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2018. the Time Travel Method
THE TIME TRAVEL METHOD – IN THE SERVICE OF SOCIETY AND ITS DEVELOPMENT PAPERS FROM THE INTERNATIONAL SEMINAR IN KALMAR 28 FEBRUARY 2018 EDITORS: EBBE WESTERGREN, GUSTAV WOLLENTZ ”In the Service of Society and its Development” is quoted from the ICOM (International Council of Museums) definition of a museum, adopted in 2007. Editors Ebbe Westergren, Gustav Wollentz Cover photo Discussion on the reception of refugees. Time Travel event to 1945 at the Bridging Ages conference in Kalmar 2016. Photo: Stefan Siverud. Layout Stefan Siverud Publisher Kalmar läns museum, Sweden 2018 Printed by Lenanders Grafiska AB, Kalmar, Sweden 2018 ISBN 978–91-85926–85-5 The development of the Time Travel method has received support from the Swedish Arts Council. NMÄ E RK AN E V T S This print product fulfills the requirements of the Nordic Swan Ecolabel. Miljömärkt trycksak 3041 0145 THE TIME TRAVEL METHOD – IN THE SERVICE OF SOCIETY AND ITS DEVELOPMENT The Time Travel Method – IN the service of Society and Its Development Papers from the International Seminar in Kalmar 28 February 2018 EDITORS: EBBE WESTERGREN, GUSTAV WOLLENTZ 3 THE TIME TRAVEL METHOD – IN THE SERVICE OF SOCIETY AND ITS DEVELOPMENT AUTHORS Ebbe Westergren Honorary Doctor Linnaeus University, Sweden. Senior Curator Kalmar County Museum, Sweden. Honorary President Bridging Ages. Agrita Ozola Director Tukums Museum, Latvia. Member of Bridging Ages board. Anders Högberg Professor in Archaeology, Linnaeus University, Sweden and affiliated researcher, CfAR, University of Johannesburg, South Africa. Emma Angelin-Holmén Department of Culture, Kalmar municipality, Sweden. Gulshera Pillay Khan Port Shepstone Twinning Association. Member of Bridging Ages board and Bridging Ages South Africa board. -
Greenpeace Annual Report 2017 – Laying the Groundwork for An
© Greenpeace / Pierre Gleizes . Taziazet 1 alongside the Esperanza in West Africa, Mauritania-Western Africa. 2017. Editorial Team: Mbong Akiy, Nchemty Metini Ozongashu, Hellen Dena Contributors: Ahmed Diame, Bodhisattva Gupta, Deshanta Naidoo, Dr Ibrahima Cisse, Gerhard Combrink, Leola Abraham, Lindlyn Moma, Melita Steele, Nhlanhla Sibisi, Renee Olende, Toko Tomita, Victorine Che Thorner and Zane Ford Commissioned by: Greenpeace Africa Published: June 2018 by Greenpeace Africa Greenpeace Africa: 293 Kent Avenue, Randburg, Johannesburg, South Africa Designed by: Kaitoma Creatives Printed on 100% recycled post-consumer paper with vegetable based inks. Cover photos: © Greenpeace. For more information contact: [email protected] © Greenpeace / Pierre Gleizes. Village on beach in Turtle Islands, Sierra Leone. 2017. on beach in Turtle Gleizes. Village / Pierre © Greenpeace Contents Executive Director’s Summary 04 Campaigns: Oceans Fighting Illegal, Unregulated and Unreported Fishing in West African Waters 06 Forests The World Dances for a Pristine Forest 12 Climate and Energy Bringing Light and Hope to Diepsloot – Project Sunshine 20 Food for Life Revamping the Food System in Kenya 28 Towards an Environmental Movement in Africa 34 What did our Volunteers Get Up to? 36 Working with Partners– Together we are Stronger 38 Maiden Internship Voyage in Greenpeace Africa 40 The Year in Numbers: FR Acquisitions 2017 and Sign-ups at a Glance 42 Finance 44 2017 : Looking Back at Greenpeace Globally 46 © Greenpeace / Philip Schedler. Njeri Kabeberi Greenpeace Africa Executive Director. South Africa. 2017. Executive Director’s Summary “To settle in” must be an alien concept at Greenpeace, because after 1 year and 2 months, I can honestly say I am still waiting for that moment. -
EU/UNESCO Expert Facility Inception Meeting List of Participants 12‐14 February 2019, Bangkok, Thailand
With funding from the European Union EU/UNESCO Expert Facility inception meeting List of Participants 12‐14 February 2019, Bangkok, Thailand Members of the 2019/2022 Expert Facility: 40 Jordi Baltà Portolés (Spain) [email protected] Jordi is a consultant, researcher and trainer in cultural policy and international affairs, with a particular interest in the role of culture in sustainable development, cultural diversity and international cultural cooperation. He is an advisor on culture and sustainable cities for the United Cities and Local Governments (UCLG) Committee on Culture and regularly works for several other organizations, including the Asia‐Europe Museum Network (ASEMUS) and Trànsit Projectes (Barcelona). He has experience working in several Latin American, African and European countries. Between 2001 and 2014, he was a researcher and project coordinator at the Interarts Foundation, where he coordinated the European Expert Network on Culture (EENC). He teaches at the MA in Cultural Management at the Open University of Catalonia (UOC) and the University of Girona (UdG), as well as the Degree in International Relations at the Universitat Ramon Llull (URL). Jordi holds a BA in Political Science (Autonomous University of Barcelona, UAB) and an MA in European Cultural Policy (University of Warwick). Languages: Spanish, English, French, Catalan Alexandra Bensamoun (France) alexandra.bensamoun@u‐psud.fr Alexandra is a professor of Private Law at the University of Rennes 1 (IODE‐CNRS) and a member of the Board of Directors for the Center for Studies and Research in Immaterial Law (CERDI – University Paris‐Sud/Paris‐Saclay). She specializes in intellectual property law and digital law, which she teaches in France and in foreign universities. -
Wiyaala EPK Google Doc.Docx
The Most Promising Artiste in Africa - All Africa Music Awards (Afrima) 2014 The Revelation of the African Continent - All Africa Music Awards (Afrima) 2014 Best Female Vocal – Vodafone Ghana Music Awards 2015 Songwriter of The Year – Vodafone Ghana Music Awards 2015 “Wiyaala is sensational” DJ Rita Ray’s artistes to watch out for in 2015 on BBC Africa “She’s taking the musical game, devouring it, and asking for seconds” Mind Of Malaka Daily Graphic “unyielding Wiyaala blew away the richly diverse audience at Alliance Francaise” Circumspect: Wiyaala in Concert, The Making of an African legend The Music Wiyaala fearlessly explores different musical genre in pursuit of her musical ambitions. In just one year, she has played Afro- pop sex kitten, Afro-tribal warrior queen, old school reggae man-eater, Afro-house dreamer and the nation’s favorite soccer playing girl next door. She self-assuredly inhabits every musical role with unwavering conviction whilst displaying the power and physicality of an Olympic athlete. Once the “young lioness of Africa” gets on your radar, whether you like it or not, she will prey on your senses until you are left breathless and begging for more. The Beginning Born in Wa, the capital town of the Upper West Region of Ghana, Wiyaala is the second of four sisters. Her mother was a chorister and her father a local government health official. Her childhood was spent in Funsi, a small West African village. At a very young age, Wiyaala attracted attention as an entertainer, artist and athlete. Her Madonna/Michael Jackson inspired performances always providing much notoriety in the village. -
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Established 1961 Friday ISSUE NO: 17378 SAFAR 21, 1439 AH FRIDAY, NOVEMBER 10, 2017 Sabah Al-Ahmad Sea Macron suggests France could join Celtics roll past Lakers 4 City: A photo feature 11new fronts against Islamic State 44 for 10th straight win TRIPOLI: A poster of Saudi Arabia’s Crown Prince Mohammed bin Salman with a phrase reading in Arabic, “God protect you” is seen on a highway in the northern Lebanese port city of Tripoli yes- terday. — AFP Saudi calls on its citizens to leave Lebanon: Minister Page 10 2 Friday Local Friday, November 10, 2017 PHOTO OF THE DAY Samson Kuwait Local Spotlight By Muna Al-Fuzai [email protected] hile Saudi Arabia has been actively arresting a number of people accused of corruption and Wstealing millions in public funds, newspapers in Kuwait published reports that became a subject of com- parison and comments among Kuwaitis. “Samson”, a mafia leader in Jleeb Al-Shuyoukh, was arrested by police, end- ing a chapter of fear and theft against Bangladeshi and other Asian street vendors selling vegetables and used clothes. He is not a minister, official or even a citizen. He is a Bangladeshi expatriate who had a chance to get rich and powerful without any restrictions or fear. We have all read about and saw Samson in several movies and cartoons. He was introduced to us as a man of superhuman strength who nonetheless could not escape tragedy. Samson is the biblical Hercules and he was the last of the judges of the ancient Israelites mentioned in the Book of Judges in the Hebrew Bible. -
Le Jazz Et L'orient
Classe de Terminale Option Facultative Baccalauréats 2015 et 2016 Le Jazz et l’Orient Programme officiel : Les cinq pièces présentées ci-dessous forment un des trois ensembles du programme limitatif du baccalauréat. Chacune évoque de façon singulière le dialogue des cultures, celles de l’Orient et du bassin méditerranéen et celles du jazz occidental, lui-même issu d’une histoire partant de l’Afrique noire et passant par l’Amérique du nord avant d’investir la globalité du monde occidental. La durée cumulée exceptionnellement longue de ces cinq pièces s’explique par l’esthétique même des cultures dont elles sont issues. Si les formes sont le plus souvent simples, le discours mélodique, le travail du phrasé ou encore l’ornementation exigent quant à eux un temps important pour se développer et permettre à l’auditeur d’en prendre la mesure. Les quatre problématiques du programme de terminale (l’œuvre et son organisation, l’œuvre et ses pratiques, l’œuvre et l’histoire, l’œuvre, la musique et les autres arts) pourront aisément être mobilisées pour réfléchir ces musiques, mesurer leur originalité et développer des pratiques musicales originales. Les œuvres : • Ibrahim Maalouf, They don’t care about us, in album Diagnostic • Rabih Abou-Khalil, Mourir pour ton décolleté, in album Songs for Sad Women • Avishai Cohen, Aurora, in album Aurora • Jasser Haj Youssef, Friggya, in album Sira • Marcel Khalifé, Caress, in album Caress Plan du cours : Cours 1 : Le Jazz et ses caractéristiques musicales Cours 2 : L’Art de l’Orient Cours 3 : L’Orient et la Musique Cours 4 : Ibrahim Maalouf, They don’t care about us Cours 5 : Rabih Abou-Khalil, Mourir pour ton décolleté Cours 6 : Avishai Cohen, Aurora Cours 7 : Jasser Haj Youssef, Friggya Cours 8 : Marcel Khalifé, Caress Le Jazz et l’Orient Page !1 sur !26 Mathias Charton Classe de Terminale Option Facultative Cours 2 : L’Art de l’Orient 1. -
No. 369, June 2018
Pour la version française cliquez ici. Observatory of Cultural Policies in Africa The Observatory is a Pan African international NGO created in 2002 with the support of African Union, the Ford Foundation, and UNESCO. Its aim is to monitor cultural trends and national cultural policies in the region and to enhance their integration in human development strategies through advocacy, information, research, capacity building, networking, co-ordination, and co-operation at the regional and international levels. OCPA NEWS No 369 26 June 2018 OCPA News aims to promote interactive information exchange within Africa and between Africa and the other regions. Please send us information for dissemination about new initiatives, meetings, research projects and publications of interest for cultural policies for development in Africa. Thank you for your co-operation. *** Contact: OCPA Secretariat, Avenida Patrice Lumumba No. 850, Primeiro Andar, Caixa Postal 1207, Maputo, Mozambique Tel.: + 258 21306138 / Fax: +258 21320304 / E-mail: [email protected] Executive Director: Lupwishi Mbuyamba, [email protected] Editor of OCPA News: Máté Kovács, [email protected] 1 OCPA WEB SITE - www.ocpanet.org OCPA FACEBOOK - www.facebook.com/pages/OCPA-Observatory-of-Cultural-Policies-in- Africa/100962769953248?v=info You can subscribe or unsubscribe to OCPA News via the online form at http://www.ocpanet.org/activities/newsletter/mailinglist/subscribe-en.html or http://www.ocpanet.org/activities/newsletter/mailinglist/unsubscribe-en.html Previous issues of OCPA News at http://ocpa.irmo.hr/activities/newsletter/index-en.html * OCPA is an official partner of UNESCO (associate status) *** We express our thanks to our main partners whose support has permitted the development of our activities: ENCATC CBAAC FORD FOUNDATION *** *** 2 In this issue A. -
Designfreebies Indesign Brochure Template
Page1 www.karibumusic.org Page3 Bagamoyo Until the middle of the 18th century, Bagamoyo was a small, rather insignificant trading center. Trade items were fish, salt and gum among other things. Most of the population consisted of fishermen and farmers. 19th century: The arrival of the Arabs. Bagamoyo became a central point for the East African slave trade In 1868 Muslims presented the “Fathers of the Holy Ghost” with land to build a mission north of Bagamoyo - the first mission in East Africa. 19th century: A starting point for the expeditions of Livingstone and others. 1874: The body of Livingstone is laid-in-state in Bagamoyo. 1880: Bagamoyo is a multi-cultural town with about 1,000 inhabitants. 1888: Bagamoyo becomes the capital of German-East Africa. Welcome Note KARIBU MUSIC FESTIVAL 2014 Content Festival Overview ............................... Page 7 Karibu Cultural Promotions................ Page 8 Technical partner ............................... Page 9 Partners............................................... Page 10 Festival Artists .................................... Page 11 - 31 Music Workshops & Seminars ........... Page 32 Performance Schedule.......................... Page 36 Festival Map..........................................Page 37 7 Festival Overview aribu Music Festival is an annual, Three-days International Music Festival created by Karibu KCultural Promotions, a nonprofit making organization and the Legendary Music Entertainment & Promotion of Dar es Salaam Tanzania. This is the second edition of the Karibu Music Festival to be held at Bagamoyo, the College of Arts and Culture (TASUBA) and on Mwanakalenge grounds. Karibu Festival is composed of various genres of art such as music, dance and cultural exposure; where by artists from different parts of the world are invited to share the stage with the local artists of Tanzania. -
FSD14 Brochure 36P Def Mise En Page 1
Présidente : Monique Prim Directrice : Nathalie Rappaport Organisé et financé par la ville de Saint-Denis, le Festival de Saint-Denis est soutenu par le Département de la Seine-Saint-Denis. Il est aidé par Plaine Commune, le Conseil Régional d’Île-de-France, le Ministère de la Culture et de la Communication (DRAC Île-de-France), le Centre des monuments nationaux, et Radio France. Il reçoit également le soutien de nombreux partenaires : le Consortium Stade de France, Vinci Immobilier, Icade, Bouygues Bâtiment Île-de-France, la RATP, Brémond, Eiffage Construction, Bouygues Immobilier, Plaine Commune Développement, Bateg, la Société de Distribution de Chaleur de Saint-Denis, Generali, GTM, la Caisse des Dépôts et Consignations, Colas, Européquipements, Sita, Veolia propreté, la Société de Travaux Publics Dubrac, Fayolle, SEE Simeoni, la Foncière des Régions. En partenariat avec : Concerts en direct et en différé Concerts en direct, en différé et à la réécoute sur francemusique.fr Streaming : concerts en direct et en VOD sur le web www.festival-saint-denis.com • www.radiofrance.com • liveweb.arte.tv Le Festival est membre de France Festivals et de Profedim. Il bénéficie de l’aide précieuse de nombreux bénévoles. La basilique cathédrale de Saint-Denis est un monument ouvert à la visite par le Centre des monuments nationaux. 2 Calendrier des concerts Date Heure Lieu Concert Page Mer. 21 mai 20h30 Pierrefitte-sur-Seine Raul Paz / ONDIF (Métis) 26 Jeu. 22 mai 20h30 Stains El Sistema Miami #1 (Métis) 26 Ven. 23 mai 20h30 Epinay-sur-Seine Viktoria Mullova (Métis) 26 Sam. 24 mai 20h30 L’Île-Saint-Denis El Sistema Miami #2 (Métis) 26 Lun. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
ONE AFRICA MUSIC FEST Dubai 2019
ONE AFRICA MUSIC FEST Dubai 2019. (MEDIA PROJECT) Africa, powered by Music. Afrobeats to the World. STATISTICS & IMPACT. Attendance – 5000 attendees (Sold out) Access fee – Average $40 Male – 65% Female – 35% Countries in attendance – Nigeria, Zimbabwe, Rwanda, Uganda, UAE etc. Economic Impact to Kigali - $6million Industries affected – Airlines, Hospitality(Hotels), Logistics(Transportation), Arts & Craft, Food(Restaurants) WHY ‘ONE AFRICA MUSIC FEST’? • One Africa Global (Parent Company of ‘One Africa Music Fest’) mission is to afford the general public with African cultural and artistic experiences, promote the sense of Pan Africanism, make known the prospects in Africa and positioning Africa as the perfect destination for investment and by so doing, making Africa great again. This is accomplished through our goals: i. Encouraging people to increase their knowledge of African culture, using African arts that relate to the values and principles of African society and life. ii. Encouraging the respect that is incorporated in African culture. iii. Educating people of African descent about their culture and history so that they may gain a positive self-image, self-awareness and self-direction. iv. Create avenue where global communities can access the opportunities that Africa houses. v. Showcasing the beauty of African culture by performing African dance, music and story globally. vi. Provide investment and trade exchange platform that ushers in robust development in Africa for smart economy. STRATEGIES OF OAMF SYNCS WITH THAT OF AMFEST. • OUR STRATEGY • i. Fostering integration using African culture and art that facilitates world acceptance. • ii. Structuring a new frame work for economic growth and development by Africans for Africa. -
Top Albums (17/09/2021 - 24/09/2021)
Top Albums (17/09/2021 - 24/09/2021) Pos. SD Artiste Titre Éditeur Distributeur 1 FLORENT PAGNY L'AVENIR CAPITOL MUSIC FRANCE UNIVERSAL MUSIC FRANCE 2 LETO 17% REC118 WARNER MUSIC FRANCE 3 1 JOHNNY HALLYDAY JOHNNY ACTE II LABEL PANTHEON UNIVERSAL MUSIC FRANCE 4 2 SOPRANO CHASSEUR D'ETOILES REC118 WARNER MUSIC FRANCE 5 3 OBOY NO CRARI BELIEVE BELIEVE 6 LIL NAS X MONTERO SONY MUSIC ENTERTAINMENT 7 4 GRAND CORPS MALADE MESDAMES CAROLINE FRANCE UNIVERSAL MUSIC FRANCE 8 9 LAYLOW L'ÉTRANGE HISTOIRE DE MR.ANDERSON SONY MUSIC ENTERTAINMENT SONY MUSIC ENTERTAINMENT 9 6 JUL DEMAIN ÇA IRA BELIEVE BELIEVE 10 5 IRON MAIDEN SENJUTSU WEA WARNER MUSIC FRANCE 11 7 DRAKE CERTIFIED LOVER BOY ISLAND DEF JAM 12 13 NEKFEU LES ÉTOILES VAGABONDES : EXPANSION POLYDOR UNIVERSAL MUSIC FRANCE 13 14 CLARA LUCIANI C?UR ROMANCE MUSIQUE UNIVERSAL MUSIC FRANCE 14 8 IMAGINE DRAGONS MERCURY - ACT 1 POLYDOR UNIVERSAL MUSIC FRANCE 15 15 DADJU POISON OU ANTIDOTE POLYDOR UNIVERSAL MUSIC FRANCE 16 17 DAMSO QALF TRENTE-QUATRE CENTIMES 17 18 PNL DEUX FRERES BELIEVE BELIEVE 18 19 THE WEEKND THE HIGHLIGHTS ISLAND DEF JAM UNIVERSAL MUSIC FRANCE 19 12 BILLIE EILISH HAPPIER THAN EVER POLYDOR UNIVERSAL MUSIC FRANCE 20 20 NINHO DESTIN REC. 118 / MAL LUNE MUSIC WARNER MUSIC FRANCE 21 16 NAPS LES MAINS FAITES POUR L'OR BELIEVE BELIEVE 22 21 DOJA CAT PLANET HER (DELUXE) SONY MUSIC ENTERTAINMENT 23 22 NINHO M.I.L.S. 3 REC. 118 / MAL LUNE MUSIC WARNER MUSIC FRANCE 24 23 DUA LIPA FUTURE NOSTALGIA WEA WARNER MUSIC FRANCE 25 28 SCH JVLIVS II REC118 WARNER MUSIC FRANCE 26 29 DJADJA & DINAZ SPLEEN BELIEVE BELIEVE Classements officiels de la Société Civile des Producteurs Phonographiques (SCPP) établis par GFK en collaboration avec le SNEP.