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Facts About Stockholm's Tourism Industry 2018
Facts About Stockholm’s Tourism Industry Statistics for 2018 Right click on the background and choose Format Background to fill with picture or change color Content 1. Where Visitors Come From 2. How Visitors Travel to Stockholm 3. Where Visitors Stay 4. Why People Visit Stockholm 5. International Meetings and Conventions 6. Major Attractions in Stockholm Cover photo: Jeppe Wikström Photographer: Henrik Trygg Right click on the background and choose Format Background to fill with picture or change color 1. Where Visitors Come From In 2018, there were about 14.6 million overnight stays in commercial lodging establishments located within Stockholm County. Over 30 percent of all foreign bednights in Sweden are located in Stockholm County. Photographer: Visit Stockholm Right click on the background and choose Format Background to fill with picture or change color Steady Growth for Swedish and Foreign Visitors Six out of every ten overnight stays in Stockholm area hotels or similar Overnight stays by Swedish and foreign travelers at hotels, accommodations are booked by domestic travelers. Bookings by hostels, or other accommodations in Stockholm County international travelers, however, have had faster growth in the last five 2003-2018 (Index 100=2003) years. This was especially evident over the past year, as overnight stays by foreign visitors increased by 8 percent while domestic visitors’ Swedish visitors Foreign visitors Total overnight stays increased by just 2 percent. 230 Most foreign visitors come from European countries. 220 210 Overnight -
Nordiska Museet and Skansen: Displays of Floating Nationalities Magdalena Hillström
Great Narratives of the Past. Traditions and Revisions in National Museums Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Paris 29 June – 1 July & 25-26 November 2011. Dominique Poulot, Felicity Bodenstein & José María Lanzarote Guiral (eds) EuNaMus Report No 4. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=078 © The Author. Nordiska museet and Skansen: Displays of Floating Nationalities Magdalena Hillström Department of Culture Studies, Linköping University Abstract This article explores how national narratives were performed and displayed at Nordiska museet and Skansen from late 19th century until the end of the 20th century. It shows how the museum’s national narratives were negotiated and transformed in the wake of new political orientations, from the utopia of “folkhemmet” to contemporary visions of the multi-cultural society. Nordiska museet and Skansen have strongly been associated with successful nation- making. This notion however tends to suppress a prevailing tension between the museum’s Nordicness and its Swedishness. From very early on Artur Hazelius collected objects from an indecisive Nordic area, including Russia and Germany. After his death in 1901 efforts were made to nationalize Nordiska museet and Skansen. From time to time the museum’s Nordic identity has been mobilized, a story that run parallel with tendencies to reject the museum’s Scandinavianist legacy, a legacy dating back to a period when the contemporary Nordic nation- states were yet not politically or culturally defined. 33 Sweden in Miniature In 1890 Artur Hazelius, the founder of Nordiska museet in Stockholm, received as a gift some houses and a garden named Framnäs at Djurgården, close to the building site of the present Nordiska museet. -
Museums in Stockholm
Museums in Stockholm PHOTO: OLA ERICSON FOR THE LATEST UPDATES ON STOCKHOLM, VISIT THE OFFICIAL WEBSITE VISITSTOCKHOLM.COM Museums in Stockholm BERGIANSKA TRÄDGÅRDEN BERGIUS BOTANIC GARDEN Discover Stockholm´s museums with their world-class collections, pioneering exhibitions and extraordinary historical objects. Botanical garden beautifully situated at Lake Brunnsviken. A paradise for plant enthusiasts with thousands of trees, shrubs and herbs from around the world. Exotic, heat-loving plants thrive in the Victoria House and Edvard Anderson Conservatory. AQUARIA VATTENMUSEUM Café, shop and restaurant. AQUARIA WATER MUSEUM Opening hours: The Park daily. Edvard Anderson Conservatory: Oct-Mar Mon- Fri 11am- 4pm, Sat- Sun Falkenbergsgatan 2. Djurgården 11am-5pm Apr-Sep daily 11am- 5pm. www.aquaria.se The Victoria House: May-Sep Mon- Fri 11am- 4pm, Sat-Sun 11am-5pm. ARKITEKTURMUSEUM Metro station: Universitetet, Bus:40 MUSEUM OF ARCHITECTURE Bergianska trädgården All you need to know about Swedish architecture and construction from +46 (0) 8 545 91 700 the 19th century until today. Exhibitions featuring drawings, models, design www.bergianska.se and examples of sustainable urban development. Take a tour and participate in creative activities for children on Sundays. Library, BIOLOGISKA MUSEET collections, book store and café. BIOLOGICAL MUSEUM Opening hours: Tues 10am- 8pm, Wed-Sun Lejonslätten, Djurgården 10am-6pm. www.biologiskamuseet.com Metro station: Kungsträdgården Bus: 2, 55, 62, 65, 76 Skeppsholmen BONNIERS KONSTHALL +46 (0) 8 587 270 00 BONNIERS CONTEMPORARY ART www.arkitekturmuseet.se Torsgatan 19. Norrmalm ARMÉMUSEUM www.bonnierskonsthall.se ARMY MUSEUM CARL ELDHS ATELJÉMUSEUM Riddargatan 13. Östermalm CARL ELDH’S STUDIO MUSEUM www.armemuseum.se Lögebodavägen 10. -
Besöksutveckling För De Centrala Museerna 2014 Redovisning Av Ett Regeringsuppdrag 2015-04-29
MYNDIGHETEN FÖR KULTURANALYS Besöksutveckling för de centrala museerna 2014 Redovisning av ett regeringsuppdrag 2015-04-29 Innehåll Sammanfattning ...................................................................................................3 Bakgrund ...................................................................................................................4 Uppdraget har förändrats med tiden ...................................................................................4 Att mäta museibesök är en komplex uppgift .......................................................................5 Resultaten från publikundersökningen presenteras för perioden 2011–2014.....................5 Museibesök 2014 ...............................................................................................................6 Resultatredovisning per museum ........................................................ 16 Arbetets museum ............................................................................................................. 16 Arkitektur- och designcentrum .......................................................................................... 17 Forum för levande historia ................................................................................................ 18 Livrustkammaren och Skoklosters slott med Stiftelsen Hallwylska museet ...................... 19 Moderna museet .............................................................................................................. 22 Nationalmuseum med Prins Eugens -
Programme for Sweden Live: National Day @ Home
Programme for Sweden live: National Day @ home 8:00 CET Coming up this hour: • The Cantores Sofiae choir sings ‘En vänlig grönska’ • A greeting from the Prime Minister of Sweden Stefan Löfven • At home with Issam Alghaeb and Brita Björs • Cooking with chef Camilla Hamid • At home with Oscar Höglund and Alexandra Pascalidou • Guided tour of the Royal Armory (Livrustkammaren) • A National Day Greeting from Her Royal Highness The Crown Princess and Her Family • Musical performance by Jens Lekman • A view of Holmön 9:00 CET Coming up this hour: • At home with Mouna Esmaeilzadeh and Fredrik Heintz • A monologue in Sami from Giron Sámi Téahter in Kiruna • At home with Jan Eliasson • Swedish Radio’s P2 choir sings ‘Uti vår hage’ • Let’s fika with Maral Moghadasi • Guided tour of the Royal Armory (Livrustkammaren) • Musical performance by Oscar Zia • At home with Johanna Sandahl and Abdulla Miri • Cooking with chef Jessica Frej • Musical greeting by Anne Sofie von Otter • At home with Jonathan Rollins, Basshunter and Amanda Lundeteg • A guided tour of the Vasa Museum • A National Day Greeting from Her Royal Highness The Crown Princess and Her Family • Sweden’s National Anthem performed by Nils Landgren • At home with Fred Taikon and HBTQUL • A view of Gävle 10:00 CET Coming up this hour: • Musical Performance by Jay-Jay Johanson • Let’s fika with Shaima Alraee • At home with Johan Wille Burnett and Bea Åkerlund • Musical performance by ionnalee • A greeting from the Prime Minister of Sweden Stefan Löfven • Cooking with chef Gustav Johansson • -
Behind the Scenes of the City: the Hidden, the Forbidden, the Forgotten November 18–19, 2020 Stockholm City Museum
Behind the Scenes of the City: The Hidden, the Forbidden, the Forgotten November 18–19, 2020 Stockholm City Museum Wednesday November 18 11.00–13.00 Conference registration and lunch Stockholm City Museum, auditorium, 2nd floor. Light lunch and coffee will be served during registration. 13.00–13.10 Welcome and introduction Fredrik Linder, Director, Stockholm City Museum, Rebecka Lennartsson, Associate Professor, Stockholm City museum, and Karin Carlsson, PhD, Department of History, Stockholm University. 13.10–13.50 Keynote speaker: Beatriz Colomina Howard Crosby Butler Professor of the History of Architecture, School of architecture, Princeton university, USA. 14.00–15.00 Parallel sessions I. Thresholds, Borders and Spaces in Between Chair: Heiko Droste, Professor, Head of Institute of Urban History, Stockholm University. How to Make Differences: Entrances and the Role of the Doorman in Residential Buildings During the Turn of the 20th Century Karin Carlsson, PhD, Department of History, Stockholm university. Dad on Display: Commercial Construction of Gender and the Modern Man in the 1930s Shop Windows Orsi Husz, Senior Lecturer, Associate Professor and Researcher at Department of History, Uppsala University and Klara Arnberg, Associate Professor and Researcher at the Department of Economic History and International Relations, Stockholm University. II. Spaces and Places in Transformation Chair: Thomas Wimark, Senior Lecturer and Associate Professor, Department of Social and Economic Geography, Uppsala University. Hidden Projections: Cinematic Resistance From the Urban Interiors of Australia Martin Abbott and Jennifer Minner, Associate Professor, City and Regional Planning, Cornell University, USA. Impact of the Botkyrka Project on Gender Equality and Youth Participation: A Capability Approach Perspective on #UrbanGirlsMovement Vittorio Esposito, Master student, Department of Civil and Architectural Engineering, Royal Institute of Technology, Stockholm. -
Connecting Collecting 30 Years of Samdok LEADER
S A M D O K • S V E N S K A K U L T U R H I S T O R I S K A M U S E E R I S A M A R B E T E SAMTID &museer No 2 2007. Volume 31. Connecting Collecting 30 years of Samdok LEADER & No 2, November 2007. Volume 31. Contents Towards extended Towards extended collaboration 2 Christina Mattsson collaboration A network for developing collecting and research 3 Eva Fägerborg By Christina Mattsson Reflecting collecting 4 Thirty years ago, the Swedish It is we museum employees who pass Eva Silvén » museums of cultural history judgement on what is to be remem- Updating Sweden – contemporary created the cooperative organization bered and what is to be forgotten, what perspectives on cultural encounters 6 Samdok to steer attention away from future generations should see. No other Leif Magnusson the old peasant society towards the rap- institutions take the responsibility for What’s it like at home? 8 idly changing industrial society. With preserving material culture. The muse- Mikael Eivergård and Johan Knutsson the aid of Samdok, the museums would ums’ collecting work is also significant Leisure as a mirror of society 10 describe the entire transition from self- for today’s people, by observing and Marie Nyberg and Christine Fredriksen sufficiency to the information society, participating in contemporary proc- Between preservation and change – the perhaps the most dramatic period in esses. built environment as a mirror of the times 12 the life of individuals in Sweden – the Museums in different parts of the Barbro Mellander and Anna Ulfstrand time when people experienced more world have similar missions, and our Nature – an exploited heritage 14 changes in their living conditions than problems are in general the same. -
Returns to Pompeii Eddy.Indb 3 2016-11-07 16:11 !"#$#%&"'('$)!$!%*%"#$')'%+'$)!,#$'
!%./0"1.)2"3/456)64)!415!%6)/5!"/"2"1")/).#(7)897)-*)) 6$"6)/5!"/"2"/).#(65/).135/)!21$/617)!1./1!)/5)897)-*)) .:;<=>?);@)A@BC:DD)) />;:=D@=)?CEF:)E>G)G:F@=E;D@>) 1GD;:G)IJ)!K:LL:J)&EL:?)M)) G@F<B:>;:G)E>G)=:HDH:G) 6>>:N(E=D:)':E>G:=)"@<E;D) ,O;K)))P*+;K)F:>;<=J !"#$%&#'()*+,-) Returns to Pompeii_eddy.indb 3 2016-11-07 16:11 !"#$#%&"'('$)!$!%*%"#$')'%+'$)!,#$' "-./01234.2506%7%841-48%502-35/39%% ):-%;7<7==/%"-7<-%50%;/325.5 Te exhibition project realized in the Palazzo Reale at Por- new museum in the very building which was at the centre of tici (May 2009) represents a complex “Return to Pompeii” by the events that it wants to describe. Te original museum was creating a new museum that recollects the experience of visit- located in close proximity to the excavations. Both shared the ing the 18th-century museum housing the fnds from the frst same physical setting, and visits to the site and to the museum excavations in the Vesuvian sites. In building this museum, the were part of the same experience for 18th-century visitors. In project used a series of reconstruction techniques to model fact, the rooms of the piano nobile of the Palazzo Reale seemed the environment in which artists, such as the Swedish sculp- to be the ideal space in which to chronicle—through an exper- tor Johan Tobias Sergel, and Grand Tourists, such as Sergel’s imental museum—the inspiring intellectual adventure that, king, Gustav III, frst encountered objects from Pompeii and starting with the Herculanense Museum in Portici, spread Herculaneum. -
Fri Entré Till Statliga Museer
EN GRANSKNINGSRAPPORT FRÅN RIKSREVISIONEN TILL RIKSDAGEN BESLUTAD: 2019-12-02 DNR: 3.1.1-2019-0055 RIR 2019:39 Härmed överlämnas enligt 9 § lagen (2002:1022) om revision av statlig verksamhet m.m. följande granskningsrapport: Fri entré till statliga museer Riksrevisionen har granskat fri entré till statliga museer. Resultatet av granskningen redovisas i denna granskningsrapport. Den innehåller slutsatser och rekommendationer som avser regeringen och berörda museimyndigheter. Riksrevisor Helena Lindberg har beslutat i detta ärende. Revisionsdirektör Lena Lakso har varit föredragande. Revisionsdirektör Gunnar Myrberg och enhetschef Robin Travis har medverkat i den slutliga handläggningen. Helena Lindberg Lena Lakso För kännedom: Regeringskansliet; Kulturdepartementet Moderna museet, Nationalmuseum, Naturhistoriska riksmuseet, Statens centrum för arkitektur och design, Statens försvarshistoriska museer (Armémuseum och Flygvapenmuseum), Statens historiska museer (Hallwylska museet, Historiska museet, Kungliga Myntkabinettet, Livrustkammaren och Skoklosters slott), Statens maritima och transporthistoriska museer (Marinmuseum och Sjöhistoriska museet), Statens museer för världskultur (Etnografiska museet, Östasiatiska museet, Medelhavsmuseet och Världskulturmuseet). RIKSREVISIONEN FRI ENTRÉ TILL STATLIGA MUSEER RIKSREVISIONEN EN GRANSKNINGSRAPPORT FRÅN RIKSREVISIONEN Innehåll Sammanfattning och rekommendationer 5 1 Inledning 7 1.1 Motiv till granskning 7 1.2 Syfte och frågeställningar 8 1.3 Bedömningsgrunder 9 1.4 Metod 11 1.5 Genomförande 12 -
Livrustkammaren Och Skoklosters Slott Och Hallwylska Museet 2016.Pdf
2016 ÅRSREDOVISNING Livrustkammaren och Skoklosters slott med Stiftelsen Hallwylska museet Skoklosters slotts unga besökare provar på prakt och makt. Foto: Jens Mohr, Erik Lernestål och Helena Bonnevier, LSH, om inte annat anges. 2 • LSH ÅRSREDOVISNING 2016 Innehåll 5 Överintendentens kommentar 6 Vision och strategi – myndighetens utveckling 7 Myndigheten som arbetsplats 9 Samverkan, samarbete och samordning 11 Publik och tillgänglighet 13 Livrustkammarens besöksutveckling 14 Skoklosters slotts besöksutveckling 15 Hallwylska museets besöksutveckling 16 Tillgänglighet 17 Myndighetens prestationer 19 Samlingskontroll 22 Tillfälliga utställningar 24 Pedagogiska tjänster 28 Forskning och utveckling 30 Övrig väsentlig information 30 Lokalförsörjning 31 Inköp och efterlevnad LOU 31 Externa finansieringskällor 33 Ekonomisk redovisning 33 Resultaträkning 34 Balansräkning 36 Anslagsredovisning 37 Tilläggsupplysningar och noter 42 Sammanställning över väsentliga uppgifter LSH ÅRSREDOVISNING 2016 • 3 Livrustkammaren Hallwylska museet Skoklosters slott 4 • LSH ÅRSREDOVISNING 2016 Överintendentens kommentar När årets verksamhet summeras bedömer jag att Livrustkammaren och Skoklosters slott med Stiftelsen Hallwylska museet (LSH) återigen har gjort ett mycket bra resultat med god kvalitet. Målen i instruktion och regleringsbrev uppfylldes och LSH:s målsättningar nåd des. Två av regeringens initiativ har särskilt påverkat året vid myndigheten: införandet av fri entré och förslaget om att LSH ska gå samman med Statens historiska museer (SHMM). Fri entré till museerna har gett effekter, inte minst har besöksantalet ökat stort. Då LSH:s tre museer finns i skilda lokaler och har olika förutsättningar för att såväl bedriva verksamhet som för att räkna besökare, gjordes ett omställningsarbete inför året för att nå och möta både fler och nya besökare. Främst gjordes satsningar på värdskap och fler pedagogiska valmöjligheter. Satsningen föll väl ut – anläggningsbesökarna, d v s samtliga som kommer till museianläggningarna, ökade med 49% till drygt 800 000 besökare. -
Leander Touati & Cederlöf, Returns to Pompeii 2016
Observations made on the museums in Portici and on the Vesuvian sites by two Swedish professionals in 1756 and 1768, respectively Leander Touati, Anne-Marie; Cederlöf, Ulf Published in: Returns to Pompeii 2016 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Leander Touati, A-M., & Cederlöf, U. (2016). Observations made on the museums in Portici and on the Vesuvian sites by two Swedish professionals in 1756 and 1768, respectively. In S. Hales, & A-M. Leander Touati (Eds.), Returns to Pompeii: Interior space and decoration documented and revived 18th-20th century (pp. 151-166). (Skrifter utgivna av de svenska institutet i Rom 4o / Acta Instituti Romani Regni Suecia in 4o; No. 62). Svenska institutet i Rom. Total number of authors: 2 Creative Commons License: Unspecified General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. -
Architectural Competition Brief Table of Contents
2013-06-12 Architectural Competition Brief Table of Contents Table of Contents 2 6.3. Existing Buildings on and Around the Site . 21 8. Competition Rules ........................................ 38 1. Introduction 3 6.3.1. Nationalmuseum and Museiparken .............................. 23 8.1. Aim............................................................................ 38 6.3.2. Metro Transport Tunnel ..................................................... 23 2. Background 5 8.2. Promoter ................................................................. 38 7. Competition Assignment and Guidelines 25 3. Vision 8 8.3. Eligibility to compete .......................................... 38 7.1. The Building .......................................................... 25 8.4. Competition process ........................................... 38 4. Activities 10 7.1.1. Design ................................................................................... 25 8.4.1. Stage 1 ................................................................................ 38 4.1. Meetings and Events ........................................... 10 7.1.2. Entrance Areas and Open Space .................................. 25 8.4.2. Stage 2 ................................................................................ 38 4.1.1. The Nobel Prize Award Ceremony .................................10 7.1.3. Accessibility ......................................................................... 25 8.4.3. Publicity during the competition period ........................ 39 4.1.2.