DOCSLIB.ORG

CCU Newsletter, September 29, 2003 Coastal Carolina University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CCU Newsletter, September 29, 2003 Coastal Carolina University Coastal Carolina University CCU Digital Commons Coastal Carolina University Newsletter CCU Newsletters 9-29-2003 CCU Newsletter, September 29, 2003 Coastal Carolina University Follow this and additional works at: https://digitalcommons.coastal.edu/ccu-newsletter Part of the Higher Education Commons, and the History Commons Recommended Citation Coastal Carolina University, "CCU Newsletter, September 29, 2003" (2003). Coastal Carolina University Newsletter. 75. https://digitalcommons.coastal.edu/ccu-newsletter/75 This Periodical is brought to you for free and open access by the CCU Newsletters at CCU Digital Commons. It has been accepted for inclusion in Coastal Carolina University Newsletter by an authorized administrator of CCU Digital Commons. For more information, please contact [email protected]. Kimbel Library (20) CoasfalCarolina University Kimbel Library U N V E R S T y N· E W S L E T T E R September 29, 2003 A Newsletter/orFaculty, Staff a11dFriends o_f Coastal Carolina U11iz1ersi~v Volume 13, Number 16 Majorgift of $1.5 millionwill helpdevelop Waites center Burroughs & Chapin Company, Inc., An on-site has donated $1.5 million to Coastal for facility will make the development of a marine educational it possible to facility on Waites Island. establish a consor­ The facility will serve as a research tium of institutes base for Coastal's Center for Marine and of higher learning Wetland Studies, which has been renamed . from the state, the the Burroughs & Chapin Center for nation and around Marine and Wetland Studies, according to the world working a joint announcement by Burroughs & collaboratively on Chapin Chairman J. Egerton Burroughs environmental and Coastal President Ron Ingle at education and Coastal's Founders' Day ceremony. research. The The Center for Marine and Wetland Center is already Studies, established in 1988 by the Horry involved in joint County Higher Education Commission marine research as the community outreach component of projects with the Coastal's College of Natural and Applied U.S. Geological Sciences, conducts research that plays a Survey, the critical role in the management of South National Science Carolina's coastal environment. Foundation, the "Understanding our complex coastal S.C. Department of Natural Resources, the The facility will serve as a research environment is essential in maintaining S.C. Sea Grant Consortium and other base for Coastal's new master's degree in and improving our ecological and econom­ agencies. coastal marine and wetland studies, which ic well being, here on the Grand Strand The facility will also provide opportu­ was initiated this semester, as well as for and around the globe," said Burroughs. nities for better environmental education undergraduate students involved in cut­ An on-site research facility has been for K-12 students throughout the region, ting-edge analysis of beach erosion, water central to Coastal's plans for the island as well as possibilities for education pro­ quality and other topics of vital impor­ since it acquired the property through a grams for civic and community groups. tance to South Carolina and the nation. gift from the Boyce and Tilghman families in the early 1990s. Coastal's 1,062-acre CCU Newsletter Publication Dates tract includes a large portion of the pris­ Submissiondeadlines: Publicationdates: tine barrier island-one of very few unde­ Monday,Oct. 6 Monday,Oct . 13 veloped islands remaining on the East UNIVEIS I TY NEWSlETTEl Monday,Oct. 20 Monday, Oct. 27 Coast-as well as marshland and forests. CoastalCarolina University Newsletter is publishedbiweekly durin'g the academicyear and monthly Waites Island is located north of the duringJune and July by the Officeof MarketingCommunications. Submissions should be sent to the Cherry Grove section of North Myrtle Officeof MarketingCommunications in SNGL 204 by noon the Mondaybefore publication. Beach near the state line at Little River. lnlormation for the CCU NC\\sletter should be submitted to nm s~' coastal edu in the Office of !\larketing Communications, Singleton 20 L - Latino Band Solazo to perform Solazo, an authentic international Latin band, will perform in concert Wednesday, Sept 29 - Oct. 5 • Paul Gayes, director of the Oct. 1 at 7 p.m. in the Wall Auditorium. Burroughs & Chapin Center for The concert is freeand open to the public. Marine and Wetland Studies Hailing from Cuba, Argentina and • Hal Holmes, Founders' Day Chile, the five members of this extraordi­ honoree nary band are making their fourth USA Oct. 6 - 12 tour. Solazo delivers a unique blend of • Mildred Prince, Founders' Day Latin contemporary dance music and honoree soulful ballads. • Lynn Franken and Nancy Cave Layered with sensual Cuban rhythms on the Fall Gala and spiked with the unusual flavors of Andean sounds (panpipe, charango and mandolin), the unique and artful arrange­ ments move fluidly from flamenco to mambo within the course of a single song, creating a rare blend of Latin folk and Aranda and Janiah Allen are on percussion. dance music. Coastal's Office of Multicultural Kike Rodriguez, Miguel Benitez and Student Services and the Diversity bandleader Pepe Aranda provide the three­ Awareness Committee are co-sponsoring part vocal harmonies, while Francisco the event. Call 349-2863 . 'Dracula: Ballet with a Bite' presented on Oct. 4 and S Columbia City Ballet's "Dracula : Ballet with a Bite" will be performed Saturday and Sunday, Oct . 4 and 5 at Wheelwright Auditorium. Get an early start on Halloween by wearing your costume to see local boys and "ghouls" perform with the Columbia City Ballet. The Oct. 4 performance is at 7:30 p.m., and the Oct. 5 show will be at 3 p.m. Admission is $15 adults, and stu­ dents up to age 18 are free. The production has an original score by Thomas Semanski and original chore­ ography by Artistic Director William Starrett. "Dracula" is a wicked feast for the eyes, with striking theatrical imagery, atmospheric sets, lavish costumes and evocative lighting. The individual artists also shine in "Dracula." As Count Dracula, Evgueny Tourdiev dances with grace and power. The fear he induces relies on his imposing and actor. As the newly initiated Lucy, dents are admitted free, but you must have stoic presence as much as the emblematic trapped by a barrage of Dracula's minions, tickets. Tickers will be distributed on a first cape and fangs. she spectacularly transforms from shel­ come, first served basis starting Monday, Prima Ballerina Mariclare Miranda tered belle to ardent seductress and vamp. Sept. 29. Remember, you are limited to two shows her trademark versatility as dancer As always, Coastal staff, faculty and stu- tickets, one for yourself and a guest. 2 AthleticUpdate Sunday, Sept. 28 Saturday,Oct. 4 Friday,Oct. 1O • Men's soccer at Clemson, Clemson • Volleyballhosts Liberty,2 p.m. • Women's cross country at Auburn Tournament, 3 p.m. • Football hosts Gardner-Webb, 7 p.m. Invitational, Auburn, Ala., 4:45 p.m. • Women's soccer at Clemson, 6 p.m. • Women's golf at Lady Wildcat Fall • Men's cross country at Auburn Invitational, Lexington, Ky., all day Invitational, Auburn, Ala. Monday,Sept. 29 • Women's soccer at Western Carolina, noon • Men's golf at Baylor Intercollegiate,Bear Saturday,Oct. 11 Ridge Golf Club, Waco, Texas,all day Sunday,Oct. 5 • Women's soccer hosts Birmingham- • Women's golf at Lady Wildcat Fall Southern, 11:30 a.m. Tuesday,Sept. 30 Invitational, Lexington, Ky., all day • Men's soccer hosts VMI, 2:30 p.m. • Volleyballhosts CharlestonSouthern, 7 p.m. • Football hosts Charleston,WVa., 7 p.m. • Men's golf at Baylor Intercollegiate,Bear Monday,Oct. 6 Ridge Golf Club, Waco, Texas,all day • Men's golf at Pepperdine Club Glove Sunday, Oct. 12 Intercollegiate,Malibu, Cali(, all day • Volleyballat Birmingham-Southern,2 p.m. Wednesday,Oct. 1 • Men'ssoccer at UNC Asheville,N.C., 4 p.m. Tuesday,Oct. 7 Monday, Oct. 13 • Men's golf at Pepperdine Club Glove • Women's soccer hosts UNC Wilmington, Friday,Oct. 3 Intercollegiate,Malibu, Cali£, all day 7p.m. • Volleyballhosts Radford, 7 p.m. • Women's golf at Lady Pirate Fall Intercoll­ • Women's golf at Lady Wildcat Fall Wednesday,Oct. 8 egiate, Greenville,N.C., all day lnvitational,UniversityClub Big Blue Golf • Men's soccer hosts Winthrop, 7 p.m. Club, Lexington, Ky., all day • Women's soccer at Winthrop, 7 p.m. Baritone Fox to perform here "Heroes and Villains," a tour-de­ force program featuring internationally renowned baritone Tom Fox and Philip Powell on piano, will be presented Tuesday, Oct. 7 at 7:30 p.m. The concert will be held in the Recital Hall of the Thomas W and Robin W Edwards College of Humanities and Fine Arts. Admission is $10 for the general pub­ lic. As always, Coastal staff, faculty and students are admitted free, but tickets are required from the Wheelwright Box Office. The program highlights heroes and villains of the musical world in what is certain to be one of the most riveting recitals of the season. Fox has sung in many of the world's leading opera houses. Among his most recent engagements are performances in "Tristan und Isolde" in Strasbourg and Buenos Aires, "Salome" in Buenos Aires, and "Parsifal" m Munich. Call Wheelwright at 349-2502 for tickets. 3 Bank of America gives donation CampusCalendar Wednesday,Oct. 1 to Coastal's Wall Fellows program • Latino Band Solazo performs, 7 p.m., Wall Auditorium, free Saturday,Oct. 4 • "Dracula: Ballet with a Bite," 7:30 p.m., Wheelwright Auditorium, $10 admission, free for Coastal students, staff, faculty with ticket Sunday,Oct. 5 • "Dracula: Ballet with a Bite," 3 p.m., Wheelwright Auditorium, admission $10, free for CCU students, staff • Campus Mass,7 p.m., Atheneum 003 Tuesday,Oct. 7 • "Heroes and Villains," Tom Fox and Philip Powell, Recital Hall, 7:30 p.m., $10 admission, free for CCU Friday,Oct.
Load more

Recommended publications
  • Samuel Ramey
    welcome to LOS i\Ilgeles upera http://www.losangelesopera.comlproduction/index.asp?... •• PURCHASE TICKETS • 2003/2004 SEASON LA AMNATION DE FAD T La damnation de Faust The damnation of Faust / Hector Berlioz Nicholas and In French with English Supertitles Ticket Information Alexandra Lucia di Samuel Ramey, Synopsis Lammermoor r-----------.., Program Notes Denyce Graves and Photo Gallery Orfeo ed Euridice Paul Groves star in a spectacular new Recital: production by Achim Ask an Expert Hei-Kyung Hong Forward to a Freyer with Kent Friend Recital: Cecilia Nagano conducting. Bartoli Generously Madama Europe's master Underwritten by: Butterfly theatre artist Achim Freyer matches his New production Die Frau ohne made possible by a Schatten painterly visual imagery with Hector generous gift from Mr. and Mrs. Recital: Dmitri Berlioz's vivid musical imagination in the premiere of Hvorostovsky Milan Panic this new production featuring a cast of more than Le nozze di 100 singers and dancers. The legend of Faust, which Figaro tells the story of the man who sold his soul to the II trovatol'"e Devil, has captivated great imaginations for centuries. Marlowe, Goethe, Gounod, Schumann, Liszt, Mahler and Stravinsky all found inspiration in SEASON G!J1]) the Faust tale, which continues to reverberate in SPONSOR Audt today's modern world. Originally conceived as an oratoriO, Hector Berlioz's dramatic La damnation de Faust is now a mainstay of opera houses around the world. Haunting melodies and startling orchestrations flood the score and illustrate the beWitching tale of Faust's desperate struggle for power, riches, youth and, ultimately, redemption. PRODUCTION DATES: Wednesday September 10, 20036:30 p.m.
    [Show full text]
  • Central Opera Service Bulletin Volume 29, Number A
    CENTRAL OPERA SERVICE BULLETIN VOLUME 29, NUMBER A CONTENTS NEW OPERAS AND PREMIERES 1 NEWS FMNQKRA COMPANIES 18 GOVERNMENT AND NATIONAL ORGANIZATIONS 24 27 ODNFERENOS H MEM AND REMWftTED THEATERS 29 FORECAST 31 ANNIVERSARIES 37 ARCHIVES AND EXHIBITIONS 39 ATTENTION C0MP0SH8. LIBRE11ISTS, FIAYWRHMTS 40 NUSIC PUBLISHERS 41 EDITIONS AND ADAPTATIONS 4t EOUCATION 44 AFPOINTMEMIS AND RESIGNATIONS 44 COS OPERA SURVEY USA 1988-89 OS INSIDE INFORMATION 57 COS SALUTES. O WINNERS (4 BOOK CORNER 66 OPERA HAS LOST. 73 PERFORMANCE LIST INC. 1969 90 SEASON (CONT.) 83 Sponsored by the Metropolitan Opera National Council CENTRAL OPERA SERVICE BULLETIN Volume 29, Number 4 Fall/Winter 1989-90 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government and National Organizations 24 Copyright 27 Conferences 28 New and Renovated Theaters 29 Forecast 31 Anniversaries 37 Archives and Exhibitions 39 Attention Composers, Librettists, Playwrights 40 Music Publishers 41 Editions and Adaptations 42 Education 44 Appointments and Resignations 46 COS Opera Survey USA 1988-89 56 COS Inside Information 57 COS Salutes. 63 Winners 64 Book Corner 66 Opera Has Lost. 73 Performance Listing, 1989-90 Season (cont.) 83 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. BINDHARDT Please note page 56: COS Opera Survey USA 1988-89 Next issue: New Directions for the '90s The transcript of the COS National Conference In preparation: Directory of Contemporary Opera and Music Theater, 1980-89 (Including American Premieres) Central Opera Service Bulletin • Volume 29, Number 4 • Fall/Winter 1989-90 Editor: MARIA F.
    [Show full text]
  • Salome Ever and Never the Same
    Salome Ever and Never the Same (Re)productions of a Canonized Opera Hedda Høgåsen-Hallesby A thesis submitted in partial fulfillment of the requirements for the degree of PhD Department of Musicology Faculty of Humanities University of Oslo 2013 Contents Acknowledgments v Introduction 1 The Opera Text, Performance Texts, and Feminist Practices 5 Expanding Archives and Changing Methods 8 Synopsis of the Opera 11 Outline of the Dissertation 13 Chapter 1: Ways of Looking 17 Introduction: Reflecting Eyeballs 17 Leitmotifs: An Operatic Spotlight? 19 The Ambiguous Eye: Looking at Salome Looking 22 Turning the Gaze Back at Itself: Egoyan’s Production 29 A Visual Event 31 Supervising the Surveillance 32 Multiple Exposures 33 Doubles, Simultaneity, and Coexistence: Herheim’s Production 39 A Mediating Telescope and a Perforated Moon 40 Conclusion: Toward Audio-Visual Exploratoriums 43 Chapter 2: Voices, Melodies, and the Art of Hearing 46 Introduction: Hearing Voices 46 “Deine Stimme is wie Musik”: Voices, Materiality, and Sensibility 48 Approaching Sensuous Physicalities 48 The “Lärm” from the Banquet Hall 51 The Prophetic Voice 54 Entering the Listener 57 Melodiousness 61 Meanings of Melodiousness 62 A Rhetoric of Desire 67 Conclusion: Salome, Sense, and Sensibility 69 Chapter 3: Archival Presences and (Dis)embodied Mediations 72 Introduction: Video in and of Opera 72 Simulating Realities 75 Production of Presence 84 Archives of/in Motion 91 Conclusion: Ongoing Oscillations 94 Chapter 4: A Silent Executioner, Open Spaces, and Performative Performances
    [Show full text]
  • Annual Report 2011–12 3 Introduction
    ANNUAL REPORT 2011–12 3 Introduction 5 Metropolitan Opera Board of Directors 7 2011–12 Season Repertory & Events 14 2011–12 Artist Roster 15 The Financial Results 38 Patrons Introduction The Metropolitan Opera’s 2011–12 season was marked by an impressive string of artistic successes, while the company continued to address a challenging financial situation in ways that wouldn’t affect the high quality of productions. The company presented seven new stagings during the 2011–12 season, including the final two installments of a new Ring cycle, the Metropolitan Opera premiere of Donizetti’s Anna Bolena, and the world premiere of a new Baroque pastiche, The Enchanted Island, conceived by the Met. All seven new produc- tions, along with four revivals, were presented in movie theaters around the world as part of the Met’s Live in HD series, which has enabled the Met to assume a global leadership position as a provider of special cinema content. The Live in HD series continued to be a money-maker for the Met, earning $27.1 million. Combined earned revenue for the Met (Live in HD and box office) totaled $121.5 million. The 2011–12 season once again brought together the finest singers, conductors, directors, designers, choreog- raphers, and video artists in the world. Such extraordinary directors as Robert Lepage, Phelim McDermott, David McVicar, and Laurent Pelly returned to create new productions, with Michael Grandage and Des McAnuff making directorial debuts with the company. The culmination of Lepage’s new Met Ring cycle was the talk of the opera world, and the new Baroque pastiche The Enchanted Island, devised and written by Jeremy Sams, represented a remarkable new creative endeavor.
    [Show full text]
  • Central Opera Service Bulletin
    CENTRAL OPERA SERVICE BULLETIN MAY-JUNE, 1971 NATIONAL CONFERENCE - WASHINGTON, D.C. - NOVEMBER, 1971 INDEX NEW OPERAS AND PREMIERES 1 NEW OPERA COMPANIES & ARTS COOPERATIVES 3 ART AND ARTS CENTERS 4 GOVERNMENT AND THE ARTS 5 WHAT YOU MUST KNOW ABOUT TAX PROGRAMS 7 NEW TRANSLATIONS, NEW SETS 7 FOUNDATION RESEARCH AND GRANTS 8 PERFORMANCE STATISTICS 8 SINGERS AND ACTORS AS STAGE DIRECTORS 9 EDUCATION, incl. Summer & Arts Admin. Courses 10 ANNIVERSARIES 11 BOOK CORNER; COLLECTIONS 12 COMPETITIONS & WINNERS 14 APPOINTMENTS 15 ANNOUNCEMENTS FROM THE GUILD 17 NEW COS MEMBERS 17 PERFORMANCE LISTING, 1970-71 com. 18 PERFORMANCE LISTING, Summer 1971 19 FIRST PERFORMANCE LISTING, 1971-72 25 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaia • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MELLEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Hartt College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No.
    [Show full text]
  • In Association With
    OVERTURE OPERA GUIDES in association with We are delighted to have the opportunity to work with Overture Publishing on this series of opera guides and to build on the work English National Opera did over twenty years ago on the Calder Opera Guide Series. As well as reworking and updating existing titles, Overture and ENO have commissioned new titles for the series and all of the guides will be published to coincide with repertoire being staged by the company at the London Coliseum. The updated reissue of this guide to Parsifal marks the return to the London Coliseum of Nikolaus Lehnhoff’s acclaimed staging of Wagner’s final music drama. First produced at ENO in 1999, the production has travelled to San Francisco, Chicago, Baden- Baden and Barcelona, as well as having been filmed for DVD. This revival at ENO in 2011 will be the production’s final perfor- mances. Nikolaus Lehnhoff returns to ENO to direct his staging of Wagner’s final masterpiece, with a cast which includes the dis- tinguished British Wagnerian Sir John Tomlinson (Gurnemanz), Stuart Skelton (Parsifal), Jane Dutton (Kundry), Tom Fox (Klingsor) and Iain Paterson (Amfortas). Mark Wigglesworth conducts. We hope that these guides will prove an invaluable resource now and for years to come, and that by delving deeper into the history of an opera, the poetry of the libretto and the nuances of the score, readers’ understanding and appreciation of the opera and the art form in general will be enhanced. John Berry Artistic Director, ENO February 2011 The publisher John Calder began the Opera Guides series under the editorship of the late Nicholas John in associa- tion with English National Opera in 1980.
    [Show full text]
  • Mcgill Community for Lifelong Learning | Rory O'sullivan Music
    Rory O’Sullivan Opera and Music DVD Collection McGill Community for Lifelong Learning McGill Community for Lifelong Learning | Rory O’Sullivan Music Collection Table of Contents Introduction ................................................................................................................ 3 Borrowing Procedure ................................................................................................. 4 DVD Request Form ................................................................................................... 5 Opera Collection ........................................................................................................ 6 Opera Compilations ...............................................................................................263 Orchestral and Other Works ..................................................................................287 Last Update: 28 March 2017 Page 2 McGill Community for Lifelong Learning | Rory O’Sullivan Music Collection Introduction McGill Community for Lifelong Learning is now in possession of a unique collection of opera DVDs. The family of the late Rory O’Sullivan has generously donated his personal collection for the pleasure and enjoyment of all MCLL members. Rory, through his very popular and legendary Opera Study Groups, inspired huge numbers with his knowledge, love and passion for opera. An architect by profession, Rory was born, raised and educated in Ireland. In his youth he participated in school productions of Gilbert and Sullivan operettas. This instilled
    [Show full text]
  • Authorization to Copy
    AUTHORIZATION TO COPY I authorize Kenneth S. Schmidt to scan the book I coauthored entitled, TULSA OPERA CHRONICLES, for the purpose of making a digital copy for use on the internet in the interest of preserving the history of the Tulsa Opera. Further copies may be made from this digital copy provided they are for educational, historical, personal enjoyment, or the promotion of fine art, and for non-profit use. For any other intentions, the copyright statement below applies. Laven Sowell Jack Williams June 15, 2007 Copyright © 1992 by Jack A. Williams and Laven Sowell All rights reserved under International Copyright Law. Contents May not be reproduced in whole or in part in any form without The express written consent of the authors. Library of Congress Catalog Number 92-96949 1 2 Website produced in appreciation of Mr. Laven Sowell by Ken Schmidt, student of Mr. Sowell since September 1964, Edison Jr. High School Boys Glee Club, Edison High School Mixed Chorus, and proud alumnus of the Edison High School Concert Chorus during the 1969 / 1970 school year in Tulsa, Oklahoma. Thank you for teaching me about great music. 3 To compensate for the page numbering difference between the original book and this PDF file, please add 10 to the page number when referencing the Table of Contents and the Index, and then search or scroll in your PDF viewer. 4 5 This book is dedicated to the loyal and talented chorus members, who have for many years given unselfishly of their time and talent to help make opera possible in the city of Tulsa.
    [Show full text]
  • Clearwater Navigator Winter 2010
    HUDSON RIVER SLOOP CLEARWATER, INC. from the helm 724 Wolcott Avenue, Beacon, NY 12508 P: 845-265-8080 F: 845-831-2821 Dear Clearwater Nation: [email protected]; www.clearwater.org What an amazing year this has been BOARD OF DIRECTORS for Clearwater! With three big anniversaries OFFICERS to celebrate–Pete Seeger’s 90th Allan P. Shope, President birthday, the 40th anniversary of Eric Marshall, Vice President sloop Clearwater’s launch and the Scott Berwick, Interim Treasurer 400th anniversary of Henry Hudson’s Ross Gould, Secretary voyage up the river that now bears his AT -LARGE BOARD MEMBERS name–we’ve been keeping busy! Mitchell Bring, Stephen Filler, William Flank All year long we have been emphasizing the importance of creating green leaders in our river cities through Clearwater’s DIRECTORS David Church, Ann Davis, Steve Densmore, programs. Our Next Generation Legacy Project, dedicated to Pete Edward Dlugosz, Roberta Goldberg, and modeled on his bold vision of combining social justice and Chris Hunt, Paul Mankiewicz, environmental stewardship, got off to a great start with the launch of David Mordecai, Michael Myerson, Camp Clearwater this summer and the opening of the Clearwater Anne Osborn, Robert Politzer, Susan Shapiro, Center for Environmental Leadership and Justice in Beacon this fall. Stephen Smith, Peter Willcox Clearwater staffers, members and volunteers participated widely in the Hudson River Quadricentennial events, sailing up and down the river with the Half Moon and an impressive flotilla, then STAFF receiving countless
    [Show full text]
  • Return of Organization Exempt from Income Tax OMB No
    ** PUBLIC DISCLOSURE COPY ** Return of Organization Exempt From Income Tax OMB No. 1545-0047 Form 990 Under section 501(c), 527, or 4947(a)(1) of the Internal Revenue Code (except private foundations) 2017 Department of the Treasury | Do not enter social security numbers on this form as it may be made public. Open to Public Internal Revenue Service | Go to www.irs.gov/Form990 for instructions and the latest information. Inspection A For the 2017 calendar year, or tax year beginning JUL 1, 2017 and ending JUN 30, 2018 B Check if C Name of organization D Employer identification number applicable: Address change THE SAN FRANCISCO FOUNDATION Name change Doing business as 01-0679337 Initial return Number and street (or P.O. box if mail is not delivered to street address) Room/suite E Telephone number Final return/ ONE EMBARCADERO CENTER 1400 415-733-8500 termin- ated City or town, state or province, country, and ZIP or foreign postal code G Gross receipts $ 786,355,941. Amended return SAN FRANCISCO, CA 94111 H(a) Is this a group return Applica- tion F Name and address of principal officer:SONJA VELEZ for subordinates? ~~ Yes X No pending SAME AS C ABOVE H(b) Are all subordinates included? Yes No I Tax-exempt status: X 501(c)(3) 501(c) ( )§ (insert no.) 4947(a)(1) or 527 If "No," attach a list. (see instructions) J Website: | WWW.SFF.ORG H(c) Group exemption number | K Form of organization: X Corporation Trust Association Other | L Year of formation: 1948 M State of legal domicile: CA Part I Summary 1 Briefly describe the organization's mission or most significant activities: TO MOBILIZE RESOURCES TO BUILD STRONG COMMUNITIES, FOSTER CIVIC LEADERSHIP & PROMOTE PHILANTHROPY.
    [Show full text]
  • FY14 Annual Report View Report
    Annual Report 2013–14 1 2 Introduction 4 Metropolitan Opera Board of Directors 5 2013–14 Season Repertory & Events 12 2013–14 Artist Roster 14 The Financial Results 47 Patrons 1 Introduction The Metropolitan Opera’s 2013–14 season featured an extraordinary number of artistic highlights, while the company continued to address the significant financial challenges of grand opera. The Met presented six new productions during the 2013–14 season, including the Met premiere of Nico Muhly’s Two Boys, the first new opera developed through the company’s co-commissioning program with Lincoln Center Theater. The season also saw the first Met performances in nearly 100 years of Borodin’s Prince Igor. Along with four revivals, all six new productions were presented in movie theaters around the world as part of the Met’s Live in HD series, which earned $26.2 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117 million. While enjoying great artistic successes, the company faced challenging economic hurdles, ending with a deficit after five years of break-even or close to break-even results. However, contract negotiations with the Met’s unions, still in process at the end of the fiscal year, resulted in cost reductions to help ensure a more sustainable financial model for the future. At the start of the 2013–14 season, Music Director James Levine made a highly anticipated—and enormously successful—return to the Met after two years away due to injury. His return on the second night of the season to conduct Mozart’s Così fan tutte was rapturously received, as were his performances leading Robert Carsen’s new production of Verdi’s Falstaff.
    [Show full text]
  • Newsletter • Bulletin Spring 2001 Printemps
    NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Spring 2001 Printemps P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 •C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 Outstanding Competition Recital by Murray Kitts t was standing room only at The First Unitarian Congregation the evening of January 27, 2001 Iwhen the fifth biennial Brian Law Opera Scholar- ship Competition Recital took place. Faithful to her experience in music and the theater NCOS President Bobbi Cain began the proceedings at 7:30 sharp, in- troducing the first contestant and asking the audience The to withhold applause until the end of the three selected numbers. Isabelle Lacroix, soprano, accompanied by Jean Desmarais sang arias from Mozart’s Cosi fan tutti, Winner Menotti’s The Medium and Gounod’s Faust. Next came Luc Lalonde, baritone, accompanied by Kinza Tyrrell singing arias from Thomas’ Hamlet, Mozart’s Le nozze di Figaro and Menotti’s The Old Maid and the Thief. The second soprano in the competition was (continued on Page 4) The Competitors Spring 2001 NEWSLETTER • BULLETIN Printemps 2001 NATIONAL CAPITAL OPERA SOCIETY Board of Directors 2001 Executive Annual President Bobbi Cain 225-0124 Vice-president Murray Kitts 830-9827 Secretary Jean Saldanha 731-2734 General Treasurer Gordon Metcalfe 521-6759 Committees Events Pat Adamo 729-9518 Meeting Peggy Pflug 1-679-1347 Membership Jean Saldanha 731-2734 Newsletter Murray Kitts 830-9827 Sunday Publicity Renate Chartrand 741-3290 Members at Large June 10, 2001 Karl Fuerst 682-5016 Dan Leeman 526-9764 (details to follow) Donald Metcalfe 237-2548 Gerda Ruckerbauer 825-3106 Norma Torontow 225-2652 SHAWNE ELIZABETH In Recital Prior to her appearance as Gilda in Lacroix accompaning on the piano.
    [Show full text]