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Komponisten-Katalog 18.02.2008 12:12 Uhr Seite 1 Seite Uhr 12:12 18.02.2008 Komponisten-Katalog Cover Cover Komponisten-Katalog 18.02.2008 12:12 Uhr Seite 1 Komponisten s i k o r s k i Komponisten Composers sikorski musikverlage 20139 Hamburg · Tel.: + 49 (0)40 / 41 41 00-0 · www.sikorski.de · [email protected] 1 1 · 2 0 1 6 Composers aT s i ko r s k i Composers and their musical production form the core of all music publishing houses. Thus the cultivation and dissemination of the compositions represented by the publi- shers unquestionably form the main emphasis of our work. Our successful collaboration with a large number of composers has now lasted over the course of many decades. The present publication presents portraits of a representative selection of our compo- sers from the field of serious music. We wish to express our heartfelt gratitude to them and to all those only mentioned by name for their trusting and fruitful collaboration. The cornerstone of the publishing house was laid in 1935 by Dr. Hans Sikorski (1899-1972) in Berlin. Resident in Hamburg since 1946, the independent music pu- blishing group, still family-run, represents composers from all over the world. Sikorski has been committed to contemporary music for decades, with the spectrum extending from chamber music, orchestral music and stage works to musicals and film music. The works of composers of the former Soviet Union form a basic area of emphasis. Through the intensive work of our publishing house, names such as Dmitri Shostakovich, Sergei Prokofiev, Aram Khachaturian and Dmitri Kabalevsky penetrated more strongly into the consciousness of Western cultural life and established themselves on the concert scene. The same was possible with the succeeding generations of composers and the oeuvres of Alfred Schnittke, Sofia Gubaidulina, Edison Denisov, Giya Kancheli, Galina Ustvolskaya, Lera Auerbach, Elena Firsova, Alexander Raskatov and others. Numerous German composers are also represented, including Peter Ruzicka, Ulrich Leyendecker, Jan Müller-Wieland, Moritz Eggert, Johannes Harneit, Jörn Arnecke, Daniel Smutny, Johannes X. Schachtner and Marius Felix Lange. The international spectrum has been expanded to include such important composers as Marko Nikodijevic, Ferran Cruixent, Gerald Resch, Yaron Gottfried, Osmo Tapio Räihälä, Xiaoyong CHEN, Wenchen QIN, Guoping JIA and Lin YANG. The decisive promotion of contemporary music within the framework of an interna- tionally orientated publishing policy is our central concern. With the help of the com- posers who have been with our publishing house for many years, and the constantly growing roster of new composers, we are able to successfully and permanently set ourselves this task. 4 ko m p o N i s T e N B e i s i ko r s k i Die komponisten und ihr musikalisches schaffen stellen das Herzstück eines jeden musikverlages dar. pflege und Verbreitung der vom Verlag vertretenen kompositionen bilden daher auch den eindeutigen schwerpunkt unserer arbeit. Die erfolgreiche Zu- sammenarbeit mit einer stattlichen anzahl von autoren währt bereits viele Jahrzehnte. Die vorliegende publikation porträtiert nun eine repräsentative auswahl unserer kom- ponistinnen und komponisten aus dem Bereich der ernsten musik. ihnen und all jenen, die nur namentlich erwähnt werden, sei für die vertrauensvolle und fruchtbare Zusam- menarbeit herzlich gedankt. Den Grundstein für den Verlag legte Dr. Hans sikorski (1899-1972) im Jahre 1935 in Berlin. seit 1946 in Hamburg ansässig, vertritt die unabhängige, nach wie vor fa- miliengeführte musikverlagsgruppe autoren aus aller Welt. Bereits seit Jahrzehnten engagiert sich sikorski für die zeitgenössische musik. Das spektrum reicht hierbei von kammermusik, orchestermusik und Bühnenwerken über musicals bis hin zu Filmmu- siken. einen elementaren schwerpunkt bilden dabei die Werke der komponisten der ehemaligen sowjetunion. Namen wie Dmitri schostakowitsch, sergej prokofjew, aram Chatschaturjan und Dmitri kabalewski gelangten durch die intensive Verlagsarbeit verstärkt in das Bewusstsein des westlichen kulturlebens und etablierten sich im kon- zertgeschehen. Gleiches gelang mit den nachfolgenden komponistengenerationen und den oeuvres von alfred schnittke, sofia Gubaidulina,e dison Denissow, Gija kan- tscheli, Galina Ustwolskaja, Lera auerbach, Jelena Firssowa, alexander raskatov und anderen. aber auch zahlreiche deutsche autoren werden erfolgreich vertreten, unter ihnen peter ruzicka, Ulrich Leyendecker, Jan müller-Wieland, moritz eggert, Johannes Harneit, Jörn arnecke, Daniel smutny, Johannes X. schachtner oder marius Felix Lange. Das internationale spektrum wurde um so bedeutende komponisten wie marko Niko- dijevic, Ferran Cruixent, Gerald resch, Yaron Gottfried, osmo Tapio räihälä, Xiaoyong CHeN, Wenchen QiN, Guoping Jia und Lin YaNG erweitert. Die entschiedene Förderung der zeitgenössischen musik im rahmen einer interna- tional ausgerichteten Verlagspolitik ist unser zentrales anliegen. mit der Hilfe unserer langjährigen Verlagskomponisten und den stetig nachwachsenden neuen autoren sind wir in der Lage, uns dieser aufgabe nachhaltig und erfolgreich zu stellen. 5 k e y w o r k s / z e n t r a l e w e r k e ■ intizar [2007] Opera in 2 acts ■ Your Name means the sea [2011] Chamber opera in 4 scenes ■ mersiye [2002] Concerto for violoncello and orchestra ■ Nagˇillar [2002] for symphony orchestra ■ Zikr [2004] for large ensemble and voice (mugam singer) on a text by imadeddin Nasimi ■ mugam-sajagy (string Quartett No. 3) [1993] for string quartet, percussion instruments and synthesizer (tape) ■ impulse [2012] for violin and piano ■ oyan! [2005] for violoncello a w a r d s a n d p r i z e s / auszeichnungen u n d p r e i s e ■ outstandig artist of the republic of azerbaijan [1990] ■ National artist of the republic of azerbaijan [2000] ■ artiste de l‘UNesCo pour la paix [2007] 6 Frangis Ali-Sade Franghiz Ali-Zadeh *28. Mai 1947 Baku/Aserbaidschan Zwischen 1965 und 1973 studierte Frangis Ali-sade am konservatorium in Baku klavier und komposition bei kara karajew, dessen aspirantin sie von 1973 bis 1976 war. im anschluss an ihr studium unterrichtete sie bis 1990 musikgeschichte am kon- servatorium ihrer Heimatstadt. ab 1990 war sie für drei Jahre als professorin für zeit- genössische musik und Geschichte der orchesterstile tätig und promovierte 1994 mit der arbeit ,Die Besonderheit der orchestrierung in Werken aserbaidschanischer kom- ponisten‘. seit 1999 lebt ali-sade in Deutschland und ihrem Heimatland aserbaid- schan. als pianistin setzt sich ali-sade nachdrücklich für die Werke zeitgenössischer komponisten der ehemaligen sowjetunion, für Werke der Zweiten Wiener schule sowie der gesamten moderne des 20. und 21. Jahrhunderts ein. Frangis ali-sades kompositionsstil bewegt sich zwischen der traditionellen musik ihrer Heimat aserbaidschan und der (teilweise auch experimentellen) Gegenwartsmusik. Zwei kräfte wirkten in ihr, sagte sie einmal, und aus dem Widerspruch ergebe sich das Neue. ihr stil wird von einer eigenwilligen synthese dieser beiden Welten geprägt. ali-sade schafft eine musik, in der östlich modales Denken mit westlich konstruktivis- tischem verschmilzt. Franghiz Ali-Zadeh studied piano and composition from 1965 to 1973 at the Con- servatory in Baku with Kara Karayev, whose aspirant she was from 1973 until 1976. Following completion of her studies, she taught music history at the Conservatory of her native city until 1990. Beginning in 1990 she was a professor of contemporary music and the history of orchestral styles, receiving her doctorate in 1994 with the dissertation ‘The Special Qualities of the Orchestration in Works of Azerbaijan Composers’. Since 1999 Ali-Zadeh has been living alternately in Germany and in Azerbaijan. As a pianist, Ali-Zadeh has been especially committed to the works of contemporary composers of the former Soviet Union, to the Second Viennese School and to all modern music of the 20th and 21st centuries. Franghiz Ali-Zadeh’s compositional style moves between the traditional music of her homeland Azerbaijan and the (at times also experimental) music of the present day. She once stated that two forces operate within her, and what is new is the result of this con- tradiction. Her style is marked by an idiosyncratic synthesis of these two worlds. Ali-Za- deh creates music in which Eastern modal thinking merges with Western constructivism. 7 k e y w o r k s / z e n t r a l e w e r k e ■ Das Fest im meer [2001/2002] Opera in three sections for six singers and chamber orchestra after John Berger’s novel ‘To the Wedding’ ■ unter eis [2006/2007] Music Theatre in 13 scenes on a libretto by Falk richter ■ auf dem Wasser zu singen [2005/2006] seven songs by schubert and Brahms arranged for tenor and 18 strings linked by nine intermezzi ‘Zwischen den Wassern’ ■ gezeiten. Fantasy for orchestra [2005] ■ Frage for orchestra [1997/1998] ■ gegen-sätze for oboe and string orchestra [2013] ■ inschriften. string Quartet No. 2 [2003] ■ alea / Talea. piano Trio No. 1 [2005/2006] a w a r d s a n d p r i z e s / auszeichnungen u n d p r e i s e ■ Bach prize Young Composers award, Hamburg [2003] ■ Hindemith award, schleswig-Holstein music Festival [2004] 8 Jörn Arnecke *28. September 1973 Hameln Jörn Arnecke wurde 1973 in Hameln geboren. Bereits als 30-Jähriger gewann er mit dem Hindemith-preis des schleswig-Holstein musik Festivals einen der wichtigsten kompositionspreise Deutschlands. Jörn arnecke studierte komposition und musiktheorie bei Volkhardt preuß und peter michael Hamel an der Hochschule für musik und Theater Hamburg. 1997/1998 war er einer der letzten schüler von Gérard
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