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Boston Symphony Orchestra Concert Programs, Season 65,1945-1946

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Boston Symphony Orchestra Concert Programs, Season 65,1945-1946 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 SIXTY-FIFTH SEASON, 1945-1946 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, I945, BY BOSTON SYMPHONY ORCHESTRA, ItlC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Henry B. Sawyer . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. Be Wolfe Howe John Nicholas Brown Jacob J. Kaplan Alvan T. Fuller Roger I. Lee Jerome D. Greene Bentley W. Warren N. Penrose Hallowell Oliver Wolcott G. E. Judd, Manager [453 1 ®**65 © © © © © © © © © © © © © © © © © © © Time for Revi ew ? © © Are your plans for the ultimate distribu- © © tion of your property up-to-date? Changes © in your family situation caused by deaths, © births, or marriages, changes in the value © © of your assets, the need to meet future taxes © . these are but a few of the factors that © suggest a review of your will. © We invite you and your attorney to make © use of our experience in property manage- © ment and settlement of estates by discuss- © program with our Trust Officers. © ing your © © PERSONAL TRUST DEPARTMENT © © The V^Cational © © © Shawmut Bank © Street^ Boston © 40 Water © Member Federal Deposit Insurance Corporation © Capital % 10,000,000 Surplus $20,000,000 © "Outstanding Strength" for 108 Years © © © ^oHc^;c^oH(§@^a^^^aa^aa^^@^a^^^^^©©©§^i^ SYMPHONIANA Musical Exposure Exhibition MUSICAL EXPOSURE Among the chamber concerts organ- ized by members of this orchestra, there is special interest in the venture of the Zimbler String Quartet. Augmented by a flute, clarinet, or harpsichord, they are acquainting the pupils of high schools with this kind of music. The following editorial appeared in the Boston Herald on November 7 last: "The United States has long had a low musical literacy rate, say 12 per cent. Hereabouts it has, thanks to the Boston Symphony and our numerous concerts, been a little higher. But the availability of "good" music is no as- surance that the great majority will hear it often enough to become literate. It has to impinge on the general con- sciousness with something of the im- pelling effect of boogie-woogie, or what- ever is the day's prevailing mode of native rhythms. "We can, therefore, look with some hope on the experiment now going on in Brookline and Newton, where the high school pupils are being exposed to chamber music concerts. Two such concerts were given last year in Brook- line, and four are planned for the present year. The most recent one in- cluded the Mozart Quintet for Clarinet and String Quartet, performed by the Zimbler String Quartet, all members of the Symphony, and Victor Polatschek, solo clarinetist of the orchestra. Jules Wolffers was the commentator. "Chamber music is the basis of musi- cal discrimination, the introduction to all music, yet it is rarely heard on the radio. It is a particularly appropriate means of introducing these students, now in their impressionable years, to something that will enrich their lives. "There is no compulsion about the C 455 1 concerts in the sense that the students must write themes about them or other- wise indicate an appreciation. They are allowed to listen with that effortless attention, which is the only way to understand music anyhow. The Herald's critic, Rudolph Elie, Jr., who was com- mentator at two of the Brookline con- certs, reports that the response of the students was intelligent and warm. There was no question that a new door had been opened for most of them. "These concerts are not diluting the three R's, or spreading education too thin. They are not a burden on the city's budget, for they are sponsored by generous music lovers. This is a field of 'enrichment' that deserves a perma- nent place in our public school system." EXHIBITION A group of original modern French lithographs is on display in the First Balcony Gallery. The collection was lent to the Orchestra anonymously for this occasion: LOUIS ANGUETIN L'Arrive PIERRE BONNARD Eight Subjects from "Quelques As- pects de la Vie de Paris" La Blanchiseuse Les Boulevardes . Le Canotage Enfant a la Lampe WARM ROBES MARY CASSATT for and child mother Femme se coiffant Wool flannels and quilts (Etching and aquatint in colors) Model sketched in pure wool flannel. L'Espalier Red, navy, rose or delft blue with (Etching and aquatint in colors) contrasting piping. PAUL CEZANNE 2-6 $15 7-14 $18.50 12-20 $25 Les Baigneurs (Grande planche) Les Baigneurs (Petite planche) sur l'herbe (after The Trousseau House of Boston Le dejeuner Cezanne) 416 BDYLSTDN STREET JULES CHERET WELLESLEY ~ HYANNIS - PALM. BEACH Le Punch Grassot I 456 3 HONORE DAUMIER Le Charbon d'lvry (Woodcut) PAUL GAUGIN Elle pense au revenant (Woodcut) Manao Tupapao (The Spirit Watches) (Woodcut) Te Atua (The God) (Woodcut) EDOUARD MANET Les Courses HENRI MATISSE Odalisque Assise (grande planche) Danseuse au Miroir Danseuse Assise PIERRE AUGUSTE RENOIR Baigneuse debout GEORGES ROUAULT Man in a helmet (Etching and aquatint) Two Subjects from La Passion (Etching and aquatint in color) Two Subjects from Le Cirque (Etching and aquatint in color) ALEXANDRE THEOPHILE STEINLEN Dans les Rues <?£ "ta/te — HENRI de TOULOUSE-LAUTREC L'Anglais au Moulin Rouge Aux Ambassadeurs for women who recognize and Aristide Bruant dans son Cabaret appreciate fine clothes . Clownerse au Moulin Rouge Divan Japonais Fredleys will always have Miss Loie Fuller the perfect costume for an Le Jockey Portrait of Mnic. Lender (en buste) important occasion ... a JEAN VEBER suit ... a gown ... a coat or L'Ecole des Gourdes hat . created with imagina- Les Joueurs de Bouchons La Legon tion and individuality . Les Trois Barbus fashioned with knowing care by Le Verre de Vin superb designers to please the LOUIS VERTES most discriminating tastes . Six Subjects from "Dancing" Series EDOUARD VOUILLARD Le Jardin des Tuileries Jeux d'Enfants Eight Subjects from "Paysages et In- terieurs" [457] The First National Bank of Boston Presents a Second Season of Concerts "Sunday at 4:30" Arthur Fiedler Conducting an Enlarged Orchestra To be broadcast each Sunday Afternoon at 4:30 over Station WBZ, Boston, 1030 on your dial Old Colony Trust Company ONE FEDERAL STREET, BOSTON T. Jefferson Coolidge Channing H. Cox Chairman President Allied with The First National Bank of Boston [458] SIXTY-FIFTH SEASON NINETEEN HUNDRED FORTY-FIVE AND FORTY-SIX Eighth Programme FRIDAY AFTERNOON, November 30, at 2:30 o'clock SATURDAY EVENING, December 1, at 8:30 o'clock PAUL PARAY, Conductingo Beethoven Symphony No. 5 in C minor, Op. 67 I. Allegro con brio II. Andante con moto III. | Allegro: Trio IV. I Allegro INTERMISSION Tchaikovsky Concerto for Violin in D major, Op. 35 I. Allegro moderato II. Canzonetta; Andante Til. Finale: Allegro vivacissimo Ravel "Pavane pour une Infante defunte" Chabrier-Mottl Bourree Fantasque soloist MISCHA ELMAN BALDWIN PIANO This programme will end about 4:30 o'clock on Friday Afternoon, 10:30 o'clock on Saturday Evening. [4591 lillliiiil $850 A treasured collection of five-stripe and $750 plus 20% tax seven-stripe sheared Canadian beaver coats, beautifully manipulated to make the most of the luminous sheen of this luxury fur. Sizes for juniors and misses in the group. Fur Salon, Third Floor, Jordan's Main Store D-37 [460] : : PAUL PARAY Paul Paray was born at Le Treport, France, May 24, 1886. Graduat- ing from the Paris Conservatory, he took the Prix de Rome in 1911. In 1923-1928 he was the conductor of the Concerts Lamoureux, suc- ceeding Chevillard. In 1928 he became conductor of the Orchestra in Monte Carlo, and in 1932 conductor of the Concerts Colonne (succeeding Pierne). In 1939 he visited this country and conducted a single concert in the Lewissohn Stadium, New York. In 1940 he resigned his post as conductor of the Concerts Colonne, refusing to submit to German instructions. For the same reason he refused to conduct the orchestra at Monte Carlo when the Germans took over the Cote d'Azur. After the liberation Paray again accepted the posi- tion of conductor of the Colonne Concerts. He has composed an oratorio, "La Messe du cinquieme centenaire de la mort de Jeanne d'Arc," three symphonies, a Fantasy for Piano and Orchestra and music in the smaller forms. TWO SERIES NOW PUBLISHED of EDWARD BALLANTINE'S "VARIATIONS on MARY HAD A LITTLE LAMB" for Pianoforte First Series, in the styles of MOZART, BEETHOVEN, SCHUBERT, CHOPIN, WAGNER, TSCHAIKOWSKY, GRIEG, MacDOWELL, DEBUSSY, LISZT Price $1.00 net Second Series, in the styles of FRANCK, SCHUMANN, BACH, BRAHMS, R. STRAUSS, PUCCINI, STRAVINSKY, GERSHWIN, SOUSA, J. STRAUSS (still younger) Price $1.25 net Mr. Ballantine has again demonstrated that he is our foremost musical Parodist" . Warren Storey Smith in The Boston Post, June 13, 1943 THE ARTHUR P. SCHMIDT CO. 120 Boylston Street Boston, Mass. [461] SYMPHONY NO. 5, IN C MINOR, Op. 67 By Ludwig van Beethoven Born at Bonn, December 16 (?), 1770; died at Vienna, March 26, 1827 The Fifth Symphony was completed near the end of the year 1807, and first performed at the Theater an der Wien, Vienna, December 22, 1808, Beethoven conducting. The parts were published in April, 1809, and the score in March, 1826. The dedication is to Prince von Lobkowitz and Count Rasumovsky. The Symphony is scored for two flutes and piccolo, two oboes, two clarinets, two bassoons and double-bassoon, two horns, two trumpets, three trombones, timpani and strings (the piccolo, trombones and double-bassoon, here making their first appearance in a symphony of Beethoven, are used only in the Finale). The most recent performance in this series of the Boston Symphony Orchestra was on April 28-29, 1944.
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