Libraries and Cultural Resources

Total Page:16

File Type:pdf, Size:1020Kb

Libraries and Cultural Resources LIBRARIES AND CULTURAL RESOURCES Archives and Special Collections Suite 520, Taylor Family Digital Library 2500 University Drive NW Calgary, AB, Canada T2N 1N4 www.asc.ucalgary.ca Norma Beecroft fonds. ACU SPC F0110 https://searcharchives.ucalgary.ca/norma-beecroft-fonds An additional finding aid in another format may exist for this fonds or collection. Inquire in Archives and Special Collections. NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 The Norma Beecroft Fonds Accession No. 743/03.8 REEL TO REEL TAPES ........................................................................................................................ 2 Major influences in today’s music ............................................................................................... 5 Scripts for Passage of the 20th century: (radio series hosted by N. Beecroft on CJRT-FM, Toronto) ..................................................................................................................................... 10 Page 2 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE REEL TO REEL TAPES (7-1/2 ips, 27 cm reels, ca. 60 min.) [Note: many of these tapes are stored on the reels “tail first” (ie. backwards) to avoid “bleeding”; they must be fast forwarded onto a take-up reel to be listened to] Passage of the 20th century: (radio series hosted by N. Beecroft on CJRT- FM, Toronto) The legacy of Igor Stravinsky, part one January 28, 1993 1.1 The legacy of Igor Stravinsky, part two February 4, 1993 1.2 The Viennese school March 4, 1993 1.3 The American scene March 18, 1993 1.4 Impressionism and the French school March 25, 1993 1.5 Ferruccio Dante Michelangiolo Benvenuto April 1, 1993 1.6 Busoni Page 3 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE Italy - early 20th century (The Italian April 8, 1993 2.1 connection) The world of Bela Bartok April 15, 1993 2.2 The miniatures of Anton Webern April 22, 1993 2.3 The new generation (European music April 29, 1993 2.4 following the Second World War) Young Poland group of composers May 6, 1993 2.5 Modern music in Scandinavia May 13, 1993 2.6 English contemporary music May 20, 1993 3.1 New musical resources, part one June 10, 1993 3.2 New musical resources, part two June 17, 1993 3.3 New musical resources, part three June 24, 1993 3.4 Page 4 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE Our musical heritage, part one July 1, 1993 3.5 Our musical heritage, part two July 8, 1993 3.6 Orchestral music in Canada, part one July 15, 1993 4.1 Orchestral music in Canada, part two July 22, 1993 4.2 Orchestral music in Canada, part three July 29, 1993 4.3 A tribute to Sir Ernest MacMillan, part one August 5, 1993 4.4 A tribute to Sir Ernest MacMillan, part two August 12, 1993 4.5 New techniques for writing for string August 19, 1993 4.6 instruments New music for woodwinds and brass August 26, 1993 5.1 instruments Percussion Instruments September 2, 1993 5.2 New sounds in the concert hall September 9, 1993 5.3 Page 5 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE Major influences in today’s music Gyorgy LigetiOctober 7, 1993 5.4 Iannis Xenakis October 14, 1993 5.5 Witold Lutoslawski October 21, 1993 5.6 Henryk Gorecki October 28, 1993 6.1 The Minimalists November 4, 1993 6.2 Elliott Carter November 11, 1993 6.3 Arne Nordheim November 18, 1993 6.4 Conclusion (“lesser lights”) November 25, 1993 6.5 Choral music of Benjamin Britten and Thomas December 9, 1993 6.6 Jennefelt Page 6 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE Music of Poland’s Krzysztof Penderecki December 16, 1993 7.1 Seasonal music by Olivier Messiaen and December 23, 1993 7.2 Healey Willan Music by R. Murray Schafer, Nancy van de December 30, 1993 7.3 Vate and Sven-David Sandström New voices from Sweden January 6, 1994 7.4 Northern Landscapes January 13, 1994 7.5 The legacy of Colin McPhee January 27, 1994 7.6 Notable Canadian performers of contemporary February 17, 1994 8.1 music, part one Notable Canadian performers of contemporary February 24, 1994 8.2 music, part two Notable Canadian performers of contemporary March 3, 1994 8.3 music, part three Notable Canadian performers of contemporary March 10, 1994 8.4 Page 7 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE music, part four Notable Canadian performers of contemporary March 17, 1994 8.5 music, part five Notable Canadian performers of contemporary March 24, 1994 8.6 music, part six New music in Russia March 31, 1994 9.1 Italy today, part one April 7, 1994 9.2 Italy today, part two April 14, 1994 9.3 Italy today, part three April 28, 1994 9.4 Music by Canadian composers performed by I May 5, 1994 9.5 Musici de Montreal Music by Canadian composers performed by May 12, 1994 9.6 the Esprit Orchestra of Toronto The music of George Crumb May 19, 1994 10.1 Page 8 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE Minimalist music by Dutch composer Louis May 26, 1994 10.2 Andriessen Symphony by Russian composer Edison June 2, 1994 10.3 Denisov The world of Alfred Schmittke June 9, 1994 10.4 Homage to Bruno Maderna June 16, 1994 10.5 Music of the Magical Realism - Denys June 23, 1994 10.6 Bouliane Music from Latin America played by Cuarteto June 30, 1994 11.1 Latino Americano Music from Latin America July 7, 1994 11.2 Tribute to Witold Lutoslawski July 14, 1994 11.3 Prize Winners of the First 20th Century July 21, 1994 11.4 Competition for Young Polish Performers, Warsaw, 1992 Page 9 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE Music of Japan’s Toru Takemitsu July 28, 1994 11.5 New music for the flute played by Pierre-Yves August 4, 1994 11.6 Artaud Recent music for the trumpet August 11, 1994 12.1 Music by John Adams August 18, 1994 12.2 Symphony No. 7 by Hans Werner Henze August 25, 1994 12.3 Music of three Canadian female composers: September 1, 1994 12.4 Linda Bouchard, Ann Southam and Alexina Louie Music for viola, cello and double bass September 8, 1994 12.5 Music by Henryk Gorecki, Aribert Reimann September 15, 1994 12.6 and Gavin Bryars New music from Belgrade October 27, 1994 13.1 Page 10 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE New music from France, part one November 3, 1994 13.2 New music from France, part two November 10, 1994 13.3 Scripts for Passage of the 20th century: (radio series hosted by N. Beecroft on CJRT-FM, Toronto) Our musical heritage, program 1 January 7, 1993 13.4 - typescript (computer printout) with holograph revisions - includes press release about the series November 2, 1992 - also includes fragment of Earle Toppings introduction of Norma Beecroft as host of series A tribute to Sir Ernest MacMillan January 14, 1993 13.5 - typescript (computer printout) with holograph revisions Canadian Composer Retrospective Week: the January 21, 24, 1993 13.6 life and music of Murray Adaskin - typescript (computer printout) with holograph revisions Page 11 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE The legacy of Igor Stravinsky, parts 1 and 2 January 28, 13.7 - typescript (computer printout) with February 4, 1993 holograph revisions The Viennese school March 4, 1993 13.8 - typescript (computer printout) with holograph revisions John Weinzweig at 80 March 11, 1993 13.9 - typescript (computer printout) with holograph revisions - includes press release about programme February 11, 1993 The American scene March 18, 1993 13.10 - typescript (computer printout) with holograph revisions Impressionism and the French school March 25, 1993 13.11 - typescript (computer printout) with holograph revisions Ferruccio Dante Michelangiolo Benvenuto April 1, 1993 13.12 Busoni - typescript (computer printout) with Page 12 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE holograph revisions The Italian connection (Italy-early 20th April 8, 1993 13.13 century) - typescript (computer printout) with holograph revisions The world of Bela Bartok April 15, 1993 13.14 - typescript (computer printout) with holograph revisions - includes duplicate copy of script The miniatures of Anton Webern April 22, 1993 13.15 - typescript (computer printout) with holograph revisions The new generation (European music April 29, 1993 13.16 following the Second World War) - typescript (computer printout) with holograph revisions Young Poland group of composers May 6, 1993 13.17 - typescript (computer printout) with holograph revisions Page 13 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE Modern music in Scandinavia May 13, 1993 13.18 - typescript (computer printout) with holograph revisions English contemporary music May 20, 1993 13.19 - typescript (computer printout) with holograph revisions New musical resources, parts one, two, three June 10, 17, 24, 1993 13.20 - typescript (computer printout) with holograph revisions Orchestral music in Canada, parts one, two, July 15, 22, 29, 1993 13.21 three - typescript (computer printout) with holograph revisions A tribute to Sir Ernest MacMillan August 5, 12, 1993 13.22 - typescript (computer printout) with holograph revisions rewrites of introduction and conclusion for programs one and two of A tribute to Sir Ernest MacMillan originally broadcast January 7 and 14, 1993 - includes original script for program two (typescript (computer printout) with holograph revisions) Page 14 NORMA BEECROFT fonds ACCESSION NO. : 743/03.8 FILE TITLE DATE BOX/FILE New techniques for writing for string August 9, 1993 13.23 instruments - typescript (computer printout) with holograph revisions New music for woodwinds and brass August 26, 1993 13.24 instruments - typescript (computer printout) with holograph revisions Percussion instruments September 2, 1993 13.25 - typescript (computer printout) with holograph revisions New sounds in the concert hall September 9, 1993 13.26 - typescript (computer printout) with holograph revisions Major influences in today’s music: 14.1 Gyorgy Ligeti (program 1) October 7, 1993 Iannis Xenakis (program 2) October 14, 1993 Witold Lutoslawski (program 3) October 21, 1993 Henryk Gorecki (program 4) October 28, 1992 Page 15 NORMA BEECROFT fonds ACCESSION NO.
Recommended publications
  • Weinzweig Long
    John Weinzweig (1913-2006) Born in 1913 to Polish-Jewish immigrants, John Weinzweig became a noted Canadian composer, educator and advocate. He began music study at the age of 14, learning mandolin at the Workmen’s Circle Peretz School, a Jewish community school in North Toronto. During his high school years at Harbord Collegiate, Weinzweig joined the orchestra playing the violin parts on the mandolin but eventually learned the tuba, tenor saxophone, and bass. Weinzweig’s early musical training led to an interest in composition and he spent between 1934-37 studying at the University of Toronto with Healy Willan, Leo Smith, and Sir Ernest McMillan. During his time at the University of Toronto Weinzweig founded and conducted the University of Toronto Symphony Orchestra. Following the completion of his education in Toronto, Weinzweig moved to Rochester, NY to study with Howard Hanson at the Eastman School of Music. There he was first introduced to serial compositional techniques. Upon his return to Toronto, Weinzweig experimented with serialism in his Piano Suite no. 1 (1939) and in incidental music for docudrama radio programming at the growing CBC. For the remainder of his career, Weinzweig continued to use serialism as the governing structure behind his compositions even when he experimented with other musical ideas. Following a decade long tenure at the CBC (1941-51), Weinzweig’s compositional interests returned to concert music. He began composition of his Divertimenti, with Divertimento no. 1 winning an award for chamber music at the 1948 Olympics. Works such as String Quartet no. 1 and Suite for Piano no.
    [Show full text]
  • Filumena and the Canadian Identity a Research Into the Essence of Canadian Opera
    Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final thesis for the Bmus-program Icelandic Academy of the Arts Music department May 2020 Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final Thesis for the Bmus-program Supervisor: Atli Ingólfsson Music Department May 2020 This thesis is a 6 ECTS final thesis for the B.Mus program. You may not copy this thesis in any way without consent from the author. Abstract In this thesis I sought to identify the essence of Canadian opera and to explore how the opera Filumena exemplifies that essence. My goal was to first establish what is unique about Canadian ​ opera. To do this, I started by looking into the history of opera composition and performance in Canada. By tracing these two interlocking histories, I was able to gather a sense of the major bodies of work within the Canadian opera repertoire. I was, as well, able to deeper understand the evolution, and at some points, stagnation of Canadian opera by examining major contributing factors within this history. My next steps were to identify trends that arose within the history of opera composition in Canada. A closer look at many of the major works allowed me to see the similarities in terms of things such as subject matter. An important trend that I intend to explain further is the use of Canadian subject matter as the basis of the operas’ narratives. This telling of Canadian stories is one aspect unique to Canadian opera.
    [Show full text]
  • The André Prévost Fonds the ANDRÉ PRÉVOST FONDS
    The André Prévost Fonds THE ANDRÉ PRÉVOST FONDS NUMERICAL LIST by STÉPHANE JEAN Ottawa 1997 Canadian Cataloguing in Publication Data National Library of Canada The André Prévost fonds : numerical list Issued also in French under title: Le fonds-André- Prévost, répertoire numérique. Includes index. ISBN 0-662-25324-8 CCG cat. no. SN3-316/1997E-IN 1. Prévost, André, 1934- --Archives--Catalogs. 2. National Library of Canada. Music Division--Archives-- Catalogs. I. Jean, Stéphane, 1964- II. Title. ML136.O88P945 1997 016.78’092 C97-900182-X Cover: Prélude pour deux pianos of André Prévost, D4,65 Cover design: Denis Schryburt © Her Majesty the Queen in Right of Canada (1997), as represented by the National Library of Canada. This publication may be reproduced without permission provided the source is fully acknowledged. However, reproduction of this publication, in whole or in part, for the purpose of resale or redistribution requires prior written permission from the National Library of Canada, Ottawa, Canada K1A 0N4. Cat. no. SN3-316/1997E-IN ISBN 0-662-25324-8 2 “...now men can only sing out their anguish and somehow sublimate it with hope; for they have acquired the certain knowledge that their sole salvation lies in acceptance and losing themselves in the world. They triumph over their condition by facing it.” (translation) André Prévost, Fantasmes, 1963. 3 4 TABLE OF CONTENTS Page INTRODUCTION 7 A TRIBUTE... 9 ABBREVIATIONS AND ACRONYMS 11 ABOUT THE FONDS 13 DESCRIPTION OF THE FONDS 17 MUS 264/A Correspondence 17 MUS 264/B Studies 24
    [Show full text]
  • CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components.
    [Show full text]
  • Spring 2020 Edition the Newsletter of the School of Music at the University of British Columbia UBC High Notes
    Spring 2020 Edition The Newsletter of the School of Music at the University of British Columbia UBC High Notes The Queen in Me Soprano Teiya Kasahara (BMus’07) on carving their own path in opera as a queer, multidisciplinary Japanese-Canadian performer www.music.ubc.ca SPOTLIGHT LIBERATING THE QUEEN IN ME Photo: Takumi Hayashi/UBC In their new play The Queen in Me, soprano Teiya Kasahara (BMus’07) liberates one of opera’s most iconic villains — and challenges the industry’s centuries-old prejudices Photo: Tallulah By Tze Liew In The Queen in Me, the Queen of the Night at age 15, after seeing Ingmar Bergman’s film begins to sing her most iconic aria, “Der Hölle version of The Magic Flute. “I saw her perform For more than two centuries, the iconic Queen Rache,” like she would in any Magic Flute show. and was like, Oh God, I want to do that,” they of the Night from Mozart’s Die Zauberflöte But midway through, she halts. “Stopp! Stopp remember. has been thrilling audiences with her vengeful die Musik!” she screams. Breaking the fourth spirit, bloodthirsty drive, and volatile high Fs. wall, she laments the stifling act everyone’s With this as their dream role, Kasahara dove Qualities that make her the ultimate villain, come to see; one she’s been trapped in for headfirst into voice training, made it into fated to eternal doom while the hero and over two centuries. the UBC Opera program, and honed their heroine, demure as lambs, skip off to enjoy craft for four years under the tutelage of their happy ending.
    [Show full text]
  • Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
    th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection.
    [Show full text]
  • Gordana Lazarevich. the Musical World of Frances James and Murray Adaskin. Toronto: University of Toronto Press, 1988
    Document generated on 09/29/2021 12:32 p.m. Canadian University Music Review Revue de musique des universités canadiennes Gordana Lazarevich. The Musical World of Frances James and Murray Adaskin. Toronto: University of Toronto Press, 1988. x. 331 pp. Jack Behrens Volume 10, Number 1, 1990 URI: https://id.erudit.org/iderudit/1014899ar DOI: https://doi.org/10.7202/1014899ar See table of contents Publisher(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (print) 2291-2436 (digital) Explore this journal Cite this review Behrens, J. (1990). Review of [Gordana Lazarevich. The Musical World of Frances James and Murray Adaskin. Toronto: University of Toronto Press, 1988. x. 331 pp.] Canadian University Music Review / Revue de musique des universités canadiennes, 10(1), 120–122. https://doi.org/10.7202/1014899ar All Rights Reserved © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 1990 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ he must have thought that his life was almost over. Although he did not know it, a new and far more fruitful life was about to begin. Gay nor G. Jones * * * GORDANA LAZAREVICH.
    [Show full text]
  • The Piano Music of Jean Coulthard: an Historical Perspective
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction Is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiU indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 The Piano Music of Jean Couithard By Glenn David Colton B.Mus., Memorial University of Newfoundland, 1990 M.A. (Music Criticism), McMaster University, 1992 A dissertation submitted in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY (Musicology) in the Department of Music We accept this dissertation as conforming to the required standard fl$r.
    [Show full text]
  • October 8, 1982 Concert Program
    NEW MUSIC CONCERTS 1982-83 CONTEMPORARY ENCOUNTERS. CANADIAN MUSIC. GOOD MUSIC. On Sale now from the Canadian Music Centre are: CMC 1 Canadian Electronic Ensemble. Music composed and performed by Grimes, Jaeger, Lake and Montgomery. CMC 0281 Spectra - The Elmer Iseler Singers. Choral music by Ford, Morawetz and Somers. CMC 0382 Sonics - Antonin Kubalek. Piano solo music by Anhalt, Buczynski and Dolin. CMC 0682 Washington Square - The London Symphony Orchestra. Ballet music by Michael Conway Baker. CMC 0582 ‘Private Collection - Philip Candelaria, Mary Lou Fallis, Monica Gaylord. The music of John Weinzweig. CMC 0482 Folia - Available October 1, 1982. Wind quintet music by Cherney, Hambraeus, Sherman and Aitken, performed by the York Winds. In production: Orders accepted now: CMC 0782 2x4- The Purcell String Quartet. Music by Pentland and Somers. CMC 0883 Viola Nouveau - Rivka Golani-Erdesz. Music by Barnes, Joachim, Prévost, Jaeger and Cherney. Write or phone to place orders, or for further information contact: The Canadian Music Centre 1263 Bay Street Toronto, Ontario MSR 2C!1 (416) 961-6601 NEW MUSIC CONCERTS Robert Aitken Artistic Director presents COMPOSERS: HARRY FREEDMAN LUKAS FOSS ALEXINA LOUIE BARBARA PENTLAND GUEST SOLOISTS: ERICA GOODMAN BEVERLEY JOHNSTON MARY MORRISON JOSEPH MACEROLLO October 8, 1982 8:30 P.M. Walter Hall, Edward Johnson Building, University of Toronto EER IONG..R AM REFUGE (1981) ALEXINA LOUIE JOSEPH MACEROLLO, accordion ERICA GOODMAN, harp BEVERLEY JOHNSTON, vibraphone COMMENTA (1981) BARBARA PENTLAND ERICA
    [Show full text]
  • ANNOUNCEMENTS 1. the Vacancy at the University of Calgary Which
    ANNOUNCEMENTS 1. The vacancy at the University of Calgary which was announced in v.10, no.2 has been filled by Rita Vine. She will be starting her job on May 1. A former student at the University of Western Ontario, she graduated last spring from the com- bined musicology and M.L.S. program at SUNY Buffalo. CNIB Library is pleased to announce the appointment of Margaret Matheson to the new position of Music Librarian. Miss Matheson has an Honours Bachelor of Music Degree and a Master of Library Science Degree from the University of Toronto. She has worked for the CBC as a cataloguer in Program Archives, and in a variety of summer positions re- lated to music, such as accompanist for string master classes and program coordinator for concerts at the Banff Centre for Continuing Education. Miss Matheson has won numerous awards and scholarships in the fields of library science and music. Her personal interests include singing in the Tallis Choir, and performing on piano and harpsi- chord in chamber music recitals. At CNIB, Miss Matheson will be responsible for organizing the braille music collections in Toronto and Montreal, and in developing transcription and other special services to blind musicians across Canada. Margaret is 26 years old, and plans to marry David Macmillan in June. 3. A workshop entitled "Music Cataloguing for the Non-Musician" will be included in the CLA conference on June 14 in Saskatoon. The speakers will be CAML members Chris Bull, Acadia University Library; Joan Colquhuon, National Library; Jim Whittle, University of Alberta; and Tony Woodward, National Library.
    [Show full text]
  • Alexina Louie's Music, As Demonstrated in Example 4, the Third Movement of Starsrruck, Berceuse Des Étoiles
    UNIVERSITY OF ALBERTA ON THE MUSICAL SILK ROUTE: PIANO MUSIC OF ALEXINA LOUE An essay submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Music DEPARTMENT OF MUSIC EDMONTON, ALBERTA SPRING 1997 Acquisitions and Acquisitions et Bibiiographic Servicas - semsbiMiographiques The author has granted a non- L'auteur a accorde une iicence non exclusive licence ailowing the excluSm permettant à la National LiIbrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, disniute or seïi reproduire, prêter, distri%uerou copies of Merthesis by any means vendre des copies de sa thèse de and in any form or format, mahg quelque manière et sous quelque this thesis available to interested forme que ce soit pour mettre des persons. exemplaires de cette thèse a la disposition des personnes intéressées. The author retains ownership of the L'auteur conserve la propriété du copyright in hismer thesis. Ncither &oit d'auteur qui protège sa thèse. Ni the thesis nor substantial extracts la thèse ni des extraits substantiels de f?om it may be p~tedor othewise celle-ci ne doivent être imprimés ou reproduced with the author's autrement reproduits sans son permission. autorisation. TO JESUS AND MY FAMLLY Abstract One of seved outstanding stylistic elements of Alexina Louie's piano music is her extensive use of imaginative figurations. This particular kind of gesture derives from Louie's experience with the Japanese Gagaku ensemble and with the Chinese stringed instrument calIed the ch'in--an experience that wt only infiuences the shape of figurations on the printed page, but also shapes the player's mental and spiritual expedences during the performance of her music.
    [Show full text]
  • Louis Riel. Music by Harry Somers, Text by Mavor Moore with the Collaboration of Jacques Languirand
    Louis Riel. Music by Harry Somers, text by Mavor Moore with the collaboration of Jacques Languirand. 1 video disc (2:06:26). Roxolana Roslak, Mary Morrison, sopranos; Patricia Rideout, mezzo-soprano; Donald Rutherford, Bernard Turgeon, baritones; Joseph Rouleau, bass; Canadian Opera Company Chorus and Orchestra; Victor Feldbrill, conductor. Toronto: Centrediscs CMCDVD 16711, 2011. Contents: Act 1 (40:40) − Act 2 (35:20) −Act 3 (47:12) − Interview with Mavor Moore and Harry Somers (10:21) − Introductions by Mavor Moore (7:14 and 3:48). $29.98. Louis Riel commands a position of prominence in Canadian opera and must be counted among Canada’s most significant cultural achievements. Written by composer Harry Somers and librettists Mavor Moore and Jacques Languirand, it was first performed in 1967 as part of Canada’s centennial celebrations. The opera embraced the spirit of these celebrations, if perhaps not the tone, with a plot addressing historical events that resonate deeply for Canadians and which played a crucial role in establishing an early sense of nationhood. The librettists found a distinctly Canadian means to convey the tensions and allegiances among Protestant English Ontario, Catholic French Québec, and Riel’s Métis by taking a multilingual approach involving the English, French, Cree, and Latin languages in situations appropriate to each character’s background and circumstance. Somers complemented the linguistic diversity of the libretto by embracing a range of musical styles that placed diatonic melodies, popular song, and lyricism in juxtaposition and superimposition with abstract atonal writing, Sprechstimme, and electronically generated sounds. The opera is a dramatic tour de force that brings the story of Riel vividly to life while acknowledging many of the fundamental challenges faced by Canada throughout its first century.
    [Show full text]