Circle Theater for Today End Tomorrow, Appearing in "When a Woman :R.S." Depleting the Regeneration of a M.I.-R:- I Vampire
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Daily Iowan (Iowa City, Iowa), 1918-01-13
t ilnil , The Student Newspaper of the State University of Iowa VOL, XVII NEW SERIES V0'7L=.fi=====--====IO=W=A;=C=IT=Y=, =I=O=W=A=SUN=D=A=Y=,=J=A=N=U=ATR=Y=13=, =1=91=8=============~N;;;U;:;MB~E;.;R~8~9 WREST LERS INTENT HOW. WHEN. WHERE TO REGISTER? LEACOCK RElJIEWS flor('11 (jive Out In tructlon w ON CHAMPIONSHIP Stu(]ents tOl' Second Semester, HIS LIFE HISTORY IN "BIG TEN" MEETS Registration for the second semes- IN OWN LANGUAGE EXTRA ter must be completed on or before Plenty of Light Material Available Saturday noon, Jan. 26, It possible, Born in England and Educated For Splendid Group of Old alld not Jater than Saturday noon, in Canada-Sympathizes With College Professors. Gold Athletes, Pcb. 2, says H. C. Dorcas registrar. Midnight Fire Threat Tilts rullnt has been made to enable JENSEN IS THE ONLY VAKSITY MAN each student to register with as full WAS INSTRUCTOR IN ECONOMICS an olo>portunHy Ifor deliberation as ens Jefferson Block FreshmenC dida. Aggregation f Pr Has" Likely posslole, and In the t u II es t poss.'bl e Spent College Days in Acquiring an tes or oDllsmg light ot the requirements ot his Various Languages But Has Team Another Year, MON,- course which remains to be done, and Forgotten All of Them, JEWELRY STORE, CLOTHING STORE AND With two wrestling meets assured the general re g ulati~ns gOiVernlng and .another match pending, twenty- eglstration. Using the language ot satire, and COLLEGE INN SUFfER CON· ' five varsity men have settled down to Every student Is requested to call humor, Stephen Leacock, who lec n routine of Intensive training each 'lot the registrar's office some day tures In the audHor'um on Monday SIDERABLE DAMAGE ESRED day at the gym under the g u~ance this week and receive a second se- evening at 8 o'clock, gives an account ot E, G. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Hollywood Walk of Fame Master Plan Community Meeting Presentation
Hollywood Walk of Fame Master Plan Community Meeting Presentation November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN Welcome & Introductions Community Presentation Page 2 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE The Master Plan is being developed with consensus, guidance and advocacy from many parties Client Team Design Team Community & City Partners Neighborhood Councils Community Organizations City Deparments Central Hollywood Neighborhood Council Hollywood Partnership Los Angeles Bureau of Street Lighting Hollywood Hills West Neighborhood Council Hollywood Chamber of Commerce Los Angeles Bureau of Street Services Hollywood Studio District Neighborhood Council Hollywood Heritage Los Angeles Department of Transportation Hollywood United Neighborhood Council Hollywood Historic Trust Los Angeles County Metro Los Angeles Office of Historic Resources Los Angeles Police Department (LAPD) Los Angeles Fire Department (LAFD) Page 3 of 59 HOLLYWOOD AGENDA WALK OF FAME MASTER PLAN 1. Project Update 2. Vision 3. Traffic & Mobility 4. Street Design 5. Street Trees 6. Street Amenities Community Presentation Page 4 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN 1. Project Status Update Community Presentation Page 5 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT PURPOSE WALK OF FAME MASTER PLAN To improve the Walk of Fame experience for those who live in, work in and visit the area. THE STREET IS FOR EVERYONE! Community Presentation Page 6 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD COMMUNITY OUTREACH OVERVIEW WALK OF FAME MASTER PLAN Community Presentation Page 7 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT SCHEDULE WALK OF FAME MASTER PLAN WHERE WE ARE TODAY ARE WE WHERE DEC. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
1942-04-30, [P ]
TTTE NEWARK LEADER, THURSDAY, APRIL 30, 1942 ADVKHTISKMF.NT I'Oll BIDS The Village of Granville. Licking County, Ohio, will receive sealed bids for the drilling of one (1) well on the Village Water Works Sensational Cast Enacts “The Spoilers” At Midland property adjacent to the Water Softening Plant, until 12 o’clock noon, Eastern War Time, on the 12th day of May, 19 12, at the Vil lage otfi<"es, GratiVilie, S*nte e Ohio, at which time and place all ds will oe publicly opened and read aloud. The successful bidder will be re quired to furnish a satisfactory / ■ performance bond. The contract * documents, including specifications nV- j are on file in the office of the clerk of the Village of Granville, Ohio, and at the ottice of t hune. P. Hoover, Consulting Engineer, a 918 Atlas Building, Columbus, Ohio. & Copies of the documents may be ob tained at either of the above name*, offices. The Village of Granville, Ohio, reserves the right to reject any am all bids and to waive any Inform alities in bidding. A certified check or bank draft payable to the Village of Granville, fA t L eking County, Ohio, or a satis factory b.d bond executed by the bidder and a surety company, in an .■4 amount equal to 5 per cent of the bid, ahull be submitted with each b'd No bid may be withdrawn after the schueu ed closing time for re- rr.pt of bids, for at least thirty .■<A da vs. VILLAGE OF GRANVILLE. OHIO * » . Board of Tiustees of Public Affairs, By S. -
Louise Lovely
Louise Lovely Also Known As: Louise Carbasse, Louise Welch Lived: February 28, 1895 - March 18, 1980 Worked as: casting director, co-screenwriter, director, editor, film actress, producer, production designer, theatre actress Worked In: Australia, United States by Jeannette Delamoir Louise Lovely was an Australian actress who worked in early Hollywood between 1915 and 1922. Although she made ten verified films in Australia and fifty in the United States, few are extant. With scant surviving personal papers, research into Lovely’s oeuvre depends largely on trade journals and star publicity—materials that have limitations as sources. Furthermore, while Australia’s Film and Sound Archive has important collections of Louise Lovely photographs and scrapbooks, trade journals or Hollywood studio records have been difficult to access in Australia. Nevertheless, the available materials reveal Lovely’s struggle to expand her filmmaking beyond performing and to exert control over her career. After working as Louise Carbasse in stage melodramas and vaudeville in Australasia and the United States, Lovely’s new name and her youthful, blond, Pickford-esque appearance were created by Universal at the end of 1915, apparently as conditions of a contract, Theatre reported in 1916 (27). An issue of Motography from October 1917 reveals that Universal established Louise Lovely Productions, but does not appear to have given her any control over the productions (869). In a 1978 interview with Ina Bertrand, Lovely recalled that she had left Universal in March 1918, following disagreements over wages during which it was revealed that her name, owned by Universal, could legally prevent her working for any other studio. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille Permalink https://escholarship.org/uc/item/0d82925m Author Wagner, Philip Joseph Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille A Dissertation Submitted in Partial Satisfaction of the Requirement for the Degree of Doctor in Philosophy In Film and Television by Philip Joseph Wagner 2016 ©Copyright by Philip Joseph Wagner 2016 ABSTRACT OF THE DISSERTATION Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille By Philip Joseph Wagner Doctor of Philosophy in Film and Television University of California, Los Angeles, 2016 Professor Chon A. Noriega, Chair This dissertation looks to the career of epic cinema pioneer Cecil B. DeMille in order to grasp the role of the research department in the Hollywood studio system. Situated at the intersections of three areas of study—scholarship on the form and social function of popular historical representation; theorizing on the archive as a site of knowledge production; and studies on film authorship that attend to the historical underpinnings of aesthetic choices—the dissertation explores the following questions in particular: What were the industrial standards on which studio researchers based the success and authenticity of their work? And what can we know about the research process as it relates to the production and reception of DeMille’s brand of spectacular cinema? ii I offer this study as an intervention into previous scholarship on research practice in Hollywood, which too often stresses cinema’s divergence from the factual record and draws a rigid binary between academia’s histories and the “unprofessional” ones derived from research departments. -
The Spoilers (Selig, 1914)
The Spoilers (Selig, 1914) Il rapporto tra letteratura e cinema è stato molto stretto fin dalle origini di questa forma di spettacolo, tanto da indurre i pionieri del cinema a riproporre il medesimo soggetto anche a distanza di pochi anni, come nel caso di The Spoilers, tratto dall’omonimo romanzo di Rex Beach, pubblicato nel 1905. È una storia ambientata durante la corsa all’oro in Alaska alla fine dell’Ottocento, che ha come protagonisti Roy Glenister, il proprietario di una miniera; Alexander McNamara, un corrotto e rapace agente governativo, e Cherry Malotte, la cui figura è ispirata a Julia Bulette, nota “donna di saloon” della città mineraria di Virginia City, nel Nevada. La prima versione cinematografica è quella prodotta dalla Selig Polyscope Company nel 1914, diretta da Colin Campbell e interpretata da William Farnum, Tom Santschi e Kathlyn Williams. È un northwestern, “genere” diverso e allo stesso tempo molto vicino ai film sul West, con il quale si indicavano pellicole le cui vicende si svolgono nel Grande Nord, in Alaska, nel Klondike o in Canada. Pur girato quasi completamente negli studi cinematografici della Selig a Edendale, alla periferia di Los Angeles, The Spoilers ottiene un buon risultato commerciale non solo grazie alla popolarità dei suoi attori e alla lunga e spettacolare sequenza della scazzottata nel saloon, ma anche come modello dello sviluppo del lungometraggio (9 rulli), quando la media dell’epoca era di 5 o 6 rulli. Il successo del film induce Rex Beach, che aveva ottenuto dalla Selig una grossa percentuale sui profitti del film, a creare una propria casa di produzione cinematografica. -
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files. Abilene Town 1946 Randolph Scott, Ann Dvorak American Empire 1942 Richard Dix, Leo Carillo, Preston Foster. The Big Trees 1952, color Kirk Douglas, Edgar Buchanan. Buckskin Frontier 1943 Richard Dix, Jane Wyatt. Bushwhackers 1952 John Ireland, Wayne Morris, Dorothy Malone. Cry Blood Apache 1970, color Jody McCrea, Joel McCrea. Daniel Boone, Trail Blazer 1957, color Bruce Bennett, Lon Chaney Jr. Deadly Companions 1961, color Maureen O’Hara, Brian Keith, Steve Cochran. Desperate Mission 1969, color Ricardo Montalban, Slim Pickens. Fighting Caravans 1931 Gary Cooper, Lili Damita. Fighting Westerner 1935 Randolph Scott, Ann Sheridan. Four Rode Out 1970, color Sue Lyon, Pernell Roberts. Gatling Gun 1971, color Guy Stockwell, Woody Strode Hanged Man 1974, color Steve Forrest, Dean Jagger. High Lonesome 1950, color John Drew Barrymore. Joshua 1976, color Fred Williamson, Cal Bartlett. Kansas Pacific 1953, color Sterling Hayden, Eve Miller, Barton MacLane. Kid Vengeance 1977, color Lee Van Cleef, Jim Brown. Man From Texas 1948 James Craig, Lynn Bari. Mohawk 1956, color Scott Brady, Rita Gam My Outlaw Brother 1951 Mickey Rooney, Wanda Hendrix. One-Eyed Jacks 1961, color Marlon Brando, Karl Malden. The Outlaw 1943 Jane Russell, Jack Buetel, Thomas Mitchell. Over the Hill Gang 1969, color Walter Brennan, Edgar Buchanan, A. Devine. Over the Hill Gang Rides Again 1970, color Fred Astaire, Walter Brennan, Buchanan. Powderkeg 1971, color Rod Taylor, Dennis Cole. Proud and the Damned 1972, color Chuck Connors, Cesar Romero. Proud Rebel 1958, color Alan Ladd, Olivia de Havilland. Rage at Dawn 1955, color Randolph Scott, Forrest Tucker. -
A Compendium of the 500 Stars Nominated for Top 50 "Greatest Screen Legends" Status
A compendium of the 500 stars nominated for top 50 "Greatest Screen Legends" status. 250 MALE LEGENDS - NOMINEES 1. BUD ABBOTT & LOU COSTELLO 2. BRIAN AHERNE 3. DON AMECHE 4. EDDIE "ROCHESTER" ANDERSON 5. GILBERT M. "BRONCHO BILLY" ANDERSON 6. DANA ANDREWS 7. ROSCOE "FATTY" ARBUCKLE 8. GEORGE ARLISS 9. LOUIS ARMSTRONG 10. EDWARD ARNOLD 11. FRED ASTAIRE 12. GENE AUTRY 13. LEW AYRES 14. KING BAGGOT 15. JOHN BARRYMORE 16. LIONEL BARRYMORE 17. RICHARD BARTHELMESS 18. FREDDIE BARTHOLOMEW 19. WARNER BAXTER 20. NOAH BEERY 21. WALLACE BEERY 22. RALPH BELLAMY 23. JOHN BELUSHI 24. WILLIAM BENDIX 25. JACK BENNY 26. EDGAR BERGEN & CHARLIE McCARTHY 27. MILTON BERLE 28. HUMPHREY BOGART 29. RAY BOLGER 30. WARD BOND 31. WILLIAM BOYD 32. CHARLES BOYER 33. EDDIE BRACKEN 34. MARLON BRANDO 35. WALTER BRENNAN 36. LLOYD BRIDGES 37. JOE E. BROWN 38. YUL BRYNNER 39. GEORGE BURNS 40. RICHARD BURTON 41. FRANCIS X. BUSHMAN 42. JAMES CAGNEY 43. EDDIE CANTOR 44. JOHN CARRADINE 45. LEO G. CARROLL 46. JACK CARSON 47. JOHN CASSAVETES 48. LON CHANEY 49. LON CHANEY, JR. AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. 50. CHARLES CHAPLIN 51. MAURICE CHEVALIER 52. MONTGOMERY CLIFT 53. LEE J. COBB 54. CHARLES COBURN 55. RONALD COLMAN 56. JACKIE COOGAN 57. GARY COOPER 58. JACKIE COOPER 59. JOSEPH COTTEN 60. BUSTER CRABBE 61. BRODERICK CRAWFORD 62. HUME CRONYN 63. BING CROSBY 64. ROBERT CUMMINGS 65. TONY CURTIS 66. DAN DAILEY 67. OSSIE DAVIS 68. SAMMY DAVIS, JR. 69. JAMES DEAN 70. DIVINE 71. -
Adventures of Red Ryder
Adventures of Red Ryder US serial : 1940 : dir. William Witney & John English : Republic : 12 x 20 min prod: Hiram S Brown Jr : scr: Ronald Davidson, Franklin Adreon, Sol Shor, Barney Sarecky & Norman S Hall : dir.ph.: William Nobles Tommy Cook …………….……………………………………………………………………………… Donald “Red” Barry; Noah Beery; Bob Kortman; William Farnum; Maude Pierce Allen; Vivian Coe; Hal Taliaferro; Harry Worth; Carleton Young; Ray Teal; Lloyd Ingraham Ref: Pages Sources Stills Words Ω Copy on VHS Last Viewed 5541 3 1 3 432 - - - - No unseen The Lone Ranger had his Tonto, and Hawkeye his Tchingachook, but Red Ryder liked his indian sidekick on the smaller side. Tommy Cook was the first Little Beaver. Source: The Thrill of it All Speelfilm Encyclopedie review: “After a good deal of radio experience, the dark, curly-haired Tommy won visible acclaim “Serial in twelve chapters. Fred Harman’s strip in two serials, and went on to be a familiar face cartoon character came to the cinema screens of the Forties. for the first time in this serial. Barry would always retain the nickname “Red”. The serial He had five films in 1946, including was a great success and a good start for Barry’s "HUMORESQUE", "SONG OF ARIZONA" Western career. Worth is the villain Barry has and "TARZAN AND THE LEOPARD to reckon with. He’s aided in this by Little WOMAN" (in which he was a fairly dangerous Beaver (Cook) – the indian boy. Farnum plays savage), and he continued to appear regularly his father, who is killed. Teal is a murderer in until the Sixties; after that only in "THE the pay of Worth, and Young is the corrupt THING WITH TWO HEADS" (72).