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American Love Stories: Narrative Ethics and the Novel from Stowe to James
American Love Stories: Narrative Ethics and the Novel from Stowe to James By Ashley Carson Barnes A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Dorothy Hale, Chair Professor Samuel Otter Professor Dorri Beam Professor Robert Alter Fall 2012 1 Abstract American Love Stories: Narrative Ethics and the Novel from Stowe to James by Ashley Carson Barnes Doctor of Philosophy in English University of California, Berkeley Professor Dorothy Hale, Chair “American Love Stories” argues for the continuity between two traditions often taken to be antagonistic: the sentimental novel of the mid-nineteenth century and the high modernism of Henry James. This continuity emerges in the love stories tracked here, from Harriet Beecher Stowe’s Uncle Tom’s Cabin and Elizabeth Stuart Phelps’s The Gates Ajar, through Nathaniel Hawthorne’s The Blithedale Romance and Herman Melville’s Pierre, to Elizabeth Stoddard’s The Morgesons and James’s The Golden Bowl. In these love stories—the other side of the gothic tradition described by Leslie Fiedler—desire is performed rather than repressed, and the self is less a private container than a public exhibit. This literary-historical claim works in tandem with the dissertation’s argument for revising narrative ethics. The recent ethical turn in literary criticism understands literature as practically engaging the emotions, especially varieties of love, that shape our social lives. It figures reading as a love story in its own right: an encounter with a text that might grant us intimacy with an authorial persona or else spurn our desire to grasp its alterity. -
Jake Owen “Life’S Whatcha Make It” Tour Live at the Ted Constant Center October 5, 2018, with Special Guests David Lee Murphy and Morgan Wallen
FOR IMMEDIATE RELEASE: JAKE OWEN “LIFE’S WHATCHA MAKE IT” TOUR LIVE AT THE TED CONSTANT CENTER OCTOBER 5, 2018, WITH SPECIAL GUESTS DAVID LEE MURPHY AND MORGAN WALLEN Tickets Available Friday, August 24th at 10AM Exclusively Through YnotTix.com Norfolk, VA-(August 20, 2018) The Ted Constant Center, located at Old Dominion University and operated by Spectra Venue Management, announces Jake Owen to perform his “Life’s Whatcha Make It Tour,” live on October 5, 2018. Special guests David Lee Murphy and Morgan Wallen will join the multi-platinum entertainer. Tickets go on-sale this Friday, August 24, 2018, at 10am to include price levels of $25.00, $39.75, and $59.75, and are available at Ynottix.com, by calling 877-YNOT-TIX, or by visiting the Constant Center Box Office located at 4320 Hampton Blvd. Norfolk, Virginia 23508. About Jake Owen: Owen is a dynamic entertainer who has had seven No. 1 singles to date and is an ACM award-winning artist. “I Was Jack (You Were Diane)” recently reached the No. 1 position on the country airplay charts, marking his seventh career No. 1 hit, with over 25M streams. His other six No. 1’s include the 2X PLATINUM anthem “Barefoot Blue Jean Night,” PLATINUM-certified hits “Beachin’,” “Anywhere with You,” “Alone with You,” “The One That Got Away,” and, GOLD-certified “American Country Love Song.” Owen's fifth studio album, AMERICAN LOVE, debuted at No. 1 on Billboard’s Top Country Albums chart and No. 4 on the Billboard 200 all-genre chart. Most recently, Owen signed a new label deal with Big Loud Records, reuniting him with award-winning producer Joey Moi. -
Proud Activist Kirsten Ussery Is Detroit Dynamo
FREE | SEPT. 29, 2011 | VOL. 1939 2011 | VOL. 29, | SEPT. EXCLUSIVE CHAT WITH FIrst OPENLY GAY BISHOP AIDS WALK MICHIGAN RAISES MORE THAN $100K GlorIA EstefAN TALKS TARGET GAFFE, NEW CD PROUD ACTIVIst COME OUT, KIrsteN USSERY IS DETROIT DYNAMO step UP PRIDESOURCE.COM 2 Between The Lines • September 29, 2011 9.29.2011 10 15 19 Cover story Life 6 | From closeted activist to Detroit dynamo 15 | Gloria Reaches Out to the Gays Kirsten Ussery urges people of In this exclusive chat, the Queen of Latin color to come out and step up Pop talks conservative upbringing, gay BTL photo: Andrew Potter marriage and Target controversy News 18 | ‘Ordinary’ gays in ‘extraordinary’ musical Relationships examined in new 5 | Speak Out Kalamazoo musical Progress is possible 19 | Hear Me Out 7 | First openly gay bishop talks death threats, Erasure succeeds with new sound. Plus: 9/11 Tori Amos’ best album in years 9 | Partner benefits for state employees 20 | Happenings Featured: Vienna Teng on Oct. 7 at could cost $600K The Power Center in Ann Arbor 11 | AIDS Walk Michigan raises more than 21 | Curtain Calls $100K Reviews of “Unlocking Desire” and “A Day in Hollywood/A Night in Ukraine” 12 | Police probe bullying after 14-year-old commits suicide 13 | State Equality Dinner award winners Rear View announced 22 | Dear Jody 23 | Horoscopes Opinions 24 | Puzzle 8 | BTL Editorial GOP’s argument against partner benefits is cheap 25 | Classifieds 8 | Thinking Out Loud Who are you calling a hater? 27 | Deep Inside Hollywood 10 | S/he said Politics, discrimination 10 | Heard on Facebook We’re sad to report that a New York teen who made an “It Gets Better” video committed suicide. -
Insider 35 Titel, 2,5 Std., 213,9 MB
Seite 1 von 2 -InSider 35 Titel, 2,5 Std., 213,9 MB Name Dauer Album Künstler 1 You might need somebody 4:52 Best Of Love Songs - Comp 2004 (CD1-VBR) Ama Shola 2 Your letter 3:41 Love And Affection: Classics 1975-1983 (CD1) - Joan Armatradi… Armatrading Joan 3 Try to remember 4:04 Belafonte Harry 4 A spaceman came travelling 5:05 Ö3 Christmas Hits 02 - Comp 1999 (CD-VBR) Burgh Chris De 5 The man with the child in his eyes 2:41 The Whole Story - Kate Bush - Comp 1986 (CD-VBR) Bush Kate 6 For my lover 3:12 Chapman - Tracy Chapman - 1988 (CD-VBR) Chapman Tracy 7 River Of Tears 7:22 Clapton Chronicles - The Best Of - Eric Clapton - Comp 1999 (C… Clapton Eric 8 Betcha 4:34 Abstract Emotions - Randy Crawford - 1986 (PA-192) Crawford Randy 9 Almaz (LP Version) 4:07 Kuschelrock 18 CD1 - 2004 (CD) Crawford Randy 10 Give me the night (Chill Night Remix) 4:38 Naked and True - Randy Crawford - 1995 (LP) Crawford Randy 11 Holding back the years 5:31 Naked And True - Randy Crawford - 1995 (RS) Crawford Randy 12 Knockin' on heaven's door 4:59 Rich And Poor - Randy Crawford - 1989 (PA) Crawford Randy 13 Your precious love (Live) (ft Al Jarreau) 5:38 The Ultimate Collection - Randy Crawford - Comp 2005 CD1 (RS) Crawford Randy 14 Fallen (Live) 3:35 You Tube Crawford Randy & Presuntos Implicados 15 Stones 3:03 Stones - Neil Diamond - 1971 (LW) Diamond Neil 16 Here with me 4:16 No Angel - Dido - 1999 (CD-VBR) Dido 17 I see your smile 4:32 The Essential Gloria Estefan Estefan Gloria 18 Can't stay away from you 3:58 Heart Rock Vol.6 CD2 Estefan Gloria 19 Always -
Music Programs NEW! the Lisak Group
Membership Information Creative Aging’s mission is to provide arts and humanities programs that have a positive impact on the quality of life of older adults in the Greater Cincinnati Area. Creative Aging accomplishes its mission by bringing local area professional artists, performers and educators to present one hour long programs at senior centers, retirement communities, adult day care centers, and nursing homes in Cincinnati and surrounding areas. Programs are designed to stimulate participant’s minds, creativity and sense of self as well as educate, engage, enrich and entertain. Facilities that join Creative Aging choose one of three levels that will allow between 6-18 programs to be booked within their facility. Membership is available to all facilities in the Greater Cincinnati area who serve Senior Citizens, those 60 years of age and older. 2013 Memberships Three Options from which to choose: Platinum Level • 18 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Gold Medal Level • 12 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Silver Medal Level • 6 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Pricing Platinum Level - $1900 Gold Medal Level - $1300 Silver Medal Level - $700 Creative Aging Cincinnati is committed to serving seniors regardless of the ability to pay. Please contact us for information on our membership assistance program. * Please note that some artists charge an additional fee on holidays which would be the responsibility of the facility. -
Undercurrent (Blue Note)
Kenny Drew Undercurrent (Blue Note) Undercurrent Freddie Hubbard, trumpet; Hank Mobley, tenor sax; Kenny Drew, piano; Sam Jones, bass; Louis Hayes, drums. 1. Undercurrent (Kenny Drew) 7:16 Produced by ALFRED LION 2. Funk-Cosity (Kenny Drew) 8:25 Cover Photo by FRANCIS WOLFF 3. Lion's Den (Kenny Drew) 4:53 Cover Design by REID MILES 4. The Pot's On (Kenny Drew) 6:05 Recording by RUDY VAN GELDER 5. Groovin' The Blues (Kenny Drew) 6:19 Recorded on December 11, 1960, 6. Ballade (Kenny Drew) 5:29 Englewood Cliffs, NJ. The quintet that plays Kenny Drew's music here had never worked as a unit before the recording but the tremendous cohesion and spirit far outdistances many of today's permanent groups in the same genre. Of course, Sam Jones and Louis Hayes have been section mates in Cannonball Adderley's quintet since 1959 and this explains their hand-in- glove performance. With Drew, they combine to form a rhythm trio of unwavering beat and great strength. The two hornmen are on an inspired level throughout. Hank Mobley has developed into one of our most individual and compelling tenor saxophonists. His sound, big and virile, seems to assert his new confidence with every note. Mobley has crystallized his own style, mixing continuity of ideas, a fine sense of time and passion into a totality that grabs the listener and holds him from the opening phrase. Freddie Hubbard is a youngster but his accomplished playing makes it impossible to judge him solely from the standpoint of newcomer. This is not to say that he is not going to grow even further as a musician but that he has already reached a level of performance that takes some cats five more years to reach. -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey. -
E, the Magic Flute
MOZART THE MAGIC FLUTE English Version by Donald Pippin SYNOPSIS Strange things are going on in the land of the all-powerful Queen of the Night. A serpent of Jurassic proportions is on the loose, and woe to the hapless wanderer who gets in its way, in this case a young prince -- our hero -- who rushes in crying for help, and unheroically faints. He is rescued in the nick of time by three mysterious ladies who dispatch the serpent with effortless aplomb. The ladies depart, albeit reluctantly – the unknown Prince lying unconscious on the ground is exceedingly good-looking -- to report their success to the Queen, still despondent over the recent kidnapping of her beloved daughter Pamina. But if the Queen is so all-powerful, how is it that her own daughter has been seized and whisked away from under her nose? Why did she not stop it? Good question. Could it be that the Queen is up against an even more irresistible force? Or is there more to the story than meets the eye? One may even suspect that she has already spotted the prince, whose name is Tamino, and already chosen him to rescue the helpless girl from the villain who is holding her captive. And now, to inspire him to the task, she promptly sends him, via the three ladies, a picture of Pamina. One look and, needless to say, Tamino falls in love, as who would not? Ready to risk all for the sake of love, called to action, wild horses could not hold him back. -
The Highlight Reel Devilish Lies
YOUTH MAGAZINE OF THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS JANUARY 2017 THENew Era 2017 MUTUAL THEME: James 1:5–6 pp. 10–23 IVING T SURV HE MUDSLIDES, SOCIAL DEVILISH LIES COMEFOLLOW ME CHAINSAWS, AND MEDIA 7 AND HOW TO THEME HELPING HANDS HIGHLIGHT REEL STAY WISE pp. 2, 44, 49 p. 26 p. 36 p. 38 The First Presidency: Thomas S. Monson, Henry B. Eyring, Dieter F. Uchtdorf The Quorum of the Twelve Apostles: Russell M. Nelson, Dallin H. Oaks, M. Russell Ballard, FROM THIS ISSUE Robert D. Hales, Jeffrey R. Holland, David A. Bednar, SNIPPETS Quentin L. Cook, D. Todd Christofferson, Neil L. Andersen, Ronald A. Rasband, Gary E. Stevenson, Dale G. Renlund When you feel like you shouldn’t pray, that’s Editor: Joseph W. Sitati Assistant Editors: Randall K. Bennett, Carol F. McConkie —page when you really need to pray. Advisers: Brian K. Ashton, Jean B. Bingham, LeGrand R. Curtis Jr., Christoffel Golden, Douglas D. 11 • Sometimes all it takes is a bowed head, Holmes, Erich W. Kopischke, Larry R. Lawrence, Carole M. Stephens folded arms, and a few simple and sincere words. Managing Director: David V. Clare Director of Church Magazines: Allan R. Loyborg Business Manager: Garff Cannon —page 20 • This time we aren’t running Managing Editor: Brittany Beattie Assistant Managing Editor: Joshua J. Perkey away from a hurricane—we’re going Publications Assistant: Sally Johnson Odekirk Writing and Editing: Bethany Bartholomew, Ryan toward its aftermath. —page 28 • Carr, David Dickson, David A. Edwards, Matthew Flit- The plan of ton, Charlotte Larcabal, Michael R. -
Good Chemistry James J
Columbia College Fall 2012 TODAY Good Chemistry James J. Valentini Transitions from Longtime Professor to Dean of the College your Contents columbia connection. COVER STORY FEATURES The perfect midtown location: 40 The Home • Network with Columbia alumni Front • Attend exciting events and programs Ai-jen Poo ’96 gives domes- • Dine with a client tic workers a voice. • Conduct business meetings BY NATHALIE ALONSO ’08 • Take advantage of overnight rooms and so much more. 28 Stand and Deliver Joel Klein ’67’s extraordi- nary career as an attorney, educator and reformer. BY CHRIS BURRELL 18 Good Chemistry James J. Valentini transitions from longtime professor of chemistry to Dean of the College. Meet him in this Q&A with CCT Editor Alex Sachare ’71. 34 The Open Mind of Richard Heffner ’46 APPLY FOR The venerable PBS host MEMBERSHIP TODAY! provides a forum for guests 15 WEST 43 STREET to examine, question and NEW YORK, NY 10036 disagree. TEL: 212.719.0380 BY THOMAS VIncIGUERRA ’85, in residence at The Princeton Club ’86J, ’90 GSAS of New York www.columbiaclub.org COVER: LESLIE JEAN-BART ’76, ’77J; BACK COVER: COLIN SULLIVAN ’11 WITHIN THE FAMILY DEPARTMENTS ALUMNI NEWS Déjà Vu All Over Again or 49 Message from the CCAA President The Start of Something New? Kyra Tirana Barry ’87 on the successful inaugural summer of alumni- ete Mangurian is the 10th head football coach since there, the methods to achieve that goal. The goal will happen if sponsored internships. I came to Columbia as a freshman in 1967. (Yes, we you do the other things along the way.” were “freshmen” then, not “first-years,” and we even Still, there’s no substitute for the goal, what Mangurian calls 50 Bookshelf wore beanies during Orientation — but that’s a story the “W word.” for another time.) Since then, Columbia has compiled “The bottom line is winning,” he said.