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09175339003 Omnislashv5
09175339003 omnislashv5 1,800php all in DVDs 1,000php HD to HD 500php 100 titles PSP GAMES Title Region Size (MB) 1 Ace Combat X: Skies of Deception USA 1121 2 Aces of War EUR 488 3 Activision Hits Remixed USA 278 4 Aedis Eclipse Generation of Chaos USA 622 5 After Burner Black Falcon USA 427 6 Alien Syndrome USA 453 7 Ape Academy 2 EUR 1032 8 Ape Escape Academy USA 389 9 Ape Escape on the Loose USA 749 10 Armored Core: Formula Front – Extreme Battle USA 815 11 Arthur and the Minimoys EUR 1796 12 Asphalt Urban GT2 EUR 884 13 Asterix And Obelix XXL 2 EUR 1112 14 Astonishia Story USA 116 15 ATV Offroad Fury USA 882 16 ATV Offroad Fury Pro USA 550 17 Avatar The Last Airbender USA 135 18 Battlezone USA 906 19 B-Boy EUR 1776 20 Bigs, The USA 499 21 Blade Dancer Lineage of Light USA 389 22 Bleach: Heat the Soul JAP 301 23 Bleach: Heat the Soul 2 JAP 651 24 Bleach: Heat the Soul 3 JAP 799 25 Bleach: Heat the Soul 4 JAP 825 26 Bliss Island USA 193 27 Blitz Overtime USA 1379 28 Bomberman USA 110 29 Bomberman: Panic Bomber JAP 61 30 Bounty Hounds USA 1147 31 Brave Story: New Traveler USA 193 32 Breath of Fire III EUR 403 33 Brooktown High USA 1292 34 Brothers in Arms D-Day USA 1455 35 Brunswick Bowling USA 120 36 Bubble Bobble Evolution USA 625 37 Burnout Dominator USA 691 38 Burnout Legends USA 489 39 Bust a Move DeLuxe USA 70 40 Cabela's African Safari USA 905 41 Cabela's Dangerous Hunts USA 426 42 Call of Duty Roads to Victory USA 641 43 Capcom Classics Collection Remixed USA 572 44 Capcom Classics Collection Reloaded USA 633 45 Capcom Puzzle -
Filmowe Trudy Herkulesa
Grażyna Stachówna Uniwersytet Jagielloński Filmowe trudy Herkulesa Wszyscy znacie powiedzenie: „Nic bez Herkulesa”... Robert Graves, Herkules z mojej załogi1 Herkules jest z pewnością najpopularniejszym (około 25 fi lmów) – obok Orfeusza (18), Achillesa (15) i Medei (14) – bohaterem mitologicznym w kinie, choć jego kariera układała się dość specyfi cznie. Pojawiał się bowiem w fi lmach fabularnych i animowanych oraz w fi lmach i seria- lach telewizyjnych w dwu wcieleniach: we własnej postaci – półboga, urodziwego osiłka o wspaniałej muskulaturze, który dokonuje hero- icznych czynów, oraz w osobach zastępczych, niejako „w przebraniu” – nosił wtedy inne imię, nie miał olimpijskiego rodowodu i nie zawsze imponował krzepą fi zyczną, ale niezmiennie stał przed nim ten sam cel: ryzykując życiem, musiał wykonać – najczęściej zwycięsko – jakieś niezwykłe zadanie. Ercole – włoski osiłek z wielkimi bicepsami i kwadratową szczęką Mimo że po raz pierwszy na kinowym ekranie pojawił się we Francji w 1910 roku w dziełku Dwanaście prac Herkulesa (Les douze travaux d’Hercule) Émile’a Cohla, to jednak najwięcej fi lmowy Herkules za- wdzięcza kinematografi i włoskiej. W Italii rozpoczęła się jego prawdzi- wa kariera w 1912 roku w komedii Robinet2 staje się Herkulesem (Robinet diventa un Ercole) i tam powstały też wkrótce kolejne fi lmy, zrealizo- 1 R. Graves, Herkules z mojej załogi, przeł. H. Sibera-Breitkopf, Warszawa 2004, s. 110. 2 Robinet – komediowa postać z wczesnych fi lmów włoskich grana przez Marcela Fabre’a (1885–1927). ~ 581 ~ Grażyna Stachówna wane już w tonacji poważnej: Hercules (Ercole, 1918), Ostatnia praca Herkulesa (L’ultima fatica di Ercole, 1918), Pas Amazonki (La cintura delle Amazzoni, 1920) i Triumf Herkulesa (Il trionfo di Ercole, 1922). -
Theogony Translated by Hugh G
Hesiod: Theogony translated by Hugh G. Evelyn-White (1914) [Note: the letters ll refer to lines.) (ll. 1-25) From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis- holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me -- the Muses of Olympus, daughters of Zeus who holds the aegis: (ll. 26-28) `Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things.' (ll. -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
Hesiod – Theogony
Hesiod – Theogony From: Hesiod. The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White. Theogony. Cambridge, MA., Harvard University Press; London, William Heinemann Ltd. 1914. This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 United States License. Source: http://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0020.tlg001.perseus-eng1 _______ From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, [5] and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, [10] veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis-holder, and queenly Hera of Argos who walks on golden sandals, and the daughter of Zeus the aegis-holder bright-eyed Athena, and Phoebus Apollo, and Artemis who delights in arrows, [15] and Poseidon the earth holder who shakes the earth, and revered Themis, and quick-glancing1 Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos, and great Helius, and bright Selene, [20] Earth, too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, -
Aeschylus, Genealogy, History
SHADOWS ON THE SON: AESCHYLUS, GENEALOGY, HISTORY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Richard Evan Rader Jr., M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Anthony Kaldellis, Adviser Professor Tom Hawkins _____________________________ Adviser Professor Bruce Heiden Greek and Latin Graduate Program ABSTRACT This dissertation examines genealogy and history in Prometheus Bound, Seven against Thebes, and Persians. It asks how a character‘s relation to his own family history affects his perspective on the past. I argue that in each play the conflict between a son and a father, say between Xerxes and Darius, is replicated at the level of a theory of history. Genealogy suggests two different relations between the past generations and the present, since it is both a reproduction of the same (the ideal son who takes after his father) and a production of difference (the son can never be identical to the father). These two genealogical relations correspond to two theories of history: what I identify as a retrospective view of history, which transfigures discrete historical events into teleology and inevitability, where history becomes the movement of necessity; and a prospective one, which sees historical events as only the trace of desire, hope, potential and human agency, where history becomes the movement of what could have been, the contingent unfolding of unlimited possibilities. In the Prometheus Bound, for example, Aeschylus stages the discord between Zeus and Prometheus as a conflict between two views on history: Prometheus leverages a secret about Zeus‘ sexual desire against him because he sees a necessity of repetition in Zeus‘ genealogical past; but Zeus, the play stresses, is fully capable of reason, compromise, and collaboration, and thus his future (unlike his predecessors‘) remains open to will, desire, and choice. -
Snezhana FILIPOVA COMPARATIVE METHODOLOGY of the HERACLES’ KNOT and ITS MEANING in MACEDONIAN MEDIEVAL ART
ПАТРИМОНИУМ.МК, година 9, бroj 14 / 2016 УДК: 7.033(497.7) Snezhana FILIPOVA COMPARATIVE METHODOLOGY OF THE HERACLES’ KNOT AND ITS MEANING IN MACEDONIAN MEDIEVAL ART Keywords: Heracles’ knot, protective function, fresco, sculpture, illuminations, Macedonia, Balkans, medieval art Abstract: Almost every major world religion has acles ‘knot was very popular in Byzantine architec- practices or traditions related to the magic of the ture, at least in the 12th C. One of the most famous knot. The symbolism of the knot can be followed with- manuscript with the Homilies on the Virgin Mary was in and outside its religious use. In the middle Byzan- written by James Kokkinobaphos in the first half of tine period this motif has been used on twin columns, the 12th C. and represents the symbolic building of a which indicates it has preserved its ancient protec- five domed church inhabited by the Virgin, the Holy tive power and received new religious meaning. It Apostles, flanked by two prophets. The four double goes not only for the Christian but also for Muslim columns of the western façade of this Church are in (as proved by the Ulu Mosque in Bursa, 1399) and the mid portion decorated with Heracles’ knot. Jewish temples. Heracles’ knot was used in the Chris- tian churches usually within the openings of the sa- There are many Medieval churches and church cred space or parts of the floor that approaches the furniture, along with decorative sculpture that bear sacral space. It is very common and long lasting in the sign of the knot as a kind of protection from the Macedonia -St. -
Sacred Geography of the Ancient Greeks Astrological Symbolism In
SACRED GEOGRAPHY OF THE ANCIENT GREEKS SUNY Series in Western Esoteric Traditions David Appelbaum, editor Omphalos decoratedwith the "net." (COpl)from the Roman period, Museum of Delphi) SACRED GEOGRAPHY OF THE ANCIENT GREEKS Astrological Symbolism in Art, Architecture, and Landscape � F 1G7Lf '?,-- 'j .1 \ '/ , ) Jean Richer Translated by Christine Rhone STATE UNIVERSITY OF NEW YORK PRE�� f Published by State University of New York Press, Albany ©1994 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address State University of New York Press, State University Plaza, Albany, N.Y., 12246 Library of Congress Cataloging-in-Publication Data Richer, Jean, 1915- [Geographie sacree du monde grec. English] Sacred geography of the ancient Greeks: astrological symbolism in art, architecture, and landscape / Jean Richer; translated by Christine Rhone. p. cm. - (SUNY series in Western esoteric traditions) Includes bibliographical references and index. ISBN 0-7914-2023-X - ISBN 0-7914-2024-8 (pbk.) 1. Astrology/Greek. 2. Sacred space-Greece. 3. Shrines Greece. 4. Artand religion-Greece. 5. Gretfe-Religion. " ! I. Title. n. Series. 1 994 f.�C;'� �� :;:;�2� 1) 094 �;:60 10 9 8 7 6 5 4 3 2 1 Contents List of Maps xi Foreword xxi Translator's Preface xxvii Preface xxxi Chapter 1. Theory of Alignments 1 1. Delphi: Apollo and Athena 1 2. The Meridian of Delphi: Te mpe-Delphi-Sparta-Cape Taenarum 2 3. -
Apodexis Historı́as
Apode as An Aggregate Primary Source Account of Greek History xis Historı́ Edited by E. Edward Garvin, ©2014 The purpose of a sourcebook is to allow the subjects to speak their own history and to allow the student, the reader, to gain an understanding of Greek literary works through a selective sampling. The key word is ‘selective.’ Contained herein are passages excerpted from their contexts. Without exception, this very process produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source material without an onerous reading list. I have tried to keep my voice out of it as much as possible and will intervene as editor (in Times New Roman font) only to give background or exegesis to the text. All of the texts contained in frames and in Goudy Old Style font are excerpts from Greek or Latin texts (primary sources) that have been translated into English. These translations were published as print books but have since fallen into Public Domain - which means that the copyright has expired. As editor of this volume, I have copied, edited and partially retranslated these texts to bring the translations up to date. The title of this collection is adapted from the opening line of Herodotus' Histories: "The results of the research (historías) of Herodotus of Halicarnassus are herein presented for public display (apodexis)." The Greek apodexis means a 'display' or 'public presentation': The word historía, when Herodotus used it, referred to a process of rational pragmatic inquiry. -
Liste Des Jeux Pour La Console Retro Gameboy 8.983 Jeux
Liste des jeux pour la console Retro Gameboy 8.983 jeux www.2players.shop Table des matières Arcade – 2242 jeux.................................................................................................................................. 3 Atari 7800 – 58 jeux .............................................................................................................................. 56 Game Gear – 332 jeux ........................................................................................................................... 58 Game Gear Hacked – 7 jeux .................................................................................................................. 66 Game Boy – 842 jeux ............................................................................................................................ 67 Game Boy Hacked – 18 jeux.................................................................................................................. 87 Game Boy Advance – 1066 jeux ............................................................................................................ 88 Game Boy Advance Hacked – 21 jeux ................................................................................................. 113 Game Boy Color – 535 jeux ................................................................................................................. 114 Lynx – 84 jeux ...................................................................................................................................... 127 Master -
Divine Riddles: a Sourcebook for Greek Religion and Mythology
Divine Riddles: A Sourcebook for Greek Religion and Mythology E. Edward Garvin, Editor © 2013 What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Gaudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).