DOCSLIB.ORG

Contents Community

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contents Community Last chance for outdoor events as sun sets on summer ek! The seasonal panic is starting to Artis II and the Truth on Aug. 29th, and Pink welcomes the monarch at 3:30pm. And if you’re Our greater community is home to several local set in as we inch closer to the autum- Floyd tribute Pinky & the Floyd closing out closer to Manhattan, pack an evening picnic and markets where you can find garden-fresh produce, nal equinox. Those who prefer the the summer series on Sept. 5th. Food and bever- head to Altenbrand Park on Sept. 3rd at 6pm. All awesome food, novelty items, live entertainment, warm fall colors have surely surren- age vendors are available at each of these performances are FREE and open to the public. family fun, and more! Bogert Farmers’ dered to their favorite season also FREE events. The 2019 Montana Funk Fest descends on Market continues on Tuesday evenings, but being the double-edged segue into The Music on the Green concert series the Cannery District Patio on Saturday, Aug. 24th during the Pavilion’s repair, has moved to Montana’s coldest. But there’s still showcases regional talent on select Sunday beginning at 3pm. Taste the audacious and Bozeman’s Lindley Park. Market hours are from E some time during this short window evenings on Bozeman Public Library’s Front delicious edge of Montana-brewed beer and 5–8pm through September 10th. Western that is summer in Montana to get Plaza from 5–7pm. Local stompgrass heroes kombucha from 13 statewide brewers before Sustainability Exchange’s Livingston Farmers outside and bask in the remaining sun-shiny days. Laney Lou & the Bird Dogs ar e next up on partying to the sounds of Sunflower State electro Market is held Wednesday nights from Round up the crew and enjoy a few more Aug. 18th, with roots rock jammers The funk duo The Floozies. Music begins at 7pm. 4:30–7:30pm in Miles Park through September backyard barbecues, a little outdoor recreation, or Hooligans set for Sept. 15th. Pack a few Delicious local food vendors will be available, as 18th. Also on Wednesdays, the Big Sky these event options, if we may be so bold. blankets and a picnic! These family-friendly well as a full bar for those 21+ (with ID). Brew Farmers Market takes over Town Center Park The 90s pop, swagger rock and hip-hop of the concerts are FREE for all to attend. fest and concert tickets available individually or as from 5–8pm through September 25th. Amid its Outer Vibe closes out this season’s Music on Enjoy a little outdoor theatre with Montana a discounted combo admission through the third annual summer series, Belgrade Main festivities in Downtown Bozeman. The Shakespeare in the Parks. The traveling Dean’s Zesty Booch website. Community Market takes place in Lewis & final event will take place Thursday, Aug. 15th company will visit a number of parks and public Also on Aug. 24th, Dry Hills Distillery will Clark Park on Thursday evenings from 4–7pm from 6:30–8:30pm. The event is FREE, open to spaces as it winds down its season. On Aug. 19th, host its next outdoor concert in conjunction with through September 12th. Finally, the original the public and also features a “Kids’ Zone.” experience “Merry Wives of Windsor” in Big its Running Iron Whiskey launch. The Women Gallatin Valley Farmers’ Market is held Also on Thursdays, Music in the Sky’s Town Center Park at 5:30pm. The produc- & Whiskey event will feature CMA Award- Saturday mornings from 9am–12pm through Mountains takes over Center Stage in Big Sky’s tion also heads to Lewis & Clark Park in Belgrade winning artist Deana Carter and Montana September 14th. The markets set up at the Town Center. The park opens at 6pm ahead of on Sept. 2nd at 5:30pm. Livingston’s Shane darling Stephanie Quayle. Jenny Tolman, a Gallatin County Fairgrounds in Bozeman. the music at 7:15pm. Indie folk band Mt. Joy Center for the Arts hosts a staging of “Henry rising star in the Nashville music scene, will open will perform on Aug. 15th, followed by the IV, Part I” on Aug. 31st at 6pm (bring chair – the show. Doors at 5:30pm. Ticketing and further Additional details about these and other sun-filled “Bayou Americana” of Honey Island Swamp audience sits in parking lot). On Sept. 1st, MSU information can be found on the host’s website. outdoor events can be found throughout this issue of Band on Aug. 22nd, soulful blues rock of Ron Family & Graduate Housing (off Garfield) Farmers’ market season ain’t over yet! The BoZone. • Contents Community . .2A ART . .3A Film . .6A Theatre . .7A Community . 8A EndZone . .1-2B EcoZone . .3-4B Christy Hays Women & Whiskey Pine Creek Lodge Dry Hills Distillery RollingZone . .C August 21st - 7pm August 24th - 5:30pm ­Page 2a­•­The BoZone •­augusT 15,­2019 Celebrate another season of Hops & History with MOR Bozeman’s Museum of the at the Living History Farm. Enjoy audition piece. Performances are weaponry, and numerous other and 3:30pm through Sept. 2nd in Rockies continues to educate and beer tasting and live music in the scheduled for the nights of October fascinating relics and elaborate Hager Auditorium. Exhibit tours entertain its members and other Farm’s apple orchard, a keynote 25th, 26th and 27th. For more artifacts. also run daily at 2:15pm. visitors to the Gallatin Valley this talk, and food available for purchase information and to arrange an Accompanying the exhibit, daily For more information about summer. The famed exhibitor also from Pizza Campania and The audition time, please contact hosts a bevy of special events to Mint Café. Dorinda Dutcher at (406) 994-6223 accompany its many historical “America: A Beer Nation” – or [email protected]. displays. Here’s a look at some Explore the history of beer in the Also at MOR, The Real upcoming happenings at our United States, from colonial times to Genghis Khan exhibit allows neighborhood museum. the present. As we boast of some of visitors to explore the culture, On Thursday, August 15th, the the world’s largest breweries, we are conquests, and heritage of one of Extreme History Project Lecture also a nation of home-brewers, the world’s greatest conquerors. The series continues with “The Best micro-brewers and even nano- Genghis Khan exhibition offers an Gift: Montana’s Carnegie brewers. What is it about our adventure in the vast grassland of Libraries” at 6pm. The talk will country that makes it home to so Central Asia, amid the relics of be held in Hager Auditorium and is many beer drinkers and brewery Genghis Khan’s reign. open to the public. supporters? Admission for this 21+ Experience life in 13th-century Kate Hampton of the Montana event is $20, which includes a sou- Mongolia, entering the tents, State Historic Preservation Office venir tasting glass and beer tickets. battlegrounds, and marketplaces of will speak on her hot-off-the-press Calling all thespians! Museum of a vanished world. Explore Genghis book of the same name. The Best Gift the Rockies seeks volunteer actors for its Khan’s life and those of his sons and reveals the history of these iconic pilot production of Haunted grandsons during the formation, libraries throughout Montana. She Mountain Theater. Bringing the peak, and decline of the Mongol will delve into Bozeman’s own Northern Rocky Mountains’ Empire. View rare treasures with Carnegie library, giving the history spookier history and folklore to life, more than 200 spectacular objects of this monumental structure that the approximately 50-minute show on display to illustrate this story, sits silently on the corner of will blend live theater with Taylor including gold jewelry and live performances by Mongolian these and other upcoming events, Bozeman and Rouse streets. Planetarium’s state-of-the-art ornaments, silk robes, musical artists will feature traditional music as well as the Museum’s exhibits, MOR’s annual summer series capabilities. Actors of varying types instruments, pottery, sophisticated and dances. These begin at 12:30pm visit museumoftherockies.org. • Hops & History is set to close and ages are needed. with the Season Celebration on Auditions will take place on Tuesday, August 27th. Celebrate September 4th and 10th from local Gallatin Valley brewers with 4:30–6:30pm each evening. Actors this celebratory evening from 5–8pm are not required to prepare an Chamber seminar discusses workforce mobility, more professional gatherings Bozeman Area Chamber of from anywhere, cloud solutions, Chamber membership and $50 for Heavy duty Digger Days Commerce will present Business mobile infrastructure and security. non-members. After Hours on Thursday, August Also discover modern solutions to Bozeman Chamber has also 22nd. Rocky Mountain Credit Union will decrease work/life stress and announced the 2019 return of its benefit Eagle Mount host at its north Bozeman location, increase balance. Brandy Flower of Small Business Game Changer found at 1840 Baxter Lane, from First Call Computer Solutions will promotion. Enter your small programs 5:30–7:30pm. The not-for-profit, present. The event will be held from business for an opportunity to member-owned financial cooperative 11:30am–1pm at the Chamber become the chosen winner of a operates through several regional Center in Bozeman. This luncheon $10,000 marketing package with branches. They offer everything is $20 for Chamber members and MSU Athletics and Bobcat Sports from traditional checking and $105 for non-members. Properties. This year’s contest runs savings accounts to home equity The next Business Before through November 10th.
Load more

Recommended publications
  • 2008 Schedule
    2008 SCHEDULE *Titles in BOLD are TCM Premieres Friday, February 1 Theme of the Day: Adventure Films 6:00 AM The Adventures of Robin Hood (’38) 7:45 AM Mogambo (’53) 9:45 AM King Solomon’s Mines (’50) 11:30 AM The Treasure of the Sierra Madre (’48) 1:45 PM Krakatoa, East of Java (’69) 4:00 PM The Naked Prey (’66) 5:45 PM Northwest Passage (’40) ‘70s 8:00 PM Jaws (’75) 10:15 PM The Hospital (’71) 12:15 AM Network (’77) 2:30 PM Five Easy Pieces (’70) 4:45 PM Darling Lili (’70) Saturday, February 2 Theme of the Day: Sci Fi 7:15 AM 2010 (’84) 9:15 AM Forbidden Planet (’56) 11:00 AM Them! (’54) 12:45 PM The Time Machine (’60) 2:30 PM The Black Hole (’79) 4:15 PM 20,000 Leagues Under the Sea (’54) 6:30 PM The War of the Worlds (’53) ‘80s 8:00 PM Gandhi (’82) 11:15 PM Atlantic City (’81) 1:15 AM The Trip to Bountiful (’85) 3:15 AM Mephisto (’82) Sunday, February 3 Theme of the Day: Musicals 6:00 AM Anchors Aweigh (’45) 8:30 AM Brigadoon (’54) 10:30 AM The Harvey Girls (’46) 12:15 PM The Band Wagon (’53) 2:15 PM Seven Brides for Seven Brothers (’54) 4:00 PM Gigi (’58) 6:00 PM An American in Paris (’51) ‘90s/’00s 8:00 PM Sense and Sensibility (’95) 10:30 PM Quiz Show (’94) 12:45 PM Kundun (’97) 3:15 AM The Wings of the Dove (’97) Monday, February 4 Theme of the Day: Biopics 5:30 AM The Story of Louis Pasteur (’35) 7:00 AM The Life of Emile Zola (’37) 9:00 AM The Adventures of Mark Twain (’44) 11:15 AM The Eddy Duchin Story (’56) 1:30 PM The Joker is Wild (’57) 3:45 PM Night and Day (’46) 6:00 PM The Glenn Miller Story (’54) ‘20s/’30s 8:00 PM Wings
    [Show full text]
  • The American Indian in the American Film
    THE AMERICAN INDIAN IN THE AMERICAN FILM Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in American Studies in the University of Canterbury by Michael J. Brathwaite 1981 ABSTRACT This thesis is a chronological examination of the ways in which American Indians have been portrayed in American 1 f.ilms and the factors influencing these portrayals. B eginning with the literary precedents, the effects of three wars and other social upheavals and changes are considered. In addition t-0 being the first objective detailed examination of the subj�ct in English, it is the first work to cover the last decade. It concludes that because of psychological factors it is unlikely that film-makers are - capable of advancing far beyond the basic stereotypes, and that the failure of Indians to appreciate this has repeatedly caused ill-feeling between themselves and the film-makers, making the latter abandon their attempts at a fair treatment of the Indians. ii TABLE OF CONTENTS Preface iii Chapter I: The Background of the Problem c.1630 to c.1900. 1 Chapter II: The Birth of the Cinema and Its Aftermath: 1889 to 1939. 21 Chapter III: World War II and Its Effects: 1940 to 1955. 42 Chapter IV: Assimilation of Separatism?: 1953 to 1965. 65 Chapter V: The Accuracy Question. 80 Chapter VI: Catch-22: 1965 to 1972. 105 Chapter VII: Back to the Beginning: 1973 to 1981. 136 Chapter VIII: Conclusion. 153 Bibliography 156 iii PREFACE The aim of this the.sis is to examine the ways in which the American Indians have been portrayed in American films, the influences on their portrayals, and whether or not they have changed.
    [Show full text]
  • Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
    RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • The Tin Star Free
    FREE THE TIN STAR PDF J L Langley | 300 pages | 31 Aug 2006 | Loose Id, LLC | 9781596323278 | English | United States Tin Star (TV Series –) - IMDb The series tells the story of a former detective named Jim Worth, who later becomes chief of police in the Rocky Mountains. There are a total of two seasons released that are also available on Amazon Prime Video. The series has got a positive response from the critics and audiences. Now everyone is expecting The Tin Star potential third season. So when the second season finished airing episodes, Sky made the announcement that Tin Star is renewed for a season 3. Unfortunately, there is no date revealed for the upcoming season of Tin Star. The production began back inand it was earlier declared that the third and final season will release in Nowadays, many shows are facing delay due to coronavirus outbreak, but there is no The Tin Star for it. We can expect for season 3 to release around late and if any news appears, we will update you. Sky did not drop the trailer for the third season till now. While you wait for it you can have a look at the trailer for season 2 for the recap:. The story of the crime series will conclude with the third season. It will start after Jack and Angela told the truth to daughter Anna. More mysteries will reveal in Tin Star season 3. Sign in. Log into your The Tin Star. Privacy Policy And Disclaimer. Password recovery. Forgot your password? Get help. The Digital Wise.
    [Show full text]
  • February 27, 2018 (XXXVI:5) Fred Zinnemann HIGH NOON (1952), 85 Min
    February 27, 2018 (XXXVI:5) Fred Zinnemann HIGH NOON (1952), 85 min. DIRECTOR Fred Zinnemann WRITER Carl Foreman (screenplay), John W. Cunningham (from “The Tin Star”) PRODUCER Stanley Kramer MUSIC Dimitri Tiomkin CINEMATOGRAPHY Floyd Crosby EDITOR Elmo Williams SINGER Tex Ritter LYRICIST Ned Washington CAST FRED ZINNEMANN (b. April 29, 1907, Vienna, Austria—d. Gary Cooper…Will Kane March 14, 1997, London, England) was considered for several Thomas Mitchell…Jonas Henderson years, along with William Wyler and George Stevens, one of the Lloyd Bridges…Harvey Pell three directorial “intellectuals” in Hollywood. Initially, Katy Jurado…Helen Ramirez Zinnemann planned to become a lawyer until he saw three films Grace Kelly…Amy Kane that forever changed his future: Greed (1924), The Big Parade Otto Kruger…Percy Mettrick (1925) and Battleship Potemkin (1925). After college, he Lon Chaney Jr….Martin Howe become an assistant cameraman in Berlin, where, in the company Harry Morgan…Sam Fuller of such future Hollywood filmmakers as Robert Siodmak, Billy Ian MacDonald…Frank Miller Wilder and Edgar G. Ulmer, he would collaborate on the Eve McVeagh…Mildred Fuller celebrated documentary, People on a Sunday (1929). In 1929, he Morgan Farley…Minister emigrated to Hollywood where he was hired as an extra on Lewis Harry Shannon…Cooper Milestone’s All Quiet on the Western Front (1930). Following Lee Van Cleef…Jack Colby years directing now forgotten B-movies, Zinnemann eventually Robert J. Wilke…James Pierce established a name for himself in 1948 with The Search, a film Sheb Wooley…Ben Miller following the growing friendship between a GI (Montgomery Jack Elam…Charlie Clift) and a young concentration camp survivor.
    [Show full text]
  • Violence in Western Movies
    Violence in Western Movies Kaisa Pääkkö Deg ree Thesis Media Culture 1 2012 DEGREE THESIS Arcada Degree Programme: Media Culture Identification number: Author: Kaisa Pääkkö Title: Violence in Western Movies Supervisor (Arcada): Kauko Lindfors Commissioned by: Abstract: The aim of this thesis is to determine how violence is used in films of the Western genre. The focus is on the importance of violence as a structuring element in narratives typical of the genre, a device for characterization and as a signifying agent of morality or ideology. The basis of the thesis is the assumption that violence is a defining and integral part of Western stories and that, as the genre has developed, the way that violence is depicted stylistically and utilized as a plot device has changed over time, consequently altering the messages conveyed by the films. The method used to answer the questions posed in the thesis is to research relevant background information – the history of the genre, the function of violence in film – about the genre and then analyzing two films, The Tin Star and Unforgiven, on that foundation. As one of the films is a traditional Western, from an era with more stringent regulation of depictions of violence, and the other a revisionist Western from a quarter of a century later, they serve to exemplify the drastic changes in the genre. The conclusions drawn from the analysis largely support the suppositions of the thesis, as violence is shown to be a crucial element in both films, albeit with distinct differences in the values imparted by them. Both films demonstrate the way violence is used to shape Western stories and characters, but the positive portrayal of heroes wielding violence for the good of community in The Tin Star is starkly contrasted with the desolate, purposeless killing in Unforgiven .
    [Show full text]
  • Place Images of the American West in Western Films
    PLACE IMAGES OF THE AMERICAN WEST IN WESTERN FILMS by TRAVIS W. SMITH B.S., Kansas State University, 2003 M.A., Kansas State University, 2005 AN ABSTRACT OF A DISSERTATION submitted in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY Department of Geography College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2016 Abstract Hollywood Westerns have informed popular images of the American West for well over a century. This study of cultural, cinematic, regional, and historical geography examines place imagery in the Western. Echoing Blake’s (1995) examination of the novels of Zane Grey, the research questions analyze one hundred major Westerns to identify (1) the spatial settings (where the plot of the Western transpires), (2) the temporal settings (what date[s] in history the Western takes place), and (3) the filming locations. The results of these three questions illuminate significant place images of the West and the geography of the Western. I selected a filmography of one hundred major Westerns based upon twenty different Western film credentials. My content analysis involved multiple viewings of each Western and cross-referencing film content like narrative titles, American Indian homelands, fort names, and tombstone dates with scholarly and popular publications. The Western spatially favors Apachería, the Borderlands and Mexico, and the High Plains rather than the Pacific Northwest. Also, California serves more as a destination than a spatial setting. Temporally, the heart of the Western beats during the 1870s and 1880s, but it also lives well into the twentieth century. The five major filming location clusters are the Los Angeles / Hollywood area and its studio backlots, Old Tucson Studios and southeastern Arizona, the Alabama Hills in California, Monument Valley in Utah and Arizona, and the Santa Fe region in New Mexico.
    [Show full text]
  • HOLLYWOOD's WEST: the American Frontier in Film, Television, And
    o HOLLYWOOD’S WEST WEST*FrontMtr.pmd 1 8/31/05, 4:52 PM This page intentionally left blank HOLLYWOOD’S WEST The American Frontier in o Film, Television, and History EDITED BY PETER C. ROLLINS JOHN E. O’CONNOR THE UNIVERSITY PRESS OF KENTUCKY WEST*FrontMtr.pmd 3 8/31/05, 4:52 PM Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 www.kentuckypress.com 0908070605 54321 “Challenging Legends, Complicating Border Lines: The Concept of ‘Frontera’ in John Sayles’s Lone Star” © 2005 by Kimberly Sultze. Library of Congress Cataloging-in-Publication Data Hollywood’s West : The American frontier in film, television, and history / edited by Peter C. Rollins and John E. O'Connor. p. cm. Includes bibliographical references and index. ISBN 0-8131-2354-2 (hardcover : alk. paper) 1. Western films—United States—History and criticism. 2. Western television programs—United States. I. O'Connor, John E. II. Rollins, Peter C. PN1995.9.W4A44 2005 791.436'278--dc22 2005018026 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) Screening Cowboys. Reading Masculinities in Westerns Verstraten, P.W.J. Publication date 1999 Link to publication Citation for published version (APA): Verstraten, P. W. J. (1999). Screening Cowboys. Reading Masculinities in Westerns. in eigen beheer. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:08 Oct 2021 part two chapter five 107 CHAPTER FIVE Historical Reversals from Dead to Hypermasculine Fathers My reading of The Man Who Shot Liberty Valance in the previous chapter left me with two unanswered questions. First, why did the symbolic order not offer an alter­ native, even a bad alternative, to Tom Doniphon? Because his skilled shooting is not witnessed by the citizens of Shinbone, the clumsy attorney-at-law, presumed to be the killer of Liberty Valance, takes Doniphon's place as hero in the citizens' imagi­ nation.
    [Show full text]
  • The Coming of Synchronous Sound to Filmmaking: an Introduction
    The Coming of Synchronous Sound to Filmmaking: an Introduction Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Presented in class from 1969. Recorded in the fall of 1971 as one of "Nine Lectures on Film Design" under the title "The Coming of Sound to American Film" by WBUR FM, Boston, Massachusetts, for broadcast in the spring of 1972; rebroadcast in the spring of 1973 on WROR and WRKO, Boston, and distributed thereafter through the National Public Radio network and local stations. A revision was published in 1980 as the "Editor's Introduction" on pages viii-xiv of Sound & the Cinema: The Coming of Sound to American Film (New York, New York: Redgrave Publishing Company, 1980), an anthology that I compiled and edited (with the assistance of William F. Wilbert and Joan Evans-Cameron) of contributions to a symposium at George Eastman House, Rochester, New York in October 1973 on "The Coming of Sound to the American Film: 1925-1940". [For additional information, see my Curriculum Vitae.] Footnote 9, page 7, has been added to this revision, and a listing of works by exemplary screenwriters of the studio era, compiled for use in class in 2002, has been appended.] The Coming of Synchronous Sound to Filmmaking: an Introduction1 The Hollywood side of the U.S.A. doesn't interest me at all, I want to see the country! And the techniques for sound movies. For I am absolutely certain that the entire future of films lies with sound. Sergei Eisenstein (1929)2 Every art has the right to stem from a previous art; it not only has the right to but must so stem ..
    [Show full text]
  • The Impact of the Cold War on the Representation of White Masculinity in Hollywood Film William Michael Kirkland
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 The Impact of the Cold War on the Representation of White Masculinity in Hollywood Film William Michael Kirkland Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE IMPACT OF THE COLD WAR ON THE REPRESENTATION OF WHITE MASCULINITY IN HOLLYWOOD FILM By WILLIAM MICHAEL KIRKLAND A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2009 The members of the committee approve the dissertation of William Michael Kirkland defended on November 19, 2009. ____________________________________ Maricarmen Martinez Professor Directing Dissertation ____________________________________ Maxine Jones University Representative ____________________________________ Eugene Crook Committee Member ____________________________________ Ernest Rehder Committee Member Approved: ___________________________________________________ John Kelsay, Director, Program in Interdisciplinary Humanities The Graduate School has verified and approved the above-named committee members. ii For Katina, whose love and support made this achievement possible. For my mother, Dianne Kirkland, whose memory I will always cherish. iii ACKNOWLEDGEMENTS First, I must thank my major professor, Dr. Maricarmen Martinez, for the guidance and encouragement she has provided since our first class together in fall 2003. Her support in times of discouragement and stress has been invaluable. I appreciate most the exchange of ideas that has taken place both in the classroom and throughout the dissertation process. Dr. Martinez, my teaching is better as a result of having worked with you. I wish to thank Dr.
    [Show full text]