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Denotes a Pre-1800 Module COLIN MACCABE Curriculum Vitae Education 1976: Ph.D. University of Cambridge. Thesis title "James Joyce and the Revolution of the Word: an examination of James Joyce's practice of writing and its consequences for literary criticism." 1971-1974: Research Student and Senior Scholar, Trinity College, Cambridge 1972-1973: Pensionnaire anglais, Ecole Normale Superieure, Rue d'Ulm, Paris 1967-1971: Undergraduate Trinity College, Cambridge BA Part One, Moral Sciences (Upper Second); Part Two, English (First) 1956-1966: St. Benedict's School, Ealing, London, W5 Career 1998-present: Professor of English, University of Exeter 1986-present: Professor of English, University of Pittsburgh 1989-1998: Head of Research, British Film Institute 1985-1989: Head of Production, British Film Institute 1982 (Summer): Summer School, Columbia University 1981-1985: Professor of English, University of Strathclyde 1976-1981: University Assistant Lecturer in English, Cambridge University; College Lecturer and Fellow, King's College, Cambridge 1974-1976: Research Fellow, Emmanuel College, Cambridge Publications (a) Books The Eloquence of the Vulgar: Cinema, Language and Politics. London: BFI, 1999. Performance. London: BFI, 1998. Diary of a Young Soul Rebel with Isaac Julien. London: BFI, 1991. Tracking the Signifier. Minnesota: Minnesota University Press, 1985. Godard: Images, Sounds, Politics. London: MacMillan, 1980. James Joyce and the Revolution of the Word. London: MacMillan, 1979. (b) Edited Books Who is Andy Warhol? with Mark Francis and Peter Wollen. London: BFI, 1997. New Scholarship from BFI Research with Duncan Petrie. London: BFI. 1996. James Snead. White Screen, Black Images: Hollywood From the Dark Side with Cornel West. New York and London: Routledge, 1994. The Linguistics of Writing with Nigel Fabb, Derek Attridge and Alan Durant. New York: Metheun, 1988. Futures for English. Manchester: Manchester University Press, 1988. High Theory/Low Culture. New York: St. Martin's Press, 1986. The BBC and Public Service Broadcasting with Olivia Stewart. Manchester: Manchester University Press, 1986. James Joyce: New Perspectives. 2nd ed. Brighton: Harvester, 1992. The Talking Cure: Essays in Psychoanalysis and Language. London: MacMillan, 1981. Signs of the Times: Introductory Readings in Textual Semiotics with Stephen Heath and Christopher Prendergas. Cambridge: Granta, 1971. (c) Edited Books in Press Gray, Piers. Stalin on Linguistics and Other Essays (with Introduction). London: MacMillan, 2000. Cammell, Donald. Performance. London: Faber and Faber, 2000. Snead, James. European Pedigrees/African Contagions (with Preface). Edited with Kara Keeling and Cornell West. London: MacMillan, 2001. (d) Books Under Contract T.S Eliot. Plymouth: Northcote House with the British Council, delivery date—April 2000. Godard: The Authorised Biography. Farrar, Straus, delivery date—January 2005. James Joyce and the Revolution of the Word, 2nd ed. Duke University Press, delivery date—April 2001. (e) Books in Preparation Broken English: The History of English as a Printed Language from William Caxton to Tupac Shakur. (f) Articles in Books "Television and Literacy." Literacy is not Enough. Ed. Brian Cox. Manchester: Manchester University Press, 1998. 68-75. "Barthes and Bazin: The Ontology of the Image." Writing the Image after Roland Barthes. Ed. Jean-Michel Rabate. Philadelphia: University of Pennsylvania Press, 1997. 71-76. "A Post-National European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II." Dissolving Views: Key Writings on British Cinema. Ed. Andrew Higson. London: Cassell, 1996. 191-201. "Can English Unite a Fractured Society." Report of the Commission on Inquiry in English: Balancing Literature, Language & Media in the National Curriculum. Ed. Cary Bazalgette. BFI: London, 1994. 56-63. "Les Medias: La mort du livre?" L'Esprit de l'europe, vol. III, Ed. Antoine Compagnon and Jacques Seebacher. Paris: Flammarion, 1993. 228-235. "Compacted Doctrines: Empson and the Meanings of Words," with Alan Durant. William Empson. Ed. Christopher Norris and Nigel Mapp. Cambridge: Cambridge University Press, 1993. 170-195. "Jean Luc Godard -A Life in Seven Episodes." Jean Luc Godard: Son + image. Ed. Raymond Bellour with Mary Lea Bandy. New York: Museum of Modern Art, 1992. 13-21. "Subsidies, Audiences, Producers." New Questions of British Cinema. Ed Duncan Petrie. London : British Film Institute, 1992. 22-28. "Colin MacCabe." Conversations with Critics. Nicholas Tredell. Manchester: Carcanet. 1994. 309- 326. "The Revenge of the Author." Subject to History: Ideology, Class, Gender. Ed. David Simpson Ithaca: Cornell University Press, 1991. 34-46. "An Introduction to Finnegans Wake." James Joyce's Finnegans Wake. Ed John Harty. New York : Garland, 1991. 22–32. "The Spell of Indecision" (discussion with Franco Moretti). Marxism and the Interpretation of Culture. Ed. Cary Nelson and Lawrence Grossberg. Urbana: University of Illinois Press, 1988. 339-346. "Opening Statement." The Linguistics of Writing. Ed. Nigel Fabb, et. al. New York: Methuen, 1988. 286-306. "Defining Popular Culture." High Theory/Low Culture. Ed. Colin MacCabe. New York: St. Martin's Press, 1986. 1 -11. "English Literature in a Global Context." English in the World. Ed. Randolph Quirk and Henry Widdowson. Cambridge: Cambridge University Press, 1985. "So Truth be in the Field: Milton's use of Language." Teaching the Text. Ed. Norman Bryson and Su Kappeler. London: Routledge and Kegan Paul, 1983. 18-34. "The Voice of Esau: Stephen in the library." James Joyce: New Perspectives. Ed. Colin MacCabe. Brighton: Harvester, 1982. 111-129. "Theory and Film: Principles of Realism and Pleasure." Literature, Society and the Sociology of Literature ed Francis Barker, et. al. Colchester: University ofEssex, l977. 59-74. "Situation." Signs of the Times: Introductory Reading in Textual Semiotics. Eds., Stephen Heath, Colin MacCabe and Christopher Prendergast. Cambridge: Granta, 1971. 11-16. (g) Forewords and Prefaces Forward to James Snead White Screens. Black Images: Hollywood From the Dark Side. Ed. Colin MacCabe and Cornel West. New York and London: Routledge, 1994. vii-xv. Preface to Wittgenstein: The Terry Eagleton Script: The Derek Jarman Film. London : British Film Institute, 1993. 1-2. Preface to The Geopolitical Aesthetic, Fredric Jameson. London: BFI,1992. ix-xvi. Forward to Screening Europe: Image and Identity in Contemporary European Cinema. Ed. Duncan Petrie. London: British Film Institute, 1992. i-viii. Introduction to Cornel West " Deconstructing Europe: A Memorial Lecture for James Snead." Critical Quarterly. 1991 Spring. 33:1. 1-2. Forward to Stanley Aronowitz's The Crisis in Historical Materialism. 2nd ed. London: MacMillan, 1990. viii-xi. Forward to John Healy's The Grass Arena. London: Faber and Faber, 1988. viii-xiv. Forward to Gayatri Spivak In Other Worlds. New York: Methuen, 1987. ix-xix. (h) In Preparation Introduction to Georges Bataille's Eroticism. London: Penguin. Preface to Moustapha Safouan's Speech or Death. London: MacMillan. Introduction to Tony Tanner's Prefaces to Shakespeare. London: MacMillan. (i) Articles in Journals "Tanner and Shakespeare." Critical Quarterly. 41.2. l999: 68-75. "Bayonets in Paradise." Sight and Sound. 9.2. (ns) February 1999: 11-14. "The Case for the Consortium." Critical Quarterly. 38.1. 1996: 3-12. "On Poetry, Language, and Teaching: A Conversation with Charles Bernstein." Bartholomae, David, Lynn Emanuel, Colin MacCabe, and Paul Bove. Boundary 2. 23.3. 1996: 45-66. "Obituary of Derek Jarman." Critical Quarterly. 36.2. 1994: iv-ix. "Cultural Studies and English," Critical Quarterly. 34.3. 1992: 25-35. "Throne of Blood" Sight and Sound. 1. 6 (ns) October 1991: 12-14. "Reflections on the Cox Report." Critical Quarterly. 32.4. 1990: 87-95. "British Film Institute: A Response." Screen. 1990 Autumn, 31.3, 322-323. "The Revenge of the Author." Critical Quarterly. 31.2. 1989: 3-15. "Finnegans Wake at Fifty" Critical Quarterly. 1989 Winter, 31.4: 3-5 "Abusing Self and Others: Puritan accounts of the Shakespearean stage." Critical Quarterly. 30. 3. 1988: 3-17. "Death of a Nation: British Television in the Sixties." Critical Quarterly. 30.2. 1988: 34-46. "The State of the Subject" Critical Quarterly. 29.4.1987: 5-8 "The Cambridge Heritage: Richards, Empson and Leavis." Southern Review 19.3. 1986/7: 242- 249. "Broken English" Critical Quarterly. 28,1-2. 1986. 3-15. "The Video and Television work of Jean-Luc Godard." AFI National Video Festival Catalogue. 1985: 10-13. "Righting English" or Does Spelling Matter? Inaugural Collins English Dictionary Annual Lecture. Glasgow: Collins, 1984. "Towards a Modern Trivium—English Studies Today." Critical Quarterly. 26. 1-2. 1984: 69-86. "Slow Motion." Screen. 21. 3. 1981: 111-114. "Language, Linguistics and the Study of Literature." Oxford Literary Review. 4. 3. 1981: 68- 82. Republished in Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 431-444. "Competence and Performance: The Body and Language in Finnegans Wake." James Joyce Broadsheet. 1. 2. 1980. "The Discursive and the Ideological in Film." Screen. 19. 4. 1979: 29-43. "On Discourse." Economy and Society. 8.3. 1979: 279-293. "Memory, Phantasy, Identity: Days of Hope and the Politics of the Past." Edinburgh Magazine. 2. 1977: 7-13. "Theory and Film Principles of Realism and Pleasure." Screen. 17. 3. 1976: 17-27. Republished in Narrative. Apparatus, Ideology. Ed. Philip Rosen. New York: Columbia University Press, 1986: 179-197.
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