<<

"Bibliography." Coraline: A Closer Look at Studio ’s Stop-Motion Witchcraft. Ed. Mihailova Mihaela. New York: Bloomsbury Academic, 2021. 253–270. Bloomsbury Collections. Web. 27 Sep. 2021. <>.

Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 27 September 2021, 15:53 UTC.

Copyright © Mihaela Mihailova 2021. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 253

Bibliography

Adamson , Lauren B., and Janet E. Frick . ‘ Th e Still Face: A History of a Shared Experimental Paradigm ’. Infancy , vol. 4 , no. 4 ( 2003 ): 451–73 . Adler , Margot. Drawing Down the Moon: Witches, Druids, Goddess-Worshippers and Other Pagans in America ( New York : Penguin Group , 2006 ). Aguilar , Carlos. ‘Take a Look at the Painstaking Craft behind Laika’s “Missing Link” ’. Cartoon Brew , 10 April 2019 . https://www.cartoonbrew.com/stop-motion/take-a- look-at-the-painstaking-craft -behind-laikas-missing-link-172509.html (accessed 10 May 2020). Althusser , Louis. ‘Ideology and Ideological State Apparatuses’. Trans. Ben Brewster , Marxists.org . https://www.marxists.org/reference/archive/althusser/1970/ideology. htm (accessed 3 March 2020 ). A l t i c k , R i c h a r d D . Th e Shows of (Cambridge, MA: Harvard University Press, 1978 ). Amidi , Amid. Cartoon Modern: Style and Design in Fift ies ( San Francisco : Chronicle Books , 2006 ). Amidi , Amid. ‘A Peek into the Art of “Coraline” Book Th at Never Was ’. Cartoon Brew , 2 July 2015 . https://www.cartoonbrew.com/auctions/a-peek-into-the-art-of-coraline- book-that-never-was-gallery-108716.html (accessed 11 October 2019). Amidi , Amid. ‘ “ Missing Link” Bombs at the Box Offi ce ’. Cartoon Brew , 14 April 2019 . https://www.cartoonbrew.com/box-offi ce-report/missing-link-bombs-at-the-box- offi ce-172729.html (accessed 10 June 2019). Anon . ‘ Abrams Boldly Goes to Trekkie Heights ’. Sunday Business Post , 10 May 2009 . Anon . ‘ Movies: New Th is Week ’. Atlanta Journal-Constitution, 6 February 2009 , p. 8E . Anon . ‘Opening Th is Weekend ’. New York Observer, 6 February 2009 . Antunes , Filipa. ‘Rethinking PG-13: Ratings and the Boundaries of Childhood and Horror’. Journal of and Video , vol. 69 , no. 1 ( 2017 ): 27–43 . Ashley , Tim. ‘ Coraline Review – Creepy Adaptation of ’s Tale Will Turn Kids on to Opera ’. Th e Guardian , 30 March 2018 . https://www.theguardian.com/ music/2018/mar/30/coraline-review-neil-gaiman-barbican (accessed 5 November 2020). A t k i n s o n , M i c h a e l . ‘ Th e Night Countries of the Brothers Quay ’. Film Comment , vol. 30 , no. 5 ( 1994 ): 36–44 . B a i l e y , J a s o n . ‘ Th e Stop-Motion Th at Created Coraline Is Still Toiling Away ’. Vulture , 9 April 2019 . https://www.vulture.com/2019/04/inside-laika-stop- motion-studio-that-made-missing-link.html (accessed 10 June 2019).

99781501347863_pi-274.indd781501347863_pi-274.indd 253253 007-Jun-217-Jun-21 18:10:4418:10:44 254

254 Bibliography

Barker , Martin, and Julian Petley . ‘ Introduction ’. In Martin Barker and Julian Petley (eds), Ill-Eff ects: Th e Media/Violence Debate (London : Routledge , 1997 ), pp. 1–11 . Bazin , André. ‘Th e Myth of Total Cinema ’. Trans. Hugh Gray , in What Is Cinema? Vol. 1 ( Berkeley : University of Press , 2005 ), pp. 17–23 . BBFC . ‘ Case Studies: Coraline ’. British Board of Film Classifi cation. http://www.bbfc. co.uk/case-studies/coraline (accessed 1 September 2018 ). Bear , Mark F., Barry W. Connors and Michael A. Paradiso . Neuroscience: Exploring the Brain ( Philadelphia : Lippincott Williams & Wilkins , 2007 ). B e c k , J e r r y . ‘ Th e Ranft Bros. in Coraline ’. Cartoon Brew, 10 February 2009 . https://www. cartoonbrew.com/feature-fi lm/the-ranft -bros-in-coraline-11228.html (accessed 23 September 2020). Benson-Allott , Caetlin. ‘Th e Chora Line: RealD Incorporated ’. South Atlantic Quarterly , vol. 110 , no. 3 ( 2011 ): 621–44 . Berlina , Alexandra , ed. Viktor Schklovsky: A Reader ( London : Bloomsbury , 2016 ). Bettelheim , Bruno. Th e Uses of Enchantment: Th e Importance and Meaning of Fairy Tales (New York: Random House, 1976 ). B i g e l o w , J o e . ‘ K i n g K o n g ’. Variety , 6 March 1933 . http://www.variety.com/review/ VE1117792322/ (accessed 9 December 2019). Briggs , Caroline. ‘Gromit Film ‘a Force for Britishness”’. BBC News , 9 October 2005 . http://news.bbc.co.uk/1/hi/entertainment/4309544.stm (accessed 17 March 2020). British Board of Film Classifi cation (BBFC) . ‘Same Diff erence? – A Comparison of the British and American Film and DVD Rating Systems ’. British Board of Film . https:// forum.blu-ray.com/showthread.php?t=309139 (accessed 8 September 2018 ). B r o t h e r t o n , P h i l i p . Th e Art of Th e Boxtrolls ( San Francisco : Chronicle Books , 2014 ). Brown , Noel, and Bruce Babington . ‘ Introduction: Children’s and Family Films ’. In Noel Brown and Bruce Babington (eds), Family Film in Global Cinema: Th e World Beyond Disney ( London : I.B. Tauris , 2015 ), pp. 1–18 . B r a u n d , S i m o n . ‘ Th rough the Looking Glass ’. Empire , no. 239 (May, 2009 ). Buccino , Giovanni , Lui Fausta , Nicola Canessa , Ilaria Patteri , Giovanna Lagravinese , Francesca Benuzzi , Carlo A. Porro and Giacomo Rizzolatti . ‘Neural Circuits Involved in the Recognition of Actions Performed by Nonconspecifi cs: An fMRI Study ’. Journal of Cognitive Neuroscience , vol. 16 , no. 1 ( 2004 ): 114–26 . Buchan , Suzanne , ed. Pervasive Animation (London : AFI Reader/Routledge, 2013 ). B u c h a n , S u z a n n e . ‘ Th e Animated Spectator: Watching the Quay Brothers’ “Worlds” ’. In Suzanne Buchan (ed.), Animated ‘Worlds’ (Eastleigh : John Libbey, 2006 ), pp. 15–38 . B u c h a n , S u z a n n e . Th e Quay Brothers: Into a Metaphysical Playroom (Minneapolis : University of Minnesota Press , 2011 ). B u c k l a n d , A . W. ‘ Th e Signifi cance of Holes in Archaeology ’. Th e Antiquary: A Magazine Devoted to the Study of the Past , vol. 32 ( 1896 ): 335–41 .

99781501347863_pi-274.indd781501347863_pi-274.indd 254254 007-Jun-217-Jun-21 18:10:4418:10:44 255

Bibliography 255

Buckley , Chloé Germaine. ‘Psychoanalysis, “Gothic” Children’s Literature, and the Canonization of Coraline ’. Children’s Literature Association Quarterly, vol. 40 , no. 1 ( 2015 ): 58–79 . B u k a t m a n , S c o t t . Matters of Gravity (Durham, NC: Duke University Press, 2003 ). B u k a t m a n , S c o t t . Poetics of Slumberland ( Berkeley : University of California Press , 2012 ). B u k a t m a n , S c o t t . Terminal Identity (Durham, NC: Duke University Press, 1993 ). B u r r , T y . ‘Coraline : Alice in Freudland ’. Boston Globe, 6 February 2009 . http:// archive.boston.com/ae/movies/articles/2009/02/06/alice_in_freudland/ (accessed 1 September 2018). Butler , Judith. Senses of the Subject (New York: Fordham University Press, 2015 ). Campanario , Gabi. ‘ A Weird, Whimsical – and Somewhat Eerie – “Coraline ” ’. Seattle Times , 5 February 2009 . https://www.seattletimes.com/entertainment/movies/a- weird-whimsical-8212-and-somewhat-eerie-8212-coraline/ (accessed 10 September 2020). Cappelletto , Chiara. ‘ Th e Puppet’s Paradox: An Organic Prosthesis ’. RES: Anthropology and Aesthetics , no. 59/60 ( 2011 ): 325–36 . C a r r o l l , L e w i s . Alice’s Adventures in Wonderland ( Chicago, IL : VolumeOne , 1998 ). Carroll , Noël. ‘ Medium Specifi city Arguments and Self-Consciously Invented Arts: Film, Video and Photography ’. Millennium Film Journal, no. 14/15 (1984– 5 ): 127–53 . C a r r o l l , N o ë l . ‘ Th e Specifi city of Media in the Arts ’. Journal of Aesthetic Education , vol. 19 , no. 4 ( 1985 ): 5–20 . Catland Books . ‘ Ritual to Hex Brett Kavanaugh ’. Facebook Event , 20 October 2018 . https://www.facebook.com/events/179836286297165/ (accessed 13 November 2019). Character Design References. 21 July 2017 . https://characterdesignreferences.com/art- of-animation-3/coraline (accessed 5 July 2019). Choi , Won. ‘ Inception or Interpellation? Th e Slovenian School, Butler, and Althusser ’. Rethinking Marxism , vol. 25 , no. 1 ( 2013 ): 23–37 . Cianciolo , Patricia J. Picture Books for Children . 4th edn ( Chicago, IL : American Library Association, 1997 ). Clark , John. ‘ Adding Dimension to the Storytelling ’. New York Times, 1 February 2009 , p. 16 . Coleman , Marilyn J. and Lawrence H. Ganong . Th e Social History of the American Family: An Encyclopedia , vol. 1 ( London : SAGE , 2014 ). Comiskey , Andrea. ‘ Special Eff ects in Contemporary Puppet Animation ’. In Dan North , Bob Rehak and Michael S. Duff y (eds), Special Eff ects: New Histories/Th eories/ Contexts ( London : BFI Palgrave , 2015 ), pp. 45–61 .

99781501347863_pi-274.indd781501347863_pi-274.indd 255255 007-Jun-217-Jun-21 18:10:4418:10:44 256

256 Bibliography

Coontz , Stephanie. Th e Way We Never Were: American Families and the Nostalgia Trap ( New York : Basic Books , 1992 ). ‘Coraline (2009)’. Animation Screencaps. https://animationscreencaps.com/coraline- 2009/3/#box-1/152/coraline-disneyscreencaps.com-512.jpg?strip=all (accessed 31 January 2020). ‘Coraline (2009)’. Animation Screencaps. https://animationscreencaps.com/coraline- 2009/44/#box-1/16/coraline-disneyscreencaps.com-7756.jpg?strip=all (accessed 31 January 2020). ‘Coraline in 3D: Th e Connection’. Dragonframe , 21 February 2009. https://www.dragonframe.com/blog/coraline-in-3d-the-dragon-connection/ (accessed 21 April 2020). ‘Coraline – Tiny Knitting’. /LAIKA, YouTube, 28 January 2009. https:// www.youtube.com/watch?v=7wADZBNvA_s (accessed 10 October 2018). Corrigan , Timothy , ed. American Cinema of the 2000s: Th emes and Variations (New Jersey: Rutgers , 2012 ). C r a ft on , Donald. Before Mickey: Th e Animated Film, 1898–1928 ( Chicago, IL : University of Chicago Press , 1993 ). C r a ft on, Donald. Shadow of a Mouse: Performance, Belief, and World-Making in Animation ( Berkeley : University of California Press , 2013 ). Crary , Jonathan. Techniques of : On Vision and Modernity in the Nineteenth Century ( Cambridge, MA : MIT Press , 1990 ). Crockett , Zachary. ‘ How the Father of Claymation Lost His Company ’. Priceonomics , 9 May 2014 . priceonomics.com/how-the-father-of-claymation-lost-his-company/ (accessed 3 March 2020). Culler , Jonathan. Th e Pursuit of Signs: Semiotics, Literature, Deconstruction ( Ithaca, NY : Cornell University Press , 1981 ). Decety , Jean, and Julie Grèzes , ‘Th e Power of Simulation: Imagining One’s Own and Other’s Behavior ’. Brain Research , vol. 1079 , no. 1 ( 2006 ): 4–14 . Deleuze , Gilles. Bergsonism ( New York : Zone Books , 1991 ). Denson , Shane, and Julie Leyda , eds. Post-Cinema: Th eorizing 21st-Century Film ( Falmer : REFRAME Books , 2016 ). http://reframe.sussex.ac.uk/post-cinema/ . Desowitz , Bill. “ ‘: Stop Motion Goes Digital’. Animation World Network , 16 September 2005 . https://www.awn.com/vfxworld/corpse-bride-stop-motion- goes-digital (accessed 1 May 2020). Desowitz , Bill. ‘Tadahiro Uesugi Talks “Coraline” Design’. Animation World Network , 23 January 2009 . https://www.awn.com/animationworld/tadahiro-uesugi-talks- coraline-design (accessed 11 October 2019). ‘Digital Cinema System Specifi cation’. https://www.dcimovies.com/archives/spec_v1/ DCI_Digital_Cinema_System_Spec_v1.pdf , p. 12 (accessed 20 April 2020). Doane , Mary Ann. ‘ Th e Indexical and the Concept of Medium Specifi city ’. diff erences: A Journal of Feminist Cultural Studies , vol. 18 , no. 1 ( 2007 ): 128–52 .

99781501347863_pi-274.indd781501347863_pi-274.indd 256256 007-Jun-217-Jun-21 18:10:4418:10:44 257

Bibliography 257

Donovan , Moira. ‘How Witchcraft is Empowering Queer and Trans Young People ’. Vice , 14 August 2015 . https://www.vice.com/en_us/article/zngyv9/queer-trans-people- take-aim-at-the-patriarchy-through-witchcraft (accessed 13 November 2019). Earl of Ducie . ‘ Exhibition of Th ree “Mare-Stanes,” or “Hag Stone ” ’. Journal of the Anthropological Institute of Great Britain and Ireland , vol. 17 ( 1888 ): 134–7 . Ebert , Roger. ‘ Coraline (2009) ’. RogerEbert.com , 4 February 2009 . https://www. rogerebert.com/reviews/coraline-2009 (accessed 9 September 2018). Elsaesser , Th omas. ‘ Th e “Return” of 3-D: On Some of the Logics and Genealogies of the Image in the Twenty-First Century ’. Critical Inquiry , vol. 39 , no. 2 ( 2013 ): 217–46 . Edwards , C. ‘ How Laika Pushed 3D Printing to New Heights with “Th e Boxtrolls” ’. Cartoon Brew , 13 August 2014 . https://www.cartoonbrew.com/feature-fi lm/how- laika-pushed-3d-printing-to-new-heights-with-the-boxtrolls-101512.html (accessed 10 June 2019). Eisenstein , Sergei. Film Form: Essays in Film Th eory. Ed./trans. Jay Leyda (New York: Harcourt, Brace, Jovanovich , 1949 ). Farquharson , Vanessa. ‘Stop-Motion Putting End to CGI Domination; Technique Enjoys Resurgence in Animated Market ’. Calgary Herald , 27 November 2009 , p. E15 . Fass , Paula S., and May Ann Mason , eds. Childhood in America (New York: New York University Press , 2000 ). Ferrari , P. F., C. Maiolini , E. Addessi , L. Fogassi and E. Visalberghi . ‘Th e Observation and Hearing of Eating Actions Activates Motor Programs Related to Eating in Macaque Monkeys ’. Behavioural Brain Resaerch , vol. 161 , no. 1 ( 2005 ): 95–101 . F o á , M a r y c l a r e , J a n e G r i s e w o o d , B i r g i t t a H o s e a a n d C a r a l i M c C a l l , e d s . Performance Drawing: New Practices since the 1960s ( London : I.B. Tauris , 2019 ). F o r d h a m , J o e . ‘Coraline: A Handmade World ’. Cinefex , no. 117 ( 2009 ): 41–61 . Foster , Hal. ‘Preface ’. In Hal Foster (ed.), Vision and Visuality ( Seattle, WA : Bay Press, 1988 ). Foster , Joshua. ‘ Special Feature: Director’s Commentary ’. Coraline 2-Disc Collector’s Edition (L.E.G. Productions, 2009 ). Foutch , Haleigh. ‘ : Director and CEO on LAIKA’s most ambitious fi lm yet ’. Collider , 30 June 2016 . https://collider.com/kubo- and-the-two-strings-travis-knight-arianne-sutner-interview/ (accessed 12 August 2019). F r a s e r , H i l a r y . ‘ Th rough the Looking Glass: Looking Like a Woman in the Nineteenth Century ’. In Francesca Orestano and Francesca Frigerio (eds), Strange : Literature and Aesthetics in the Nineteenth Century ( Bern : Peter Lang , 2009 ), pp. 189–213 . Freedberg , David, and Vittorio Gallese . ‘ Motion, Emotion and Empathy in Esthetic Experience ’. Trends in Cognitive Science , vol. 11 , no. 5 ( 2007 ): 197–203 . French , Lawrence. ‘ Phil Tippet: Stop-Motion May Be Going Extinct, but the Former Is Alive and Well ’. Cinefantastique , vol. 31 , no. 1/2 ( 1999 ): 40–5 .

99781501347863_pi-274.indd781501347863_pi-274.indd 257257 007-Jun-217-Jun-21 18:10:4418:10:44 258

258 Bibliography

F r e u d , S i g m u n d . Th e Uncanny . Trans. David McLintock ( New York : Penguin , 2003 ). Frey , Holly , and Tracy Wilson . ‘ Stop-Motion Animation History with LAIKA Studios ’. Stuff You Missed in History Class , podcast recording, 10 April 2019 . https://www. iheart.com/podcast/stuff -you-missed-in-history-cl-21124503/episode/stop-motion- animation-history-with-laika-studios-30806101/ (accessed 25 September 2020). Frierson , Michael. ‘’s “Vincent” – a Matter of Pastiche’. Animation World Network Magazine, vol. 1 , no. 9 (1996 ). https://www.awn.com/mag/issue1.9/articles/ frierson1.9.html (accessed 9 August 2019). Frost , James. ‘ Jan Svankmajer: Film as Puppet theater ’. Animation Studies , 29 December 2016 . https://journal.animationstudies.org/james-frost-jan-svankmajer-fi lm-as- puppet-theatre/ (accessed 8 June 2020). G a g e , C a r o l y n . Th e Triple Goddess: Th ree Plays ( lulu.com , 2009 ). Gaiman , Neil. Coraline ( London : Bloomsbury , 2012 [ 2002 ]). Gaiman , Neil. ‘ Fairy Tales Are More than True: Not Because Th ey Tell Us Th at Exist, but Because Th ey Tell Us Th at Dragons Can Be Beaten ’. Tumblr , 18 November 2014 . https://neil-gaiman.tumblr.com/post/102947175291/fairy-tales-are-more- than-true-not-because-they (accessed 13 November 2019). Gaiman , Neil. ‘ @lesbiantrevorbelmont Asked: I Was Wondering, in Th e Kindly Ones, One of the Th ings Cluracan calls Nuala Is “La Belle Dame Sans Merci ” ’. Tumblr , 3 April 2018 . https://neil-gaiman.tumblr.com/post/172565660631/i-was-wondering- in-the-kindly-ones-one-of-the (accessed 13 November 2019). Gaiman , Neil. ‘ @notdoingmywork Asked: What Was the Point of the Story Coraline? ’ Tumblr , 21 April 2017 . https://neil-gaiman.tumblr.com/post/159843218331/what- was-the-point-of-the-story-coraline-because (accessed 13 November 2019). Gaiman , Neil. ‘@reivaxm Asked: Hello. I Was Reading Coraline Again’, ‘@aweirdvegan- blog Asked: Are Ms. Spink and Forcible Together? ’, and ‘ @uwudroj asked: Hello I Was Just Wondering, Are Miss Spink and Miss Forcible a Couple? ’. Tumblr posts, 31 August 2014 , 24 October 2016 , 6 July 2018 . https://neil-gaiman.tumblr.com/ post/96248654066/hello-i-was-reading-coraline-again-and-something, https://neil- gaiman.tumblr.com/post/152237746756/are-ms-spink-and-forcible-together and https://neil-gaiman.tumblr.com/post/175615960441/hello-i-was-just-wondering- are-miss-spink-and(accessed 13 November 2019). Gaiman , Neil. Th e Sandman ( New York : Vertigo Comics , 1989–96 ). Gaiman , Neil. Th e Sandman: A Game of You ( New York : Vertigo Comics , 1993 ). Gallese , Vittorio, and Alvin Goldman . ‘ Mirror Neurons and the Simulation Th eory of Mind-Reading ’. Trends in Cognitive Science , vol. 2 , no. 12 ( 1998 ): 493–501 . Galloway , Alexander S. ‘Polygraphic Photography and the Origins of 3-D Animation’. In Karen Beckman (ed.), Animating Film Th eory (Durham, NC: Duke University Press, 2014 ), pp. 54–67 . Giardina , Carolyn . ‘ “Coraline” Makers Reveal How Th ey Sculpted 6,333 Faces Fast’, Hollywood Reporter , 12 February 2016 . https://www.hollywoodreporter.

99781501347863_pi-274.indd781501347863_pi-274.indd 258258 007-Jun-217-Jun-21 18:10:4418:10:44 259

Bibliography 259

com/behind-screen/coraline-makers-reveal-how-they-863155 (accessed 3 November 2020). Giardina , Carolyn. ‘ Oscars: “Kubo and the Two Strings” Is Rare Animated Feature to be Nominated in VFX ’, Hollywood Reporter , 24 January 2017 . https://www. hollywoodreporter.com/behind-screen/oscars-2017-kubo-two-strings-is-rare- animated-feature-be-nominated-vfx-967979 (accessed 16 November 2020). Giesen , Rolf. Puppetry, Puppet Animation and the Digital Age ( New York : CRC Press , 2018 ). Giles , Paul. Virtual Americas: Transnational Fictions and the Transatlantic Imaginary (Durham, NC: Duke University Press, 2002 ). Gire , Dann. ‘ Creepy Stop-Motion Animation Highlights Fantasy Turned Nightmare ’. Daily Herald, 5 February 2009 , p. 19 . Giroux , Henry. Th e Mouse Th at Roared: Disney and the End of Innocence (Lanham, MD: Rowman & Littlefi eld , 1999 ). Gooding , Richard. ‘ “ Something Very Old and Very Slow”: Coraline , Uncanniness, and Narrative Form ’. Children’s Literature Association Quarterly, vol. 33 , no. 4 ( 2008 ): 390–407 . Goldner , Orville, and George. E. Turner . Th e Making of (New York: Ballantine Books , 1976 ). Grant , Gavin J. ‘Neil Gaiman Interview’. Indie Bound. https://www.indiebound.org/ author-interviews/gaimanneil (accessed 8 June 2020 ). Gray , John. Th e Soul of the Marionette: A Short Inquiry into Human Freedom ( New York : Farrar, Straus and Giroux , 2015 ). H a l b e r s t a m , J . Th e Queer Art of Failure (Durham, NC: Duke University Press, 2011 ). Halberstam , Jack. ‘ Queer Gaming: Gaming, Hacking, and Going Turbo ’. In Bonnie Ruberg and Adrienne Shaw (eds), Queer Game Studies ( Minneapolis : University of Minnesota Press , 2017 ), pp. 187–201 . Hansen , Miriam. ‘ “ With Skin and Hair:” Kracauer’s Th eory of Film, Marseille 1940 ’. Critical Inquiry , vol. 19 , no. 3 ( 1993 ): 437–69 . Harris-Fain , Darren. ‘ Putting the Graphic in Graphic Novel: P. Craig Russell’s Adaptation of Neil Gaiman’s Coraline ’. Studies in the Novel, vol. 47 , no. 3 ( 2015 ): 335–45 . H a r r y h a u s e n , R a y , a n d To n y D a l t o n . A Century of Stop Motion Animation: From Méliès to Aardman ( New York : Watson-Guptill , 2008 ). Hartmann , Margaret. ‘ Coraline : A Freudian Th at’s Not Just for Kids ’. Jezebel , 6 February 2009 . https://jezebel.com/5148385/coraline-a-freudian-fairy-tale-thats- not-just-for-kids (accessed 12 December 2019). Haynes , Emily. Th e Art of Kubo and the Two Strings ( San Francisco : Chronicle Books , 2016 ). Haynes , Georgina. Coraline’s Closet [DVD], ( USA : , 2009 ).

99781501347863_pi-274.indd781501347863_pi-274.indd 259259 007-Jun-217-Jun-21 18:10:4418:10:44 260

260 Bibliography

Heinemann , Isabel. Inventing the Modern American Family: Family Values and Social Change in 20th Century United States ( Frankfurt : Campus Verlag , 2012 ). H e n d e r s h o t , H e a t h e r . Saturday Morning Censors: Television Regulation before the V-Chip (Durham, NC: Duke University Press, 1998 ). ‘ in Conversation’. Focus Features , 9 February 2009. https://www. focusfeatures.com/article/henry_selick_in_conversation (accessed 12 December 2019). ‘Henry Selick Interview: Th e Director of the Nightmare Before Christmas Refl ects on His Biggest Hit and Discusses Next Film Coraline’. DVDizzy , 26 August 2008. https://www.dvdizzy.com/henryselick-interview.html (accessed 13 November 2018). Higgins , Scott. ‘ 3D in Depth: Coraline , Hugo , and a Sustainable Aesthetic ’. Film History: An International Journal , vol. 24 , no. 2 ( 2012 ): 196–209 . H o ff mann, Heidrich. Slovenly Betsy , illustrated by Walter Hayn ( Bedford, MA : Applewood Books , 2006 ; reprint from 1911 ). https://www.nypl.org/blog/ 2013/05/15/ infl uence-str (accessed 9 December 2019). H o l l i d a y , C h r i s t o p h e r . Th e Computer-Animated Film: Industry, Style and Genre ( : Edinburgh University Press, 2018 ). Hosea , Birgitta. ‘ Made by Hand ’. In Caroline Ruddell and Paul Ward (eds), Th e Craft y Animator: Handmade, Craft -Based Animation and Cultural Value (Cham, Switzerland: Palgrave Macmillan, 2019 ), pp. 17–43 . Hosseinpour , Saeede, and Nahid Shahbazi . ‘ Magical Realism in Neil Gaiman’s Coraline ’. Prague Journal of English Studies , vol. 5 , no. 1 ( 2016 ): 87–101 . H o w e , T a s h a R . Marriages and Families in the 21st Century: A Bioecological Approach ( Chichester : Wiley-Blackwell , 2012 ). Huddleston , Tom. ‘Coraline ’ . Time Out, 5 May 2009 . https://www.timeout.com/london/ fi lm/ coraline (accessed 1 September 2018). H u n t i n g d o n , S a m u e l P. Who Are We? Th e Challenges to America’s National Identity ( New York : Simon and Schuster , 2004 ). Ikuma , John. ‘ Interview with Lead Animator/CEO Travis Knight ’, Stop Motion Magazine , no. 16 ( 2012 ): 21–31 . Johnson-Frey , Scott H., Farah R. Maloof , Roger Newman-Norlund , Chloe Farrer , Souheil Inati and Scott T. Graft on. ‘Actions or Hand-Object Interactions? Human Inferior Frontal Cortex and Action Observation ’. Neuron, vol. 39 , no. 11 ( 2011 ): 1053–8 . Johnston , Keith. ‘ “ Th ree Times as Th rilling!”: Th e Lost History of 3-D Production, 1953–54 ’. Journal of Popular Film and Television, vol. 36 , no. 3 ( 2008 ): 150–60 . Johnston , Sheila. ‘ A Delicious Way to Scare Your Little Darlings to Death; Th e New Animation from the Director of Th e Nightmare before Christmas Is a Creepy Treat ’. Daily Telegraph , 9 May 2009 , p. 14 .

99781501347863_pi-274.indd781501347863_pi-274.indd 260260 007-Jun-217-Jun-21 18:10:4418:10:44 261

Bibliography 261

Jones , Catherine. ‘ Starry Prequel ’. Liverpool Daily Echo , 8 May 2009 , p. 35 . Jones , Stephen. Coraline: A Visual Companion ( New York : HarperCollins , 2009 ). Kamen , Matt. ‘ How Boxtrolls Studio Revolutionised Stop Motion Animation ’. Wired , 8 September 2014 . https://www.wired.co.uk/article/boxtrolls-travis-knight-interview (accessed 10 June 2019). Kaufman , Debra. ‘ Director Henry Selick on Coraline ’. Studio Daily, 6 February 2009 . https://www.studiodaily.com/2009/02/director-henry-selick-on-coraline/ (accessed 9 September 2019). K e a r n e y , R i c h a r d . Strangers, Gods and : Interpreting Otherness ( L o n d o n : Routledge , 2005 ). Keeling Kara K. , and Scott Pollard . ‘Th e Key Is in the Mouth: Food and Orality in Coraline ’. Children’s Literature , vol. 40 ( 2012 ): 1–27 . K e v e n e y , R o z . From Alien to the Matrix: Reading ( L o n d o n : Bloomsbury Academic , 2005 ). Klein , Norman M. ‘ Animation and Animorphs: A Brief Disappearing Act ’. In Vivian Sobchack (ed.), Metamorphing: Visual Transformation and the Culture of Quick- change ( Minneapolis : University of Minnesota , 2000 ), pp. 21–41 . Klein , Norman M. Bleeding Th rough: Th e Layers of , 1920–1985 (Los Angeles Labyrinth Projects at USC; Karlsruhe : Center for the Arts and Media , 2003 ). Klein , Norman M. Seven Minutes: Th e Life and Death of the American Animated Cartoon ( London : Verso, 1993 ). Klein , Norman M. Th e Vatican to Vegas: A History of Special Eff ects (London : New Press , 2004 ). Klein , Norman M., and Margo Bistis . Th e Imaginary 20th Century (Karlsruhe : Center for the Arts and Media , 2016 ). Klinger , Barbara. ‘ Film History Terminable and Interminable: Recovering the Past in Reception Studies ’. Screen , vol. 38 , no. 2 ( 1997 ): 107–28 . Klinger , Barbara. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk ( Bloomington : University of Indiana Press , 1994 ). Knoblich , Günther , Eva Seigerschmidt , Rüdiger Flach and Wolfgang Prinz . ‘ Authorship Eff ects in the Prediction of Handwriting Strokes: Evidence for Action Simulation During Action Perception ’. Quarterly Journal of Experimental Psychology , vol. 55 , no. 3 ( 2002 ): 1027–46 . Kosslyn , Stephen M. , William L. Th ompson and Giorgio Ganis . Th e Case for Mental Imagery ( Oxford : Oxford University Press , 2006 ). Kozachik , Pete. ‘ 2 Worlds in 3 Dimensions ’. American Cinematographer, vol. 90 , no. 2 ( 2009 ): 26–39 . Kracauer , Siegfried. Th eory of Film: Th e Redemption of Physical Reality (Oxford: Oxford University Press , 1974 ). Krall , Dan. ‘ Coraline ’. http://www.dankrall.com/coraline/ (accessed 5 July 2019 ).

99781501347863_pi-274.indd781501347863_pi-274.indd 261261 007-Jun-217-Jun-21 18:10:4418:10:44 262

262 Bibliography

Kristeva , Julia. Powers of Horror: An Essay on Abjection . Trans. Leon S. Roudiez ( New York : Columbia University Press , 1982 ). Kristeva , Julia. ‘Word, Dialogue and Novel’. In Toril Moi (ed.), Th e Kristeva Reader ( New York : Columbia University Press , 1986 ), pp. 34–62 . Lang , George. ‘ World of “Coraline” Worth a Visit ’. Th e Oklahoman, 6 February 2009 , p. 5D . Lauchlans , Grant. ‘ A Hell of a Movie ’. Daily Record , 29 May 2009 , pp. 50–1 . Leader , Michael. ‘ Exclusive: Henry Selick on Coraline ’. Den of Geek , 7 May 2009 . https:// www.denofgeek.com/movies/exclusive-henry-selick-on-coraline/ (accessed 12 August 2019). ‘Lecture List: Term 2’. Warwick English and Comparative Literary Studies. 17 March 2016. https://warwick.ac.uk/fac/arts/english/currentstudents/undergraduate/ modules/fulllist/fi rst/en122/lecturelist-2015-16-2/shklovsky.pdf (accessed 8 June 2020). L e i t c h , Th omas M. Film Adaptation and Its Discontents: From Gone with the Wind to the Passion of the Christ ( Baltimore : Johns Hopkins University Press , 2007 ). Lennard , Dominic. Bad Seeds and Holy Terrors – Th e Child Villains of ( New York : SUNY Press , 2014 ). L e s t e r , C a t h e r i n e . ‘ Th e Children’s Horror Film: Benefi cial Fear and Subversive Pleasure in an (Im)Possible Hollywood Subgenre’ (PhD thesis, University of Warwick, 2016). Lester , Catherine. ‘Th e Children’s Horror Film: Characterizing an “Impossible” Subgenre ’. Velvet Light Trap , no. 78 ( 2016 ): 22–37 . L e v i t t , D e b o r a h . Th e Animatic Apparatus: Animation, Vitality, and the Futures of the Image ( Washington : Zero Books , 2018 ). Liberator , Paul. ‘Movie Director Animates his “Weird Imagination” ’. Marin Independent Journal, 4 February 2009 . Lloyd , Rebecca. ‘ Haunting the Grown-Ups: Th e Borderlands of Paranorman and Coraline ’. In Ruth Hehold and Niamh Downing (eds), Haunted Landscapes: Super-Nature and the Environment ( London : Rowman & Littlefi eld International), pp. 199–215 . L o g i e , R o b e r t H . Visuo-Spatial Working Memory ( Hove : Lawrence Erlbaum Associates, 1995 ). L o r d , P e t e r . ‘ F o r e w o r d ’. I n R a y H a r r y h a u s e n a n d To n y D a l t o n , A Century of Stop Motion Animation: From Méliès to Aardman (New York: Random House, 2008 ). L o r d , P e t e r , a n d B r i a n S i b l e y . Creating 3-D Animation: Th e Aardman Book of Filmmaking ( New York : Harry N. Abrams , 1998 ). Loumenick , Lou. ‘Darkness & Delight’. , 6 February 2009 , p. 38 . ‘LunchBox DV: Summary’. Animation Tool Works , 10 August 2006. https://web.archive. org/web/20060810022321/http://www.animationtoolworks.com/products/lbdv_ summ.html (accessed 30 April 2020).

99781501347863_pi-274.indd781501347863_pi-274.indd 262262 007-Jun-217-Jun-21 18:10:4418:10:44 263

Bibliography 263

MacCabe , Colin , Kathleen Murray , and Rick Warner . True to the Spirit: Film Adaptation and the Question of Fidelity ( Oxford : Oxford University Press , 2011 ). ‘Machine Vision Enables Stop-Motion Animation.’ Vision Systems Design, vol. 14, no. 2 (2009), p. 9. MacLeod , Anne Scott. ‘ American Girlhood in the Nineteenth Century ’. In Paula S. Fass and May Ann Mason (eds), Childhood in America (New York: New York University Press : 2000 ), pp. 87–90 . MacKinnon , Carla. ‘ Autobiography and Authenticity in Stop-Motion Animation ’. In Caroline Ruddell and Paul Ward (eds), Th e Craft y Animator: Handmade, Craft -Based Animation and Cultural Value (Cham, Switzerland: Palgrave Macmillan, 2019 ), pp. 99–126 Manovich , Lev. ‘ Understanding Hybrid Media ’ in Betti-Sue Hertz , Animated Painting (San Diego: San Diego Museum of Art , 2007 ). Marks , Laura U. Touch: Sensuous Th eory and Multisensory Media (Minneapolis : University of Minnesota Press , 2002 ). Matlock , Maryna. ‘ “ What’s in the Empty Flat?”: Specular Identity and Authorship in Neil Gaiman’s Coraline ’ . In Sara K. Day and Sonya Sawyer Fritz (eds), Th e Victorian Era in Twenty-First Century Children’s and Adolescent Literature and Culture (London : Routledge , 2018 ), pp. 38–54 . McEachern , Martin. ‘ Myth in Miniature ’. Computer Graphics World, vol. 39 , no. 5 ( 2016 ). https://www.cgw.com/Publications/CGW/2016/Volume-39-Issue-5-Sept- Oct-2016-/Myth-in-miniature.aspx (accessed 24 August 2020). McGorry , Ken. ‘ Cover Story: “Coraline” Animated Via Stop-Motion ’, Post Magazine , 1 February 2009 . http://www.pos tmagazine.com/Publications/Post-Magazine/2009/ February-1-2009/cover-story-coraline-animated-via-stop-motion.aspx (accessed 11 October 2019). M c L e a n , Th omas J. ‘ On the Set with “Coraline”: Where the Motion Doesn’t Stop ’. Animation World Network , 16 September 2008 . https://www.awn.com/ animationworld/set-coraline-where-motion-doesnt-stop (accessed 5 July 2019). Means , Sean P. ‘ Movie Review: Take a Trip to the Dark Side with “ Coraline ” ’. Salt Lake Tribune, 5 February 2009 . Meeusen , Meghann. ‘ Framing Agency: Comics Adaptations of Coraline and City of Ember ’. In Michelle Ann Abate and Gwen Athene (ed.), Graphic Novels for Children and Young Adults: A Collection of Critical Essays (Tarbox, Jackson : University Press of Mississippi, 2017 ), pp. 126–40 . Meister , I. G. , T. Krings , H. Foltys , B. Boroojerdi , M. Muller , R. Topper and A. Th ron . ‘ Playing Piano in the Mind-an fMRI Study on Music Imagery and Performance in Pianists ’. Cognitive Brain Research , vol. 19 , no. 3 ( 2004 ): 219–28 . Miller , Alice. Th e Drama of the Gift ed Child . 3rd edn ( New York : Basic Books , 1997 ).

99781501347863_pi-274.indd781501347863_pi-274.indd 263263 007-Jun-217-Jun-21 18:10:4418:10:44 264

264 Bibliography

Miller , Alice. Th ou Shalt Not Be Aware: Society’s Betrayal of the Child . 1st edn ( New York : Farrar, Straus and Giroux , 1998 ). Miller , Madeline. ‘ From Circe to Clinton: Why Powerful Women Are Cast as Witches ’. Th e Guardian , 7 April 2018 . https://www.theguardian.com/books/2018/apr/07/ cursed-from-circe-to-clinton-why-women-are-cast-as-witches (accessed 13 November 2019). Mulvey , Laura. ‘Visual Pleasure and Narrative Cinema’. Screen , vol. 16 , no. 3 ( 1975 ): 6–18 . Murphy , . ‘Moving Ahead in Stop Motion’. New York Times, 10 August 2012 . https://www.nytimes.com/2012/08/12/movies/with-paranorman-laika-aims-to- push-animation-boundaries.html (accessed 30 July 2019). Myers , Lindsay. ‘ Whose Fear Is It Anyway? Moral Panics and Stranger Danger in Coraline’. Lion and the Unicorn , vol. 36 , no. 3 ( 2012 ): 245–57 . Nadal , Marcos, and Anjan Chatterjee , ‘Neuroaesthetics and Art’s Diversity and Universality’. Wiley Interdisciplinary Reviews: Cognitive Science , vol. 10 , no. 6 ( 2019 ). Nally , Claire. ‘ Grrly Hurly Burly: Neo-Burlesque and the Performance of Gender ’. Textual Practice , vol. 23 , no. 4 ( 2009 ): 621–43 . N e l s o n , V i c t o r i a . Th e Secret Life of Puppets (Cambridge, MA: Harvard University Press, 2003 ). N e u p e r t , R i c h a r d . French Animation History (Malden, MA: Wiley-Blackwell , 2011 ). ‘New York Witches Place Hex on Brett Kavanaugh’. BBC News , 21 October 2018. https:// www.bbc.co.uk/news/world-us-canada-45928212 (accessed 13 November 2019). N o d e l m a n , P e r r y . Words about Pictures: Th e Narrative Art of Children’s Picture Books ( Athens : University of Georgia Press , 1988 ). North , Dan. Performing Illusions: Cinema, Special Eff ects and the Virtual Actor (New York: Wallfl ower Press , 2008 ). Owen , David. ‘ Neo-Burlesque and the Resurgence of Roller Derby: Empowerment, Play, and Community ’. Canadian Th eatre Review , vol. 158 ( 2014 ): 33–8 . Pallant , Chris. Demystifying Disney: A History of Disney Feature Animation ( London : Bloomsbury , 2013 ). Pallant , Chris, and Steven Price . Storyboarding: A Critical History ( Basingstoke : Palgrave Macmillan , 2015 ). Parsons , Elizabeth , Naarah Sawers and Kate McInally . ‘ Th e Other Mother: Neil Gaiman’s Postfeminist Fairytales ’. Children’s Literature Association Quarterly , vol. 33 , no. 4 ( 2008 ): 371–89 . Pedersen , Erik. ‘ Watchdog Group Chides Laika for “White-Washing” “Kubo and the Two Strings ” ’. Deadline , 23 August 2016 . https://deadline.com/2016/08/kubo-and- two-strings-protest-white-actors-japanese-characters-manaa-1201807914/ (accessed 12 August 2019). Pelphrey , Kevin A. , Teresa V. Mitchell , Martin J. KcKeown , Jeremy Goldstein , Truett Allison and Gregory McCarthy . ‘ Brain Activity Evoked by the Perception of Human

99781501347863_pi-274.indd781501347863_pi-274.indd 264264 007-Jun-217-Jun-21 18:10:4418:10:44 265

Bibliography 265

Walking: Controlling for Meaningful Coherent Motion ’. Journal of Neuroscience , vol. 23 , no. 17 ( 2003 ): 6819–25 . Peters , Mette. ‘’s “Cavalcade of Colours, Music and Dolls”: 1930s Advertising Films in Transnational Contexts’. In Malcolm Cook and Kirsten Moana Th ompson (eds), Animation and Advertising (Cham, Switzerland: Palgrave Macmillan, 2019 ), pp. 55–71 . Pett , Emma. ‘ “ Blood, Guts and Bambi Eyes”: Urotsukidōji and the Transcultural Reception and Regulation of Anime ’. Journal of British Cinema and Television , vol. 13 , no. 3 ( 2016 ): 390–408 . P e t t i g r e w , N e i l . Th e Stop-Motion Filmography – A Critical Guide to 297 Features Using Puppet Animation, Volume Two ( London : McFarland , 1999 ). Posner , Liz. ‘ You May Be a Witch and Not Even Know It: Th e Resurgence of W.I.T.C.H. Activism Under the Trump Administration ’. AlterNet , 30 October 2017 . https:// www.alternet.org/2017/10/resurgence-witch-activism-and-witches-under-trump- administration/ (accessed 13 November 2019). P r a t c h e t t , Te r r y . Discworld (New York: Penguin Random House, 1983–2015 ). Priebe , Ken A. Th e Advanced Art of Stop-Motion Animation (Boston, MA: Cengage Learning, 2010 ). Prince , Stephen. Digital Visual Eff ects in Cinema: Th e Seduction of Reality ( New Brunswick, NJ: Rutgers University Press, 2012 ). Prince , Stephen. ‘True Lies: Perceptual Realism, Digital Images, and Film Th eory ’. Film Quarterly , vol. 49 , no. 3 ( 1996 ): 27–37 . Purves , Barry J. C. Stop Motion: Passion, Process and Performance ( Burlington, MA : Focal Press/Routledge , 2008 ). Purves , Barry J. C. Stop-Motion Animation: Frame by Frame Film-Making with Puppets and Models ( London : Bloomsbury , 2014 ). Ramachandran , V. S. and William Hirstein . ‘Th e Science of Art: A Neurological Th eory of Aesthetic Experience ’. Journal of Consciousness Studies: Controversies in Science and the Humanities , vol. 6 , no. 6–7 ( 1999 ): 15–51 . R a p p o r t , N i g e l , a n d A n d r e w D a w s o n . Migrants of Identity: Perceptions of Home in a World of Movement ( Oxford : Berg , 1998 ). Rea , Steven. ‘On Movies: “ Coraline ” Animator Started with the Story ’. Philadelphia Inquirer, 1 February 2009 , p. H02 . Richards , Linda. Interview with Neil Gaiman. January Magazine, August 2001 . https:// www.januarymagazine.com/profi les/gaiman.html (accessed 8 June 2020). Rizzolatti , Giacomo, and Laila Craighero . ‘Th e Mirror-Neuron System ’. Annual Review of Neuroscience , vol. 27 ( 2004 ): 169–92 . Roberts , Jeanne Addison. Th e Shakespearean Wild: Geography, Genus, and Gender ( Lincoln, NE : University of Nebraska Press , 1991 ). Robey , Tim. ‘Coraline ’. Daily Telegraph , 8 May 2009 , p. 31.

99781501347863_pi-274.indd781501347863_pi-274.indd 265265 007-Jun-217-Jun-21 18:10:4418:10:44 266

266 Bibliography

Rocha , Ellen. ‘ Beyond Materiality in Animation: Sensuous Perception and Touch in the Tactile Existence of “Would a Heart Die? ” ’. Animation Studies , vol. 11 ( 2016 ). https:// journal.animationstudies.org (accessed 17 March 2020). Roper , Caitlin. ‘ Th e Man Who Brought Stop-Motion Animation to the 21st Century ’. Wired, 18 September 2014 . https://www.wired.com/2014/09/travis-knight-stop- motion-boxtrolls/ (accessed 23 September 2020). Rose , Steve. ‘ Masters of Puppets: Charlie Kaufman and the Subversive Allure of Stop-Motion ’. Th e Guardian , 7 January 2016 . https://www.theguardian.com/ fi lm/2016/jan/07/subversive-allure-stop-motion--tim-burton (accessed 1 March 2020). Rowe , Robin. ‘ “Bride” Stripped Bare’. Editors Guild Magazine, vol. 26 , no. 4 (2005 ): 1–8 . Rowntree , Grim. ‘Hag Stone Lore’. Cauldron Craft Oddities , 30 October 2012 . http:// cauldroncraft oddities.blogspot.com/2012/10/hag-stone-lore.html (accessed 13 November 2019). Rudd , David. ‘ An Eye for an I: Neil Gaiman’s Coraline and Questions of Identity ’. Children’s Literature in Education , vol. 39 , no. 3 ( 2008 ): 159–68 . Ruddell , Caroline, and Paul Ward . ‘Introduction ’. In Caroline Ruddell and Paul Ward (eds), Th e Craft y Animator: Handmade, Craft -Based Animation and Cultural Value (Cham, Switzerland: Palgrave Macmillan, 2019 ), pp. 1–15 . Saunders , Sarah. ‘ LAIKA’s Brian McLean Talks about 3D Printed Faces for Studio’s New Stop Motion Animation Film ’. 3D Print , 20 March 2019 . https://3dprint. com/238607/brian-mclean-talks-3d-printed-faces-for-laika-stop-motion-animation/ (accessed 4 November 2020). S a v a g e , M i k e , G a y n o r B a g n a l l a n d B r i a n L o n g h u r s t , Globalization and Belonging (London : Sage , 2005 ). Saygin , Ayse Pinar , Stephen M. Wilson , Donald J. Hagler Jr, Elizabeth Bates and Martin I. Sereno . ‘ Point-Light Biological Motion Perception Activates Human Premotor Cortex ’. Journal of Neuroscience , vol. 24 , no. 27 ( 2004 ): 6181–8 . S c o t t , A n t h o n y . ‘ Th e Importance of Using Gages ’. Stop Motion Animation . http:// www.stopmotionanimation.com/page/the-importance-of-using-gages (accessed 1 May 2020). Scott , A. O. ‘Cornered in a Parallel World’. New York Times, 6 February 2009 , p. C1 . Sedgwick , Eve Kosofsky. Touching Feeling (Durham, NC: Duke University Press, 2003 ). Selick , Henry. Coraline , ‘ Feature Commentary ’ ( Laika, Inc ., 2009 ), DVD. Selick , Henry. ‘ Henry Selick on Why Jan Svankmajer Matters ’, Cartoon Brew , 12 June 2016 . https://www.cartoonbrew.com/ideas-commentary/henry-selick-jan- svankmajer-matters-140434.html (accessed 27 September 2020). Selick , Henry. ‘ Henry Selick Winsor McCay Award Recipient 2020 ’, YouTube , 2 February 2020 . https://www.youtube.com/watch?v=i5-3I1ly0q8&ab_ channel=ASIFAHollywood (accessed 27 September 2020).

99781501347863_pi-274.indd781501347863_pi-274.indd 266266 007-Jun-217-Jun-21 18:10:4518:10:45 267

Bibliography 267

Shadbolt , Jane. ‘Parallel Synchronized Randomness: Stop-Motion Animation in Live Action Feature Films ’. Animation Studies , no. 8 , 9 June 2013 . https://journal. animationstudies.org/category/volume-8/jane-shadbolt-parallel-synchronised- randomness/ (accessed 9 December 2019). Shepherd , David. ‘ “ Noah’s Beasts Were the Stars”: Arthur Melbourne Cooper’s Noah’s Ark (1909)’ . Journal of Religion & Film , vol. 20 , no. 1 ( 2016 ): 1–27 . http:// digitalcommons.unomaha.edu/jrf/vol20/iss1/20 . S h k l o v s k y , V i k t o r . Th eory of Prose ( Elmwood Park, IL : Dalkey Archive Press , 1990 ). Singer , Tania , Ben Seymour , John O’Doherty , Holgar Kaube , Raymond J. Dolan and Chris D. Frith . ‘Empathy for Pain Involves the Aff ective but Not Sensory Components of Pain ’. Science , vol. 303 , no. 20 ( 2004 ): 1157–62 . Smith , Adam. An Inquiry into the Nature and Causes of the Wealth of Nations. 6th edn, vol. 1 (London : G. Bell and Sons, 1887 ; original 1776 ). Smith , Damon. ‘ Star Trek ’. Oxford Times , 6 May 2009 . Smith , Moira. ‘ Th e Flying Phallus and the Laughing Inquisitor: Penis Th eft in the “Malleus Malefi carum” ’. Journal of Folklore Research , vol. 39 , no. 1 ( 2002 ): 85–117 . Smith , Vicky , and Nicky Hamlyn , eds. Experimental & Expanded Animation: New Perspectives and Practices (London : Palgrave Macmillan, 2018 ). Staiger , Janet. Interpreting Films: Studies in the Historical Reception of American Cinema ( Princeton, NJ : Princeton University Press , 1992 ). Staiger , Janet. Perverse Spectators: Th e Practices of Film Reception (New York: New York University Press , 2000 ). Stevens , Dana. ‘Button Eyes’. Slate , 5 February 2009 . http://www.slate.com/articles/arts/ movies/2009/02/button_eyes.html?via=gdpr-consent (accessed 9 September 2018). Š v a n k m a j e r , J a n . Touching and Imagining: An Introduction to Tactile Art ( London : I.B. Tauris , 2014 ). T a t a r , M a r i a . Th e Hard Facts of the Grimms’ Fairy Tales (Princeton: Princeton University Press, 1987 ). T a t e , W. E . Th e Enclosure Movement (New York: Walker , 1967 ). Th e Classifi cation and Rating Administration (CARA) . ‘ History of the Ratings ’. Film Ratings . https://fi lmratings.com/History (accessed 9 September 2018 ). ‘Th e Making of Coraline’ (UK Blu Ray Release, 2013). ‘Th e Making of the Nightmare before Christmas’. Th e Nightmare before Christmas Special Edition DVD (Buena Vista Home Entertainment, 2000). Th ompson , Gary. ‘ “ Coraline” May Be Unnerving for the Kids ’. Philadelphia Daily News , 6 February 2009 , p. 38 . T i l l e y , L i s a , A s h o k K u m a r a n d Th omas Cowan . ‘ Introduction: Enclosures and Discontents ’. City , vol. 21 , no. 3–4 ( 2017 ): 420–7 . To r r e , D a n . Animation – Process, Cognition and Actuality (New York: Bloomsbury , 2017 ). To r r e , D a n . Carnivorous Plants ( London : Reaktion Books , 2019 ).

99781501347863_pi-274.indd781501347863_pi-274.indd 267267 007-Jun-217-Jun-21 18:10:4518:10:45 268

268 Bibliography

Tronick , Edward, et al. ‘Th e Infant’s Response to Entrapment between Contradictory Messages in Face-to-Face Interaction ’. Journal of the American Academy of Child Psychiatry , vol. 17 , no. 1 ( 1978 ): 1–13 . Troutman , Megan , ‘It’s Alive … AGAIN: Redefi ning Children’s Film Th rough Animated Horror’. In Casie Hermansson and Janet Zepernick (eds), Th e Palgrave Handbook of Children’s Film and Television (Cham, Switzerland: Palgrave Macmillan, 2019 ), pp. 149–65 . Tully , James. ‘Th e Future Is Here! ’. Th e Argus , 26 March 2009 . Turan , Kenneth. ‘Review: “Coraline” ’. , 6 February 2009 . https:// www.latimes.com/entertainment/la-et-coraline6-2009feb06-story.html (accessed 18 November 2020). Turnock , Julie. Plastic Reality: Special Eff ects, Technology, and the Emergence of 1970s Blockbuster Aesthetics (New York: Columbia University Press , 2015 ). Vancheri , Barbara. ‘ PG-Rated Movies with More Kick Are Catching Parents Off - Guard ’. Pittsburgh Post-Gazette , 6 February 2009 . https://www.post-gazette.com/ ae/movies/2009/02/06/PG-rated-movies-with-more-kick-are-catching-parents-off - guard/stories/200902060205 (accessed 9 September 2018). Vaughn , Stephen. Freedom and Entertainment: Rating the Movies in an Age of New Media ( Cambridge : Cambridge University Press , 2006 ). Vaz , Mark Cotta. ‘Th e Nightmare before Christmas : Animation in the Th ird Dimension ’. Cinefex, no. 56 (1993 ). Venker , Suzanne. ‘Men Called. Th ey Want Th eir Balls Back ’. 30 April 2018 . https://www. suzannevenker.com/relationships/men-called-they-want-their-balls-back/ (accessed 13 November 2019). Venker , Suzanne. ‘Th e Neutering of the American Male ’. 9 March 2018 . https://www. suzannevenker.com/feminism/the-neutering-of-the-american-male/ (accessed 13 November 2019). von Kleist , Heinrich. ‘ On the Marionette Th eatre ’. Trans. Th omas G. Neumiller . Drama Review , vol. 16 , no. 3 ( 1972 ): 22–6 . Warwick , Lynda. ‘ Feminist Wicca: Paths to Empowerment ’. Women & Th erapy , vol. 16 , no. 2–3 ( 1995 ): 121–33 . W e b b e r , R o y P. Th e Dinosaur Films of : Features, Early 16mm Experiments and Unrealized Projects ( J e ff erson, NC : MacFarland , 2004 ). W e i s b u c h , R o b e r t . Atlantic Double-Cross: American Literature and British Infl uence in the Age of Emerson ( Chicago, IL : University of Chicago Press , 1986 ). Wells , Paul. ‘ “ Picture by Picture, Movement by Movement”: Melbourne-Cooper, Shiryaev and the Symbolic Body ’. animation: an interdisciplinary journal , vol. 6 , no. 2 ( 2011 ): 149–62 . W e l l s , P a u l . Understanding Animation (London : Routledge , 1998 ). Wells , Paul. ‘ Wonderlands, Slumberlands and Plunderlands: Considering the Animated Fantasy ’. In Christopher Holliday and Alexander Sergeant (eds), Fantasy/

99781501347863_pi-274.indd781501347863_pi-274.indd 268268 007-Jun-217-Jun-21 18:10:4518:10:45 269

Bibliography 269

Animation: Connections between Media, Mediums and Genres (London : Routledge , 2018 ), pp. 23–41 . Wilby , Emma. Cunning Folk and Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft (Brighton : Sussex Academic Press, 2010 ). Williams , Marietta. ‘ [Familiars 2017: Part 4] How a Familiar Serves the Witch ’. Witchy Words, 17 November 2017 . http://www.witchywords.com/2017/11/familiars-2017- part-4-how-familiar.html (accessed 13 November 2019). Wilson , Sean. ‘ Exclusive Interview: Early Man Director Talks Aardman, Bristol and Eddie Redmayne ’. Cineworld , 31 January 2018 . http://www.cineworld. co.uk/blog/early-man-aardman-nick-park-interview (accessed 17 March 2020). Wiseman , Dennis. Th e American Family: Understanding its Changing Dynamics and Place in Society ( Springfi eld : Charles C. Th omas, 2008 ). W.I.T.C.H. Boston (@witchboston). ‘ ANONYMOUS | INTERSECTIONAL | INCLUSIVE | UNIFIED ’. Instagram Photo , 27 January 2017 . https://www.instagram. com/p/BPx5jAFh5kj/ (accessed 13 November 2019). W.I.T.C.H. PDX . ‘ W.I.T.C.H.: STARTING NEW CHAPTERS ’. PDF File , No date. https://static1.squarespace.com/static/58bc4014db29d66bb3b20966/t/59c6e45fd7 bdce9acafab603/1506206816220/NEW-W.I.T.C.H.-CHAPTERS.pdf (accessed 13 November 2019). Wloszczyna , Susan. ‘ 3-D and Stop-Motion Find “Coraline”; Visuals Pop with Old, New Images ’. USA Today , 18 November 2008 , p. 1D W o l ff , Ellen. ‘ Digital Puppeteers: Pete Kozachick and Brian Van’t Hul on Coraline ’. Millimeter ( January/February 2009) , pp. 18–21 . W o l ff , Ellen. ‘ Systems Go for Stop Motion ’. Daily Variety , 13 November 2009 . W y n e s s , M i c h a e l . Contesting Childhood (New York: Falmer Press, 2000 ). Young , Graham. ‘ Animation May Be the First X-Certifi cate’. Birmingham Evening Mail , 8 May 2009 , p. 31 . Zahed , Ramin. Th e Art of Missing Link ( San Rafael, CA : Insight Editions , 2019 ). Zamir , Tzachi. ‘ Puppets ’. Critical Inquiry , vol. 36 , no. 3 ( 2010 ): 386–409 . Zeki , Semir. ‘ Art and the Brain ’. Journal of Consciousness Studies: Controversies in Science and the Humanities , vol. 10 , no. 3 ( 1999 ): 76–96 . Zipes , Jack , tr, ed. Th e Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm ( New York : W. W. Norton , 2001 ). Z o n e , R a y . 3-D Revolution: Th e History of Modern Stereoscopic Cinema ( Lexington : University Press of Kentucky, 2012 ).

99781501347863_pi-274.indd781501347863_pi-274.indd 269269 007-Jun-217-Jun-21 18:10:4518:10:45 270

99781501347863_pi-274.indd781501347863_pi-274.indd 270270 007-Jun-217-Jun-21 18:10:4518:10:45