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Deana Carter Danny Myrick
Deana Carter DEANA CARTER, the daughter of famed studio guitarist and producer Fred Carter, Jr., grew up surrounded by musical greats, including Willie Nelson, Bob Dylan, Waylon Jennings, and Simon & Garfunkel. She developed her songwriting skills at writer’s nights throughout Nashville, but her real break came when one of her demo tapes fell into the hands of Willie Nelson, who remembered Deana as a child. Impressed with how she’d grown as a songwriter, Nelson asked Deana to perform along with John Mellencamp, Kris Kristofferson, and Neil Young, as the only female solo artist to appear at Farm Aid VII in 1994. Her 1996 debut album Did I Shave My Legs for This? quickly climbed to the top of both the country and pop charts, quickly achieving multi-platinum status. "Strawberry Wine,” the first single from the album, was awarded CMA's 1997 Single of the Year. Seven albums and a decade later, Deana is still writing and producing for both the pop/rock and country markets when not on the road touring. Her superstar success continues to be evident. Her chart topper “You & Tequila,” co-written with Matraca Berg and recorded by Kenny Chesney, was nominated in 2011 as CMA’s “Song of the Year” and received two Grammy nods. Carter also recently co-wrote and produced a new album for recording artist Audra Mae while putting the finishing touches on her own Southern Way of Life that hit the shelves last December. Danny Myrick DANNY MYRICK is an award winning songwriter and musician based here in Nashville. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Duplicity: Exploring the Many Faces of Gotham
Duplicity: Exploring the many faces of Gotham “And man shall be just that for the overman: a laughing stock or a painful embarrassment.” - Friedrich Nietzsche, Also Sprach Zarathustra The Dark Knight, Christopher Nolan’s follow up to 2005’s convention- busting Batman Begins, has just broken the earlier box office record set by Spiderman 3 with a massive opening weekend haul of $158 million. While the figures say much about this franchise’s impact on the popular imagination, critical reception has also been in a rare instance overwhelmingly concurrent. What is even more telling is that the old and new opening records were both set by superhero movies. Much has already been discussed in the media about the late Heath Ledger’s brave performance and how The Dark Knight is a gritty new template for all future comic-to-movie adaptations, so we won’t go into much more of that here. Instead, let’s take a hard and fast look at absolutes and motives: old, new, black, white and a few in between. The brutality of The Dark Knight is also the brutality of America post-9/11: the inevitable conflict of idealism and reality, a frustrating political comedy of errors, and a rueful Wodehouseian reconciliation of the improbable with the impossible. Even as the film’s convoluted and always engaging plot breaks down some preconceptions about the psychology of the powerful, others are renewed (at times without logical basis) – that politicians are corruptible, that heroes are intrinsically flawed, that what you cannot readily comprehend is evil incarnate – and it isn’t always clear if this is an attempt at subtle irony or a weary concession to formula. -
The Real Ghostbusters: the Complete Series
FOR IMMEDIATE RELEASE WHO YOU GONNA CALL? TELEVISION'S LONGEST RUNNING SPOOKY CARTOON AND FUNNY FAN FAVORITE FINALLY ESCAPES THE GHOST TRAP TO HAUNT THE DVD REALM THE REAL GHOSTBUSTERS: THE COMPLETE SERIES The Animated Series That's As Big As The Stay-Puft Marshmallow Man Finally Comes To Home Video, With All 147 Episodes of The Real Ghostbusters And Slimer! And The Real Ghostbusters In Remastered Clarity Packaged In A Collectible 25-DVD Set Over 12 Hours of Bonus Features Includes Never-Before-Seen Footage, Twenty-One On- Camera Episode Commentaries, Five Documentaries, Extended Interviews, Episode Introductions, Scripts, Art, And Much More AVAILABLE EXCLUSIVELY ONLINE AT WWW.REALGHOSTBUSTERSDVD.COM, PRE-ORDER BEGINS JULY 23, 2008 FAIRFAX, VA – July 24, 2008 – Charge up your Proton Packs and get the P.K.E. Meter running! One of the most popular animated series in television history to spin off from a major motion picture, The Real Ghostbusters, will soon be available for the first time on home video from Time Life. The 25-DVD set includes all 147 astonishing episodes of the seven-season series for over 55 hours of ghost-busting goodness — in their complete original form, but remastered for picture and audio perfection. Produced by some of the team members behind the legendary Ghostbusters motion pictures, The Real Ghostbusters features scripts by some of the top names in animation, science fiction, and horror history, and top-quality visuals, plus a voice cast that included Arsenio Hall, Dave Coulier (Full House), Maurice LaMarche (Pinky & The Brain), and many more! The Real Ghostbusters: The Complete Series also features over twelve hours of fascinating bonus material, including documentaries and twenty-one innovative on-camera commentary tracks featuring producers, writers, artists, voice actors, and other personnel. -
Scholastic November
NON FICTION THE STORY OF WINDRUSH KANDACE CHIMBIRI Sales points About the author: Born in London, England • There is a lack of Black British history in the curriculum, parents and in 1968 to parents from Barbados, guardians are looking for resources to educate their children Kandace Chimbiri is the author of Black history books for children. • Previously self-published edition listed as #1 Best Seller on Amazon UK • The Windrush Generation has become a wider symbol of today's Motivated by a desire to help improve multicultural Britain both children's literacy as well as their • Publishing during Black History Month knowledge of history, Kandace founded • Full-colour illustrations her small publishing house Golden Destiny Ltd in 2009. Golden Destiny specialises in non-fiction titles for children, in particular Description Black history before mass enslavement. A book to celebrate the inspiring legacy of the Windrush pioneers. She is now an author of Scholastic Children’s Books where she will be In June 1948, hundreds of Caribbean men, women and children arrived republishing her brilliant titles in an all-new in London on a ship called the HMT Empire Windrush. Although there look and format. Price: £6.99 were already Black people living in Britain at the time, this event marks Pub Date: 1st October 2020 the beginning of modern Black Britain. ISBN: 9780702307133 CBMC code: C5N79 Combining historical fact with voices from the Windrush Generation, TPS: 206mm x 136mm this book sensitively tells the inspiring story of the Windrush Generation Extent: 48pp pioneers for younger readers. Binding: Non Standard - hardback Age: 07-12 Illustrations: Colour Rights: World Rights For more information contact SCB on 020 7756 7756 or email [email protected] Publication Date 5th November 2020 THE MARVELLOUS LAND OF SNERGS Veronica Cossanteli Pip and Flora are running away from the Sunny Bay Home for Superfluous and Accidentally Parentless Children when they discover the Marvellous Land of Snergs. -
Welcomed by 97.5 Y Country and Presented by United Federal Credit Union
Welcomed by 97.5 Y Country and presented by United Federal Credit Union, Wednesday, August 15, will feature hit country duo, LOCASH! LOCASH is a Country music duo made up of singer-songwriters Chris Lucas and Preston Brust, natives of Baltimore, Maryland, and Indianapolis, Indiana, respectively. With a sound that fuses modern Country and classic heartland Rock with an edgy vocal blend, the independently-minded partners are revered as “one of Nashville’s hardest-working acts” (Rolling Stone) whose live show “has consistently been among the most energetic and entertaining in the country music genre” (Billboard). With two albums and eight charting singles to their credit, LOCASH broke out in 2015 with their gracious GOLD-certified hit, “I Love This Life," followed by the flirtatious GOLD-certified #1 smash, “I Know Somebody” – their first trip to the top of the Country radio airplay charts – and 2017’s fun-loving romantic anthem “Ring on Every Finger.” All three singles were part of their Reviver Records album debut, THE FIGHTERS, which was released in the summer of 2016 to Top 15 success. The follow up to THE FIGHTERS is expected in 2018, with the forthcoming album’s first single “Don’t Get Better Than That” available now on all digital platforms. As songwriters, Lucas and Brust have scored two undeniable hits (Keith Urban’s #1 “You Gonna Fly” in 2011 and Tim McGraw’s PLATINUM-certified “Truck Yeah” in 2012). Currently nominated for Vocal Duo of the Year and New Vocal Duo or Group of the Year at the upcoming ACM Awards, they previously scored nominations at the CMT Music Awards and CMA Awards in 2017. -
ABSTRACT the Women of Supernatural: More Than
ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables -
Multi-Media Reviews
Page 84 MULTIMEDIA REVIEWS Batman: Arkham Reborn Writer: David Hine , Artist: Jeremy Haun (Publisher: DC Comics, 2010) Gotham City is a fitting home for its guardian – Batman lurks in the recesses of its distinctive architecture, camouflaging himself among the gargoyles and grotesques. Gotham’s cityscape is one of the most developed of all fictional locations: for the series No Man’s Land (1999) a detailed map of the city was produced, its rivers, bridges and streets named after DC Comics’ most beloved artists and writers. Undoubtedly, one of the most famous buildings in Gotham is Arkham Asylum – or, to give it its full name, ‘The Elizabeth Arkham Asylum for the Criminally Insane’ – a location introduced to the comics in 1974 to serve as a holding pen for Batman’s rogues gallery. Arkham Reborn is the latest story arc to develop the asylum’s mythos. It begins with the director, Jeremiah Arkham, picking his way through the ruins of the asylum (which was destroyed by the crime lord Black Mask during the events of a previous storyline). Stopping before one particular cell, Jeremiah recalls its former occupant, Humphrey Dumpler (AKA ‘Humpty Dumpty’), a man compelled to take things apart and put them back together – inevitably with disastrous consequences. ‘Poor Humphry,’ he muses. ‘Obsessed, like me, with repairing what was broken.’ This beginning recalls both Dan Slott and Ryan Sook’s Arkham Asylum: Living Hell (2003), the work in which Humpty Dumpty was introduced, and the seminal Arkham text, Grant Morrison and Dave McKean’s Arkham Asylum: A Serious House on Serious Earth (1989), wherein one doctor tells Batman: ‘sometimes you have to break down to rebuild, psychiatry’s like that’. -
Redeveloping the Distillery District, Toronto
Place Differentiation: Redeveloping the Distillery District, Toronto by Vanessa Kirsty Mathews A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Geography University of Toronto © Copyright by Vanessa Kirsty Mathews 2010 Place Differentiation: Redeveloping the Distillery District, Toronto Doctor of Philosophy Vanessa Kirsty Mathews, 2010 Department of Geography University of Toronto Abstract What role does place differentiation play in contemporary urban redevelopment processes, and how is it constructed, practiced, and governed? Under heightened forms of interurban competition fueled by processes of globalization, there is a desire by place- makers to construct and market a unique sense of place. While there is consensus that place promotion plays a role in reconstructing landscapes, how place differentiation operates – and can be operationalized – in processes of urban redevelopment is under- theorized in the literature. In this thesis, I produce a typology of four strategies of differentiation – negation, coherence, residue, multiplicity – which reside within capital transformations and which require activation by a set of social actors. I situate these ideas via an examination of the redevelopment of the Gooderham and Worts distillery, renamed the Distillery District, which opened to the public in 2003. Under the direction of the private sector, the site was transformed from a space of alcohol production to a space of cultural consumption. The developers used a two pronged approach for the site‟s redevelopment: historic preservation and arts-led regeneration. Using a mixed method approach including textual analysis, in-depth interviews, visual analysis, and site observation, I examine the strategies used to market the Distillery as a distinct place, and the effects of this marketing strategy on the valuation of art, history, and space. -
Veteran Loses Friends, Gains Faith After Serving in Middle East, Raymond Frye Pursues a Renewed Life at Northwestern
Volume 85 - Issue 14 February 8, 2013 Veteran loses friends, gains faith AFTER SERVING IN MIDDLE east, RAYMOND FRYE PURSUES A RENEWED LIFE at NORTHWesteRN BY MEGAN CURRENT Veteran Raymond Frye joined the military as a teenager. He served for eight years as an infantry soldier, and he has been enrolled at Northwestern since January. Frye started attending a community college right after high school, but he later made the decision to join the military at the age of 19. His family was supportive of his decision. “I have a dad and uncle in the infantry, a brother in the Air Force and a cousin in the Marines,” Frye said. “I joined because of my sense of adventure.” Frye served as an infantry soldier in the Army and Air Force. He started his basic training at Fort Benning in Georgia. Frye trained for two months at the National Training Center at Fort Irwin in California before being deployed to Iraq. While deployed in Iraq, Frye was a combat soldier. Frye said he had several duties, which included apprehending high-value targets (looking for terrorists), providing security for convoys and helping eliminate villagers’ threats (terrorists). While Frye was in Iraq, he worked on two campaigns. The first mission, Operation Iraqi Freedom, was designed for combat operations, which included finding and killing terrorists. This mission is an ongoing battle that is still in effect today. The second mission, Operation New Dawn, didn’t work the way it was planned. “New Dawn was meant for hearts and minds. We trained the Iraqis for the military transition to allow their military to regain power,” Frye said. -
07-12-2021 WIF and the Sundance Institute Financing
July 12, 2021 Media Contacts: Spencer Alcorn [email protected] Women’s Financing Intensive, from WIF (Women In Film, Los Angeles) & Sundance Institute, Elevates Twelve Feature Projects with Tailored Support Intensive equips filmmakers with financing strategies and introduces them to leading financiers. LOS ANGELES - The Sundance Institute and WIF (Women In Film, Los Angeles) today announce the projects and creators selected for the annual WIF and Sundance Institute Financing Intensive. The Intensive is designed to help women producers—fiction and documentary—build the skills and relationships necessary to advance a feature-length project to the next stage of financing success. On July 14–15, producers and their attached directors participate in small group workshops focused on both pitching and financing strategy, and professional skills development. The Intensive continues the week of July 19 with one-on-one meetings with potential financiers and partners including The Harnisch Foundation, IDA, Impact Partners, Participant, Freeform, Hulu, Gamechanger, Chicken & Egg Pictures, K Period. The Intensive will first kick off with a free public session on July 13 at 2pm – 3:15pm ET, Protecting Producers, that will explore fresh ideas in producer career sustainability. The conversation will take place on Sundance Co//ab and include: Carrie Lozano (Director, Sundance Documentary Film Program and Artist Programs), Yael Melamede (Documentary Producers Alliance), producer Summer Shelton, and Avril Speaks (Producers Union). The Institute and WIF have been working together to address the most challenging obstacles facing women filmmakers at both structural and project-based levels. Accessing capital remains elusive even for seasoned creators, and research by both institutions has shown that women continue to deal with particular gendered biases that make it harder to secure financing. -
Pressekonferenz Zum Programm Der 68. Internationalen Filmfestspiele Berlin
Pressekonferenz zum Programm der 68. Internationalen Filmfestspiele Berlin 6. Februar 2018 um 11:30 Uhr Ablauf 9:45 – 11:15 Uhr Einlass 11:30 Uhr Beginn, Begrüßung und Photo-Call aller Leiter*innen der Sektionen und Initiativen Berlinale-Direktor Dieter Kosslick stellt neue Beiträge im Programm vor Moderation: Thomas Hailer / Berlinale-Kurator 11:50 Uhr Fragen der Presse Darüber hinaus sind alle Sektionsleiter*innen und Kurator*innen der Sektionen, Initiativen und des EFM anwesend und stehen für Fragen zur Verfügung. 68. Internationale Filmfestspiele Berlin Material zur Pressekonferenz > Grußwort Dieter Kosslick .........................................................................................................4 > Wettbewerb ..................................................................................................................................5 > Berlinale Special ..........................................................................................................................8 > Die Internationale Jury .......................................................................................................... 10 > Hommage und Goldener Ehrenbär für den Schauspieler Willem Dafoe ............ 12 > Berlinale Kamera 2018 ........................................................................................................... 13 > Gäste von Wettbewerb und Berlinale Special ............................................................... 15 > GWFF Preis Bester Erstlingsfilm .........................................................................................