Thursday Playlist
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CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Composer Keith Burstein Pays Homage to Beethoven with a New Work to Mark the 250Th Anniversary of His Birth
COMPOSER KEITH BURSTEIN PAYS HOMAGE TO BEETHOVEN WITH A NEW WORK TO MARK THE 250TH ANNIVERSARY OF HIS BIRTH Keith Burstein rehearsing his Symphony No 1 Elixir with the Kaunas City Symphony Orchestra in Kaunas Lithuania in 2012. Performance Date: 25 March 2020 Venue: Cadogan Hall, London A new work written by composer Keith Burstein to mark the 250th anniversary of the birth of Ludwig van Beethoven will be performed by the London Chamber Orchestra (LCO) at the Cadogan Hall in Chelsea, London, on 25 March 2020. Memories of Bonn, Symphonic Poem No 1 will be conducted by LCO’s Music Director and Principal Conductor, Christopher Warren-Green, and was inspired by the composer’s visit to Bonn, Beethoven’s birthplace. Vladimir Ashkenazy, the great pianist and conductor – and mentor to Burstein – suggested he wrote the Symphonic Poem. Albany Arts | A22 Laystall Street | London | EC1R 4PA | t: + 44 (0) 20 78 79 88 95 | www.albanyartscommunications.com The piece seeks to reflect the complex confluence of history and culture that Burstein experienced in Bonn when he attended a premiere of his music there in 2016. Inevitably the music evokes Beethoven, who is considered by the composer to be ‘the exemplar of a radical composer who wrote memorable melodies.’ Burstein is renowned for his fervent championing of tonal music, as opposed to the atonal style which has dominated classical music teaching and composition for over a century, and Memories of Bonn looks set to ignite the ongoing controversy surrounding the pre-eminence of atonal music over tonal. ‘I am delighted Christopher Warren-Green and the London Chamber Orchestra are premiering this new work, which was strongly advocated by Mark Redman, Chairman of the LCO Trust. -
Monday Playlist
December 23, 2019: (Full-page version) Close Window “I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.” — WA Mozart Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online The Christmas Tree, and A Pine Forest in Sleepers, Awake! 00:01 Buy Now! Tchaikovsky Dresden State Orchestra/Poschner Sony Classic 88875031652 888750316523 Winter ~ The Nutcracker, Op. 71 Lute Suite in A minor (originally C minor), 00:10 Buy Now! Bach Julian Bream RCA 5841 07863558412 BWV 997 00:31 Buy Now! Mozart Violin Concerto No. 5 in A, K. 219 "Turkish" Frang/Arcangelo/Cohen Warner Classics 0825646276776 825646276776 01:01 Buy Now! Mendelssohn Piano Trio No. 2 in C minor, Op. 66 Perlman/Ma/Ax Sony Classical 52192 886975219223 St. Olaf Choir/Nidaros Cathedral Girls' 01:32 Buy Now! Traditional O come, all ye faithful St. Olaf Records 3501 610295350126 Choir/Armstrong/Brevik 01:38 Buy Now! Mercadante Flute Concerto in E minor Galway/I Solisti Veneti/Scimone RCA 7703 07863577032 02:01 Buy Now! Lauridsen O magnum mysterium Los Angeles Master Chorale/Salamunovich RCM 19605 707651960522 02:07 Buy Now! Leontovych Carol of the Bells Los Angeles Master Chorale/Salamunovich RCM 19605 707651960522 02:09 Buy Now! Schubert Symphony No. 1 in D, D. 82 Hanover Band/Goodman Nimbus 5198 083603519827 02:38 Buy Now! Brahms Cello Sonata No. 1 in E minor, Op. 38 Nelsova/Johannesen CBC 2018 059582201824 Christmas at the Opera House, with Bob 03:00 Buy Now! Chapman Symphony No. 1 in G minor, Op. -
A Centenary Celebration 100 Years of the London Chamber Orchestra
Available to stream online from 7:30pm, 7 May 2021 until midnight, 16 May 2021 A Centenary Celebration 100 years of the London Chamber Orchestra Programme With Christopher Warren-Green, conductor Handel Arrival of the Queen of Sheba Jess Gillam, presenter Mozart Divertimento in D Major, K205, I. Largo – Allegro Debussy Danses Sacrée et Profane Maconchy Concertino for Clarinet and Orchestra, III. Allegro Soloists Mozart Eine Kleine Nachtmusik, I. Allegro Anne Denholm, harp Britten Courtly Dance No. 5 Mark van de Wiel, clarinet Maxwell Davies Farewell to Stromness Various A Century of Music (premiere) Soloists, A Century of Music Elgar Introduction and Allegro Mary Bevan, soprano Pekka Kuusisto, violin London Chamber Orchestra Alison Balsom, trumpet Ksenija Sidorova, accordion Violin 1 Viola Flute & Piccolo Benjamin Beilman, violin Clio Gould Rosemary Warren-Green Harry Winstanley Jess Gillam, saxophone Manon Derome Kate Musker Gina McCormack Becky Low Oboe Sophie Lockett Jenny Coombes Gordon Hunt Imogen East Alison Alty Composers, A Century of Music Eunsley Park Cello Rob Yeomans Robert Max Clarinet & Bass Clarinet John Rutter Edward Bale Joely Koos Mark van de Wiel Freya Waley-Cohen Julia Graham Violin 2 Rachael Lander Bassoon Paul Max Edlin Charles Sewart Meyrick Alexander George Morton Anna Harpham Bass Alexandra Caldon Andy Marshall Horn Tim Jackson Guy Button Ben Daniel-Greep Richard Watkins Jo Godden Michael Thompson Gabriel Prokofiev Harriet Murray Percussion Cheryl Frances-Hoad Julian Poole Trumpet Ross Brown If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using the hashtag #LCOTogether George Frideric Handel Wolfgang Amadeus Mozart Arrival of the Queen of Sheba Divertimento in D Major, K205 I. -
Deutsche Nationalbibliografie
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD -
Journal of the Conductors Guild
Journal of the Conductors Guild Volume 32 2015-2016 19350 Magnolia Grove Square, #301 Leesburg, VA 20176 Phone: (646) 335-2032 E-mail: [email protected] Website: www.conductorsguild.org Jan Wilson, Executive Director Officers John Farrer, President John Gordon Ross, Treasurer Erin Freeman, Vice-President David Leibowitz, Secretary Christopher Blair, President-Elect Gordon Johnson, Past President Board of Directors Ira Abrams Brian Dowdy Jon C. Mitchell Marc-André Bougie Thomas Gamboa Philip Morehead Wesley J. Broadnax Silas Nathaniel Huff Kevin Purcell Jonathan Caldwell David Itkin Dominique Royem Rubén Capriles John Koshak Markand Thakar Mark Crim Paul Manz Emily Threinen John Devlin Jeffery Meyer Julius Williams Advisory Council James Allen Anderson Adrian Gnam Larry Newland Pierre Boulez (in memoriam) Michael Griffith Harlan D. Parker Emily Freeman Brown Samuel Jones Donald Portnoy Michael Charry Tonu Kalam Barbara Schubert Sandra Dackow Wes Kenney Gunther Schuller (in memoriam) Harold Farberman Daniel Lewis Leonard Slatkin Max Rudolf Award Winners Herbert Blomstedt Gustav Meier Jonathan Sternberg David M. Epstein Otto-Werner Mueller Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis Gunther Schuller Thelma A. Robinson Award Winners Beatrice Jona Affron Carolyn Kuan Jamie Reeves Eric Bell Katherine Kilburn Laura Rexroth Miriam Burns Matilda Hofman Annunziata Tomaro Kevin Geraldi Octavio Más-Arocas Steven Martyn Zike Theodore Thomas Award Winners Claudio Abbado Frederick Fennell Robert Shaw Maurice Abravanel Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis Esa-Pekka Salonen Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Michael Tilson Thomas Pierre Boulez Sir Simon Rattle David Zinman Sir Colin Davis Max Rudolf Journal of the Conductors Guild Volume 32 (2015-2016) Nathaniel F. -
28-May-Concert-Programme.Pdf
Available to stream online from 7:30pm, 28 May 2021 until midnight, 6 June 2021 At The Ballet Presented by Errollyn Wallen Programme Errollyn Wallen Horseplay Stravinsky Pulcinella (full ballet with narration) London Chamber Orchestra Violin 1 Cello Clarinet Trombone Clio Gould Robert Max Mark van de Wiel Andrew Connington Manon Derome Julia Graham Charles Sewart Rachael Lander Bass Clarinet Percussion Sophie Lockett Becky Knight Jonathan Parkin Julian Poole Anna Harpham Joby Burgess Bass Soprano Saxophone Violin 2 Stacey Watton Simon Haram Kathy Shave Andy Marshall Ciaran McCabe Tim Amherst Bassoon With Alexandra Caldon Martin Ludenbach Meyrick Alexander Christopher Warren-Green, Guy Button Bartosz Kwasecki conductor Harriet Murray Flute Karen Jones Horn and special guests Viola Chris Hankin Alex Wide Errollyn Wallen, presenter & Kate Musker David McQueen narrator Becky Low Oboe Jenny Coombes Gordon Hunt Trumpet Lucy Crowe, soprano Mariam Ruetschi Alison Alty Ross Brown Toby Spence, tenor If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using James Platt, bass the hashtag #LCOTogether on to study at London and Cambridge universities. Tom Sapsford for the Royal Ballet, who gave the Errollyn Wallen Her Concerto for Percussion and Orchestra was the premiere that year at the Theatre Royal, Sheffield. Horseplay first work by a black woman to be performed at the Proms. Indeed, she is the UK’s first internationally Sapsford writes: ‘Horseplay is a ballet for four male I. dark and mysterious celebrated black female composer, and has become dancers. The composer’s idea of the horse as archetype II. -
Download Booklet
LCO LCO London Chamber Orchestra Beethoven Mendelssohn Live Conductor Soloist Director Christopher Warren-Green Melvyn Tan LCO Live Ludwig van Beethoven (1770-1827) But really the differences are much Egmont Overture Op.84 more striking than the similarities. Where Beethoven Mendelssohn Cherubini is all bustle, a domestic scale Ludwig van Beethoven Beethoven was asked in 1809 for music for a domestic tragedy, the huge, slashing to accompany a Viennese production of chords of Beethoven’s opening, the painful 1. Egmont Overture Op.84 [8.08] Goethe’s eponymous play. He complied, fired chromaticism of its introduction, groping Christopher Warren-Green conductor with enthusiasm for its themes of national for resolution, and the sledgehammer liberation and personal heroism, though chords that punctuate its harried Allegro Ludwig van Beethoven not so much so that he could meet the theme: these are universal in ambition. The Piano Concerto No.2 in B flat major Op.19 [28.33] deadline: the overture was only ready for the sledgehammers don’t even let up from the 2. Allegro con brio [14.06] play’s fourth night in June 1810. The story second theme in the woodwinds, shapely is set in 16th-century Flanders. Egmont, a but never without the sense of fate pressing 3. Adagio [8.14] Flemish nobleman, is in love with Clärchen. close on its heels. It is those chords that 4. Rondo: Molto allegro [6.13] His attempts to moderate tyrannical rule of finally overwhelm all lyrical impulse: the Melvyn Tan soloist/director the Duke of Alba meet only with arrest and execution is graphically achieved. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre -
Review of the Year 2016/17 02 : Association of British Orchestras : Review of the Year 2016/17
REVIEW OF THE YEAR 2016/17 02 : ASSOCIATION OF BRITISH ORCHESTRAS : REVIEW OF THE YEAR 2016/17 PREFACE For the ABO, 2016/17 involved continued championing of the orchestral sector and supporting the membership during a period of political change, in particular following the referendum on EU membership in June. The potential impact of leaving the EU raises a number of issues for members which the ABO is discussing with key figures in government, and at the same time, seeking to position the orchestral sector at the heart of new ‘soft power’ initiatives at home and abroad. The collation and presentation of statistics from the sector, through the publication of ‘The State of Britain’s Orchestras in 2016’ provides the ABO with the tools for advocacy on behalf of its membership in these challenging times. The annual conference, held in Bournemouth in January, focused on the theme of Diversity and proved to be one of the most valuable ABO conferences to date. Examples of best practice in the UK and internationally, coupled with lively debate, enabled members to think through ways to embed diversity and inclusion at the centre of their strategic planning for the future. The ABO board is looking at next steps in this field for the year ahead. Members continue to value the networking and connections that the Association facilitates across the music industry, and also the external links these forge. From the impressive number of delegates at the conference, to healthy attendance at the Specialist Managers Meetings, it is clearly beneficial to members to network and to learn from one other and also from experts in other disciplines. -
Livestreaming & Webcasting
TIME TO REACH NEW AUDIENCES LIVESTREAMING & WEBCASTING THEATRE CONFERENCES EVENTS MEETINGS case studies We have worked with a wide range of clients on an incredible variety of projects. Every livestream is different. Over the following pages you can read more about some of our recent projects and learn how we can support you with your vision. Get in Touch For any enquiries or to find out more about our services please contact Lucy at [email protected] or ring 01904 635755. CARDBOARD CITIZENS Forum theatre with online audience feedback Pilot work with Cardboard Citizens regularly at For the livestream of Cathy, 1551 individuals venues throughout the UK, including the watched from 35 different countries and were able London Barbican and CAST Doncaster. to contribute to the performance. Their performances focus on important social To encourage debate and extend the forum aspect issues and Pilot have livestreamed a selection of of their work, Pilot set up instant feedback via performances and Q&A sessions. The company are twitter, facilitating and collating comments for globally renowned for their use of Forum Theatre, Cardboard Citizens to incorporate into the a mode of performance that empowers the performance and the Q&A sessions. audience to change the outcome of on-stage action and have their say on subjects explored within the show. This makes every performance a completely unique experience. The livestreams were available to watch via YouTube and were embedded on the home page of their website. Cardboard Citizens work hard to promote their livestreams and generate online audiences from all over the world. -
Matt Rogers Orac Mark Van De Wiel Clarinet Sinfonietta Shorts Are Bite-Sized Pieces of New Music from Today's Leading Composers
Matt Rogers Orac Mark van de Wiel clarinet Sinfonietta Shorts are bite-sized pieces of new music from today's leading composers, commissioned and premiered by principal players of the London Sinfonietta. The series started in 2008 to celebrate the ensemble's 40th birthday, and the works created for it have enduring relevance as introductions to the best new music of our time. Matt Rogers Orac for clarinet Matt Rogers says ... Orac is a piece of instrumental rhetoric inspired partly by the idea of early computer-generated music. It attempts to create the sense of a discreet algorithm at work, a computer program designed to give the impression that the music was written by a human composer – which of course it was, but in this case a human composer who wishes to give the impression that there is a discreet algorithm at work, which there is not. As such, the music can also be considered coded data, broadcast via soundwaves and ripe with information, ready for interpretation by any system capable of reading it. Orac takes its name from one of my favourite fictional computers, a character in the 1970s BBC Television science fiction series Blake’s 7. Matt Rogers Matt Rogers is a British composer who has written for and with a host of leading instrumentalists, ensembles and technologists, creating music and installations for concert halls, theatres and galleries. He studied for his Masters Degree with Gordon McPherson at the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland) graduating in 2001, and continued his education with Oliver Knussen and Magnus Lindberg at the Britten-Pears School for Advanced Musical Study.