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20-Page Booklet All songs written by Jennifer Schaffer except Dream Ditty co-written with Deborah Ackley and Panic Life and Sunday Morning, New York City co-written with Simon Law. All songs produced by Simon Law. Executive producer (and keeper of the song keys): John Teshima. Recording engineers: Jeremy Darby, Simon Law, Gary Barnacle, Lain Gray, Bo Heart, Wale Owoade. Mixed by Jeremy Darby at Canterbury Music Co., Toronto, Canada. Mastered by Miles Showell at Abbey Road Studios, London, UK. Art Direction and Design by Martha Townsend and Tina Sher/Mint Design. All photos by Kristin Briggs and Evan Trestan. WWW.JENSCHAFFER.CA Games We Play I would like to thank my kids for their genuine interest I’d like to thank everyone for the last ten years… it‘s (a mother’s dream) and participation in many parts been a joy to be a Shiner! A big thanks to my band By Jen Schaffer and the Shiners of the music making, including being muses and mates (3 Js and an A!!) for expanding my musical typists. And my family writ large—my parents for horizons and for getting to be ’just the drummer’. We would like to thank those folks who have supported their support and inspiration, my sisters and to the I treasure that precious and glorious feeling of being us over the year-and-a-half-long making of this album, and dedicated Kasimers who faithfully attend Shiner in a band! I’d like to thank Waves for their great more broadly, those who’ve been our boosters over the gigs! Also thanks to friends and fans who have also instruments and plugins that I use on every session. past ten years since the band started. been ringside for Shiner events, literally and figura- I’d like to personally thank my Mum and Dad, Specifically, we have to thank Jeremy Darby for his tively (you know who you are). A special thanks to Karyn Klapecki, Lee Hamblin, Lain Gray and Gary dedication and support of the project and band. We Deborah Ackley for her beautiful poetry on the song, Barnacle who helped in this album’s journey, and appreciate all his time, talent and use of his amazing studio Dream Ditty. And Hazel Ipp and Deborah Levine, especially I am forever grateful to Jen Schaffer, for Canterbury Music Company for recording and mixing the for their invaluable guidance. I also want to express being my life partner and also my musical partner… album. And a big thanks to his trusted studio comrade-in- a gratitude to my inspiring music teachers over the that is a true blessing! —Simon arms, Julian Decorte, for all his contributions. years, both formal and informal, going all the way Thank you to Carmen and my parents.—John back to John Plant and Ted Price. These teachers Thanks to Miles Showell at Abbey Road Studios in the UK cannot be heralded enough. And of course thanks for mastering the album so beautifully. And thanks to all the to my amazing, faithful, dedicated, talented, funny, kind folks at SonyATV for the use of their studios in Toronto: wonderful band: Astrid, John, Simon and Jonathan. Gary Furniss, Dave Quilico and Mishelle Pack. A particular shout out to Astrid for letting us descend A heartfelt thanks to all the artists who contributed to taking upon her basement at Donlands and Mortimer for this project to the next level: Lain Gray, Denis Keldie, Gary our Thursday night rehearsals over these many years. Barnacle, Bo Heart, Carmen Wiebe and Manny Szeptycki. And John for making this project and band possible Also thanks to the Shiner friends who descended upon in so many ways. And Jon for expanding the Shiner Canterbury one day to clap and ooh on command! They sound with his many stringed instruments (expect are Hannah Szeptycki, Manny Szeptycki, Dorothy Hwang, banjo on the next record)! And finally, I especially Klaudia and Luka Meier, Stacy Zosky, Jennifer Zosky, Karen want to thank my partner in music and in life, Simon, Wingrove and Rachel Kasimer. And to Martha Townsend, but for whom my music would not have emerged thank you for the beautiful art work (and resurrecting and flourished as it has. —Jen backgammon into our lives) and Tina Sher for realizing that artistic vision with her art direction and design. And to Jen Schaffer Kristin Briggs and Evan Trestan for the perfectly compli- mentary photography. Garnet Strand Lament I came upon him, head in hand Tell me what’s on your mind WORDS AND MUSIC BY JENNIFER SCHAFFER (SOCAN) More like refuse than he was man And I’ll leave it all behind JENNIFER SCHAFFER Acoustic Guitar, Lead Vocal But dusted off, the soot and sand Because the worries can wait, I’ll let them gestate Revealed the gem, the garnet strand Till they dissolve into a dew, into a dew SIMON LAW Drums, Percussion, Handclaps, Background Vocals Semi-precious Ophelia–open up your heart ASTRID FOSTER Ruby to me… Ophelia–before they tear it apart Bass, Background Vocals Out of the mine, the sun on skin Tell me the secrets you keep JOHN TESHIMA Acoustic and Electric Guitars, Background Vocals Escape the discord, drone and din The ones that make you weep JONATHAN MARKS Polish hard, brilliant from bland In the night while you sleep, as the sandman creeps Violin, Background Vocals He’ll shine again like a garnet strand Into the pool where you lie, pool where you lie DENIS KELDIE Accordion Semi-precious WORDS AND MUSIC BY JENNIFER SCHAFFER (SOCAN) Ophelia–open up your heart Recorded at Canterbury Music Co. Toronto by Jeremy Darby; Ruby to me… JENNIFER SCHAFFER Ophelia–before you tear it apart Studio Wolfrey Toronto and SonyAtv Music Publishing Canada Acoustic Guitar, Lead Vocal Kept in the dark The smile upon your face is so full of grace by Simon Law SIMON LAW And I ache to believe but cannot conceive Dampened the spark Drums, Percussion, Background Vocals Just a passing remark That you’re not drowning in their wake ASTRID FOSTER That would never see the light of day Bass, Background Vocals Ophelia–open up your heart But can’t be repressed JOHN TESHIMA Ophelia–before I tear it apart Buffed by distress Electric Guitars How is it your destiny to repeat my history? A defiant progress JONATHAN MARKS Even though she thought that he’d obey Violin, Background Vocals Is it too late to ebb that tide, get off that ride Hannah Szeptycki, Manny Szeptycki, Dorothy Hwang, Klaudia And just find your pride inside? Thought she owned him, soul and all and Luka Meier, Stacy Zosky, Jennifer Zosky, Karen Wingrove, Hers to reject and then recall Rachel Kassimer—Handclaps Tell me it’s in my mind And that I’ll find, that I’ll find But unlike jewels, modest or grand Recorded at Canterbury Music Co. Toronto by Jeremy Darby; He’ll not be pawned like a garnet strand Studio Wolfrey Toronto and SonyAtv Music Publishing Canada That your words are true and you’ll save me too by Simon Law. From all my sad and foolish ways, my foolish ways Semi-precious John Teshima Ruby to me… Don’t betray the strength you display Ophelia, Ophelia, Om Games We Play Gone WORDS AND MUSIC BY JENNIFER SCHAFFER (SOCAN) JENNIFER SCHAFFER Acoustic Guitar, Lead Vocal, Background Vocals Can I blow you out like a candles flame? She stepped out in the street as she took off her veil SIMON LAW Can the love we have not return again? No longer felt the need to save a faith so frail Drums, Percussion Can I bring you back if you stray too far away? And as the crowds appeared she faded out of view ASTRID FOSTER Abandoning her life for hopes of something new Bass Can you read my mind can you read my eyes? She was gone If I look away will it reveal the lies? JOHN TESHIMA Electric Guitar Can you banish me and refuse to heed my cries? Born to a world that had her fear the other kind JONATHAN MARKS Told she’s the chosen one but never taught to shine And can we stop this game we play? Violin She came from a stiff-necked crowd, always awkward You go, I stay DENIS KELDIE squads You shun and I pray Lowrey Organ But she alone desired the strength to face down God But after today who’ll play? MANNY SZEPTYCKI And be gone Mouth Percussion Would you turn around would you take my bait? WORDS AND MUSIC BY JENNIFER SCHAFFER (SOCAN) If they preach about the coming of the light Recorded at Canterbury Music Co. Toronto by Jeremy Darby; Would you slow right down would you satiate? JENNIFER SCHAFFER Studio Wolfrey Toronto and SonyAtv Music Publishing Canada With torches lit and a heart stone-cold from fright Would you open wide and receive our tortured fate? Acoustic Guitar, Lead Vocal by Simon Law. I’ll take darkness over the day And can we stop this game we play… SIMON LAW Drums, Percussion, Background Vocals I’ll take darkness over the day These are thoughts I come to when you tend to roam ASTRID FOSTER And be gone and be gone Bass, Background Vocals I cast my net out widely and call you back home She caught a glimpse one day of liberty sublime I prostrate at your feet then I beat my own retreat JOHN TESHIMA And knew her great escape could happen anytime Electric Guitars, Background Vocals When I sense defeat The only thing to do was to ignite a pyre JONATHAN MARKS Should I pack my bags and escape the pain? Violin And burn in effigy with a cleansing fire And be gone Should I walk right out and my pride maintain? DENIS KELDIE Should I call your bluff having never called your name? Accordion And can we stop this game we play? Recorded at Canterbury Music Co.
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