How Ozzie and Harriet Became My Academic Advisers
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The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
FROM BULLDOGS to SUN DEVILS the EARLY YEARS ASU BASEBALL 1907-1958 Year ...Record
THE TRADITION CONTINUES ASUBASEBALL 2005 2005 SUN DEVIL BASEBALL 2 There comes a time in a little boy’s life when baseball is introduced to him. Thus begins the long journey for those meant to play the game at a higher level, for those who love the game so much they strive to be a part of its history. Sun Devil Baseball! NCAA NATIONAL CHAMPIONS: 1965, 1967, 1969, 1977, 1981 2005 SUN DEVIL BASEBALL 3 ASU AND THE GOLDEN SPIKES AWARD > For the past 26 years, USA Baseball has honored the top amateur baseball player in the country with the Golden Spikes Award. (See winners box.) The award is presented each year to the player who exhibits exceptional athletic ability and exemplary sportsmanship. Past winners of this prestigious award include current Major League Baseball stars J. D. Drew, Pat Burrell, Jason Varitek, Jason Jennings and Mark Prior. > Arizona State’s Bob Horner won the inaugural award in 1978 after hitting .412 with 20 doubles and 25 RBI. Oddibe McDowell (1984) and Mike Kelly (1991) also won the award. > Dustin Pedroia was named one of five finalists for the 2004 Golden Spikes Award. He became the seventh all-time final- ist from ASU, including Horner (1978), McDowell (1984), Kelly (1990), Kelly (1991), Paul Lo Duca (1993) and Jacob Cruz (1994). ODDIBE MCDOWELL > With three Golden Spikes winners, ASU ranks tied for first with Florida State and Cal State Fullerton as the schools with the most players to have earned college baseball’s top honor. BOB HORNER GOLDEN SPIKES AWARD WINNERS 2004 Jered Weaver Long Beach State 2003 Rickie Weeks Southern 2002 Khalil Greene Clemson 2001 Mark Prior Southern California 2000 Kip Bouknight South Carolina 1999 Jason Jennings Baylor 1998 Pat Burrell Miami 1997 J.D. -
Resolution No
RESOLUTION NO. 156 OF 2014 A RESOLUTION AUTHORIZING THE MAYOR TO DEDICATE MILAM STREET BETWEEN COMMON STREET AND AUSTIN PLACE IN HONOR OF JAMES BURTON ON HIS 75 TH BIRTHDAY AND TO OTHERWISE PROVIDE WITH RESPECT THERETO. BY: COUNCILMAN JEFF EVERSON WHEREAS , Councilman Jeff Everson has requested that Milam Street between Common Street and Austin Place be dedicated in honor of James Burton on his 75 th birthday; and WHEREAS, James Burton was born on August 21, 1939; and WHEREAS, James Burton began playing the guitar at the age of 13 , and developed a style all of his own to become “the guitar players guitar player”; and WHEREAS, James Burton w ork as a session guitarist lead him to work with some the most famous musicians in the world; and WHEREAS, after being in the Ricky Nelson’s Ban d , James Burton became the lead guitarist for Elvis Presley from 1969 until Elvis’ untimely passing in 1977; and WHEREAS , James Burton career has taken him to many countries where he has performed shows keeping Elvis music alive; and WHEREAS, over the years James has performed with John Denver, Emmy Lou Harris, Jerry Lee Lewis, Keith Richards, Eric Clampton, Brad Paisley, Gram Parson s and many others; and WHEREAS, James Burton is a multiple Grammy winner , and he is in the Rock N’ Roll Hall of fame. NOW, THEREFORE BE IT RESOLVED by the City Council of the City of Shreveport in due, legal and regular session convened, that the Mayor on behalf of the City is authorized to dedicate Milam Street between Common Street and Austin Place in honor of James Burton, during his 75th birthday celebration. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
My Drift Title: Mark Harmon Written By: Jerry D
My Drift Title: Mark Harmon Written by: Jerry D. Petersen Date: 15 October 2019 Article Number: 319-2019-17 Besides Jeopardy! and Wheel of Fortune and most all Sports, the two regular TV shows I like to watch are NCIS and Criminal Minds. I decided to write this article about someone from these shows and I picked Mark Harmon because I find his life to be the most interesting. Family Thomas Mark Harmon was born in Burbank, California on September 2, 1951, which makes him 68 years old. He was the youngest of three children. His parents were Heisman Trophy–winning football player and broadcaster Tom Harmon and actress, model, artist, and fashion designer Elyse Knox. Harmon’s two older sisters are the late actress and painter Kristin Nelson, who was divorced from the late singer Rick Nelson, and actress and model Kelly Harmon, formerly married to car magnate John DeLorean. Yes, Mark’s dad was a famous football player at the Mark Harmon’s Parents University of Michigan. He played the halfback position Tom Harmon and wife from 1938 to 1940. He led the nation in scoring and was Elyse Knox a consensus All-American in both 1939 and 1940 and won the Heisman Trophy, the Maxwell Award, and the Associated Press Athlete of the Year award in 1940. His nickname was "Old 98" which I find somewhat unusual for a halfback! He played in the NFL for the Los Angeles Rams for a couple of seasons. He was also a military pilot and a sports broadcaster. He died at age 70 in Los Angeles. -
Special Anniversary Issue
SPECIAL iov 20th IRR OR ANNIVERSARY ISSUE r',11BER Kate Smith Ozzie and Harriet Nelson Art Linkletter 254 Created by Procter & Gamble .. SOFT, SMOOTH, YOUNGER LOOKING! Tr, thrilling Prell just once and you'll fall in love forever! That's because Prell does such wondrous things for your hair ... leaves it angel -soft and smooth as satin .. gleaming with a young- looking, exquisite radiance you never knew it had! Yes, radiance comparison tests prove Prell leaves your hair gloriously. "radiantly alive" - more radiant than any leading cream or soap shampoo! You'll love Prcll's emerald -clear form, too-it's wonderfully different! So easy to use -no spill, drip, or bottle to break. So economical - no waste. So handy at home or traveling. Try marvelous Prell this very night -you'll love it! BEAUTY MIRACLE FOR YOUNGER- LOOKING HAIR! It destroys enzymes that cause tooth decay and bad breath- NEW WHITE IPANAwnWD9 ...andyou get50 r fr,vÑig your ñ?" lube! New protection against tooth decay and mouth odor -Ipana with enzyme- We're so sure you'll like it better than any other tooth paste, this quarter destroying WD -9! is yours for trying it. Every single brushing helps stop tooth decay! ACCEPT THIS SPECIAL OFFER Even one brushing can stop bad breath all day! -TODAY!! 1. Buy a giant (470) my-size (63e) or econo- Here's the new miracle for your mouth ing teeth regularly after meals with new at tube of new - gum mar- any drug counter. Ipana WD-9 in new white Ipana. Brushing regu- Ipana containing WD -9 -from the empty 2. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
The Golden Age of Rock 'N' Roll
The Golden Age of Rock ’n’ Roll Week 8, April 16, 2018 1958: Coasters, Ricky Nelson, Crests, Jackie Wilson Assignment: Calvin Trillin, “You Don’t Ask, You Don’t Get”, The New Yorker (1991), also in American Stories. http://ruml.com/goldenage/pdfs/TrillinYouDontAsk.pdf Listen to: Tequilla, Champs, 1958 https://www.youtube.com/watch?v=MDD21ZJF3mI Breathless, Jerry Lee Lewis, 1958 (#7 Pop, #3 R&B) https://www.youtube.com/watch?v=W_-ckIJxrBE Good Golly Miss Molly, Little Richard, 1958 https://www.youtube.com/watch?v=lQ6akiGRcL8 All I Have To Do Is Dream, Everly Brothers, 1958 (#1 Pop, #1 R&B, #1 Country); backed by Claudette written by Roy Orbison https://www.youtube.com/watch?v=tbU3zdAgiX8 Terrific 1960 live performance backed by The Crickets: https://www.youtube.com/watch?v=lTYe9eDqxe8 Yakety Yak, Coasters, 1958 (#1 Pop) https://www.youtube.com/watch?v=-WfDYssJMqs Do You Want To Dance, Bobby Freeman, 1958 Page !1 https://www.youtube.com/watch?v=sLwxTYYZJS0 Splish Splash, Bobby Darin, 1958 https://www.youtube.com/watch?v=QSA-yHzkvP8 Poor Little Fool, Ricky Nelson, 1958 (#1 Pop) https://www.youtube.com/watch?v=xBFY_QZFWUM Chantilly Lace, The Big Bopper, 1958 https://www.youtube.com/watch?v=lGXFVOc5I8Q It’s Only Make Believe, Conway Twitty, 1958 (#1 Pop) https://www.youtube.com/watch?v=O3n6d9XwrPE 16 Candles, Crests, 1959 https://www.youtube.com/watch?v=CqI3n4Dk6YA La Bamba, Richie Valens, 1959 https://www.youtube.com/watch?v=yj9AxgcuDfc Lonely Teardrops, Jackie Wilson, 1959 https://www.youtube.com/watch?v=2lyD1L_9rdg Extra Songs: Don’t, Elvis Presley (#1 Pop) Who’s Sorry Now, Connie Francis Endless Sleep, Jody Reynolds Rebel Rouser, Dwayne Eddy Twilight Time, Platters (#1 Pop) Little Star, Elegants (#1 Pop) Tears On My Pillow, Little Anthony and the Imperials Page !2 Fever, Peggy Lee A Lover’s Question, Clyde McPhatter Smoke Gets In Your Eyes, Platters To Know Him Is To Love Him, Teddy Bears (#1 Pop) Page !3. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
The Empire State of Jazz Story and Photos by Mitchell Seidel Here’S That Old Expression About the the Times
6OLUME s )SSUE 3EPTEMBER Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Trumpeter Ingrid Jensen pauses to soak in the sounds during her quartet’s performance on the Gazebo Stage at Freihofer’s Jazz Festival in Saratoga Springs, June 30, 2013. Photo by Mitchell Seidel. The Empire State of Jazz Story and photos by Mitchell Seidel here’s that old expression about the the times. They’re both cold and snowy in popular way to catch the action is a $200 Tweather that says if you don’t like it the winter but lovely when the days grow go-as-you-please club pass ticket that covers now, just wait a few minutes. There are a long. They both host festivals at the start of admission to venues that range from concert couple of jazz festivals in New York State summer that sometimes seem to only have halls to churches to honky-tonk bars. Major that seem to have that same philosophy the word “jazz” in common. headliners carry a separate admission, when it comes to programming. sometimes as much as $100 per, but since Now marking its 12th year, the Xerox they’re rarely jazz acts anyway, that’s no Rochester and Saratoga Springs, while Rochester International Jazz Festival is as concern to the diehard fan. Free music on sharing Empire State mailing addresses, much a celebration of the city as it is of street stages of various sizes is featured couldn’t be more different. Rochester’s a music. Drawing support from a variety of nearly continuously during the nine-day once-vibrant rust belt manufacturing sponsors, chiefly Xerox, the city and M&T event. -
Fats Waller, If You Got to Ask, You Ain't Got
“Fats Waller, If You Got to Ask, You Ain’t Got It!” Dan Morgenstern Grammy Award for Best Album Notes 2006 “Fats is gone now, but to me he’s still here with us. His very good spirit will keep him with us for ages. Right now, anytime someone mentions Fats Waller’s name, why, you can see the grins on all the faces, as if to say, “Yea, yea, yes, yes, Fats is a solid sender, ain’t he?” — Louis Armstrong More than six decades have passed since Louis Armstrong eulogized his friend shortly after his untimely death at 39, and as always, Satchmo stuck just the right note. As this marvelous collection proves, the joyous spirit of Fats Waller is as alive as ever, to seasoned fans and first-time listeners alike. Thomas Wright Waller, the seventh of 11 children born to Adaline and Edward Waller, six of whom died in childhood, came into this world on May 21, 1904 in New York City— some sources say in Greenwich Village, others claim Harlem. In any case, the family did live on Waverley place but moved uptown during Tom’s early childhood. His first contact with a piano came at the age of six, at an upstairs neighbor’s apartment; the instrument fascinated him, and he was soon looking for pianos wherever he could. His musical mother and an elder brother, Robert, born in 1893, we’re so impressed with little Tom’s zeal that they persuaded a better-off relative to provide a piano, and lessons were procured; however, Tom had such a good ear that he could replicate most pieces after a single hearing and saw no need to practice his lessons, so formal training ended.