Learn from My Tinder Mistakes: Advice on Tinder-Ing Better

Total Page:16

File Type:pdf, Size:1020Kb

Learn from My Tinder Mistakes: Advice on Tinder-Ing Better Spring 2018 March 14th, 2018 Issue 2 Learn From My Tinder Mistakes: Advice on Tinder-ing Better AUTHOR: JENNA MOORE PHOTO: HANNAH MASE 1. Don’t get on Tinder right after a that’s a really stupid thing to do. Thankfully, I breakup just to spite someone or prove wasn’t kidnapped but I did end up regretting something to yourself. You will end up in meeting up with him; he was 27 so I felt like I bad situations or do something you regret if could prove something to my ex by being you do this, I promise you. I met up with a with such an older guy. If you do meet up guy at Taco Bell at 10pm, and just got right with someone new, make sure you text a into his car. Looking back, I probably de- friend with a picture of the Tinder person, served to get kidnapped because let’s face it, telling them where the date is (or their ad- CONTINUED FROM PAGE 1 -dress if you choose to meet there) and what 4. People will lie in their profiles; ask them the Tinder person’s name is. the big questions before meeting up with them. So most people already on Tinder go 2. Don’t settle on someone out of despera- through cycles: they use it a lot for a few tion; know your worth. The next guy weeks, meet up with a couple people, and then seemed a lot better and I thought he was a delete it when they get bored or discouraged. genuinely good person, until the second date Then, after maybe a month, they’ll re- when he talked about marrying me and having download it and try again. This last time children with me. That should be an obvious around, I was sure I knew exactly how to Tin- red flag, but at the time I thought it was sweet der and I convinced myself it would be a good and I didn’t mind settling because I felt des- outcome. So I met up with this really cute guy, perate. I ended up leaving him two weeks af- he had muscles and everything. We vibed real- ter that though because he called me chunky ly well over our love of dessert and the show and said he could use my fat to turn skim milk Lost. The date was absolutely perfect. The into whole milk. Like, what even? There was next day I was telling my friend about him, another guy (such a hunk)—I got so excited and my friend knew him. Turns out, my Tin- when we matched, until he straight up told me der date had a two month old son and I had no I was only good-looking enough to “get weird idea. Make sure you ask the big questions be- with” (those being his exact words) and not to fore going on a date with someone so the pursue anything more than that. Unmatch same thing doesn’t happen to you. those cats right away. Know your worth, sweetie. 5. Be with as many people as you want, just be safe and use protection. We’re in col- 3. Don’t waste swipes on people you know lege—sleep with whoever you want and have you won’t message first, assuming that fun; as long as it’s consenting and you use they’ll message you because you’re out of protection, you shouldn’t feel bad for pursuing their league. We all do this where we know new experiences. Don’t let others’ judgement we’re better looking than someone but we’ll and harsh words influence your choices. You still give them a chance because they might only get to be this age once. Obviously think have a good personality. But then we uncon- through it though, make sure it’s not some- sciously assume they should be doing all the thing you will regret the next morning. So in work to win our affection. Don’t do this, it’s a general, use common sense with Tinder, learn waste of your time and theirs. Plus, don’t you more about yourself along the journey, and hate it when the roles are reversed and you have fun. match with the hottest guy you’ve ever seen but he’ll send you one word responses and take a day to respond? Black History Month Celebration! AUTHOR: SARAH BOGDAN Photo: Brother & Sister’s Keeper members Photo credits: Taylor Kickbush CCC was proud to host a Black Histo- macaroni and cheese, and some deli- ry Month celebration in the Kelly cious jerk chicken wings. (continued p. 4) Lounge on February 15th. Spon- sored by My Brother’s Sister’s Keeper, the Diversity Council, and the Student Association, this event served to recognize the important achievements and contributions of African-Americans throughout his- tory. Students served up some “soul food” to those attending the cele- Photo credits: Hannah Mase bration, consisting of green beans, CONTINUED FROM PAGE 3 Everyone who attended the event en- Dozier spoke about the disenfranchise- joyed a variety of special speakers and ment of slaves in American history. He entertainment, including a chorus en- reminded us, “Although the struggle semble, a soloist, spoken word poetry, continues, there is still hope, despite and a few Black History Month-themed what we go through.” By valuing the messages. A common thread between all lives and ideals of those around us, espe- of these was the rich culture of African- cially those who are often overlooked, Americans, the many hardships endured we can continue to move forward. over time, and the ability to prevail in spite of obstacles and oppression. Photo credits: Hannah Mase Photo credits: Taylor Kickbush As Pastor Jay warned us, “If we grow no wiser, history definitely has a tendency to repeat itself.” Let us learn from the mistakes of our past so that our future will look different. The Black History Month celebration represented some- thing we should strive to do in our eve- ryday lives, which in Jay’s words is to “elevate and celebrate the lives of peo- ple who don’t look like us.” Armani Photo credits: Taylor Kickbush 24 Hour Theatre AUTHOR: AIDAN WIGGS I’m sure many people like a challenge. Every year, prompts are devised by the Who hasn’t enjoyed beating a difficult theater’s very own Anna-Beth Wheaton, video game boss, or solving a tricky puz- technical director and all around awe- zle, or winning a sports competition? some person. And prompts are based on a And the second best feeling is watching theme. This Spring’s theme is Happily someone complete a difficult challenge. Ever Never. If you’ve ever been interest- ed in a fairytale where the princess in the Coming to CCC on March 16th and 17th tower learns to hang glide to escape, or is Muse of Fire Theater’s 24 Hour Thea- where the dragon collects shoes instead ter event. This is a chance for any CCC of gold, then this is the theme for you. student or alumni to have fun and beat some pretty tricky challenges. Of course, If you love this idea and want to partici- if you’re not into being on the stage, the pate, then sign-ups are already going on! performance is Saturday, March 17th at There are positions open to write, direct, 7pm in the college’s Science Amphithea- or act. The more interest there is, the ter for anyone interested in watching. more plays can be put on, and it will be a more enjoyable evening for everyone. “But I can’t do something for twenty four See Anna-Beth Wheaton in the Science hours straight!” I hear you cry. Well, Amphitheater and ask if there are still first off you’re giving up on a challenge. slots available. If you can’t catch her or But second off, it’s not twenty four full would rather go digital, you can email hours. The event starts the evening her at [email protected]. March 16th, when writers will gather and get their prompts. If you can’t participate, or just want to watch, the event is totally free and we They write their scripts that night. In the can clue you in on other neat things that morning, directors and actors get scripts will be happening from Muse of Fire. and take up positions around the theater Come join us for twenty four hours of and Science building. The groups have fun and challenge in the Science Amphi- until show time to produce the play theater! they’re handed. All in all, from writing to performing, takes twenty four hours. Iditarod 2018: Dogs, Doping and Controversy AUTHOR: DAMION WESTLAKE The Iditarod is a 1000 mile competition race winning prize decreasing from almost that starts in Anchorage, Alaska and ends in 750,000 dollars to 500,000 dollars. Animal Nome, Alaska. The race, as many may not activist groups are also increasing the pres- know, is actually a tribute to a life line of sure on the race, citing the deaths of four mushers and dogs who carried supplies to re- dogs in last year's competition and what they mote outposts in the early days of Alaska’s deem to be cruel, year-round practices by Idi- non-aboriginal settlements. The most famous tarod mushers. People for the Ethical Treat- of these runs was in 1925, when a relay of ment of Animals would in fact protest the teams completed a “Serum Run” delivering a Saturday start, said Iditarod officials.
Recommended publications
  • Taylor B Dbs Rday 2019.Pdf (989.1Kb)
    Break Something and Write about the Pieces File Types, Formats and Collaborative Creative Media Practice in the Classroom Dr. Barnaby Taylor Dublin Business School June 2019 Questions How do we teach the same things differently? How do we innovate in the classroom? Where are the opportunities for innovation to be found in the classroom? Is assessment is a key area for innovation? voicesonfilm Co-curated, collaborative, audiovisual academic research initiative Provides opportunities for academic content creation Engages in relevant audiovisual debate, academic branding, innovation, and entrepreneurship, A continual emphasis on the relationship between research and practice. voicesonfilm Facebook Twitter YouTube Vimeo voicesonfilm 2013 ‘Film and Moving Image Studies: Re-Born Digital?’ 2014 Barr on Barr – creative documentary series 2015 ‘Cultivating Film-makers’ 2016 ‘The Disaster Artist: Inside The Room with Greg Sestero’ 2016 ‘Story16 – The Art of Digital Storytelling’ 2017 Showreal 17 2018 Professor Laura Mulvey, ‘Remixing Hollywood movies of the 1950s’ Lumière Word Cloud (2017) A co-curated experiment in the design and execution of academic/student collaborative assessment methods at Third Level. Inspired by classroom conversations regarding the parallels between the earliest forms of cinema – as exemplified by the films of Auguste and Louis Lumière – and the now ubiquitous .gif file Lumière Word Cloud also asks us to reconsider the position and position that cinema history occupies in the contemporary classroom. Lumière Word Cloud (2017) As the result of a classroom discussion following a screening of these early films, ten key words were generated. CAT SEA TRAIN CROWD BABY HORSE WINE BOUNCE CAMERA WALK Basic Mechanics 6 collaborators 3 files for each word Independent selection – no discussion The url for each .gif was collected All files inserted into a single timeline Order of the images was the order of the contributions Files were captured via QuickTime but not edited Outcome How Do We See What We See? 1.
    [Show full text]
  • Film Guide April 2018
    FILM GUIDE APRIL 2018 www.loftcinema.org BEST F(R)IENDS & THE DISASTER ARTIST W/ GREG SESTERO IN PERSON! LAWRENCE OF ARABIA PRESENTED IN 70MM • SUNDAY, APRIL 15 AT NOON! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. APRIL 2018 SPECIAL ENGAGEMENTS 4-23 JOURNALISM ON SCREEN 6 BEER OF THE MONTH: LOFT MEMBERSHIPS 8 FIRESTONE LAGER LOFT JR. 12 BY FIRESTONE WALKER BREWING CO. ESSENTIAL CINEMA 14 ONLY $3.50 ALL THROUGH APRIL! SCIENCE ON SCREEN 16 NATIONAL THEATRE LIVE 17 NEW AT THE LOFT CINEMA! MONTH-LONG SERIES 19-20 The Loft Cinema now offers Closed Captions and Audio LOFT STAFF SELECTS 21 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 23-24 website to see which films offer this technology. NEW FILMS 25-34 REEL READS SELECTION 32 FILM GUIDES ARE AVAILABLE AT: MONDO MONDAYS 35 • aLoft Hotel • Espresso Art • Revolutionary Grounds • Antigone Books • Fantasy Comics • Rincon Market CULT CLASSICS 36 • Aqua Vita • First American Title • Rocco’s Little Chicago • Art Institute of Tucson • Fresco Pizza • Rogue Theatre THE LOFT CINEMA • AZ Title Security • Fronimos • Santa Barbara Ice Cream 3233 E. Speedway Blvd. • Bentley’s • Heroes & Villains • Shot in the Dark Café Tucson, AZ 85716 • Black Crown Coffee • Hotel Congress • Southern AZ AIDS • Bookman’s • How Sweet It Was
    [Show full text]
  • 'Tommy Wiseau's '
    MEDIA ALERT – January 16, 2018 Due to Overwhelming Fan Demand, Encore of ‘Tommy Wiseau’s ‘The Room’’ Comes to Cinemas for One More Night on January 19 WHAT: Referred to as "the ‘Citizen Kane’ of bad movies," “The Room” has received a remarkable resurgence due to the popularity of James Franco’s “The Disaster Artist” and Tommy Wiseau’s recent appearance on The Golden Globes. On January 10, fans came out in droves as Wiseau’s opus hit more than 500 big screens across the nation with “Tommy Wiseau’s ‘The Room.’” Due to overwhelming demand, an encore screening has been set for Friday, January 19, 2018. In addition to the full-length feature, moviegoers will enjoy a special look at the new “Best F(r)iends” trailer, starring Wiseau and Greg Sestero. Starring Tommy Wiseau, directed by Tommy Wiseau, written by Tommy Wiseau, screenplay by Tommy Wiseau and produced by Tommy Wiseau, “The Room” follows the story of Johnny (Wiseau). Johnny is a bank employee who, seemingly, lives happily in a San Francisco townhouse with Lisa, his fiancée. One day she gets bored with Tommy and seduces his best friend, Mark (played by Wiseau’s best friend, Greg Sestero, author of the award-winning 2013 memoir “The Disaster Artist”). Johnny screams, “You’re tearing me apart, Lisa!”– and, with that, nothing, or no one, will ever be the same. WHO: Fathom Events WHEN: Friday, January 19, 2018; 7:00 p.m. local time WHERE: Tickets for “Tommy Wiseau’s ‘The Room’” encore will be available throughout the week online by visiting www.FathomEvents.com or at participating theater box offices.
    [Show full text]
  • KPCC-KVLA-KUOR Quarterly Report OCT-DEC 2013
    KPCC / KVLA / KUOR Quarterly Programming Report OCT NOV DEC 2013 Date Key Synopsis Guest/Reporter Duration 10/1/2013 DC California Congressman disagrees with party strategy on shutdown Felde 2:08 10/1/2013 LAW LA City will appeal judge's decision against LAPD's vehicle impound policy, Special Order 7 CC :09 10/1/2013 POLI EDD could face problems if shutdown continues Pringle :59 10/1/2013 HEAL Covered California opens CC :07 10/1/2013 HEAL Covered California opens CC :12 10/1/2013 HEAL Covered California opens CC :18 10/1/2013 IMM Former Guatemalan soldier accused of committing atrocities in 1980s found guilty of immigration fraud Berestein Rojas 1:34 10/1/2013 EDU LA Unified Board of Education is tired of conflicting reports on iPad rollout. Gilbertson :48 10/1/2013 ENV Fate of plans to drill for oil in Whittier remain uncertain Peterson :51 10/1/2013 LAW Four bodies found in wreckage of plane that crashed at Santa Monica Airport CC :16 10/1/2013 HEAL California's state-run health insurance marketplace opens for business O'Neill :58 10/1/2013 ENV California embarks on new way to regulate chemicals in consumer products Peterson 2:45 10/1/2013 HEAL It's a challenge to find Asian bone marrow donors Huang 4:01 10/1/2013 EDU LAUSD's music repair shop has large backlog of broken instruments Plummer 4:07 10/1/2013 POLI Shutdown closes National Parks Watt :48 10/1/2013 HEAL California's state-run health insurance marketplace opens for business Bartolone :50 10/1/2013 ECON Shutdown could hurt economic recovery CC :14 10/1/2013 ART Group of artists
    [Show full text]
  • Fan Pilgrimage and the Itinerantextual Cult Film
    AMBIVALENT AMBULATION: FAN PILGRIMAGE AND THE ITINERANTEXTUAL CULT FILM by JONATHAN AMBROSE CANNON Bachelor of Arts, The University of British Columbia, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Jonathan Ambrose Cannon, 2012 ABSTRACT Peripatetic by nature yet polymorphous in form, the topic of fan pilgrimage expresses a significant dearth in cult film and media scholarship. Whilst the concept of pilgrimage has been classically linked to religious duty and moral obligation, its ability to straddle both traditionalist and secularist rationales amidst increased globalisation makes such ambiguous mobility ripe for closer analysis. In this thesis, I will theorise fan pilgrimage using a series of itinerant fan taxonomies to recontextualise the role of the pilgrim and its function within select fan groups. Utilising the critical literature of Zygmunt Bauman, Victor Turner, and Roger C. Aden, respectively, Chapter 1 reevaluates ideas of community and reconfigures the spatiotemporal theories of performance articulated by Richard Schechner through fan pilgrimage and performative communitas. Chapter 2 explores how theories of play and everyday life create my first fan taxonomy: the ludic pilgrim. Via the play theory of Johan Huizinga and Roger Caillois as well as the theories of everyday life held by Erving Goffman, I argue for a correlation between play and costume through the case study of the otaku – i.e. fans of Japanese anime and manga. Chapter 3 employs fashion theory to subcultural style and reconsiders the value of the goth subculture and female vampire fandom by way of my second fan taxonomy: the subsartorial pilgrim.
    [Show full text]
  • 90Th Annual Academy Awards® Oscar® Nominations Fact Sheet
    90TH ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: Call Me by Your Name (Sony Pictures Classics) - Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, producers - This is the first nomination for all four. Darkest Hour (Focus Features) - Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, producers - This is the fifth nomination for Tim Bevan. His previous Best Picture nominations were for Elizabeth (1998), Atonement (2007), Les Misérables (2012) and The Theory of Everything (2014). This is the sixth nomination for Eric Fellner. His previous Best Picture nominations were for Elizabeth (1998), Atonement (2007), Frost/Nixon (2008), Les Misérables (2012) and The Theory of Everything (2014). This is the second Best Picture nomination for both Lisa Bruce and Anthony McCarten, who were previously nominated for The Theory of Everything (2014). This is the first nomination for Douglas Urbanski. Dunkirk (Warner Bros.) - Emma Thomas and Christopher Nolan, producers - This is the second Best Picture nomination for both. They were previously nominated for Inception (2010). Get Out (Universal) - Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, producers - This is the second Best Picture nomination for Jason Blum, who was previously nominated for Whiplash (2014). This is the first Best Picture nomination for Sean McKittrick, Edward H. Hamm Jr. and Jordan Peele. Lady Bird (A24) - Scott Rudin, Eli Bush and Evelyn O'Neill, producers - This is the ninth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013), The Grand Budapest Hotel (2014) and Fences (2016).
    [Show full text]
  • 2017 18 Segment 2
    Season 22 - 2017/18 Freshly Brewed at the Kiosk SEE OVER PAGE FOR SYNOPSIS Program Info Line 9295 6190 Email: [email protected] Web Page: www.kookaburracinema.com.au Gates Open: 6.30pm Adults: $15 Children: $10 Show Starts: 7:45pm “JUSTICE LEAGUE” (M) US Action, Adventure, Fantasy Dir: Zack Snyder - Stars: Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fisher Fri 5th, Sat 6th January 2018 “LOVING VINCENT” (M) Poland/UK Animated Drama Dir: Dorota Kobiela, Hugh Welchman - Stars: Saoirse Ronan, Jerome Flynn, Aidan Turner Sun 7th January “GOODBYE CHRISTOPHER ROBIN” (PG) UK Biography Historical Drama Dir: Simon Curtis - Stars: Domhnall Gleeson, Margo Robbie, Kelly MacDonald, Will Tilston Fri 12th, Sat 13th January “THE KILLING OF A SACRED DEER” (MA15+) UK/US Psychological Horror Dir: Yorgos Lanthimos - Stars: Colin Farrell, Nicole Kidman, Sunny Suljic, Raffey Cassidy, Barry Keoghan Sun 14th January only “THE DISASTER ARTIST” (M) US Comedy Dir: James Franco - Stars: Ari Graynor, Dave Franco, Jacki Weav- er, James Franco, Josh Hutcherson, Seth Rogen, Zac Efron Fri 19th, Sat 20th January “THE TEACHER” (M) Slovakia/Czech Republic [Subtitled] Comedy Dir: Jan H řebejk - Stars: Zuzana Mauréry, Peter Bebjak, Zuzana Kone čná, Csongor Kassai Sun 21st January only “COCO” (G) US Animated Dir: Lee Unkrich, Adrian Molina - Voices of: Anthony Gonzalez, Benjamin Bratt, Gael García Bernal Thu 25th January only “STAR WARS - THE LAST JEDI” (M) US Science Fiction/Fantasy Dir: Rian Johnson - Stars: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley,
    [Show full text]
  • 7Th National A&E Journalism Awards
    2014 SEVENTH ANNUAL Quincy Jones The Visionary Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS Nancy O’Dell The Luminary Award LOS ANGELES PRESS CLUB 7TH ANNUAL National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status Tax ID 01-0761875 2013 and 2014, Honorary Awards for 2014 4773 Hollywood Boulevard Los Angeles, California 90027 Phone: (323) 669-8081 LOS ANGELES PRESS CLUB’S Fax: (310) 464-3577 E-mail: [email protected] Website: www.lapressclub.org The Visionary Award For Humanitarian Work PRESS CLUB OFFICERS QUINCY JONES PRESIDENT: Robert Kovacik NBC4 SoCal In conversation with Robert Kovacik VICE PRESIDENT: Patt Morrison Los Angeles Times/KPCC Introduced by Tina Sinatra TREASURER: Anthony Palazzo Bloomberg News Greg Gorman SECRETARY: Christina Villacorte Freelance The Luminary Award PUBLISHER: Gloria Zuurveen Pace News For Career Achievement EXECUTIVE DIRECTOR: Diana Ljungaeus N ANCY O’DELL International Journalist PRESIDENT EMERITUS: Jill Stewart Entertainment Tonight LA Weekly Introduced by Brad Bessey BOARD MEMBERS Barbara Gasser Hollywood Foreign Press Association Gabriel Kahn, USC Annenberg Fernando Mexia, Spanish EFE News Service Tony Pierce, Academy of Motion Picture Arts and Sciences Your hosts: Adam J. Rose, Huffington Post Robert Kovacik, Dan Lauria and Carolina Sarassa, MundoFox Valerie Azlynn 43 NOMINATIONS Ben Sullivan, ScienceBlog.com LOS ANGELES PRESS CLUB 2014 NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS Brain Watt, KPCC HARONOR Y BOARD MEMBERS Alex Ben Block MORE NOMINATIONS Ted Johnson Will Lewis THAN ANY OTHER ENTERTAINMENT ADVISORY BOARD ORGANIZATION Eli Broad Ramona Ripston Sunday, November 23, 2014 Rick J. Caruso Hon.
    [Show full text]
  • Heathers the Musical: Review
    Heathers The Musical: Review Several times a year, nearly all of the Washburn the ineffective announcement structure. The student body reports to the auditorium for pep announcements have always been less than fests, the high school tradition where we ideal for students at Washburn, but this year’s celebrate the athletic accomplishments of the new announcement style, with the I was excited to see that Washburn was doing past season. I theory, they can be a fun break announcements usually coming on in fifth Heathers as our fall musical. The classic movie from the routine of school, but in practice they period, seems to have just made the initial from the 80s is quite a story and it definitely don’t end up working out the way many problems worse, for instance, there are often was interesting to see how it would be done in a students would like. As one student puts it, announcement requests that simply go school-appropriate way. Here are my thoughts: “They’re not really very interesting, even unanswered. Most importantly for clubs, First of all, WOW! I definitely went though maybe they could be.” though, it’s still very difficult to use the into the show thinking that it wouldn’t be done This isn’t to criticize the idea that we announcements to get your message out. The very well, as the constituents of the show are should celebrate our sports teams. But the Washburn Weekly Webcast has only partly sophomores and freshman. However, execution of the whole ‘school spirit’ concept solved the core problem: that clubs and everything about it, the leads, ensemble, leaves a lot to be desired.
    [Show full text]
  • The Disaster Plaintiff: the Best Worst Litigation Strategy Created by and Starring Tommy Wiseau
    Intellectual Property | Injunctions 1 Margaret Robbins May 7, 2020 416-865-2893 [email protected] The Disaster Plaintiff: The Best Worst Litigation Strategy Created by and Starring Tommy Wiseau The legacy of the movie The Room, Tommy Wiseau’s infamously terrible 2003 cult classic, reached new heights (or lows depending on your point of view) last week when it made its mark on Canadian law in Justice Schabas’ decision in Wiseau Studio, LLC v Harper. A movie lovingly advertised as providing a viewing experience akin to “getting stabbed in the head” prompted copyright litigation and, in the process, has provided a new story of the risks of pursuing an ill-advised litigation strategy through trial. The Room premiered in 2003 to terrible reviews. Where many independent movies that open to bad reviews simply fade in the cultural zeitgeist, The Room, and its creator and star Mr. Wiseau, gained fame because of how exceptionally and remarkably bad The Room was. It is a rare film that is so bad that it turns out to be good. The Room became a cult classic amongst a sub-genre of movie goers and provided Mr. Wiseau with a certain celebrity and notoriety. Mr. Wiseau’s co-star and friend published a non- fiction book in 2011 detailing the making of The Room entitled The Disaster Artist – My Life Inside The Room The Greatest Bad Movie Ever Made. The book was turned into an award- winning feature film of the same name starring James Franco as Mr. Wiseau in 2017, which premiered at the Toronto International Film Festival.
    [Show full text]
  • Sincerely Celebrating Failure: Tommy Wiseau’S the Room and the Search for Sincerity
    Dimitrios Pavlounis Sincerely Celebrating Failure: Tommy Wiseau’s The Room and the Search for Sincerity Abstract This paper examines the relationship between Tommy Wiseau’s cult sensation The Room and its fans by exploring the fans’ active impulse to construct The Room as a failed film in order to allow for a hybrid form of ironic and sincere reception. The first part of this paper examines how The Room does not conform to traditional discourses surrounding cult films and how many fans ofThe Roomwork to construct the film as a failure, even as Wiseau insists that every aspect of the film is intentional. The second part of the paper examines exactly why some fans do this work and how they are able to transform public screenings of The Room into spaces in which audiences can safely try out different ways of relating to the world by combining postmodern irony with what has popularly been called the New Sincerity. Opening in Los Angeles in 2003 to little fanfare and what radio host Jesse Thorn has called “The and scathing reviews, director/writer/actor/ New Sincerity,”3 and public screenings of the film producer Tommy Wiseau’s magnum opus The serve as the field on which this battle is fought. In Room—commonly referred to as “the Citizen Kane fact, I will argue that these screenings can offer safe of bad movies”1—now plays to sold-out audiences spaces for audiences to relate to the world from throughout North America and Europe. Telling within both paradigms in ways that potentially the simple tale of its protagonist Johnny’s (Wiseau) challenge the stability of the success/failure binary betrayal at the hands of his girlfriend Lisa ( Juliette altogether.
    [Show full text]
  • Download Your Metro Guide Today!
    metrocinema MARCH / APRIL 2018 guide WHERE COMMUNITY MEETS CINEMA SPOTLIGHT ON GUILLERMO DEL TORO EDMONTON INTERNATIONAL WOMen’S FESTIVAL LEPRECHAUN FRENCH FILM FESTIVAL SATURDAY MORNING ALL-YOU-CAN-EAT- CEREAL CARTOON PARTY! WALK WITH ME FAVA FEST SING-A-LONG JESUS CHRIST SUPERSTAR BEST F(R)IENDS MARCH 30 – APRIL 3 AFTER 15 YEARS, GREG SESTERO AND TOMMY WISEAU ARE FINALLY BACK ON SCREEN TOGETHER... metrocinema at the Garneau 8712 - 109 Street, Edm AB T6G 1E9 LIKE YOU’VE NEVER SEEN THEM BEFORE. www.metrocinema.org metrocinema.org 1 METRO CINEMA .ORG METRO RETRO Page: 15 MUSIC DOCS PagE: 8 metrocinema at the Garneau 8712 - 109 Street, Edm AB T6G 1E9 TEL 780 425 9212 www.metrocinema.org FACEBOOK /metrocinema TWITTER & INSTAGRAM @themetrocinema SERIES HIGHLIGHTS ADMISSION Adult $13 Student/Senior $10 (Matinee $8) Children 12 & Under $8 PASSES Night at the Movies $30 Adult Six Pack $60 SUNDAY CLASSICS Student/Senior Six Pack $50 AFTERNOONPage: 10 TEA PagE: 16 Silver Screen $300 METRO OPERATIONS Dan Nielsen – President Heather Noel – Vice President Randal Pruss – Treasurer Alex Dimitroff – Secretary JD Crookshanks, Anthony Dionigi, METRO CINEMA is a community based not for profit society devoted to creating and fostering Steve Grubich, Sandy Hoye, Chris Provins, opportunities for the exhibition of diverse and unique shared viewing experiences in Edmonton, Brad Stromberg, Hitomi Suzuta, Alberta Canada. We believe that film and media art are significant art forms; a means of commu- Connie Zimmerman – Directors nication, discussion, and education.
    [Show full text]