday, we are optimistic checking the vital signs of the media realists. The shift to platforms is industry. neither good nor bad. In fact, the jury At the recent Digiday Publishing is still out about whether platforms Summit in Vail, Digiday brought to- will benefit the media industry in the gether leading publishers to discuss long run. -
The Social Marketing Impact of Native Advertising News Articles and The
THE SOCIAL MARKETING IMPACT OF NATIVE ADVERTISIN G NEWS ARTICLES AND THE INF LUENCE OF SCEPTICISM FROM CONSUMERS James Robert Brook A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Commerce in Marketing Department of Management, Marketing and Entrepreneurship University of Canterbury 2016 1 CONTENTS 1 Introduction .................................................................................................................................. 1 1.1 Introduction .......................................................................................................................... 1 1.2 Research Background .......................................................................................................... 2 1.3 Research Objectives ............................................................................................................. 3 1.4 Research Methodology ........................................................................................................ 3 1.5 Research Contributions ....................................................................................................... 3 1.5.1 Theoretical Implications .............................................................................................. 3 1.5.2 Practical Implications .................................................................................................. 4 1.6 Thesis Outline ...................................................................................................................... -
Native Advertising on Social Media: the Effect of Heuristics on Attitudes and Purchase Behavior’
‘Native Advertising on Social Media: the effect of heuristics on attitudes and purchase behavior’ Author: Jekaterina Smakova Student number: 11139366 Programme: MSc Business Administration- Marketing Thesis supervisor: Tina Dudenhöffer Word Count: 11,208 i Statement of Originality This document is written by Jekaterina Smakova who declares to take full responsibility for the contents of this document. I declare that the text and the work presented in this document is original and that no sources other than those mentioned in the text and its references have been used in creating it. The Faculty of Economics and Business is responsible solely for the supervision of completion of the work, not for the contents. ii Acknowledgements I would like to thank my supervisor, Tina Dudenhöffer, for taking the time to discuss my ideas, provide helpful recommendations and support. Without her direction and feedback this project would not have been successfully completed. I am also grateful for the support of my friends and family, who helped me to stay focused and offered moral support when I experience some setbacks in the process of conducting this study. Moreover, I would like to thank all the participants that completed the survey and made this research study possible. iii TABLE OF CONTENT: Abstract……………………………………………………………………………….…….2 Chapter 1. Introduction………………….…………………………………………….…....3 Chapter 2. Literature Review……………………………………………………….…..…5 2.1 Advertising industry trends …………………………..………………...5 2.2 Native advertising ………………………………….…….....................6 2.3 Benefits of native advertising…………………………………..…..….7 2.4 Challenges for native advertising. ……….……….………………....9 2.5 Research gap……………………………………………………………….….11 2.5 Heuristics………………….…………………………………………............12 a. Source credibility…………….. ...………………………….…14 b. Brand familiarity……………………………………..............16 c. Bandwagon effect…………………………….……….…….…17 d. -
The Rise of Online Native Advertising and a Recommended Regulatory Approach
Catholic University Law Review Volume 65 Issue 1 Fall 2015 Article 9 2-2-2016 Going Native: The Rise of Online Native Advertising and a Recommended Regulatory Approach A.J. Casale Follow this and additional works at: https://scholarship.law.edu/lawreview Part of the Commercial Law Commons, and the Marketing Law Commons Recommended Citation A.J. Casale, Going Native: The Rise of Online Native Advertising and a Recommended Regulatory Approach, 65 Cath. U. L. Rev. 129 (2016). Available at: https://scholarship.law.edu/lawreview/vol65/iss1/9 This Comments is brought to you for free and open access by CUA Law Scholarship Repository. It has been accepted for inclusion in Catholic University Law Review by an authorized editor of CUA Law Scholarship Repository. For more information, please contact [email protected]. GOING NATIVE: THE RISE OF ONLINE NATIVE ADVERTISING AND A RECOMMENDED REGULATORY APPROACH A.J. Casale+ 15 Animal Vines That Perfectly Describe Your Mood Right Now — BuzzFeed1 11 Dad Jokes We’ve All Heard Before — BuzzFeed2 Many people see “listicle” titles like these while browsing social media and click on them for entertainment.3 What they may not realize is that a large corporation, like Geico in these instances, paid an estimated $90,000 for each list. 4 These advertisements are examples of a segment of the advertising industry, known as native advertising or sponsored content, that is expected to reach $7.9 billion in revenue in 2015, a 69% increase since 2013.5 Native advertising revenue is expected to reach $21 billion by 2018.6 Websites like BuzzFeed have thrived on native advertising, and traditional publications have taken notice.7 In July 2013, the Online Publishers Association + J.D. -
Comparing Resonance for Native and Pre-Roll Video Ads with Real-Time Metrics Case Study
Comparing Resonance for Native and Pre-roll Video Ads with Real-time Metrics Case Study INDUSTRY COMPANY: Americans spent more than 360 billion minutes online in December 2012 Sharethrough, with Jarritos and and streamed a whopping 24.6 billion videos.1 As consumer choice across a leading CPG brand and within platforms expands, advertisers have new opportunities to make CAMPAIGNS: meaningful connections with consumers online. But the sheer volume of Positively influence brand opinions via choices also introduces new challenges in determining which tactics drive pre-roll and native video ads the most impact. Concurrent with this shift in media consumption behaviors, there has been an explosion of online branded video content. OBJECTIVE: Brands need to deliver high quality content to their audiences in order for Jarritos: Favorability their message to resonate in an advertising-inundated environment and are A leading CPG brand: Purchase intent increasingly looking to reach and engage consumers in new ways. SOLUTION: Native advertising has emerged at the convergence of changing media Nielsen Online Brand Effect consumption habits and quality brand content, allowing brands to promote (formerly Ad Catalyst) their content in a site’s endemic experience in a visually integrated, choice- based approach. Many of the largest online platforms have adopted native advertising, including Facebook, YouTube, Twitter, Tumblr and WordPress, meaning these platforms also offer advertising that is content-based and user initiated. OVERVIEW SHARETHROUGH’S NATIVE VIDEO ADVERTISING: Sharethrough is a native advertising company that works with leading Native video ads are content-based and brands and agencies to distribute brand content within native integrations deliver fully integrated into the natural on leading publisher sites.