CHORALJO Carroll Gonzo Ann Easterling EDITOR MANAGING EDITOR
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Alumnews2007
C o l l e g e o f L e t t e r s & S c i e n c e U n i v e r s i t y D EPARTMENT o f o f C a l i f o r n i a B e r k e l e y MUSIC IN THIS ISSUE Alumni Newsletter S e p t e m b e r 2 0 0 7 1–2 Special Occasions Special Occasions CELEBRATIONS 2–4 Events, Visitors, Alumni n November 8, 2006, the department honored emeritus professor Andrew Imbrie in the year of his 85th birthday 4 Faculty Awards Owith a noon concert in Hertz Hall. Alumna Rae Imamura and world-famous Japanese pianist Aki Takahashi performed pieces by Imbrie, including the world premiere of a solo piano piece that 5–6 Faculty Update he wrote for his son, as well as compositions by former Imbrie Aki Takahashi performss in Hertz Hall student, alumna Hi Kyung Kim (professor of music at UC Santa to honor Andrew Imbrie. 7 Striggio Mass of 1567 Cruz), and composers Toru Takemitsu and Michio Mamiya, with whom Imbrie connected in “his Japan years.” The concert was followed by a lunch in Imbrie’s honor in Hertz Hall’s Green Room. 7–8 Retirements Andrew Imbrie was a distinguished and award-winning member of the Berkeley faculty from 1949 until his retirement in 1991. His works include five string quartets, three symphonies, numerous concerti, many works for chamber ensembles, solo instruments, piano, and chorus. His opera Angle of 8–9 In Memoriam Repose, based on Wallace Stegner’s book, was premeiered by the San Francisco Opera in 1976. -
St John's Smith Square Our History
St John’s Smith Square © Matthew Andrews Square Smith John’s St THANK YOU! ST JOHN’S SMITH SQUARE St John’s Smith Square is very grateful to all the Friends, —— Companies and Trusts and Foundations who have generously supported our work during the 2015/16 Season. “Just to come across it in —— that quiet square is an event. J Allen W Halon P Privitera C J Apperley Angela and David Harvey Kenneth Robbie To enter it, to enjoy its spaces, Michael Archer Hay Kenelm Robert Alain Aubry A Herrero-Ducloux The RVW Trust to listen to fine music within its Anonymous Dr S Hill Chris Saunders Dr J Baker Prof Sean Hilton Donna Schofield walls is an experience not to be Dennis Baldry The Hinrischen Foundation Philip Searl Hannah Baldwin A L Hoile Baroness Sharples matched in conventional concert David Ballance Colin Howard E Siebert Mr and Mrs Dickie S Hughes B W Silverman halls and is a lasting tribute to Bannenberg Ingenious Lynne Simmons M Barrell J A James B Singleton the man who designed it.” Dr Desmond Bermingham G Jenkins Judy Skelton B Bezant Glenn Jessee L A Skilton Sir Hugh Casson Michel-Yves Bolloré M Joekes Sarah-Jane Sklaroff Antoine Bommelaer Christopher Jones Dr Martin Smith Michael Bowen Jacqueline Kilgour Philip and Wendy Spink P Bowman Jocelyn Knight Steinway & Sons Sir Alan and Lady Bowness R Lab Daniel Stephens Clare Bowring Andrew Langley Samuel D P Stewart Joanna Brendon Jane Law Marilyn Stock Ian Brown In memory of J.P Legrand Ilona Storey C Brunell Alan Leibowitz D Sugden Burberry Adrian Lewis John Taylor Inside cover & page 1 -
4532.Pdf (166.8Kb)
PROGRAM PART ONE PART TWO Jonathan Pasternack, conductor Peter Erös, conductor Overture to LA FORZA DEL DESTINO ..... GIUSEPPE VERDI (1813-1901) from DIE WALKÜRE ..............................RICHARD WAGNER (1813-1883) Aria: “LEB’ WOHL” David Borning, baritone from LES CONTES D’HOFFMANN ... JACQUES OFFENBACH (1819-1880) Aria: “LES OISEAUX DANS LA CHARMILLE” Cecile Farmer, soprano from THE BARTERED BRIDE ............... BEDRICH SMETANA (1824-1884) Aria: “NOW, NOW MY DEAR” (VASHEK’S STUTTERING SONG) URELY YOU MUST BE THE BRIDEGROOM OF RU INA S ARIE from LA TRAVIATA ..................................................................... G. VERDI Duet: “S K ’ M ” Aria: “DE’ MIEI BOLLENTI SPIRITI” Nataly Wickham, soprano / Thomas Harper, tenor Duet: “UN DÌ FELICE” Aria: “AH FORS’ È LUI…SEMPRE LIBERA” from DIE ZAUBERFLÖTE ................................................. W. A. MOZART Tess Altiveros, soprano / David Margulis, tenor Aria: “EIN MÄDCHEN ODER WEIBCHEN” Duet: “PAPAGENA, PAPAGENO” from DIE ZAUBERFLÖTE ..................... WOLFGANG AMADEUS MOZART Faina Morozov, soprano / Drew Dresdner, baritone Aria: “ACH, ICH FÜHL’S” (1756-1791) Arian Ashworth, soprano from AÏDA .................................................................................. G. VERDI Duet: “CIEL! MIO PADRE” from CAVALLERIA RUSTICANA ........... PIETRO MASCAGNI (1863-1945) Rebecca Paul, soprano / David Borning, baritone Aria: “VOI LO SAPETE” Brittany Hines-Hill, soprano from DER ROSENKAVALIER ................ RICHARD STRAUSS (1864-1949) Trio: “MARIE THERES! HAB’ -
Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1. -
The Veil of the Temple
The Veil of the Temple The Veil ofJohn the Tavener Temple Performed by The Choir of the Temple Church The Holst Singers Patricia Rozario, Soprano Stephen Layton, Conductor Recorded Live from Performances in the Temple Church, London 27-28 June 2003 (overnight) 1 July 2003 4-5 July 2003 (overnight) 2 The Veil of the Temple Track Listings TRACK TRACK TITLE DURATION TEXT CYCLE II 8 Alleluia. Theos Erastos 00:31 Alleelouia. Theos erastos 00:25 Kyrie Eleison Chant (24 times) 00:26 Lord Jesus Christ (Temple) 00:30 Lord Jesus Christ (Holst) Track Listings 9 Gospel of St John 03:00 Gospel: Let not your heart 00:29 Alleelouia TRACK TRACK TITLE DURATION TEXT 10 Thrice-Holy Hymn - Resurrection 00:19 Agios o Theos 00:26 Te re rem 1 CYCLE I 1 Mystical Love Song of the Sufis 05:51 Ah! What was there in that candle's light? 2 Primordial Call 00:25 Instrumental 00:26 Te re rem 2 00:30 Lord Jesus Christ (Temple Boys) 00:18 Agios Ischyros 01:37 Tohu 00:10 Have mercy 00:23 Kyrie (Temple Boys) 00:35 Jesus having risen from the tomb 00:25 Agios Athanatos 1 CYCLE II 3 Primordial Call 00:20 Instrumental 00:20 In thy Kingdom 4 God’s Creation 00:15 Kyrie (Temple) 11 Beatitudes of St. Isaac the Syrian 03:50 Blessed the one 00:25 Kyrie (Holst) 00:28 Agios Athanatos 2 02:50 Logos 00:15 Christos anestee ek nekron 00:25 Lord Jesus Christ (Temple) 00:25 Lord Jesus Christ (Holst) CYCLE III 12 Primordial Call 00:35 Instrumental 00:50 You mantle yourself in light 00:30 Lord Jesus Christ (Temple) 00:30 Kyrie (Temple) 13 Psalm of Creation 00:25 Lord Jesus Christ (Holst) -
The Latest Newsletter. Organisers with a View to More Holst Being Played at Next Year’S Festival
APRIL 2018 Welcome to the latest newsletter. organisers with a view to more Holst being played at next year’s Festival. Holst lived at 10 The Terrace in Barnes from 1908 to As the last newsletter appeared just before Christmas 2017, I 1913. do apologise for the lateness in this first newsletter for 2018. THE ORIEL SINGERS However, there has been much progress with regard to the Society during the last four months, as you will see set out Recently recorded The Listening Angels, an anthem for solo below. Pressure of work through my day job, running two limited contralto and choir with organ accompaniment (dating from companies has meant that this newsletter appears somewhat 1891), together with New Year Chorus for SATB and later than I had hoped. piano/organ, dating from 1892. John Wright FRCO, a member of the Society, was at the organ. The recording at All Saints’ What I would now propose is that the Society sends out a Church, Cheltenham (where Holst’s father was organist) was newsletter every two months and therefore the next one should made for the Holst Birthplace Museum’s Holst interactive appear at the end of June/ early July. section. MEMBERSHIP WHITTINGTON INTERNATIONAL CHAMBER MUSIC The Society continues to grow. We now have members from FESTIVAL throughout the UK and also from Europe and the USA. th th Will take place between 15 and 20 May 2018 at Whittington th We are now entitled to claim Gift Aid from the Revenue. If any Church in Shropshire. The concert on Wednesday 16 May at subscriber is a UK taxpayer and has yet to complete a Gift Aid 7.30pm will feature Holst’s three pieces for oboe and string form, would you please contact me, whereupon we will quartet (H8A) dating from 1910. -
Holst (1874-1934)
BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) A Discography of CDs & LPs Prepared by Michael Herman Gustav Holst (1874-1934) Born in Cheltenham, Gloucestershire of Swedish ancestry. Attended the Royal College of Music where his teachers were Charles Stanford and William Rockstro. Started his musical career as a trombonist but spent the remainder of his life as a composer, teacher and administrator. He achieved great fame for his symphonic suite "The Planets." He composed in all genres and various styles and began his orchestral output with a Symphony in C minor in 1894. At the end of his life he started a Symphony of which only the Scherzo remains as well as an unfinished Second Choral Symphony. His other works for orchestra and band have been extensively recorded. Beni Mora (Oriental Suite), Op. 29, No. 1 (1909-10) Sir Adrian Boult/London Philharmonic Orchestra ( + A Fugal Overture, Somerset Rhapsody, Hammersmith, Scherzo and Japanese Suite) LYRITA SRCD.222 (1992) (original LP release: LYRITA SRCS.56) (1972) Sir Andrew Davis/Manchester Chamber Choir/BBC Philharmonic ( + The Planets and Beni Mora0 CHANDOS CHSA5086 (2011) Gustav Holst/London Symphony Orchestra (rec. 1924) ( + Bridge: The Sea, Cowen: The Butterfly’s Ball, Stanford: Songs of the Fleet, Elgar - Fringes of the Fleet and Landon Ronald: In An Eastern Garden) DUTTON LABORATORIES CDBP9777 (2007) (original LP release: PEARL GEM 126) (1974) David Lloyd-Jones/Royal Scottish National Orchestra ( + Egdon Heath, Fugal Overture, Hammersmith, Invocation and Somerset Rhapsody) NAXOS 8.553696 (1998) Sir Malcolm Sargent/BBC Symphony Orchestra ( + The Planets and The Perfect Fool – Ballet Music) CLASSICS FOR PLEASURE 585913-2 (2004) (included in collection: "Sir Malcolm Sargent - An Evening at the Proms") GUILD HISTORICAL GHCD2393 (2012) (original LP release: HMV BSD 1101) (1958) Brook Green Suite for String Orchestra (1933) Alan Barlow/Royal Philharmonic Orchestra ( + St. -
Choir Discography
RECORDINGS OF THE CHAPEL CHOIR OF TRINITY COLLEGE, CAMBRIDGE This is a comprehensive list of recordings made by the choir, and issued on CD, since its 'reformation' by the last Director of Music, Richard Marlow, as a mixed SATB choir following admission of women undergraduates to the College in the mid-80s. The first CD releases were on the Conifer label - but this label has since experienced a number of mergers or take-overs with and by other record ompanies and the majority of these recordings are no longer in 'current' catalogues. These titles may possibly be available either new or second-hand from sellers such as Amazon, and during 2009, Sony Classical Music began to reissue some of these titles – concentrating first on anthologies and compilations. They are, without exception, well worth obtaining if you can! The designation 'C' indicates that the title is available in the current catalogue of the listed record label. The Chandos, Hyperion, Griffin and Gothic releases are also available for download from the companies' catalogue websites. As mentioned above, from time to time, Amazon shows used copies available on a number of titles - often imported from a US source and frequently at an expensive price! E-bay is another source which has proved fruitful at times This listing is limited to those recordings issued on CD, and does not include vinyl LPs or any Compact Cassette issues. Most of two early Pearl LPs are reissued as 'Anthems from Cambridge' (see the Griffin CD in the listing), while a further two LPs have yet to be transferred to CD (and this is unlikely). -
Jon Brion Tyler Bates
Volume 9, Number 3 Original Music Soundtracks for Movies and Television Hey, Kiddo! PG. 28 The Music OF THE CHRIST MUSIC FOR JESUS— AND SATAN, TOO! The Bride REVISITED WAXMAN’S LANDMARK HORROR SHOW Robin Hood TIMES TWO KORNGOLD’S CLASSIC ON CD AND DVD The Future of FILM SCORING THREE COMPOSERS, ONE GIANT NAME: Jon Briona Tyler Bates 03 > 7 252 74 93704 2 $4.95 U.S. • $5.95 Canada MARCH 2004 CONTENTS DEPARTMENTS COVER STORY 2 Editorial 10 The Future of Film Scoring Doug Says So! We were entertained by the fact that three of today’s ris- ing film composers become one giant composer when 4 News you put their names together: Jon Brion+Brian Tyler+Tyler Gabriel’s Burn. Bates=Jon Brio/an Tyler Bates. So we interviewed them. 5 Record Label By Jeff Bond Round-up What’s on the way. 11 Memory Bars 5 Now Playing Jon Brion takes on Eternal Sunshine of the Spotless Mind. Movies and CDs in 16 Dead dawns again. release. 14 Journey Beyond Timeline 6 Pukas Brian Tyler scores a trio of new films. In Case of Emergency. 7 Upcoming Film 16 Dead Can Dance Assignments Tyler Bates tackles Dawn of the Dead. Who’s writing what for whom. FEATURES 8 Concerts Film music performed 18 For Christ’s Sake around the globe. Given the popularity that the boring and violent Passion of the Christ has enjoyed over the past couple months, we 9 Mail Bag thought it seemed an appropriate time to take a look at the White Shores. -
Concert of the Century Recorded Live 4
1. 100 Best Sacred Works (2) 2. The 3 Countertenors: Scholl/Visse/Bertin 3. The 3 Tenors: Concert of the Century Recorded Live 4. 42nd Street OST 5. 60’s Love 6. 6 Days 6 Nights OST 7. ‘80s New Wave Millennium Party 8. 98 Degrees: & Rising 9. Aarre Merikanto: Ondine 10. Abel-Steinberg-Winant Trio: Alvin Curran Schtyx 11. Accent On Achievement 12. AC/DC: For Those About To Rock 13. AC/DC: Highway To Hell 14. A Different Prelude: A Contemporary Collection 15. A Tribe Called Quest: People’s Instinctive Travels & The Paths Of Rhythm 16. Adlai Stevenson/Eugene Ormandy/Louis Lane/Andre Previn: Copland Orchestral Works 17. Aeon Yahweh: ‘Don’t Tell L. Cohen’ E.P. 18. Aerosmith: Just Push Play 19. Air Combat Command Heritage Of America Band: Portraits 20. Air Force Band Of The Midwest: Aiming High 21. Air Force Band Of The Midwest: An Evening In December 22. Alan Gilbert; New York Philharmonic: Young People’s Concerts For Schools 23. The Alan Parsons Project: Best Of 24. Albert King: Very Best Of 25. Allsop: Compact Disc Laser Lens Cleaner 26. Al Peregrino: Cuarteto Hispanoamericano 27. Albert Ayler: Selections From Holy Ghost 28. 25. Albert Randeville; Zurich Radio Orchestra: C. Saint-Saens Symphony #3 In C Minor & Other Classical Favorites 29. Aletheia Duo: Songs Of The Black Swan 30. Alexei Lyubimov, Heinrich Schiff; Deutsche Kammerphilharmonie Bremen: Eastern European Piano Music 31. Alexey Chernov: Pavel Konyukhov Piano Works Op. 15 & 19 32. Alfred Brendel: Beethoven Five Piano Concertos (3) 33. Alfred Walter; Czecho-Slovak 34. Alfred Walter; RTBF Symph. -
Historische Musikwissenschaft) S = Schallplatte (Historische Musikwissenschaft
Verzeichnis der Schallplatten und Compact Discs der Historischen Musikwissenschaft an der Fachbereichsbibliothek Musikwissenschaft Inhalt: Erwerbungen bis 2003 CS = Compact Disc (historische Musikwissenschaft) S = Schallplatte (historische Musikwissenschaft) AUT[ Beethoven, Ludwig van; Bridge, Frank; Faure, Gabriel ] TIT[ Quartet for piano and strings in Eb,Op.16; Phantasy Quartet, Piano quartet no.1 in c miror,op.15 ] BES[ Australian piano quartet ] DAT[ Perth, 1997 ] SCHLW[ ] SIG[ CS 3766 ] AUT[ Musik und Unterricht ] TIT[ sinfonisch ] BES[ ] DAT[ ] SCHLW[ ] SIG[ CS 4223 zu Z 530 ] AUT[ ] TIT[ Vom Wiener Kongress zum Austria Center Vienna 1815-1987 ] BES[ ] DAT[ Austro Mechana, Austria, 120 885 B ] SCHLW[ ] SIG[ S 4207 ] AUT[ Beethoven ] TIT[ Die Neun Sinfonien ] BES[ Columbia Symphony Orchester, Bruno Walter ] DAT[ Gramola, Germany, 1959 ] SCHLW[ ] SIG[ S 4200 - 4206 ] AUT[ Rossini Overtures ] TIT[ ] BES[ Toscanini, NBC Symphony Orchestra ] DAT[ RCA, New York, 1956 ] SCHLW[ ] SIG[ S 4199 ] AUT[ Cherubini ] TIT[ Les deux journées ] BES[ Royal Philharmonic Orchestra, Sir Thomas Beecham ] DAT[ VOCE, 1947, ] SCHLW[ ] SIG[ S 4197 - 4198 ] AUT[ Mozart ] TIT[ Piano Concertos ] BES[ A. Brendel, Academy of St. Martin-in-the-Fields Marriner ] DAT[ Philips, 2000, Germany ] SCHLW[ ] SIG[ CS 4177 - 4188 ] AUT[ Mozart, Wolfgang Amadeus ] TIT[ Konzertarien, K 538, K 418, K 419, K 83, K 316, K 416, K 294, K 368 ] BES[ Natalie Dessay, Orchestre de lÓpera de Lyon, T. Guschlbauer ] DAT[ 1995, EMI France, 7243 5 55386 2 8 ] SCHLW[ ] SIG[ CS 4189 ] AUT[ -
2017 SEASON MESSAGE from TED SPERLING ARTISTIC DIRECTOR Dear Friends
NonProfit Org. U.S. Postage 115 E. 57th Street, Suite 1121 PAID New York, NY 10022 New York, NY Permit No. 8954 Artistic Director Sperling Ted 2016 |2017 SEASON MESSAGE FROM TED SPERLING ARTISTIC DIRECTOR Dear Friends, MasterVoices’ 2016-17 season both honors our 75-year tradition of presenting compelling interpretations of diverse repertoire, including operas, musical theatre, choral classics, and new commissions, and also reflects our new name and our commitment to innovative musical storytelling. With the New York premiere of the new opera 27, we reunite with our friends Ricky Ian Gordon, Royce Vavrek and Stephanie Blythe, in a lyrical work that portrays the special bond between Gertrude Stein and her wife, Alice B. Toklas, against the swirl of their artistic salon. Mr. Gordon has revised the work especially for MasterVoices, to enhance the choral aspect of the piece. In our presentation of Bach’s St. John Passion, we pay tribute to our founder Robert Shaw, who shared our belief that the Passions should speak directly to audiences in English, and that these concerts should be communal experiences. We hope you, our audience, will sing along with the chorales, filling Carnegie Hall with music from all directions. We are delighted to be working with tenor Michael Slattery, our Evangelist, on a new, modern translation, and invite you to join us in bringing this masterpiece to life. We continue our tradition of resurrecting neglected masterpieces from the musical theater tradition with Victor Herbert’s Babes in Toyland, which will be heard in its original glorious orchestration for the first time in nearly a century.