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HERITAGE UNDER SIEGE in BRAZIL the Bolsonaro Government Announced the Auction Sale of the Palácio Capanema in Rio, a Modern
HERITAGE UNDER SIEGE IN BRAZIL the Bolsonaro Government announced the auction sale of the Palácio Capanema in Rio, a modern architecture icon that was formerly the Ministry of Education building FIRST NAME AND FAMILY NAME / COUNTRY TITLE, ORGANIZATION / CITY HUBERT-JAN HENKET, NL Honorary President of DOCOMOMO international ANA TOSTÕES, PORTUGAL Chair, DOCOMOMO International RENATO DA GAMA-ROSA COSTA, BRASIL Chair, DOCOMOMO Brasil LOUISE NOELLE GRAS, MEXICO Chair, DOCOMOMO Mexico HORACIO TORRENT, CHILE Chair, DOCOMOMO Chile THEODORE PRUDON, USA Chair, DOCOMOMO US LIZ WAYTKUS, USA Executive Director, DOCOMOMO US, New York IVONNE MARIA MARCIAL VEGA, PUERTO RICO Chair, DOCOMOMO Puerto Rico JÖRG HASPEL, GERMANY Chair, DOCOMOMO Germany PETR VORLIK / CZECH REPUBLIC Chair, DOCOMOMO Czech Republic PHILIP BOYLE / UK Chair, DOCOMOMO UK OLA ODUKU/ GHANA Chair, DOCOMOMO Ghana SUSANA LANDROVE, SPAIN Director, Fundación DOCOMOMO Ibérico, Barcelona IVONNE MARIA MARCIAL VEGA, PUERTO RICO Chair, DOCOMOMO Puerto Rico CAROLINA QUIROGA, ARGENTINA Chair, DOCOMOMO Argentina RUI LEAO / MACAU Chair, DOCOMOMO Macau UTA POTTGIESSER / GERMANY Vice-Chair, DOCOMOMO Germany / Berlin - Chair elect, DOCOMOMO International / Delft ANTOINE PICON, FRANCE Chairman, Fondation Le Corbusier PHYLLIS LAMBERT. CANADA Founding Director Imerita. Canadian Centre for Architecture. Montreal MARIA ELISA COSTA, BRASIL Presidente, CASA DE LUCIO COSTA/ Ex Presidente, IPHAN/ Rio de Janeiro JULIETA SOBRAL Diretora Executiva, CASA DE LUCIO COSTA, Rio de Janeiro ANA LUCIA NIEMEYER/ BRAZIL -
Bauhaus 1 Bauhaus
Bauhaus 1 Bauhaus Staatliches Bauhaus, commonly known simply as Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught. It operated from 1919 to 1933. At that time the German term Bauhaus, literally "house of construction" stood for "School of Building". The Bauhaus school was founded by Walter Gropius in Weimar. In spite of its name, and the fact that its founder was an architect, the Bauhaus did not have an architecture department during the first years of its existence. Nonetheless it was founded with the idea of creating a The Bauhaus Dessau 'total' work of art in which all arts, including architecture would eventually be brought together. The Bauhaus style became one of the most influential currents in Modernist architecture and modern design.[1] The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933), under three different architect-directors: Walter Gropius from 1919 to 1928, 1921/2, Walter Gropius's Expressionist Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe Monument to the March Dead from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime. The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, and politics. For instance: the pottery shop was discontinued when the school moved from Weimar to Dessau, even though it had been an important revenue source; when Mies van der Rohe took over the school in 1930, he transformed it into a private school, and would not allow any supporters of Hannes Meyer to attend it. -
Seagram Building, First Floor Interior
I.andmarks Preservation Commission october 3, 1989; Designation List 221 IP-1665 SEAGRAM BUIIDING, FIRST FLOOR INTERIOR consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; 375 Park Avenue, Manhattan. Designed by Ludwig Mies van der Rohe with Philip Johnson; Kahn & Jacobs, associate architects. Built 1956-58. Landmark Site: Borough of Manhattan Tax Map Block 1307, Lot 1. On May 17, 1988, the landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Seagram Building, first floor interior, consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; and the proposed designation of the related I.and.mark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Twenty witnesses, including a representative of the building's owner, spoke in favor of designation. No witnesses spoke in opposition to designation. The Commission has received many letters in favor of designation. DFSCRIPI'ION AND ANALYSIS Summary The Seagram Building, erected in 1956-58, is the only building in New York City designed by architectural master Iudwig Mies van der Rohe. Constructed on Park Avenue at a time when it was changing from an exclusive residential thoroughfare to a prestigious business address, the Seagram Building embodies the quest of a successful corporation to establish further its public image through architectural patronage. -
EU Prize for Contemporary Architecture / Mies Van Der Rohe Award: a Tribute to Bauhaus
AT A GLANCE EU Prize for Contemporary Architecture / Mies van der Rohe Award: A tribute to Bauhaus The EU Prize for Contemporary Architecture (also known as the EU Mies Award) was launched in recognition of the importance and quality of European architecture. Named after German architect Ludwig Mies van der Rohe, a figure emblematic of the Bauhaus movement, it aims to promote functionality, simplicity, sustainability and social vision in urban construction. Background Mies van der Rohe was the last director of the Bauhaus school. The official lifespan of the Bauhaus movement in Germany was only fourteen years. It was founded in 1919 as an educational project devoted to all art forms. By 1933, when the Nazi authorities closed the school, it had changed location and director three times. Artists who left continued the work begun in Germany wherever they settled. Recognition by Unesco The Bauhaus movement has influenced architecture all over the world. Unesco has recognised the value of its ideas of sober design, functionalism and social reform as embodied in the original buildings, putting some of the movement's achievements on the World Heritage List. The original buildings located in Weimar (the Former Art School, the Applied Art School and the Haus Am Horn) and Dessau (the Bauhaus Building and the group of seven Masters' Houses) have featured on the list since 1996. Other buildings were added in 2017. The list also comprises the White City of Tel-Aviv. German-Jewish architects fleeing Nazism designed many of its buildings, applying the principles of modernist urban design initiated by Bauhaus. -
Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency SARAH M
VOLUME 26 · 2015 JOURNAL OF THE SOUTHEAST CHAPTER OF THE SOCIETY OF ARCHITECTURAL HISTORIANS Volume 26 · 2015 1 Editors’ Note Articles 6 Madness and Method in the Junkerhaus: The Creation and Reception of a Singular Residence in Modern Germany MIKESCH MUECKE AND NATHANIEL ROBERT WALKER 22 Curtained Walls: Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency SARAH M. DRELLER 40 The “Monster Problem”: Texas Architects Try to Keep it Cool Before Air Conditioning BETSY FREDERICK-ROTHWELL 54 Electrifying Entertainment: Social and Urban Modernization through Electricity in Savannah, Georgia JESSICA ARCHER Book Reviews 66 Cathleen Cummings, Decoding a Hindu Temple: Royalty and Religion in the Iconographic Program of the Virupaksha Temple, Pattadakal REVIEWED BY DAVID EFURD 68 Reiko Hillyer, Designing Dixie: Tourism, Memory, and Urban Space in the New South REVIEWED BY BARRY L. STIEFEL 70 Luis E, Carranza and Fernando L. Lara, Modern Architecture in Latin America: Art, Technology, and Utopia REVIEWED BY RAFAEL LONGORIA Field Notes 72 Preserving and Researching Modern Architecture Outside of the Canon: A View from the Field LYDIA MATTICE BRANDT 76 About SESAH ABSTRACTS Sarah M. Dreller Curtained Walls: Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency Abstract This paper studies the creation, circulation, and reception of two groups of photographs of Ludwig Mies van der Rohe’s iconic Farnsworth House, both taken by Hedrich Blessing. The first set, produced for a 1951 Architectural Forum magazine cover story, features curtains carefully arranged according to the architect’s preferences; the Museum of Modern Art commis- sioned the second set in 1985 for a major Mies retrospective exhibition specifically because the show’s influential curator, Arthur Drexler, believed the curtains obscured Mies’ so-called “glass box” design. -
JBSC 2020 Proceedings 1.Pdf
Delft University of Technology Repositioning Architecture in the Digital Proceedings of the 7th annual conference of the Jaap Bakema Study Centre van den Heuvel, D.; Monteiro de Jesus, Soscha; Hwang, S.A. Publication date 2020 Document Version Final published version Citation (APA) van den Heuvel, D., Monteiro de Jesus, S., & Hwang, S. A. (Eds.) (2020). Repositioning Architecture in the Digital: Proceedings of the 7th annual conference of the Jaap Bakema Study Centre. TU Delft and Het Nieuwe Instituut. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. Jaap Bakema Study Centre Seventh Annual Conference November 2020 Repositioning Architecture in the Digital Introduction 5 Dirk van den Heuvel (TU Delft, Jaap Bakema Study Centre) Data Landscapes 9 Georg Vrachliotis (TU Delft) In conversation with Armin Linke (Photographer and Filmmaker) Data Matter 27 Marina Otero Verzier, Ludo Groen and Marten Kuijpers (Het Nieuwe Instituut) Habitat, Ecology and System Theory 31 Dirk van den Heuvel (TU Delft, Jaap Bakema Study Centre) and Soscha Monteiro de Jesus (Het Nieuwe Instituut) Archive Selection 33 Appendix 63 Conference Schedule 64 Keynote Lecture: Montreal and the Artificial Intelligence’s Mandate 67 Alessandra Ponte (Université de Montréal) Keynote Lecture: Data Landscapes 69 Armin Linke (Photographer and Filmmaker) Biographies 71 R. -
3. the Montreal Jewish Community and the Holocaust by Max Beer
Curr Psychol DOI 10.1007/s12144-007-9017-3 The Montreal Jewish Community and the Holocaust Max Beer # Springer Science + Business Media, LLC 2007 Abstract In 1993 Hitler and the Nazi party came to power in Germany. At the same time, in Canada in general and in Montreal in particular, anti-Semitism was becoming more widespread. The Canadian Jewish Congress, as a result of the growing tension in Europe and the increase in anti-Semitism at home, was reborn in 1934 and became the authoritative voice of Canadian Jewry. During World War II the Nazis embarked on a campaign that resulted in the systematic extermination of millions of Jews. This article focuses on the Montreal Jewish community, its leadership, and their response to the fate of European Jewry. The study pays particular attention to the Canadian Jewish Congress which influenced the outlook of the community and its subsequent actions. As the war progressed, loyalty to Canada and support for the war effort became the overriding issues for the community and the leadership and concern for their European brethren faded into the background. Keywords Anti-Semitism . Holocaust . Montreal . Quebec . Canada . Bronfman . Uptowners . Downtowners . Congress . Caiserman The 1930s, with the devastating worldwide economic depression and the emergence of Nazism in Germany, set the stage for a war that would result in tens of millions of deaths and the mass extermination of Europe’s Jews. The decade marked a complete stoppage of Jewish immigration to Canada, an increase in anti-Semitism on the North American continent, and the revival of the Canadian Jewish Congress as the voice for the Canadian Jewish community. -
"Stimmung" at Seagram: Philip Johnson Counters Mies Van Der Rohe Author(S): Phyllis Lambert Source: Grey Room, No
Grey Room, Inc. "Stimmung" at Seagram: Philip Johnson Counters Mies Van Der Rohe Author(s): Phyllis Lambert Source: Grey Room, No. 20 (Summer, 2005), pp. 38-59 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/20442686 . Accessed: 05/09/2014 12:49 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press and Grey Room, Inc. are collaborating with JSTOR to digitize, preserve and extend access to Grey Room. http://www.jstor.org This content downloaded from 134.84.192.103 on Fri, 5 Sep 2014 12:49:45 PM All use subject to JSTOR Terms and Conditions EMI I 12 | 1~~~~~~~~~~1 II *~~~~~~~~~~~~i 11. Disp&y lighs (top) in Seagramon Result: were deagoedfor executive one of the bet-iuminated meetingro, disappearinto buildingsever constructed. ciling whn not inus They tumnme endmeetingof room 13. Ls.boue oeAs form intoeffeci stage. a conthfnus11%-foot-wlde baudamund the perimeter of 12. I*vL lihtseourc thebuilding. 0m (above) (centerrow above) were used w designedby Ketlmhum through buidig. Here & Sharp for 0. E. Me theyepiU a' wash of light Inte Inc, showsmodua over ceference-roomwalls, ceilinggrid in metnide offme sodmake ! ot o ght on and corridr,plus a low conferencet ightng brightnmsytm for 140. -
Profiles in Family Philanthropy
Profiles in Family Philanthropy Each month, Family Giving News celebrates the legacies and philanthropic contributions of family philanthropists all over the world by highlighting the story of one philanthropic donor or family in "Profiles in Family Philanthropy." Profiles 2007 MAY/JUNE 2007: The Andrea and Charles Bronfman Philanthropies Charles Bronfman returned from a trustees' meeting of the Mount Sinai Medical Center with an idea. Bronfman, Chairman and co-founder with his late wife Andrea of the Andrea and Charles Bronfman Philanthropies, had heard of the Medical Center's efforts in the emerging field of personalized medicine. Dr. Jeffrey Solomon, President of the Philanthropies, recalls, “He came back to the foundation and said, ‘Would we do some homework in this arena?’” The result of that homework: a $12.5-million grant to Mount Sinai Medical Center in New York to establish the Charles Bronfman Institute for Personalized Medicine. Called a "leadership gift," the grant aims to support a new approach to medicine which utilizes information about a person's genetic make-up to more effectively detect, treat, and prevent disease. Like many of the Philanthropies' efforts, it represents a significant investment in "the next generation," in this case, the next generation of genetics research and genomics-based medicine. In Memoriam: Andrea Bronfman Andrea Morrison Bronfman, co-chair of The Andrea and Charles Bronfman Philanthropies, tragically passed away January 23, 2006 as the result of injuries sustained in a traffic accident. Through her leadership at ACBP and numerous other philanthropic endeavors, she was a shaping force in initiatives aimed at strengthening Jewish identity worldwide, with a focus on Jewish youth, the arts and education. -
Modernism's Influence on Architect-Client Relationship
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:10, 2018 Modernism’s Influence on Architect-Client Relationship: Comparative Case Studies of Schroder and Farnsworth Houses Omneya Messallam, Sara S. Fouad beliefs in accordance with modern ideas, in the late 19th and Abstract—The Modernist Movement initially flourished in early 20th centuries. Additionally, [2] explained it as France, Holland, Germany and the Soviet Union. Many architects and specialized ideas and methods of modern art, especially in the designers were inspired and followed its principles. Two of its most simple design of buildings of the 1940s, 50s and 60s which important architects (Gerrit Rietveld and Ludwig Mies van de Rohe) were made of modern materials. On the other hand, [3] stated were introduced in this paper. Each did not follow the other’s principles and had their own particular rules; however, they shared that, it has meant so much that it has often meant nothing. the same features of the Modernist International Style, such as Anti- Perhaps, the belief of [3] stemmed from a misunderstanding of historicism, Abstraction, Technology, Function and Internationalism/ the definitions of Modernism, or what might be true is that it Universality. Key Modernist principles translated into high does not have a clear meaning to be understood. Although this expectations, which sometimes did not meet the inhabitants’ movement was first established in Europe and America, it has aspirations of living comfortably; consequently, leading to a conflict become global. Applying Modernist principles on residential and misunderstanding between the designer and their clients’ needs. -
The Samuel and Saidye Bronfman Family Foundation Yves Savoie
book review Spirited Commitment: The Samuel and Saidye Bronfman Family Foundation The Philanthropist 2011 / volume 24 • 2 by Roderick MacLeod and Eric John Abrahamson Montreal & Kingston: McGill-Queen’s University Press; 2010. isbn: 978-0-7735-3710-1 Yves Savoie An acorn illustrates the jacket cover of Spirited Commitment: The Samuel Yves Savoie is Chief Executive and Saidye Bronfman Family Foundation recalling the phrase from a poem by David Officer of the Multiple Sclerosis Everett “Large streams from little fountains flow/Tall oaks from little acorns grown” Society of Canada, 175 Bloor Street East, Suite 700, North Tower, (MacLeod and Abrahamson, 2010, p. 3). The authors note that the oak tree also served Toronto, on m4w 3r8. 1 as the image of CEMP, the business arm of the Bronfman family and of The Samuel and Email: [email protected] . Saidye Bronfman Family Foundation (SSBFF). It is a compelling metaphor both for Sam (Note: The reviewer was Head of Bronfman’s well-documented story of vast wealth built from truly humble beginnings, Development at the Canadian as well as for the less often recounted story of his family foundation that spurred broad- Centre for Architecture from 1990 ranging and multi-generational philanthropy. It is this less-recounted tale which now to 1993.) fills these pages. Spirited Commitment was commissioned by the SSBFF to reflect on its more than fifty years of history. Veteran institutional historian, Eric Abrahamson was commissioned initially as the sole author; he conducted the initial research and completed a first draft. For personal reasons, he could not complete the manuscript. -
The World Monuments
EARTHQUAKE FUND FOR ASSISI The World Monuments Fund® (WMF) is a private The Friends of Assisi, an emergency appeal to assist Italy's recovery from the recent earthquakes that have struck nonprofit organization founded in 1965 by individu~ the center of the country, has been founded in association als concerned about the accelerating destruction with WMF. Since September 26, 1997 a series of powerful Whither Cambodiai' tremors and strong aftershocks have damaged parts of of important artistic treasures throughout the Umbria and the Marches. At the Basilica Superiore ofthe world. Church of San Francesco in Assisi, the tremors caused a nJuly 4,John Stubbs and I The ensuing weeks were full of <, section ofthe irreplaceable frescoed vault to collapse, were on a plane out of worry for our team in the field at To date WMF has orchestrated more than 165 killing two monks and two Italian government engineers O Dubrovnik, after a week ofgrappling Angkor. Communications were cut major projects in 52 countries. Today, with who were inspecting damage from the earlier quake. Throughout this part of Italy, where many characteristic first-hand with the staggering off, and we pored over newspapers affiliates established ,in EUfope--in Britain, France, late-medieval and early Renaissance townscapes were so challenge ofrebuilding the countries and Internet reports wondering thoroughly preserved, dozens oftowns have sustained Italy, Portugal, and Spain-the World Monuments that were once Yugoslavia. Reading how our more than 60 Cambodian major damage and hundreds of buildings and works of art the newspaper we learned that Prince workers were faring, and how to Fund sponsors an ongoing program for the are now on the brink of being lost.