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Gaston Renard Books Australasia
CATALOGUE NUMBER 392 A Miscellany: AUSTRALIANA, ASIA, HISTORY, THE PACIFIC REGION; BOOKS ON BOOKS, PRINTING AND TYPOGRAPHY; VOYAGES & TRAVELS, EXPLORATION, &c. GASTON RENARD BOOKS AUSTRALASIA Fine and Rare Books P.O. Box 1030, IVANHOE, Victoria, 3079, Australia. Website: http://www.GastonRenard.com.au Email: [email protected] Telephone: (+61 3) 9459 5040 FAX: (+61 3) 9459 6787 2009 NOTES AND CONDITIONS OF SALE. We want you to order books from this catalogue and to be completely satisfied with your purchase so that you will order again in future. Please take a moment to read these notes explaining our service and our Conditions of Sale. 1. All books in this and other catalogues issued by us have been examined in detail and are guaranteed to be complete and in good condition unless otherwise stated; all defects are fully and fairly described. All secondhand books we offer for sale have been collated page by page in order to find such defects or verify that there are none. We suggest however, that as a matter of course, you should carry out your own checks of all purchases from whatever source. 2. You may return books for any reason, however such returns must be made within 3 days of receipt and postage paid in both directions unless we are at fault in which case we will pay all postage charges. You should notify us immediately of your intention to return and we would appreciate you informing us of the reason. Books returned should also be properly packed. It is a condition of return that you accept liability for any damage occurring during transit. -
Boston ABAA Book Fair
Lux Mentis, Booksellers 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 [email protected] www.luxmentis.com Boston ABAA Book Fair 1. 19th century printed prayer card, S. Petrus [St. Peter]. c.19th century. Single cut leaf handcolored engraving prayer card, appears to be cut and numbered. Very Good+. (#10204) $75.00 Early printed prayer card specimen, handcolored. 2. [Amate paper] Curandero Otomí Deity - Dios de Piña cut paper card. San Pablito, Mexico, 1970-1990. Unique. Single leaf paper cut mounted on brown and white amate bark paper with handwritten description. 15x9cm. In Spanish. Very Good+. (#9922) $75.00 The culture of amate paper dates back to pre-Columbian Meso-American times. The word amate derives from amatl, the Nahuatl word for paper. Mayan and Aztec Indians painted on amate paper to create codices (accordion folded books) depicting stories historical events and even astrology. San Pablito, a settlement of Otomí speaking Indians in the Sierra Norte de Puebla, is renowned as a village of brujería (witchcraft) and the only remaining major center of indigenous papermakers in Mexico. The cut paper spirits are also named as deities, including dios de abeja, dios de antiguo, madre tierra. In addition, the Otomí cut paper camas (beds), upon which the paper figurines are laid during rituals. A lesser known aspect of Otomí tourist art is the making of small books or postcards from handmade paper where the lighter paper is used as a background surface, and brown and darker muñecos, the “sacred paper cuttings”, are glued on. These figures are accompanied by texts in Spanish written in capital letters with felt-tipped pens. -
WILLIAM THOROWGOOD Birthdate Unknown -1820
Fat typefaces were said to have changed the entire poster industry. ” WILLIAM THOROWGOOD Birthdate Unknown -1820. By: Lauren Kosiara IN 1794, ROBE R T THO R NE HAD PU R CHASED THE typefaces and sans serif typefaces. These fat titling and flower fonts. Thorowgood is also FOUND R Y of Thomas Cottrell, a former employee typefaces were said to have changed the entire credited for coining the term “grotesque.” of William Caslo. It had originally been founded poster industry for the time period. Thorowgood The name came from the Italian word in 1757 when Cottrell and Joseph Jackson were was also the first person to invent a sans-serif ‘grottesco’, meaning “belonging to the cave.” In fired in a wage dispute. Upon Thorne’s death in typeface using lowercase letters. Germany, the name became Grotesk. German 1820 the foundry was purchased at auction by Thorowgood went on to issue new typefounders adopted the term from the William Thorowgood using money he had won specimens and added more typefaces nomenclature of Fann Street Foundry, which in a lottery. including Frakturs, Greeks, and Russian took on the meaning of cave (or grotto) art. Though he was never involved in the type types which he obtained from the Breitkopf Nevertheless, some explained the term was founding business before this, Thorowgood and Härtel foundry of Leipzig, Germany. In derived from the surprising response from the made the foundry initially successful by 1828, he also purchased the Edmund Fry typographers. Robert Besley became a partner publicizing Thorne’s typefaces. Many of the foundry which had a large collection of foreign in the Fann Street Foundry in 1828, and upon types identified as Thorowgood’s are actually language types as well. -
Catalogue 242: Was It Wise? 1 7
Thomas J. Wise (1858-1937): English book-collector, bibliographer, editor, forger and thief Was it Wise? The Cyril M. Wyatt collection of books, pamphlets and autograph letters pertaining to forgeries, piracies and counterfeit editions —those who made them, those who supported them and those who exposed them— with emphasis on Thomas J. Wise Catalogue 242 April 2021 TERMS AND CONDITIONS OF SALE Unless otherwise described, all books are in the original cloth or board binding, and are in very good, or better, condition with defects, if any, fully described. Our prices are nett, and quoted in Australian dollars. Traditional trade terms apply. Items are offered subject to prior sale. All orders will be confirmed by email. PAYMENT OPTIONS We accept the major credit cards, PayPal, and direct deposit to the following account: Account name: Kay Craddock Antiquarian Bookseller Pty Ltd BSB: 083 004 Account number: 87497 8296 Should you wish to pay by cheque we may require the funds to be cleared before the items are sent. GUARANTEE As a member or affiliate of the associations listed below, we embrace the time-honoured traditions and courtesies of the book trade. We also uphold the highest standards of business principles and ethics, including your right to privacy. Under no circumstances will we disclose any of your personal information to a third party, unless your specific permission is given. TRADE ASSOCIATIONS Australian and New Zealand Association of Antiquarian Booksellers [ANZAAB] Antiquarian Booksellers’ Association [ABA(Int)] International League of Antiquarian Booksellers [ILAB] Australian Booksellers Association NOTE This catalogue has been compiled by Alison Sayers and Kay Craddock, with images by David Cosgrove The title of this catalogue is taken from a poem by A. -
World Literature
world literature Peter Harrington london This catalogue celebrates the international conversation that is literature, and the creativity that can spark when writers and texts cross national, linguistic, and cultural borders. For his lifelong commitment to literary internationalism, Jorge Luis Borges is a key figure here. One of the star items is Borges’s own annotated copy of Dante (20). Another is a man- uscript of the only poem he composed in the English language (17). We also have a scarce signed set of his Biblioteca de Babel series (21), which brought the great short stories of world literature to a South American audience. Many other items connect notable authors across place and time: Dylan Thomas’s school- boy copy of Omar Khayyám (item 179), T. S. Eliot’s Rimbaud (61), and E. M. Forster’s Chek- hov (41), for example. Among international presentations, Umberto Eco’s Name of the Rose to García Márquez is a show-stopper (58), as is García Márquez inscribing One Hundred Years of Solitude to his English publisher (67). A compelling example of international readership is found in a first American edition of Moby Dick being read by a poet in Hawaii who correspond- We are exhibiting at these fairs: ed with Melville (127). Classical literature is fundamental to our global network of inspiration, and where else to begin but with the editio princeps of Homer, printed in Florence in 1488 (83)? We also have, list- 7–9 June 2019 ed under its translator’s name, a scarce inscribed copy of T. E. Lawrence’s beautifully-printed firsts london English version (109). -
Keys Fine Art Auctioneers
Keys Fine Art Auctioneers Palmers Lane Books & Ephemera Sale - Live Bidding All Day One & Aylsham Norwich Ephemera Section Day 2 Lots 1050-1534 NR11 6JA United Kingdom Started 28 May 2015 10:00 BST Lot Description 1 JONATHAN SWIFT: GULLIVER'S TRAVELS, ill A Rackham, 1909, 1st trade edn, 12 col's plts as list, orig pict cl gt FRANK RICHARDS: 16 ttls: TROUBLE FOR TOM MERRY - THROUGH THICK AND THIN - THE DISAPPEARANCE OF TOM MERRY 2 - CARDEW'S CATCH - DOWN AND OUT, ND, Spring Books "Fanfare" Series, 5 vols, orig cl d/ws + 11 ttls written as "MARTIN CLIFFORD": TOM MERRY'S SECRET - TOM MERRY'S RIVAL - THE MAN FROM THE PAST - W ...[more] W E JOHNS: THE RUSTLERS OF RATTLESNAKE VALLEY - ADVENTURE BOUND - ADVENTURE UNLIMITED - THE BIGGLES 3 BOOK OF HEROES - ADVENTURES OF THE JUNIOR DETECTION CLUB - WHERE THE GOLDEN EAGLE SOARS - THE BIGGLES BOOK OF TREASURE HUNTING, 1948, 1955, 1957, 1959, 1960, 1960, 1962, 1st edns, orig cl d/ws (7) GEORGE E ROCHESTER: 4 ttls: JACKALS OF THE CLOUDS, L, John Hamilton circa 1937, lacks ffep, orig cl d/w; THE FLYING 4 BEETLE, circa 1937 orig cl d/w; GREY SHADOW, circa 1937 orig cl d/w; DERELICT OF THE AIR, [1937] 1st edn, 40pp adverts at end dated Spring 1937, orig cl d/w (4) ALAN ALEXANDER MILNE: 2 ttls: WINNIE THE POOH, ill E H Shepard, 1926 1st edn, orig pict cl gt; THE HOUSE AT POOH 5 CORNER, ill E H Shepard, 1928 1st edn, orig pict cl gt (2) ALISON UTTLEY: THE SQUIRREL, THE HARE AND THE LITTLE GREY RABBIT, ill M Tempest, 1929 1st edn, orig pict bds worn, pict 6 paper label, 7 JOHN RONALD REUEL TOLKIEN: THE -
Americana, Travel, Atlases Section III: Literature, Art, Photography
Full collations, descriptions, and bibliographical details are available for all items listed. Section I: Human Sciences & Natural History Section II: Americana, Travel, Atlases Section III: Literature, Art, Photography 1 NEWTON, No. 62 2 THE STATE OF CHEMISTRY NEW TECHNOLOGY FOR THE FARMER 1. AIKIN, Arthur & AIKIN, Charles Rochemont 2. ANDERSON, James A dictionary of chemistry and mineralogy, with an account of the processes Essays relating to agriculture and rural affairs. Edinburgh: William Cheech, employed in many of the most important Chemical Manufactures. To which 1775, 1777; Bell & Bradfute, 1796. Three volumes (Volume I in two parts). are added a description of chemical apparatus, and various useful tables of 8vo. Complete with all half-titles, folding engraved plates, errata and weights and measures, chemical instruments, &c. &c. London: John and publisher’s advertisements. Contemporary calf. Arthur Arch and William Phillips, 1807. Two volumes 4to. With 15 engraved plates. Full calf, rebacked with the original spine laid down. First editions. The essays which make up the first volume include treatment of enclosures and fencing, draining bogs and swampy ground, on leveling ridges, on the proper method of sowing grass seeds, on hay-making, and a lengthy one entitled “Miscellaneous disquisitions, doubts and queries relating to agriculture.” This essay was supplemented in the 1777 printing by a treatise on quick-lime. The third volume contains three essays, the first “On the obstacles to the advancement of agriculture in England, and the means of removing them”; the second “On waste lands, and the means of their improvement”; and the third “Hints on the economical consumption of the produce of a farm”. -
HOLY HOAXES: a BEAUTIFUL DECEPTION Celebrating William Voelkle’S Collecting Holy Hoaxes: Forgeries, Jokes, Conjurers’S Tricks and Illusions, Or Works of Art?
LES ENLUMINURES HOLY HOAXES: A BEAUTIFUL DECEPTION Celebrating William Voelkle’s collecting Holy Hoaxes: Forgeries, Jokes, Conjurers’s Tricks and Illusions, or Works of Art? Forgeries tell us much about any civilization. Look at what people are judgement. He says that she fixed him with an icy stare: “’Young man’,” forging, and we will learn what matters to them most. Christians of the she said, after briefly examining the manuscript, “’you have a splendid early Middle Ages were earnestly counterfeiting relics of saints, to create book there … Yes, a splendid example of the work of the Spanish Forg- tangible evidence of supernatural beliefs which they longed to validate. er’.” Even as the exchange is reported, we can detect her grudging ad- In twelfth-century Europe, people fabricated land charters, inventing miration of the artistry. The twist in that particular story is that she was documentation of title to feudal property on which livelihoods and soci- in this instance wrong: the manuscript (perhaps even to her disappoint- ety depended. In the sixteenth century, it was commonplace to concoct ment) was actually genuine. spurious ancestors, faking up complex family trees for the ambitious, in a time when social ranking was a necessity for advancement. Today, people No other manuscript custodian in the world has taken up this responsibil- forge works of art. This is the ultimate tribute to the place of art in our ity with more diligence and joy than William Voelkle. He is one of best lives, both as objects of beauty and as tokens of wealth. known and most widely liked curators the Morgan has ever had. -
Smashing Ebook
IMPRINT Imprint © 2013 Smashing Media GmbH, Freiburg, Germany ISBN: 978-3-943075-54-0 (Version 1: April 2013) Cover Design: Ricardo Gimenes PR & Press: Stephan Poppe eBook Strategy and Editing: Vitaly Friedman Technical Editing: Cosima Mielke Planning and Quality Control: Vitaly Friedman, Iris Lješnjanin Tools: Elja Friedman. Syntax Highlighting: Prism by Lea Verou. Copywriter: Clarissa Peterson Idea & Concept: Smashing Media GmbH About This Book Typography is everywhere. If you walk out the door, you will be hard pressed to find any element of our daily lives that doesn’t involve or re- ly on typography. The prevalence of typography is not limited only to the analog world. This eBook introduces historical and cultural aspects of type and how they relate to the Web industry. Find out about chang- ing fads in type, about the complexities of Japanese characters and about typographic applications for different situations. You are sure to learn something that you didn’t know before from our great authors. TABLE OF CONTENTS Japanese, A Beautifully Complex Writing System ..........................................3 Respect Thy Typography........................................................................................16 Typography Carved In Stone................................................................................ 27 Industrial-Strength Types.....................................................................................46 Legitima Typeface: An Experience Of Fossils And Revivals ......................69 When Typography -
Fine Books, Manuscripts, Atlases & Historical Photographs
Fine Books, Manuscripts, Atlases & Historical Photographs Montpelier Street, London I 4 December 2019 Fine Books, Manuscripts, Atlases & Historical Photographs Montpelier Street, London | Wednesday 4 December 2019, at 11am BONHAMS ENQUIRIES Please see page 2 for bidder REGISTRATION Montpelier Street Matthew Haley information including after-sale IMPORTANT NOTICE Knightsbridge Simon Roberts collection and shipment. Please note that all customers, London SW7 1HH Luke Batterham irrespective of any previous activity www.bonhams.com Sarah Lindberg Please see back of catalogue with Bonhams, are required to +44 (0) 20 7393 3828 for important notice to bidders complete the Bidder Registration VIEWING +44 (0) 20 7393 3831 Form in advance of the sale. The ILLUSTRATIONS Sunday 1 December [email protected] form can be found at the back of 11am to 3pm Front cover: Lot 145 every catalogue and on our Monday 2 December Shipping and Collections Back cover: Lot 347 website at www.bonhams.com 9am to 4.30pm Joel Chandler and should be returned by email or Tuesday 3 December +44 (0)20 7393 3841 post to the specialist department 9am to 4.30pm [email protected] or to the bids department at Wednesday 4 December [email protected] 9am to 11am PRESS ENQUIRIES To bid live online and / or [email protected] leave internet bids please go to BIDS www.bonhams.com/auctions/25356 +44 (0) 20 7447 7447 CUSTOMER SERVICES and click on the Register to bid link +44 (0) 20 7447 7401 fax Monday to Friday at the top left of the page. [email protected] 8.30am to 6pm To bid via the internet +44 (0) 20 7447 7447 please visit www.bonhams.com LIVE ONLINE BIDDING IS New bidders must also provide AVAILABLE FOR THIS SALE proof of identity when submitting bids. -
A Dictionary of English Manuscript Terminology, 1450 to 2000
A DICTIONARY OF ENGLISH MANUSCRIPT TERMINOLOGY 1450–2000 This page intentionally left blank A DICTIONARY OF ENGLISH MANUSCRIPT TERMINOLOGY 1450–2000 PETER BEAL 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York ß Peter Beal 2008 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other -
Unraveling Aspects of Brazilian Design History Through the Study of 19Th Century Almanacs and Type Specimens
Design Research Society DRS Digital Library DRS2012 - Research: Uncertainty Contradiction DRS Biennial Conference Series Value Jul 1st, 12:00 AM Unraveling Aspects of Brazilian design History through the Study of 19th Century Almanacs and Type Specimens Priscila L. Farias University of São Paulo & Senac University Center Isabella R. Aragão Federal University of Pernambuco Edna L.O. Da Cunha Lima Pontifical Catholic University of Rio de Janeiro Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Farias, P., Aragão, I., and Da Cunha Lima, E. (2012) Unraveling Aspects of Brazilian design History through the Study of 19th Century Almanacs and Type Specimens, in Israsena, P., Tangsantikul, J. and Durling, D. (eds.), Research: Uncertainty Contradiction Value - DRS International Conference 2012, 1-4 July, Bangkok, Thailand. https://dl.designresearchsociety.org/drs-conference-papers/drs2012/researchpapers/37 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. DRS 2012 Bangkok Chulalongkorn University Bangkok, Thailand, 1–4 July 2012 Unraveling Aspects of Brazilian design History through the Study of 19th Century Almanacs and Type Specimens Priscila L. FARIASa, Isabella R. ARAGÃOb and Edna L.O. da CUNHA LIMAc aUniversity of São Paulo & Senac University Center bFederal University of Pernambuco cPontifical Catholic University of Rio de Janeiro Abstract Printing with movable type was officially introduced in Brazil in 1808, following the transfer of the Portuguese Court to Rio de Janeiro, opening an important chapter in the story of Brazilian ‘design-before-design’.