Read Ebook {PDF EPUB} a History Maker by Alasdair Gray a History Maker by Alasdair Gray

Total Page:16

File Type:pdf, Size:1020Kb

Read Ebook {PDF EPUB} a History Maker by Alasdair Gray a History Maker by Alasdair Gray Read Ebook {PDF EPUB} A History Maker by Alasdair Gray A History Maker by Alasdair Gray. - Return to top of the page - See our review for fuller assessment. Review Summaries Source Rating Date Reviewer The NY Times Book Rev. A- 18/8/1996 Nicholas Birns Rev. of Contemp. Fiction A Spring/1998 William M. Harrison TLS B- 9/12/1994 Mick Imlah The Village Voice A 9/4/1996 Andrew Ross The Washington Post . 17/5/1996 Carolyn See. Fairly enthusiastic, though they don't seem to be entirely sure what to make of it. "Despite its speculative detours, A History Maker never loses sight of its storyline and characters, who are more emotionally engaging than those in some of Mr. Gray's previous work." - Nicholas Birns, The New York Times Book Review. - Return to top of the page - Gray's short novel, A History Maker , is again a fiction presented swaddled in explanation and exegesis, a fictional memoir edited and annotated and commented upon. As Gray does this sort of thing very well there should be few complaints about the form the novel takes. It is set in the future, introduced in a prologue by the memoirist's mother dated 8 December, 2234. The hero -- the history maker -- is Wat Dryhope, son of the chief in Ettrick Forest (sort of a Scottish Sherwood Forest). The 23rd century world portrayed here is a utopia -- of sorts. History has come to an end here. Oh, there is still fighting between peoples and nations, but it is completely regulated, taking on the form of an elaborate board-game. In battle Wat does not play entirely by the rules, setting off the events that make him the "history maker". The rules of engagement change, and with them all the underlying fabric of these societies. A woman, Delilah Puddock, with her own agenda complicates Wat's life and the general situation. History spreads again, with predictable consequences. Extensive notes at the end of the memoir allow for various asides, comments and opinions, rewritten history, explanations of new (and old) coinages, and the like. A brief postscript, "by a student of folklore", closes the book. Though set in the future, Gray has a lot of fun with references to the present, well-woven into the narrative and the notes. It is a decidedly contemporary book, with Wat influenced by John Reed's Ten Days that Shook the World and looking to much of this century to learn about his own. Clever and playful A History Maker is both an enjoyable story and an interesting meditation on a variety of subjects, foremost being history per se, but also including questions regarding the sexes as well as the needs and desires of individuals and society. Well written, as always, it is an entertaining and thoughtful read. Recommended. Alasdair Gray. Our editors will review what you’ve submitted and determine whether to revise the article. Alasdair Gray , (born December 28, 1934, East Glasgow, Scotland—died December 29, 2019, Glasgow), Scottish novelist, playwright, and artist best known for his surreal atmospheric novel Lanark (1981). Gray’s family was evacuated from Glasgow during World War II. He later returned to attend Whitehill Senior Secondary School, where he wrote and drew for the school magazine, and the Glasgow School of Art. He went on to work as a muralist and a scene painter for local theatres. Throughout the 1960s and ’70s he also wrote plays for television, radio, and the stage, all the while working on a novel that would be decades in the making. When he finally published Lanark , his first book, it was hailed as a landmark of Scottish literature. Subsequent fiction included 1982, Janine (1984), The Fall of Kelvin Walker (1985), Poor Things (1992), A History Maker (1994), and Old Men in Love: John Tunnock’s Posthumous Papers (2007). His short fiction was collected as Unlikely Stories, Mostly (1983), Ten Tales Tall & True (1993), and The Ends of Our Tethers: 13 Sorry Stories (2003). Every Short Story, 1951–2012 was published in 2012. In 2000 Gray edited The Book of Prefaces , which he also designed and illustrated, and he began restoring murals he had painted in the 1970s. In 2001 he became a professor of creative writing at the University of Glasgow. Throughout his career, Gray’s murals, writings, and political activism endorsed socialism, opposed war and nuclear arms, and advocated Scottish independence. He notably argued for the latter in Why Scots Should Rule Scotland (1992; rev. ed. 1997) and Independence: An Argument for Home Rule (2014). Of Me and Others (2014) was a compilation of autobiographical writings. ISBN 13: 9780156003629. In a story set in Scotland's Ettrick Forest in the twenty-third century, Wat Dryhope is unhappy about his clan's violent and permissive lifestyle until he is challenged by Delilah Puddock and her plot to restore the competitive exploitation of human resources. "synopsis" may belong to another edition of this title. A fantasy novel of border warfare -- military and erotic -- in Scotland's Ettrick Forest in the 23rd century A.D. Gray's writing style is highly unique and refreshing, and his insights into ways of being are eye-opening. From the Back Cover : A HISTORY MAKER. 'Fantasist, realist, parodist, postmodernist . Alasdair Gray has become no mean literary history maker himself.' Scotsman. This is the memoir of Wat Dryhope, son of Ettrick Forest's Twenty-third Century Chieftain. History has ended, households are ruled by women, and war is a regulated game only played by men. But Wat the History Make is sick of the old rules and when a woman, Delilah Puddock, interfere, this utopian world is terribly endangered. Th book has been designed and illustrated by the author. 'Very entertaining indeed.' TLS 'I would sit around the campfire and listen to Gray's tales any night.' The Times ' A History Maker is in a field of its own.' GQ. A History Maker Text. A tale of border warfare, military and erotic, set in the twenty-third century, where the women rule the kingdom and the men play war games. This is the fictional memoir of Wat Dryhope – edited, annotated and commented upon. History has come to an end, war is regulated as if it's all a game. But Wat, the History Maker himself, does not play entirely by the rules, and when a woman, Delilah Puddock, joins the fray, this 'utopian' history is further enlivened. Alasdair Gray cleverly plays with the notion and writing of history, as well as perennial modern debates on war, sexism and society – entertaining and thought-provoking, this is a delightful satire illustrated throughout by the author. 0862414954 - A History Maker by Alasdair Gray. Hardcover. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence!. A History Maker. Alasdair Gray. Published by Morag McAlpine, 1994. Used - Hardcover Condition: Very Good. Hardcover. Condition: Very Good. A History Maker This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. A History Maker. Alasdair Gray. Published by Morag McAlpine 06/10/1994, 1994. Used - Hardcover Condition: Very Good. Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. A History Maker [Hardcover] Gray, Alasdair. Alasdair Gray. Published by Morag McAlpine, 1994. Used - Hardcover Condition: 3. Condition: 3. PHOTOS SUR DEMANDE. A history maker. Gray, Alasdair. Published by morag mcalpine, 1994. Used - Hardcover Condition: Bon. Condition: Bon. Livre Merci, votre achat aide � financer des programmes de lutte contre l'illettrisme. Exp�dition depuis la France. Livre. A History Maker. GRAY, Alasdair: Published by Edinburgh Canongate Press, 1994. Seller: Tom Coleman, Dingwall, ROSS, United Kingdom Contact seller. Used - Hardcover. FIRST EDITION. First Impression. Hardback. Size 8 x 5 inches. Blue cloth with silver decoration and titles. Neat owner's name and date to front free endpaper. Illustrated by the author. 222 pages. Very Good in Very Good price-clipped dustwrapper. A History Maker. Gray, Alasdair. Published by Morag McAlpine 1994-10-06, 1994. Used - Hardcover Condition: Very Good. Hardcover. Condition: Very Good. Item is in very good condition. If supplemental codes/CDs for textbooks are required please contact us prior to purchasing as they may be missing. Photos are stock pictures and not of the actual item. A History Maker. Gray, Alasdair. Published by Canongate Press, Edinburgh, 1994. Used - Hardcover Condition: Near Fine. Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. First Edition. "Stimulated by Alan Bold's criticism that his books are insufficiently Scottish Alasdair Gray has written a tale of border warfare, military and erotic, set in the Ettrick Forest of the twenty-third century." Ships same or next business day. Spine is slightly skewed and loose, small bump on spine tail, head edge lightly tanned; otherwise, free from major defect. Dust jacket protected in archival plastic cover. ; Drawings; 8vo 8" - 9" tall; 222 pages..
Recommended publications
  • Alasdair Gray and the Postmodern
    ALASDAIR GRAY AND THE POSTMODERN Neil James Rhind PhD in English Literature The University Of Edinburgh 2008 2 DECLARATION I hereby declare that this thesis has been composed by me; that it is entirely my own work, and that it has not been submitted for any other degree or professional qualification except as specified on the title page. Signed: Neil James Rhind 3 CONTENTS Title……………………………………….…………………………………………..1 Declaration……………………………….…………………………………………...2 Contents………………………………………………………………………………3 Abstract………………………………….………………………………..…………..4 Note on Abbreviations…………………………………………………………….….6 1. Alasdair Gray : Sick of Being A Postmodernist……………………………..…….7 2. The Generic Blending of Lanark and the Birth of Postmodern Glasgow…….…..60 3. RHETORIC RULES, OK? : 1982, Janine and selected shorter novels………….122 4. Reforming The Victorians: Poor Things and Postmodern History………………170 5. After Postmodernism? : A History Maker………………………………………….239 6. Conclusion: Reading Postmodernism in Gray…………………………………....303 Endnotes……………………………………………………………………………..320 Works Cited………………………………………………………………………….324 4 ABSTRACT The prominence of the term ‘Postmodernism’ in critical responses to the work of Alasdair Gray has often appeared at odds with Gray’s own writing, both in his commitment to seemingly non-postmodernist concerns and his own repeatedly stated rejection of the label. In order to better understand Gray’s relationship to postmodernism, this thesis begins by outlining Gray’s reservations in this regard. Principally, this is taken as the result of his concerns
    [Show full text]
  • If Full Stop – Alasdair Gray and Grant Morrison
    WARNING This essay begins with a “spoiler” and carries on through many more after that. If you have not read the titles in the box here, and like to read a text like you live your life, in blissful ignorance of the next plot-point, then put this down and repair with all due alacrity, to your nearest library/comic shop/book shop/ amazon browser tab. Come back when you’re done. Graphic Novels by Grant Morrison: Flex Mentallo: Man of Muscle Mystery (with Frank Quitely) The Invisibles (with various artists) The Filth (Chris Weston and Gary Erskine) All Star Superman, (with Frank Quitely and Jamie Grant) Graphically Novels by Alasdair Gray: Lanark 1982 Janine Poor Things A History Maker Old Men in Love And also… At Swim Two Birds, by Flann O’Brien Watchmen, by Alan Moore and Dave Gibbons 60 THE DROUTH SUMMER/AUTUMN 2013 ISSUE 46 IF FULL STOP Grant Morrison Alasdair Gray & the Politics of ScottishMagickalRealism. At the end of Grant Morrison and Frank Quitely’s The climax to Flex Mentallo is the perfect primer Flex Mentallo: Man of Muscle Mystery, the titular for those wishing to engage with the work of Grant character (a superhero so muscularly developed just Morrison. Its signature use of fractal realities, militant flexing his lats and ‘ceps and maximi alters reality), levels of reflexivity, and chaos magick would suffuse confronts Wally Sage, the drug addled, suicidal, The Invisibles, The Filth and All Star Superman scared eternal teenager who dreamed him up. and countless of his other interventions into the Backed into a corner, his pitch towards self- comics medium.
    [Show full text]
  • Eva Martinez Ibanez Phd Thesis
    1.9?.>4>492 ?30 >071, . >?@/A ;1 .7.>/.4= 2=.A!> !7.9.=6!" !'+*( 5.9490!" !>;80?3492 70.?30=! .9/ !<;;= ?3492>! 0UB 8BQS^NFY 4C]_FY . ?IFRJR >TCMJSSFE GOQ SIF /FHQFF OG <I/ BS SIF @NJUFQRJSX OG >S$ .NEQFVR '+++ 1TLL MFSBEBSB GOQ SIJR JSFM JR BUBJLBCLF JN =FRFBQDI->S.NEQFVR,1TLL?FWS BS, ISSP,%%QFRFBQDI#QFPORJSOQX$RS#BNEQFVR$BD$TK% <LFBRF TRF SIJR JEFNSJGJFQ SO DJSF OQ LJNK SO SIJR JSFM, ISSP,%%IEL$IBNELF$NFS%'&&()%(+)' ?IJR JSFM JR PQOSFDSFE CX OQJHJNBL DOPXQJHIS Fantasising the Self: A Study of Alasdair Gray's Lanark, 1982 Janine, Something Leather and Poor Things Eva Martinez Ibanez A thesis submitted for the degree of Doctor of Philosophy in the University of St Andrews May 1999 Abstract ii Abstract This thesis explores the use of fantasy in Alasdair Gray's major fictions: Lanark (1981), 1982 Janine (1984), SomethingLeather (1990) and Poor Things (1992). The main purpose is to study the way Alasdair Gray borrows elementsfrom Gothic different forms of fantasy - magical realism, pornography, the and science fiction - in order to explore and resolve the internal conflicts of his characters. In the introduction current definitions of fantasy are surveyed.Also explored is the concept of magical realism, as one of the objectives of the thesis is to demonstrate that some of Gray's work, particularly Lanark, presents some of the characteristicsof this branch of Postmodernism. The first chapter concerns Lanark. The juxtaposition of fantasy and realism is explored in order to show the fragmentation of the self represented by the figure of Thaw/Lanark. Also paradoxesand contradictions at the heart of this work are investigatedfrom the point of view of form and content.
    [Show full text]
  • True Nations and Half People: Rewriting Nationalism in Alasdair Gray's Poor Things
    True Nations and Half People: Rewriting Nationalism in Alasdair Gray’s Poor Things David Leishman To cite this version: David Leishman. True Nations and Half People: Rewriting Nationalism in Alasdair Gray’s Poor Things. Transnational Literature, 2013, 6 (1), 16 p. hal-01887566 HAL Id: hal-01887566 https://hal.archives-ouvertes.fr/hal-01887566 Submitted on 4 Oct 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. True Nations and Half People: Rewriting Nationalism in Alasdair Gray’s Poor Things David Leishman Over the past two decades it has become something of a commonplace to refer to Scotland in the plural. Indicative of this trend are the 2004 collection of poetry entitled Scotlands: Poets and the Nation1 and the Scottish cultural journal, Scotlands, which ran from 1994-1998, and whose 1997 volume encouraged the representation of varied visions of national experience and identity as reflecting the multiplicity of the nation itself: ‘new views of Scotland, new Scotlands’. This purported coexistence of manifold Scotlands feeds into a postmodernist
    [Show full text]
  • SHADES of GRAY Science Fiction, History and the Problem of Postmodernism in the Work of Alasdair Gray
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Qucosa - Publikationsserver der Universität Leipzig SHADES OF GRAY Science Fiction, History and the Problem of Postmodernism in the Work of Alasdair Gray Dietmar Böhnke 2 SHADES OF GRAY LEIPZIG EXPLORATIONS IN LITERATURE AND CULTURE VOLUME XI Series Editors: Elmar Schenkel / Stefan Welz The books in this series suggest that we live in an exciting age of explorations. We now have the great opportunity to chart the territories between disciplines and cultures, to map forgotten or as yet undiscovered areas of thought, culture and writing. The monographs and collections from Leipzig try to break out of unproductive oppositions say between East and West, North and South, humanities and sciences, or academic discourse and journalism. Instead we are encouraging the emergence of triangular constellations, such as between Newfoundland, Scotland and West Africa, or between travelogue, science and women’s writing, or between alchemy, prehistory and bicycles. Pioneer studies on contemporary authors will be another asset of this series. The focus of Leipzig Explorations is on literatures in English, albeit with a strong emphasis on comparative and interdisciplinary studies. We particularly encourage essayistic writing that combines academic knowledge with passion and curiosity. Lieber Herr Galda, hier sollten nun noch die richtige ISBN/ISSN, sowie die Eintragungen der LOC (und ggf. der BL) ergänzt werden. Bitte prüfen Sie auch noch die anderen Angaben! Die Kennzeichnung als Diss. der Uni Leipzig ist wichtig. Viele Grüße Heiko Zimmermann Die vorliegende Arbeit wurde von der Philologischen Fakultät der Universität Leipzig als Dissertation angenommen.
    [Show full text]
  • Alasdair Gray's 1982 Janine
    ALASDAIR GRAY’S 1982 JANINE (1984): A POSTMODERNIST SCOTTISH NOVEL SÍBIA PATRÍCIA DA COSTA GONÇALVES SOUSA FUNCHAL 2003 SÍBIA PATRÍCIA DA COSTA GONÇALVES SOUSA ALASDAIR GRAY’S 1982 JANINE (1984): A POSTMODERNIST SCOTTISH NOVEL Dissertação de Mestrado em Cultura e Literatura Anglo-Americanas apresentada à Universidade da Madeira ORIENTADORA: Professora Doutora Dominique Costa FUNCHAL 2003 AGRADECIMENTOS Em primeiro lugar, gostaria de dirigir os meus agradecimentos à Universidade da Madeira em geral por me ter proporcionado a frequência no Curso de Licenciatura em Línguas e Literaturas Modernas, variante Francês e Inglês (1993-1998), e posteriormente no primeiro Curso de Mestrado em Cultura e Literatura Anglo-Americanas. Estou igualmente agradecida ao Departamento de Estudos Anglísticos e Germanísticos da Universidade da Madeira por ter organizado e tornado realidade este Curso de Mestrado, em especial à Directora do Mestrado, Professora Doutora Maria Zina Gonçalves de Abreu, cujo espírito de iniciativa e dinamismo tornou possível a realização deste Curso de Mestrado, e cuja cooperação foi valiosa para a concretização deste trabalho de investigação. Os meus agradecimentos vão também para o corpo docente que leccionou os Seminários da parte lectiva do Curso de Mestrado, por ter facultado orientações importantes e incentivado o desenvolvimento de um espírito crítico e de investigador. Gostaria de expressar os meus sinceros agradecimentos, em particular, à minha orientadora da Dissertação de Mestrado, a Professora Doutora Dominique Costa, que despertou e fomentou o meu interesse pela literatura de Língua Inglesa pós-modernista em geral, e pelo trabalho de Alasdair Gray em particular, quando ministrou o Seminário de Literatura Inglesa “Postmodernist British Fiction: A Narratological Approach” no Curso de Mestrado.
    [Show full text]
  • Whiteford, Eilidh Macleod (1997) Political Histories, Politicised Spaces: Discourses of Power in the Fiction of Alasdair Gray
    Whiteford, Eilidh MacLeod (1997) Political histories, politicised spaces: discourses of power in the fiction of Alasdair Gray. PhD thesis. http://theses.gla.ac.uk/2054/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Political Histories, Politicised Soaces: Discourses of Power in the Fiction of Alasdair GLay. Eilidh MacLeod Whiteford PhD Thesis University of Glasgow Department of Scottish Literature December 1997 0 Eilidh M. Whiteford, 1997. 1 Abstract. Critical assessments of Alasdair Gray's work make frequent mention of his postmodern literary strategies and his active engagement with political issues. However, Gray himself is quick to refute claims that he is a postmodern writer, and, although his books are often described as 'political', detailed attention has yet to be paid to the kind of politics Gray espouses. By examining key ideological strands in a range of Alasdair Gray's prose writings (including texts that have attracted little critical interest) and by exploring their central, sometimes unresolved, tensions, this thesis investigates the relationship between literary and political discourses in Gray's work.
    [Show full text]
  • Neil James Rhind IRSS 36 (2011) 107
    Neil James Rhind IRSS 36 (2011) 107 WORKING TOWARDS A BETTER NATION: INNOVATION AND ENTRAPMENT IN THE FICTION OF ALASDAIR GRAY Neil James Rhind* There can be few more firmly established points within the theoretical reception of Alasdair Gray than the notion that his work shows a consistent commitment to political engagement. It has been twenty years since Robert Crawford identified “one of [Gray’s] principle continuing obsessions [as] the struggle against entrapment,”1 a judgement which he was not the first - and far from the last - to make, although the near- pathologising connotations of his terminology make the point more strikingly than most. Unlike more contentious tropes in criticism on Gray, most infamously his status as a postmodernist, this is an assertion with which even Gray himself has agreed. Not only has Gray questioned the extent to which an element of political commentary – defined as the result of “a sense of justice…a sense of what is just, right and fair”2 – can be avoided in any fiction, “except the most blandly escapist”3, he has explicitly highlighted one manifestation of political engagement as a central seam running through his fiction. Echoing the struggle which Crawford places at the centre of his work, Gray has commented that “all my writing * Neil Rhind was awarded a Ph.D by The University of Edinburgh in 2009 for his thesis on the postmodern dimension of Alasdair Gray’s fiction, but refuses to let that get in the way of enjoying the works themselves. A keen participant in Scottish communal performance, further articles by Dr Rhind are planned to appear in future issues of The Scottish Literary Review and The International Journal of Scottish Literature.
    [Show full text]