DOCSLIB.ORG

Jazz Repertoire

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jazz Repertoire CSU EAST BAY JAZZ STUDIES PROFICIENCY JURY REPERTOIRE (2011-2012) Number of compositions required for: Category Compositions Jury I Jury II Jury III Billie’s Bounce (F) Birk’s Works (F) Blue Monk (Bb) Blues for Alice (F) Byrdlike (F) Footprints (C-) – Wayne Shorter chord changes! Isotope (C) Blues & 12-measure 2 4 6 K.C. Blues forms Now’s The Time (F) Sandu (Eb) Solar Stolen Moments (c) Straight, No Chaser (F) Tenor Madness (Bb) Things Ain’t What They Use To Be (F) Angel Eyes Blame It On My Youth Blue In Green Body and Soul But Beautiful Come Rain or Come Shine Darn That Dream Everything Happens To Me For All We Know Georgia On My Mind God Bless the Child Here’s That Rainy Day Ballads 2 4 6 How Long Has This Been Going On I Fall In Love Too Easily I Thought About You Lover Man Misty My Foolish Heart My Funny Valentine Round Midnight Some Other Time Someone to Watch Over Me When Sunny Gets Blue You Don’t Know What Love Is Songbook 6 9 15 Alice in Wonderland All Of Me All Of You All Or Nothing At All All The Things You Are (with Gillespie intro) Alone Together As Time Goes By Autumn Leaves (G minor) Beautiful Love Blue Room But Not For Me Bye Bye Blackbird < 1 > Cherokee Days of Wine and Roses Doxy East of the Sun Easy Living Easy To Love Falling in Love With Love Fly Me To The Moon Foggy Day, A Four (Miles Davis changes) Green Dolphin Street (C & Eb) Have You Met Miss Jones Honeysuckle Rose How Deep Is The Ocean How High The Moon I Can’t Get Started I Could Write A Book I Hear A Rhapsody I’ll Remember April I Love You I Remember You I Should Care If I Should Lose You In Your Own Sweet Way Invitation I’ve Never Been In Love Before Just Friends Killer Joe Lady Bird Like Someone In Love Long Ago And Far Away Lover More I See You, The My Romance Night And Day Secret Love Softly, As In A Morning Sunrise Someday My Prince Will Come Sometime I’m Happy Star Eyes (w/ intro) Stella By Starlight Summertime There Is No Greater Love There Will Never Be Another You Up Jumped Spring Weaver of Dreams What Is This Thing Called Love Yesterdays You and the Night and the Music You Must Believe In Spring You Stepped Out Of A Dream Bossa Nova / Latin 1 2 4 Black Orpheus Caravan (both bridges) Ceora Corcovado Desafinado Gentle Rain Girl from Ipanema How Insensitive It Don’t Mean A Thing If It Ain’t Got That Swing Meditation < 2 > Once I Loved Recordame Song For My Father Triste Wave Chelsea Bridge Don’t Get Around Much Anymore In A Mellow Tone In A Sentimental Mood Isfahan Ellington/Strayhorn 0 1 3 Lush Life Satin Doll Solitude Sophisticated Lady U.M.M.G. You Must Take The ‘A’ Train Anthropology Boplicity Con Alma Confirmation Dig Donna Lee Groovin’ High Bebop 1 2 3 Hot House Jordu Joy Spring Oleo Ornithology Scrapple from the Apple Woody ’N You Yardbird Suite Ask Me Now Epistrophy Eronel Goodbye Pork Pie Hat Green Chimneys I Mean You Monk & Mingus 0 1 3 In Walked Bud Monk’s Dream Pannonica Rhythm-A-Ning Round Midnight Well, You Needn’t Central Park West Fall Freedom Jazz Dance Good Bait Giant Steps Joshua Miles & Coltrane 0 0 2 Lazy Bird Moment’s Notice Naima Nardis Nefertiti Seven Steps to Heaven 60s Blue Note / 0 1 3 Along Came Betty (Benny Golson) Originals Beatrice (Sam Rivers) Bolivia (Cedar Walton) Dat Dere (Bobby Timmons) Dolphin Dance (Herbie Hancock) Fee-Fi-Fo-Fum (Wayne Shorter) < 3 > Gloria’s Step (Scott LaFaro) Inner Urge (Joe Henderson) Serenity (Joe Henderson) Stablemates (Benny Golson) This I Dig Of You (Hank Mobley) Tricotism (Oscar Petiford) Voyage (Kenny Barron) Whisper Not (Benny Golson) TOTAL 12 24 45 Repertoire list last updated on May 31, 2011 < 4 > .
Load more

Recommended publications
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • UT Jazz Jury Repertoire – 5/2/06 Afternoon in Paris 43 a Foggy Day
    UT Jazz Jury Repertoire – 5/2/06 Level 1 Tunes JA Level 2 Tunes JA Level 3 Tunes JA Level 4 Tunes JA Afternoon in Paris 43 A Foggy Day 25 Alone Together 41 Airegin 8 All Blues 50 A Night in Tunisia 43 Anthropology (Thrivin’ from a Riff) 6 Along Came Betty 14 A Time for Love 40 Afro Blue 64 Blue in Green 50 Beyond All Limits 9 Autumn Leaves 54 All the Things You Are 43 Body and Soul 41 Blood Count 66 Blue Bossa 54 Angel Eyes 23 Ceora 106 Bolivia 35 But Beautiful 23 Bird Blues (Blues 4 Alice) 2 Chelsea Bridge 66 Brite Piece 19 C Jam Blues 48 Bluesette 43 Children of the Night 33 Cherokee 15 Cantaloupe Island (96) 54 But Not for Me 65 Come Rain or Come Shine 25 Clockwise 35 Cantaloupe Island (132) 11 Cottontail 48 Confirmation 6 Countdown 28 Days of Wine and Roses 40 Don’t Get Around Much Anymore48 Corcovado-Quiet Nights 98 Dolphin Dance 11 Doxy (134) 54 Easy Living 52 Desafinado (184) 74 E.S.P. 33 Doxy (92) 8 Everything Happens to Me 23 Desafinado (136) 98 Giant Steps 28 Freddie the Freeloader 50 Footprints 33 Donna Lee 6 I'll Remember April 43 For Heaven’s Sake 89 Four 7 Embraceable You 51 Infant Eyes 33 Georgia 49 Groovin’ High 43 Estate 94 Inner Urge 108 Honeysuckle Rose 71 Have You Met Miss Jones 25 Fee Fi Fo Fum 33 It’s You or No One 61 I Got It Bad 48 Here’s That Rainy Day 23 Goodbye 94 Joshua 50 Impressions (112) 54 How Insensitive 98 I Can’t Get Started 25 Katrina Ballerina 9 Impressions (224) 28 I Didn’t Know About You 48 I Mean You 56 Lament for Booker 60 Killer Joe 70 I Hear a Rhapsody 80 In Case You Haven’t Heard 9 Love for
    [Show full text]
  • Windward Passenger
    MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums.
    [Show full text]
  • The Music of Antonio Carlos Jobim
    FACULTY ARTIST FACULTY ARTIST SERIES PRESENTS SERIES PRESENTS THE MUSIC OF ANTONIO THE MUSIC OF ANTONIO CARLOS JOBIM (1927-1994) CARLOS JOBIM (1927-1994) Samba Jazz Syndicate Samba Jazz Syndicate Phil DeGreg, piano Phil DeGreg, piano Kim Pensyl, bass Kim Pensyl, bass Rusty Burge, vibraphone Rusty Burge, vibraphone Aaron Jacobs, bass* Aaron Jacobs, bass* John Taylor, drums^ John Taylor, drums^ Monday, February 13, 2012 Monday, February 13, 2012 Robert J. Werner Recital Hall Robert J. Werner Recital Hall 8:00 p.m. 8:00 p.m. *CCM Student *CCM Student ^Guest Artist ^Guest Artist CCM has become an All-Steinway School through the kindness of its donors. CCM has become an All-Steinway School through the kindness of its donors. A generous gift by Patricia A. Corbett in her estate plan has played a key role A generous gift by Patricia A. Corbett in her estate plan has played a key role in making this a reality. in making this a reality. PROGRAMSelections to be chosen from the following: PROGRAMSelections to be chosen from the following: A Felicidade Falando de Amor A Felicidade Falando de Amor Bonita The Girl from Ipanema Bonita The Girl from Ipanema Brigas Nunca Mais One Note Samba Brigas Nunca Mais One Note Samba Caminos Cruzados Photograph Caminos Cruzados Photograph Chega de Saudade So Tinha Se Con Voce Chega de Saudade So Tinha Se Con Voce Corcovado Triste Corcovado Triste Desafinado Wave Desafinado Wave Double Rainbow Zingaro Double Rainbow Zingaro Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to cultured parents.
    [Show full text]
  • The Jazz Record
    oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year.
    [Show full text]
  • JREV3.8FULL.Pdf
    JAZZ WRITING? I am one of Mr. Turley's "few people" who follow The New Yorker and are jazz lovers, and I find in Whitney Bal- liett's writing some of the sharpest and best jazz criticism in the field. He has not been duped with "funk" in its pseudo-gospel hard-boppish world, or- with the banal playing and writing of some of the "cool school" Californians. He does believe, and rightly so, that a fine jazz performance erases the bound• aries of jazz "movements" or fads. He seems to be able to spot insincerity in any phalanx of jazz musicians. And he has yet to be blinded by the name of a "great"; his recent column on Bil- lie Holiday is the most clear-headed analysis I have seen, free of the fan- magazine hero-worship which seems to have been the order of the day in the trade. It is true that a great singer has passed away, but it does the late Miss Holiday's reputation no good not to ad• LETTERS mit that some of her later efforts were (dare I say it?) not up to her earlier work in quality. But I digress. In Mr. Balliett's case, his ability as a critic is added to his admitted "skill with words" (Turley). He is making a sincere effort to write rather than play jazz; to improvise with words,, rather than notes. A jazz fan, in order to "dig" a given solo, unwittingly knows a little about the equipment: the tune being improvised to, the chord struc• ture, the mechanics of the instrument, etc.
    [Show full text]
  • Seven Lee Morgan Lessons Seven Lee Morgan Lessons
    SEVEN LEE MORGAN LESSONS One of Philadelphia’s most talented offerings would have been 75 years old come July 10 th , 2013. The lessons we can learn from his work and his life have been deemed immeasurable. As the Philadelphia Clef Club Of Jazz and Performing Arts prepares to celebrate his having been part of our family, we thought the following might give Lee some new talking points as a sage at this age. Lee Morgan Lesson 1 : WHY LIMIT YOURSELF ??? “Originally interested in the vibraphone, he soon showed a growing enthusiasm for the trumpet. Morgan also knew how to play the alto saxophone ”. Lee Morgan Lesson 2 ::: DON’T JUST HANG AROUND OTHER MUSICIANS; MAKE IT YOUR BUSINESS TO TOURTOUR,, RECORD, INSPIRE & MATURE WITH THEM. “His primary stylistic influence was Clifford Brown , who gave the teenager a few lessons before he joined the Dizzy Gillespie Big Band at 18, He began recording for Blue Note Records in 1956, Lee also recorded for a variety of labels, including Blue Note, Vee-Jay, Roulette, Jazzland and Trip eventually recording 25 albums as a leader for the company with more than 250 musicians ”, A SERIOUSLY SMALL SAMPLING of this list includes: Hank Mobley John Coltrane Art Blakey Benny Golson Wayne Shorter Bobby Timmons Jymie Merritt Billy Hart Grachan Moncur III Freddie Hubbard Wynton Kelly Paul Chambers Grant Green Herbie Hancock Reggie Workman Billy Higgins John Gilmore Stanley Turrentine Jackie McLean Ron Carter Joe Henderson McCoy Tyner Lonnie Liston-Smith Elvin Jones Jack Wilson Reuben Wilson Larry Young Clifford Jordan Andrew Hill Billy Harper Bennie Maupin Marold Mabern Mickey Rokey Freddie Waits Oscar Peterson Lee Morgan Lesson 333: NO MATTMATTERER HOW GREAT THE INFLUENCEINFLUENCE,, DON’T LET THEM INFLUENCE YOU WITH DANGEROUS, SSTUPIDTUPID HABITS LIKE DRUGSDRUGS.DRUGS ..
    [Show full text]
  • Days and Nights Waiting Keith Jarrett on the Trail Ferde Grofe/Oscar
    Days and Nights Waiting Keith Jarrett On The Trail Ferde Grofe/Oscar Peterson Good Morning Heartache Fisher/Higgenbotham/Drake Bebop Dizzy Gillespie They Say It's Wonderful Irving Berlin Desafinado Antonio Carlos Jobim Ornithology Charlie Parker Matrix Chick Corea Long Ago and Far Away Jerome Kern Yours is My Heart Alone Franz Lehar Remember Irving Berlin You Must Believe in Spring Michel Legrand (Bill Evans) On a Clear Day (You Can See Forever) Lane & Lerner Melancholy Baby Ernie Burnett Out of Nowhere Johnny Green & Edward Heyman Sweet Georgia Brown Bernie, Finkard & Casey Daahoud Clifford Brown Mayreh Horace Silver The Song is You Jerome Kern & Oscar Hammerstein Autumn in New York Vernon Duke Nemesis Aaron Parks Satin Doll Duke Ellington & Billy Strayhorn End of a Love Affair Edward Redding Senor Blues Horace Silver Memories of Tomorrow Keith Jarrett My Ship Kurt Weill Mack the Knife Kurt Weill Almost Like Being in Love Lerner & Loewe What's New Robert Sherwood Haggart Night Train Duke Ellington Come Rain or Come Shine Harold Arlen/Johnny Mercer I Can't Give you Anything but Love Jimmy McHugh/Dorothy Fields Pfrancing (No Blues) Miles Davis Dance of the Infidels Bud Powell Laura David Raksin Manteca Dizzy Gillespie If I Didn't Care Jack Lawrence Blue in Green Bill Evans/Miles Davis Some Day my Prince will Come Frank Churchill One for my Baby (And One More for the Road) Harold Arlen Coral Keith Jarrett Solar Miles Davis Tangerine Victor Schertzinger/Johnny Mercer Sidewinder Lee Morgan Dexterity Charlie Parker Cantaloupe Island Herbie
    [Show full text]
  • June 2020 Volume 87 / Number 6
    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Recital Diplomas in Jazz Repertoire and Programme Advice
    Recital Diplomas in Jazz Repertoire and programme advice Please note that the current option to enter for a jazz diploma is being withdrawn. Entries for jazz diplomas will no longer be accepted after 31 March 2016. Candidates wishing to enter for a jazz diploma should ensure that their programme is submitted for approval allowing sufficient time for entry before 31 March 2016. The nature of a jazz performance would imply the inclusion of a significant degree of improvisation. The recital should aim to replicate as far as possible the experience of a live jazz performance in terms of musical content and presentation. Should you have difficulty in compiling a programme that reflects your instrument and musical personality, it may be profitable to consider that jazz musicians often group tunes together to form an informal suite, for example: Latin Music Music by one composer Music made famous by a great soloist from Jazz history. This could form the core of the performance and other tunes of a contrasting nature might then be profitably introduced. Different grooves would seem to be a good consideration in the design of a programme that reveals the best in a jazz musician so be mindful that the strategically placed ballad, the laid back bossa nova and the straight ahead swing may have their place in the overall design. ATCL Repertoire to be selected from material offering more accessible routes towards improvisation i.e. less rapid chord changes and blues and modal based tunes. Examples: All Blues; Autumn Leaves; Blue Moon; Bye Bye Blackbird;
    [Show full text]
  • Jazz Legacy CD PDF:Steve Smith Drum Legacy.Qxd
    Steve Smith Jazz Legacy Live On Tour Steve Smith - drumset Andy Fusco - alto sax, shaker Walt Weiskopf - tenor sax, soprano sax, flute, claves Mark Soskin – piano, Fender Rhodes, maracas Baron Browne - bass Produced by Steve Smith Executive Producers: Paul Siegel and Rob Wallis Recorded live at Catalina Bar and Grill, Hollywood CA October 5-8, 2006 by Robert M. Biles Mixed October 9-12, 2006 by Robert M. Biles at Bob’s Hardware, Silverlake CA Edited by Manoj Gopinath Mastered February 2008 by Jim Brick at Absolute Audio, Atlantic Highlands NJ Photos by Tim Ellis and Rick Malkin Design by Joe Bergamini This recording is dedicated to our dear friend Steve Marcus. Special Thanks to: Extra Special thanks to my wife Diane Kiernan- Janet Williamson, Bob Biles, Tim Ellis, Mike Smith for your open attitude, warm heart and Thomas, Marko Marcinko, Tommy Coster unwavering support for the band and me. Jr., Colleen Williams, Catalina Popescu, Manny Santiago, Mark Griffith, my friends www.vitalinformation.com/steve http://www.myspace.com/stevesmithjazzlegacy at Hudson Music: Paul Siegel and Rob Wal- www.marksoskin.com lis, Zildjian: Cragie and Debbie Zildjian, www.waltweiskopf.com John DeChristopher, Paul Francis, John King, and Bob Wiczling, Sonor: Karl-Heinz Baron Browne uses Gallien-Krueger bass amps. Menzel and Thomas Barth, Vic Firth: Marco Soccoli, Vic and Tracy Firth, Remo: Matt For booking: Connors, DW pedals: Don Lombardi, Shure: Janet Williamson Music Agency Ryan Smith, Puresound Percussion: Hugh PO Box 27114 Gilmartin, Michael Bloom and Steve Orkin. Los Angeles, CA 90027 [email protected] www.janetwilliamsonmusicagency.com Copyright © 2008 Hudson Music LLC All Rights Reserved www.hudsonmusic.com Live On Tour 1.
    [Show full text]
  • Lee Morgan Chronology 1956–1972 by Jeffery S
    Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).
    [Show full text]