Top 10 Punjabi Movies
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When Nobody Recognized Karamjit Anmol on 'Carry on Jatta 2' Sets
When Nobody Recognized Karamjit Anmol on ‘Carry On Jatta 2’ sets By : INVC Team Published On : 31 May, 2018 12:00 AM IST INVC NEWS Chandigarh Carry On Jatta 2 is one of the most-awaited sequels in Pollywood. It has taken six long years to make the second installment of the super hit comedy from 2012 that had revolutionized the genre. Carry On Jatta had established Gippy Grewal as a bankable star and made the funny four Binnu Dhillon, Gurpreet Ghuggi, Jaswinder Bhalla and Karamjit Anmol household names. All these actors along with Sonam Bajwa, Upasana Singh and Jyoti Sethi are coming back with rib tickling humour. The trailer of the film has already raised the excitement and curiosity amongst the audience. Especially with Gippy Grewal recreating his character Jass from the prequel, people are eager to watch their favourite star on the silver screen. But did you notice Karamjit Anmol in the trailer? We bet you did not. Karamjit Anmol’s look in the film was crafted last minute and the whole cast and crew was surprised to see the transformation. As told by the director Smeep Kang , “Karamjit’s look for the film was a big decision and it was finalized at the very last moment. It was actually me decision to enhance his character. On the very first day, when he stepped out of his vanity after the make-up and came onto the set, nobody recognized him. Gippy (Grewal), Binnu (Dhillon), Sonam Bajwa, Jaswinder Bhalla and Gurpreet Ghuggi, nobody could make out that he was indeed Karamjit Anmol in a different get up. -
Macho Icons Going Places
J. Vis. Art & Des., Vol. 11. No. 1, 2019, 1-18 1 Macho Icons Going Places Muhammad Asghar1 & Muhammad Arshad Rehmani2 1Institute of Art and Design, Government College University, New Civil Lines Campus, Near Regency Plaza, 38000 Faisalabad, Pakistan 2Institute of Art and Design, University of Sargodha, University Road, 40100 Sargodha, Pakistan E-mail: [email protected] Abstract. This paper is an exploration of the increasing trend of popular macho representations on the back of three-wheeled auto rickshaws in the Punjab, Pakistan. Through an ethnographic field research it was observed that the painted visuals of popular icons in clichéd heroic poses are rampant on rickshaws, representing a mobile exhibition of urban folk art. These visuals are mostly taken from the local Punjabi film industry, which has eclipsed over the past two decades. This study further explored the reasons for the increase of male figures displayed on rickshaws (and other) popular art and the almost total extinction of female figures because of increased religious assertion in Pakistan over this two- decade period. Our analysis shows that the relationship between rickshaw drivers and a common male audience with these powerful visuals is so strong that it reinforces the ‘impulse to image’. The power of macho visuals satisfies the taste of cinemagoers who love to travel by rickshaws loaded with such visuals. We argue that these macho ideal representations have a strong impact on the beholders and they influence society through the power they convey. Finally, this study concludes that the popular macho visuals effectively communicate real emotions and please the mood of vast audiences in particular segments of society. -
General Knowledge Objective Quiz
Brilliant Public School , Sitamarhi General Knowledge Objective Quiz Session : 2012-13 Rajopatti,Dumra Road,Sitamarhi(Bihar),Pin-843301 Ph.06226-252314,Mobile:9431636758 BRILLIANT PUBLIC SCHOOL,SITAMARHI General Knowledge Objective Quiz SESSION:2012-13 Current Affairs Physics History Art and Culture Science and Technology Chemistry Indian Constitution Agriculture Games and Sports Biology Geography Marketing Aptitude Computer Commerce and Industries Political Science Miscellaneous Current Affairs Q. Out of the following artists, who has written the book "The Science of Bharat Natyam"? 1 Geeta Chandran 2 Raja Reddy 3 Saroja Vaidyanathan 4 Yamini Krishnamurthy Q. Cricket team of which of the following countries has not got the status of "Test" 1 Kenya 2 England 3 Bangladesh 4 Zimbabwe Q. The first Secretary General of the United Nation was 1 Dag Hammarskjoeld 2 U. Thant 3 Dr. Kurt Waldheim 4 Trygve Lie Q. Who has written "Two Lives"? 1 Kiran Desai 2 Khushwant Singh 3 Vikram Seth 4 Amitabh Gosh Q. The Headquarters of World Bank is situated at 1 New York 2 Manila 3 Washington D. C. 4 Geneva Q. Green Revolution in India is also known as 1 Seed, Fertiliser and irrigation revolution 2 Agricultural Revolution 3 Food Security Revolution 4 Multi Crop Revolution Q. The announcement by the Nuclear Power Corporation of India Limited Chairmen that India is ready to sell Pressurised 1 54th Conference 2 53rd Conference 3 51st Conference 4 50th Conference Q. A pension scheme for workers in the unorganized sector, launched recently by the Union Finance Ministry, has been named 1 Adhaar 2 Avalamb 3 Swavalamban 4 Prayas Q. -
Revival of Punjabi Cinema - Understanding the Dynamics Dr Simran Sidhu Assistant Professor & Head P.G
Global Media Journal-Indian Edition; Volume 12, Issue 2; December 2020.ISSN:2249-5835 Revival of Punjabi cinema - Understanding the dynamics Dr Simran Sidhu Assistant Professor & Head P.G. Dept. of Journalism and Mass Communication Doaba College, Jalandhar Abstract The Punjabi film industry is currently in its growth stage. The Punjabis in the Diasporas gave a new dimension to the Punjabi identity. It has brought a massive boost in the cinema and film music. Pollywood in the North Indian film industry is commercial and art cinema Punjabi is in its initial stage. Producers target just clientele and seldom take the risk. Crisp comedy films overpower an experiment in production, rare themes and different genres. The research did a descriptive analysis with the support of unstructured and semi- structured interviews of producers, actors, and Pollywood directors. The research also explores the need and importance of film institute and film clubs to sensitize the Punjabi audiences regarding the film as a medium, film grammar, and aesthetics. The research also focused on the marketing trends and the vital role of social media in multiplexes' age. Pollywood also lacks in skills and availability of high-end studios for post-production. Indirect taxes and expensive multiplex as a hindrance to attracting rural audiences to remote areas in Punjab. Keywords: Pollywood, Diasporas, multiplex, approach, revival. Introduction Punjab of North India is the most fertile land it also called Sapta Sindhu in 'Vedas'. Agriculture is the main occupation in Punjab. Hard working Punjabis as community adapt to changing condition and adjust a lot faster than others. A considerable amount of literature and Vedas originated in Punjab. -
Q1, FY18-19 Vs Q1, FY17-18
INVESTOR UPDATE Q 1 , F Y 2018- 2 0 1 9 INVESTOR UPDATE Q 1 , F Y 2018- 2 0 1 9 Disclaimer Safe Harbor: - Some information in this report may contain forward-looking statements. We have based these forward looking statements on our current beliefs, expectations and intentions as to facts, actions and events that will or may occur in the future. Such statements generally are identified by forward-looking words such as “believe”, “plan”, “anticipate”, “continue”, “estimate”, “expect”, “may”, “will” or other similar words. A forward-looking statement may include a statement of the assumptions or bases underlying the forward-looking statement. We have chosen these assumptions or bases in good faith, and we believe that they are reasonable in all material respects. However, we caution you that forward-looking statements’ and assumed facts or basis almost always vary from actual results, and the differences between the results implied by the forward-looking statements and assumed facts or bases and actual results can be material, depending on the circumstances. You should also keep in mind that any forward- looking statement made by us in this report or elsewhere speaks only as of the date on which we made it. New risks and uncertainties come up from time to time, and it is impossible for us to predict these events or how they may affect us. We have no duty to, and do not intend to, update or revise the forward-looking statements in this report after the date hereof. The risks and uncertainties relating to these statements include, but are -
Hate Story 2 Full Movie Free Download 1080Pl
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Religious Traditions in Modern South Asia
Downloaded by [University of Defence] at 01:29 24 May 2016 Religious Traditions in Modern South Asia This book offers a fresh approach to the study of religion in modern South Asia. It uses a series of case studies to explore the development of religious ideas and practices, giving students an understanding of the social, politi- cal and historical context. It looks at some familiar themes in the study of religion, such as deity, authoritative texts, myth, worship, teacher traditions and caste, and some of the key ways in which Buddhism, Hinduism, Islam and Sikhism in South Asia have been shaped in the modern period. The book points to the diversity of ways of looking at religious traditions and considers the impact of gender and politics, and the way religion itself is variously understood. Jacqueline Suthren Hirst is Senior Lecturer in South Asian Studies at the University of Manchester, UK. Her publications include Sita’s Story and Śaṃkara’s Advaita Vedānta: A Way of Teaching. John Zavos is Senior Lecturer in South Asian Studies at the University of Manchester, UK. He is the author of The Emergence of Hindu Nationalism in India. Downloaded by [University of Defence] at 01:29 24 May 2016 Religious Traditions in Modern South Asia Jacqueline Suthren Hirst and John Zavos Downloaded by [University of Defence] at 01:29 24 May 2016 First published 2011 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2011 Jacqueline Suthren Hirst and John Zavos The right of Jacqueline Suthren Hirst and John Zavos to be identified as authors of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. -
Global Journal of Human Social Science Equivalent to Peace, Salvation and Safety
OnlineISSN:2249-460X PrintISSN:0975-587X DOI:10.17406/GJHSS AComparativeStudyofDressCode AnArchetypalPatternofRedemption Food&BeverageAdvertisingInfluences ChildrenfromMuslim&ChristianHomes VOLUME20ISSUE16VERSION1.0 Global Journal of Human-Social Science: A Arts & Humanities - Psychology Global Journal of Human-Social Science: A Arts & Humanities - Psychology Volume 20 Issue 16 (Ver. 1.0) Open Association of Research Society Global Journals Inc. *OREDO-RXUQDORI+XPDQ (A Delaware USA Incorporation with “Good Standing”; Reg. Number: 0423089) Social Sciences. 2020. Sponsors:Open Association of Research Society Open Scientific Standards $OOULJKWVUHVHUYHG 7KLVLVDVSHFLDOLVVXHSXEOLVKHGLQYHUVLRQ Publisher’s Headquarters office RI³*OREDO-RXUQDORI+XPDQ6RFLDO 6FLHQFHV´%\*OREDO-RXUQDOV,QF Global Journals ® Headquarters $OODUWLFOHVDUHRSHQDFFHVVDUWLFOHVGLVWULEXWHG XQGHU³*OREDO-RXUQDORI+XPDQ6RFLDO 945th Concord Streets, 6FLHQFHV´ Framingham Massachusetts Pin: 01701, 5HDGLQJ/LFHQVHZKLFKSHUPLWVUHVWULFWHGXVH United States of America (QWLUHFRQWHQWVDUHFRS\ULJKWE\RI³*OREDO -RXUQDORI+XPDQ6RFLDO6FLHQFHV´XQOHVV USA Toll Free: +001-888-839-7392 RWKHUZLVHQRWHGRQVSHFLILFDUWLFOHV USA Toll Free Fax: +001-888-839-7392 1RSDUWRIWKLVSXEOLFDWLRQPD\EHUHSURGXFHG Offset Typesetting RUWUDQVPLWWHGLQDQ\IRUPRUE\DQ\PHDQV HOHFWURQLFRUPHFKDQLFDOLQFOXGLQJ SKRWRFRS\UHFRUGLQJRUDQ\LQIRUPDWLRQ Glo bal Journals Incorporated VWRUDJHDQGUHWULHYDOV\VWHPZLWKRXWZULWWHQ 2nd, Lansdowne, Lansdowne Rd., Croydon-Surrey, SHUPLVVLRQ Pin: CR9 2ER, United Kingdom 7KHRSLQLRQVDQGVWDWHPHQWVPDGHLQWKLV ERRNDUHWKRVHRIWKHDXWKRUVFRQFHUQHG -
Globalisation and Punjabi Identity Globalisation and Punjabi Identity: Resistance, Relocation and Reinvention (Yet Again!)
153 Pritam Singh: Globalisation and Punjabi Identity Globalisation and Punjabi Identity: Resistance, Relocation and Reinvention (Yet Again!) Pritam Singh Oxford Brookes University _______________________________________________________________ Punjabiyat or Punjabi identity evokes simultaneous contradictory images of a splintered identity, yet a potentially powerful economic, political and cultural force. This paper attempts to capture different aspects of this contradictory nature by situating the conflicting pulls on Punjabi identity in the context of the ongoing process of globalisation of economy, politics and culture. One aspect of globalisation that is particularly taken into account is the role of the Punjabi diaspora in giving impetus both to the powerful imagining of a unified Punjabi identity and to many divisions in the global Punjabi community. Methodologically, the paper attempts to fuse mapping the historical lineages of Punjabi identity with an analytical interrogation of the idea of Punjabiyat or Punjabi identity. It concludes by outlining the potential for the emergence of a stronger Punjabi identity in spite of fissures in that identity. _______________________________________________________________ Introduction When thinking and writing about Punjabi identity, it seems we feel compelled immediately to mention one or other of those accompanying words whose purpose seems to be to qualify and problematise the subject of Punjabi identity. These accompanying words could be: examine, interrogate and explore.1 Though all of these words connote some degree of hesitation, each signifies a different nuance of that hesitation. If interrogation suggests some kind of scepticism and examination hints at a neutral stance, exploration certainly has a developmental and optimistic ring about it. Behind different shades of scepticism and optimism lie not only the attempts at objective unwrapping of the limitations and potentialities of Punjabi identity but also the political projects aimed at undoing and making it. -
A Study of Idiosyncratic Hilarity Based Cinematic Ride by SMEEP KANG
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 A Study of Idiosyncratic Hilarity based Cinematic Ride by SMEEP KANG Amandeep Kaur Arneja PHD Scholar, Renaissance University, Indore, Madhya Pradesh, India Abstract: Punjabis are incessantly appraised as light-hearted bracket, as they are always high on hilarity. And when this attribute get hold as a core notion in any cinematic presentation, it tickles the funny bones of viewers. Such constitution on celluloid not only amuses the laughter but also reinvigorate spectator from their established rote procedure. The genre of comedy is not new in Cinema and when it coalesces in Punjabi Cinema, it germinates the new ecstatic wave among audience. Such cinematic contents triggered the omnipresence characteristics of cheerfulness among Punjabis .The epitome of comic on celluloid in Punjabi Cinema to experience laughter rides is accomplished by ingenious film-maker Smeep Kang. Cinema by Smeep Kang had given a shift from proto-typical comic contents to immaculate recreation of humorous effects on celluloid. He continued the comic legacy lead by Jaspal Bhatti ji and had created a new comic definition in Punjabi Cinema. His passionate piece of work continues to fascinate the audience by inducing laughter. Accomplished director with his creative skills made people laugh out of heart. Smeep Kang cinema is not restricted with zonal parameters but also by the general audience worldwide. His movie Carry on Jatta (2012) was a true paradigm of fun-riot Cinema that created a new wave of salutation among audience. The new level of excellence by Smeep holds back the audience for further flicks. -
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Popularity of Punjabi Comedy Films Among Youth
Popularity of Punjabi Comedy Films among Youth JasdeepKaur Ph.D Research Scholar, Department of Journalism and Mass Communication Punjabi University Patiala Abstract Punjabi cinema for once has come out from the Sarsonkekhet and is exploring hot spots of youth such as universities. For once, it is making the jatt fall in love instead of making him fight with a gandasa. JattJeonaMaur, Jatti Da Badla etc. Punjabi cinema has revolved around the handsome jatt, till someone sent him packing to Canada where he had to deal with a lot of things. Punjabi director’s encased the situation by translating them in movies like Asa Nu MaanWatnan Da, Kabaadi, Jag JeondiyanDeyMeley, till the time it was decided no more. Now, the jatt would go back to his college days, fall in love, hang out with friends and participate in youth festivals. This has opened a new chapter in Punjabi films, Navaniat Singh one of the directors who has introduced different jatt in this era. This is when Punjab and Punjabi film fraternity decided to go young, happy and joyful with movies like Mel KaradeRabba, Dharti, Saadi Love Story, YaarAnmulle, Burrah, Tumera 22 main Tera 22etc. It is the newness in Punjabi cinema that has caught the fancy of audiences, the actors and the producers alike and this newness has come in the form of comedy.Today, Punjabi film makers are exploiting humor to gain popularity and revenue.Now- a -days, everyone is laughing their way to success at the box office which pretty explains the popularity of movies based on comedy. Keywords: Punjabi Movies, Youth, Popularity, Budgets, comedy Introduction Big budgets have entered Punjabi cinema.