The Handbook of the Gothic 2Nd Edition
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STEVE JACKSON GAMES Printed in the SJG00895 6538 USA TECHNOLOGY IS POWER
TECHNOLOGY IS POWER. Power corrupts. Therefore absolute technology corrupts absolutely. It is an Age of Revolution; the world has been cruelly purged . in fire, and blood, and steam. From the past, untold horrors wait to clutch at men’s souls. TM It is an Age of Invention; even the Laws of Nature must fall before the power of Progress! Sinister villains plot to use their newfound inventions against society, nature, and even God Himself! GURPS Basic Set, Third Edition It is an Age of Steam; the most brilliant minds of the age Revised and GURPS Compendium I: Character Creation are required to experiment with novel, wondrous ideas – but is mankind use this supplement in a GURPS ready forfor such power? campaign. The historical and technological material and the GURPS Screampunk presents a toolkittoolkit forfor incorporatingincorporating campaign seeds can be used with VictorianVictorian steampunk into games of gothic horror. any rules system. Included are: THE UNCLEAN: • A guide to gothic horror themes, locations, and plots, with Written by suggestionssuggestions on howhow toto add a doom-laden atmosphere to JO RAMSAY your games. Edited by • The use of wweirdeird technology as a corrupting influence. LAURA WATERS, • Real-world Victorian scientific institutions – and the mobs • Real-world Victorian scientific institutions – and the mobs ALAIN H. DAWSON, that opposed them. AND ANDREW HACKARD • CharactCharacterer ararchetypeschetypes including the cruel guardian, the sinister Cover by serservant,vant, the ingenue, and the swarthy foreigner. TOM FOWLER • Adventure seeds, plot hooks, and guidance for running gothic horrorhorror scenarios.scenarios. Illustrated by TOM BIONDOLILLO The ominous shadows of the past loom over the present. -
The Evolution of the Vampire Figure in English and American Literature As Social and Economic Symbol of Contemporary Western Masculine Identity”
DOCTORAL THESIS 2015 “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate UNED Department of Foreign Philologies and their Linguistics Philology Faculty Thesis Director: Dr. Antonio Andrés Ballesteros González Department of Foreign Philologies and their Linguistics Philology Faculty “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate Thesis Director: Dr. Antonio Andrés Ballesteros González Acknowledgements I would like to express my deepest gratitude and respect, first and foremost, to my thesis director, Dr. Antonio Andrés Ballesteros, whose careful and wise guidance, counselling, and patience have shown me the necessary tools when tackling such research endeavour. Alongside his academical guidance, his passion must be addressed regarding vampires as creatures of the human mind with literary and/or anthopological significance, for that is what the ultimate target of this research thesis is, beyond its academical value and significance; to give account of a myth rooted deep in the human soul. Without any of the mentioned here would this thesis be the same. Equal gratefulness is deserved by my friend beyond appreciation, Dr. Rodrigo Carcedo, whose guidance was paramount when addressing whatever aspect regarding vampire psychology. Besides a great psychologist and scholar, he bears a especial place in my heart. True example of friendship. My deepest gratefulness to Itziar Mujika as well, amazing and challenging student of mine, true friend, and superb journalist and researcher into women’s role in peaceful resolutions of war conflicts. -
Volume 89 Number 1 March 2020 V Olume 89 Number 1 March 2020
Volume 89 Volume Number 1 March 2020 Volume 89 Number 1 March 2020 Historical Society of the Episcopal Church Benefactors ($500 or more) President Dr. F. W. Gerbracht, Jr. Wantagh, NY Robyn M. Neville, St. Mark’s School, Fort Lauderdale, Florida William H. Gleason Wheat Ridge, CO 1st Vice President The Rev. Dr. Thomas P. Mulvey, Jr. Hingham, MA J. Michael Utzinger, Hampden-Sydney College Mr. Matthew P. Payne Appleton, WI 2nd Vice President The Rev. Dr. Warren C. Platt New York, NY Robert W. Prichard, Virginia Theological Seminary The Rev. Dr. Robert W. Prichard Alexandria, VA Secretary Pamela Cochran, Loyola University Maryland The Rev. Dr. Gardiner H. Shattuck, Jr. Warwick, RI Treasurer Mrs. Susan L. Stonesifer Silver Spring, MD Bob Panfil, Diocese of Virginia Director of Operations Matthew P. Payne, Diocese of Fond du Lac Patrons ($250-$499) [email protected] Mr. Herschel “Vince” Anderson Tempe, AZ Anglican and Episcopal History The Rev. Cn. Robert G. Carroon, PhD Hartford, CT Dr. Mary S. Donovan Highlands Ranch, CO Editor-in-Chief The Rev. Cn. Nancy R. Holland San Diego, CA Edward L. Bond, Natchez, Mississippi The John F. Woolverton Editor of Anglican and Episcopal History Ms. Edna Johnston Richmond, VA [email protected] The Rev. Stephen A. Little Santa Rosa, CA Church Review Editor Richard Mahfood Bay Harbor, FL J. Barrington Bates, Prof. Frederick V. Mills, Sr. La Grange, GA Diocese of Newark [email protected] The Rev. Robert G. Trache Fort Lauderdale, FL Book Review Editor The Rev. Dr. Brian K. Wilbert Cleveland, OH Sheryl A. Kujawa-Holbrook, Claremont School of Theology [email protected] Anglican and Episcopal History (ISSN 0896-8039) is published quarterly (March, June, September, and Sustaining ($100-$499) December) by the Historical Society of the Episcopal Church, PO Box 1301, Appleton, WI 54912-1301 Christopher H. -
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Contents ARTICLES Mother, Monstrous: Motherhood, Grief, and the Supernatural in Marc-Antoine Charpentier’s Médée Shauna Louise Caffrey 4 ‘Most foul, strange and unnatural’: Refractions of Modernity in Conor McPherson’s The Weir Matthew Fogarty 17 John Banville’s (Post)modern Reinvention of the Gothic Tale: Boundary, Extimacy, and Disparity in Eclipse (2000) Mehdi Ghassemi 38 The Ballerina Body-Horror: Spectatorship, Female Subjectivity and the Abject in Dario Argento’s Suspiria (1977) Charlotte Gough 51 In the Shadow of Cymraeg: Machen’s ‘The White People’ and Welsh Coding in the Use of Esoteric and Gothicised Languages Angela Elise Schoch/Davidson 70 BOOK REVIEWS: LITERARY AND CULTURAL CRITICISM Jessica Gildersleeve, Don’t Look Now Anthony Ballas 95 Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, ed. by Dawn Keetley and Angela Tenga Maria Beville 99 Gustavo Subero, Gender and Sexuality in Latin American Horror Cinema: Embodiments of Evil Edmund Cueva 103 Ecogothic in Nineteenth-Century American Literature, ed. by Dawn Keetley and Matthew Wynn Sivils Sarah Cullen 108 Monsters in the Classroom: Essays on Teaching What Scares Us, ed. by Adam Golub and Heather Hayton Laura Davidel 112 Scottish Gothic: An Edinburgh Companion, ed. by Carol Margaret Davison and Monica Germanà James Machin 118 The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Catherine Spooner, Post-Millennial Gothic: Comedy, Romance, and the Rise of Happy Gothic Barry Murnane 121 Anna Watz, Angela Carter and Surrealism: ‘A Feminist Libertarian Aesthetic’ John Sears 128 S. T. Joshi, Varieties of the Weird Tale Phil Smith 131 BOOK REVIEWS: FICTION A Suggestion of Ghosts: Supernatural Fiction by Women 1854-1900, ed. -
NVS 12-1-13-Announcements-Page;
Announcements: CFPs, conference notices, & current & forthcoming projects and publications of interest to neo-Victorian scholars (compiled by the NVS Assistant Editors) ***** CFPs: Journals, Special Issues & Collections (Entries that are only listed, without full details, were highlighted in a previous issue of NVS. Entries are listed in order of abstract/submission deadlines.) Penny Dreadfuls and the Gothic Edited Collection Abstracts due: 18 December 2020 Articles due: 30 April 2021 Famed for their scandalous content and supposed pernicious influence on a young readership, it is little wonder why the Victorian penny dreadful was derided by critics and, in many cases, censored or banned. These serialised texts, published between the 1830s until their eventual decline in the 1860s, were enormously popular, particularly with working-class readers. Neglecting these texts from Gothic literary criticism creates a vacuum of working-class Gothic texts which have, in many cases, cultural, literary and socio-political significance. This collection aims to redress this imbalance and critically assess these crucial works of literature. While some of these penny texts (i.e. String of Pearls, Mysteries of London, and Varney the Vampyre to name a few) are popularised and affiliated with the Gothic genre, many penny bloods and dreadfuls are obscured by these more notable texts. As well as these traditional pennys produced by such prolific authors as James Malcolm Rymer, Thomas Peckett Press, and George William MacArthur Reynolds, the objective of this collection is to bring the lesser-researched, and forgotten, texts from neglected authors into scholarly conversation with the Gothic tradition and their mainstream relations. This call for papers requests essays that explore these ephemeral and obscure texts in relevance to the Gothic mode and genre. -
Reorienting the Female Gothic: Curiosity and the Pursuit of Knowledge
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2020 REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE Jenna Guitar University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Guitar, Jenna, "REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE" (2020). Open Access Dissertations. Paper 1145. https://digitalcommons.uri.edu/oa_diss/1145 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE BY JENNA GUITAR A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2020 DOCTOR OF PHILOSOPHY DISSERTATION OF JENNA GUITAR APPROVED: Dissertation Committee: Major Professor Jean Walton Christine Mok Justin Wyatt Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2020 ABSTRACT This dissertation investigates the mode of the Female Gothic primarily by examining how texts utilize the role of curiosity and the pursuit of knowledge, paying close attention to how female characters employ these attributes. Existing criticism is vital to understanding the Female Gothic and in presenting the genealogy of feminist literary criticism, and yet I argue, this body of criticism often produces elements of essentialism. In an attempt to avoid and expose the biases that essentialism produces, I draw from Sara Ahmed’s theory of queer phenomenology to investigate the connections between the way that women pursue and circulate knowledge through education and reading and writing practices in the Female Gothic. -
IMAGINATIVE Apologetics
IMAGINATIVE Apologetics Theology, Philosophy and the Catholic Tradition Foreword by John Milbank Edited by Andrew Davison k Andrew Davison, ed. Imaginative Apologetics Baker Academic, a division of Baker Publishing Group, © 2011. Used by permission. Davison_ImagtinativeApolo.indd 3 2/21/12 10:00 AM foreword These websites are hyperlinked. monologues take the form (in some measure) of apologias, which are never without extreme ambiguity. In his first long poem,Paracelsus, the www.bakerpublishinggroup.com message would seem to be that the speaking protagonist has tried to www.bakeracademic.com perfect the human race through power under the inspiration of romantic love, while wrongly despising the little that can be made of faint loves or www.brazospress.com even hates that conceal an unadmitted love at their hearts. And yet he is www.chosenbooks.com brought to the realisation that he is ‘from the over-radiant star too mad / to drink the light-springs’ by one ‘Festus’, whose very name surely invites www.revellbooks.com caution in the reader who recalls Acts and another eponymous diagnosti- www.bethanyhouse.com © 2011 by Andrew Davison cian of supposed insanity. This surely further invites her to read Paracel- sus’ final hope for a day when human advance through a mere refusal of E-book copyright sample. Published in 2012 by Baker Academic the worst will be surpassed, and his own offer of full ‘splendour’ can be a division of Baker Publishing Group admitted on earth, as truly belonging to Christian eschatology parsed in © 2000 by Copyright holder P.O. Box 6287, Grand Rapids, MI 49516-6287 www.bakeracademic.com terms of a magical or technological release of all natural powers.2 Published by Baker But in other poems by Browning this order of apologetic and of suspi- a division of Baker Publishing Group First published in the UK by SCM Press (an imprint of Hymns Ancient & Modern) in 2011 cious counter-apologetic is exactly reversed. -
Illuminating the Darkness: the Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2013 Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art Cameron Dodworth University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Dodworth, Cameron, "Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth- Century British Novel and Visual Art" (2013). Dissertations, Theses, and Student Research: Department of English. 79. https://digitalcommons.unl.edu/englishdiss/79 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART by Cameron Dodworth A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Nineteenth-Century Studies) Under the Supervision of Professor Laura M. White Lincoln, Nebraska August, 2013 ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART Cameron Dodworth, Ph.D. University of Nebraska, 2013 Adviser: Laura White The British Gothic novel reached a level of very high popularity in the literary market of the late 1700s and the first two decades of the 1800s, but after that point in time the popularity of these types of publications dipped significantly. -
Xavier Aldana Reyes, 'The Cultural Capital of the Gothic Horror
1 Originally published in/as: Xavier Aldana Reyes, ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’, Journal of Italian Cinema and Media Studies, 5.2 (2017), 229–44. DOI link: 10.1386/jicms.5.2.229_1 Title: ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’ Author: Xavier Aldana Reyes Affiliation: Manchester Metropolitan University Abstract: Dario Argento is the best-known living Italian horror director, but despite this his career is perceived to be at an all-time low. I propose that the nadir of Argento’s filmography coincides, in part, with his embrace of the gothic adaptation and that at least two of his late films, The Phantom of the Opera (1998) and Dracula 3D (2012), are born out of the tensions between his desire to achieve auteur status by choosing respectable and literary sources as his primary material and the bloody and excessive nature of the product that he has come to be known for. My contention is that to understand the role that these films play within the director’s oeuvre, as well as their negative reception among critics, it is crucial to consider how they negotiate the dichotomy between the positive critical discourse currently surrounding gothic cinema and the negative one applied to visceral horror. Keywords: Dario Argento, Gothic, adaptation, horror, cultural capital, auteurism, Dracula, Phantom of the Opera Dario Argento is, arguably, the best-known living Italian horror director. -
Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected]
FOR IMMEDIATE RELEASE CONTACT: Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected] www.playwrightsfoundation.org TOP BAY AREA ACTORS, DIRECTORS AND DRAMATURGS TAPPED FOR 2011 BAY AREA PLAYWRIGHTS FESTIVAL TheatreWorks’ Meredith McDonough, Marin Theatre Company’s Ryan Rilette & Bay Area Actors, Naomi Newman, Nicol Foster and Dan Hiatt Among the Artists Supporting our Playwrights in Annual New Play Festival SAN FRANCISCO – The 34th annual Bay Area Playwrights Festival (BAPF) has completed assembly of its artistic teams and is sure to continue its tradition of producing exciting, innovative theatrical experiences. The Festival lineup includes seven new plays in the making – allowing audiences to witness the creative process as it unfolds – and partake in a rich diversity of voices and topics, ranging from the challenges of welcoming home an Iraqi war veteran to Australian racial identity to life and death on the streets of Oakland. With exceptional directors orchestrating a cast of top Bay Area actors who bring their keen artistic sensibilities to each piece and talented dramaturgs helping the writers further shape their work (a dramaturg’s function is similar to that of a book editor), each play has been carefully staffed to provide playwrights and audiences with an amazing experience in new play development. As in years past, the Festival has attracted some of the most exciting up-and-coming directing talent who are eager to tackle the exciting new work brought by the emerging playwrights. Dan Dietz’s Home Below Zero will be directed by Meredith McDonough, who, despite being a relative newcomer to Bay Area theater, has made a significant mark since her arrival in 2009. -
Vampires Do(N't) Exist: Using Past and Present Technologies to Make Dracula Real
Journal of Dracula Studies Volume 13 Article 1 2011 Vampires Do(n’t) Exist: Using Past and Present Technologies to Make Dracula Real Holly J. McBee Dickinson State University, North Dakota Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation McBee, Holly J. (2011) "Vampires Do(n’t) Exist: Using Past and Present Technologies to Make Dracula Real," Journal of Dracula Studies: Vol. 13 , Article 1. Available at: https://research.library.kutztown.edu/dracula-studies/vol13/iss1/1 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. Vampires Do(n’t) Exist: Using Past and Present Technologies to Make Dracula Real Cover Page Footnote Dr. Holly J. McBee received her Ph.D. from Purdue University in 2007 and is currently an assistant professor at Dickinson State University in North Dakota. She teaches a range of composition and literature classes and continues her research in eighteenth- and nineteenth-century British literature. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol13/ iss1/1 Vampires Do(n’t) Exist: Using Past and Present Technologies to Make Dracula Real Holly J. McBee [Dr. Holly J. McBee received her Ph.D. from Purdue University in 2007 and is currently an assistant professor at Dickinson State University in North Dakota. -
Transformation in Practice: Sacramental Ministry As a Vehicle of Change
The University of Manchester Research Transformation in Practice: Sacremental Ministry as a Vehicle of Change Link to publication record in Manchester Research Explorer Citation for published version (APA): Travis, M. (2015). Transformation in Practice: Sacremental Ministry as a Vehicle of Change. University of Manchester. Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:05. Oct. 2021 TRANSFORMATION IN PRACTICE: SACRAMENTAL MINISTRY AS A VEHICLE OF CHANGE A thesis submitted to the University of Manchester for the degree of Doctor of Practical Theology in the Faculty of Humanities 2015 MARY TRAVIS SCHOOL OF ARTS, LANGUAGES AND CULTURES CONTENTS Abstract 5 Declaration 6 Copyright Statement 6 Acknowledgements 7 Overview of the Portfolio 9 Part A 1. Introduction 13 1.1 Purpose of Research 19 1.2 Background of Research 21 2. Literature Review 23 2.1 The history of the liberal catholic Anglican tradition 23 2.2 Priesthood in the liberal catholic Anglican tradition 37 3.