Bulletin Baudelairien
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Bulletin Baudelairien Baudelaire Bulletin
Bulletin Baudelairien Baudelaire Bulletin Avril-decembre 2004 Tome 39, n OS 1-2 Comite de redaction: Jean-Paul Avice (Bibliotheque Historique de la ville de Paris) Rosemary Lloyd (Indiana), Timothy Raser (Georgia), Marc Froment-Meurice (Vanderbilt), James S. Patty (Vanderbilt), Mary Beth Raycraft (Vanderbilt), Patricia Ward (Vanderbilt) Directrice du Centre W. T. Bandy d'etudes baudelairiennes et d' etudes frant;aises modernes Patricia Ward Directrice adjointe: Mary Beth Raycraft Directeurs du Centre W,T. Bandy WT. Bandy, 1968-1973 Raymond Poggenburg, 1973-1976, 1978-1982 Claude Pichois, 1982-1998 Membres fondateurs: W T. Bandyt, James S. Patty, Raymond P. Poggenburgt Veuillez adresser toute correspondance au: BULLETIN BAUDELAIRIEN Vanderbilt University Box 356325, Station B Nashville, TN 37235, USA adresse de courier electronique: [email protected] Abonnement annuel: Amerique du Nord - $10.00 Autres continents - $14.00 Le montant de l' abonnement doit etre adresse, soit par cheque, soit par man dat, au Bulletin baudelairien. In Memoriam Claude Pichois, 1925-2004 Directeur du Centre W.T. Bandy d'Etudes Baudelairiennes, 1982-1998 Hommages Jacques Dupont Jean-Paul Avice Cecile Guillard Margaret Miner h In Memoriam Cl. P. Pendent opera interrupta "Par un decret des puissances supremes", ou par cette amere ironie d'un "guignon" auquel Baudelaire avait lui-meme tant reflechi, Claude Pichois nous a quittes Ie 12 octobre dernier. II laisse inachevee la revision d'une reedition de la biographie de Baudelaire qu'i! avait publiee avec Jean Ziegler, et it laquelle il avait encore travaille sur son lit d'h6pital. Mais il avait eu la joie de voir sous sa forme presque definitive (seuls les index devaient encore etre revus) cet Atelier des "Fleurs du Mar' dont Ie projet, d'abord incertain, puis la longue realisation ont occupe quasiment les quinze dernieres annees de sa vie. -
Intratextual Baudelaire
Intratextual Baudelaire Runyon_Final4Print.indb 1 1/20/2010 3:30:05 PM Runyon_Final4Print.indb 2 1/20/2010 3:30:05 PM Intratextual Baudelaire i The Sequential Fabric of the Fleurs du mal and Spleen de Paris RANDOLPH PAUL RUNYON T H E O H I O S T A T E U N I V E R S I T Y P R E ss C O L U MB us Runyon_Final4Print.indb 3 1/20/2010 3:30:06 PM Copyright © 2010 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Runyon, Randolph, 1947– Intratextual Baudelaire : the sequential fabric of the Fleurs du mal and Spleen de Paris / Randolph Paul Runyon. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1118-2 (cloth : alk. paper) ISBN-10: 0-8142-1118-6 (cloth : alk. paper) ISBN-13: 978-0-8142-9216-7 (cd-rom) 1. Baudelaire, Charles, 1821–1867. Fleurs du mal—Criticism, Textual. 2. Baudelaire, Charles, 1821–1867. Spleen de Paris—Criticism, Textual. I. Title. PQ2191.Z5R86 2010 841'.8—dc22 2009029578 This book is available in the following editions: Cloth (ISBN 978-0-8142-1118-2) CD-ROM (ISBN 978-0-8142-9216-7) Cover design by Becky Kulka and Jeff Smith. Type set in Adobe Galliard. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 Runyon_Final4Print.indb 4 1/20/2010 3:30:06 PM CONTENTS i Introduction 1 CHAPTER 1 The Fabric of the First Edition: The Fleurs of 1857 17 CHAPTER 2 The Sequence Rebuilt: The Fleurs of 1861 120 CHAPTER 3 The “serpent tout entier”: Le Spleen de Paris 189 Appendix A The Order of the Poems in the 1857 and 1861 Editions 263 Appendix B The Order of the Poems in Le Spleen de Paris 269 Works Cited 271 Index to Baudelaire's Works 277 General Index 281 Runyon_Final4Print.indb 5 1/20/2010 3:30:06 PM Runyon_Final4Print.indb 6 1/20/2010 3:30:06 PM INTRODU CTION i BAUDELAIRE AssERTED more than once that the order in which he arranged his poems was meaningful. -
Grotesque Figures Swain, Virginia E
Grotesque Figures Swain, Virginia E. Published by Johns Hopkins University Press Swain, Virginia E. Grotesque Figures: Baudelaire, Rousseau, and the Aesthetics of Modernity. Johns Hopkins University Press, 2004. Project MUSE. doi:10.1353/book.60319. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/60319 [ Access provided at 30 Sep 2021 19:39 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. swain_9780801879456_swain_9780801879456.qxd 7/17/18 3:43 PM Page i Grotesque Figures swain_9780801879456_swain_9780801879456.qxd 7/17/18 3:43 PM Page ii - Stephen G. Nichols, Gerald Prince, and Wendy Steiner swain_9780801879456_swain_9780801879456.qxd 7/17/18 3:43 PM Page iii Grotesque Figures Baudelaire, Rousseau, and the Aesthetics of Modernity Virginia E. Swain The Johns Hopkins University PRess Baltimore and London swain_9780801879456_swain_9780801879456.qxd 7/17/18 3:43 PM Page iv © The Johns Hopkins University PRess All rights reserved. Published Printed in the United States of America on acid-free paper The Johns Hopkins University PRess North Charles Street Baltimore, Maryland - www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Swain, Virginia E., ‒ GRotesque figures : Baudelaire, Rousseau, and the aesthetics of modernity / Virginia E. Swain. p. cm.—(Parallax, re-visions of culture and society) Includes bibliographical references and index. --- (hardcover : alk. paper) . BaudelaiRe, ChaRleS, ‒—CRiticiSm -
Charles Baudelaire: Paris Blues / Le Spleen De Paris: the Poems in Prose with La Fanfarlo Pdf
FREE CHARLES BAUDELAIRE: PARIS BLUES / LE SPLEEN DE PARIS: THE POEMS IN PROSE WITH LA FANFARLO PDF Charles Baudelaire,Francis Scarfe | 336 pages | 13 Mar 2012 | Carcanet Press Ltd | 9780856464294 | English | Manchester, United Kingdom Paris Spleen by Charles Baudelaire Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Paris Spleen by Charles Baudelaire. Paris Spleen by Charles Baudelaire. Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil : the city and its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art, and women. Published posthumously in Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil : the city and its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art, and women. Published posthumously inParis Spleen was a landmark publication in the development of the genre of prose poetry—a format which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux, and freedom of his age—and one of the founding texts of literary modernism. -
The Flowers of Evil: and Paris Spleen Free
FREE THE FLOWERS OF EVIL: AND PARIS SPLEEN PDF Charles P Baudelaire,Wallace Fowlie | 112 pages | 25 Mar 2011 | Dover Publications Inc. | 9780486475455 | English, French | New York, United States The Flowers of Evil: Spleen and Ideal, Part I | SparkNotes The collection was published posthumously in and is associated with literary modernism. Baudelaire mentions he had read Aloysius Bertrand 's Gaspard de la nuit considered the first example of prose poetry at least twenty times before starting The Flowers of Evil: AND Paris Spleen work. Though inspired by Bertrand, Baudelaire's prose poems were based on Parisian contemporary life instead of the medieval background which Bertrand employed. He said of his work: "These are the flowers of evil again, but with more freedom, much more detail, and much more mockery. These poems have no particular order, have no beginning and no end and they can be read like thoughts or short stories in a stream of consciousness style. The point of the poems is "to capture the beauty of life in the modern city," using what Jean-Paul Sartre has labeled as being his existential outlook on his surroundings. Published twenty years after the fratricidal June Days that ended the ideal or "brotherly" revolution ofBaudelaire makes no attempts at trying to reform society he has grown up in but realizes the inequities of the progressing modernization of Paris. In poems such as "The Eyes of the Poor" where he writes after witnessing an impoverished family looking in on a new cafe : "Not only was I moved by that family of eyes, but I felt a little ashamed of our glasses and decanters, larger than our thirst The title of the work refers not to the abdominal organ the spleen but rather to the second, more literary meaning of the word, "melancholy with no apparent cause, characterised by a disgust with everything".