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An Analysis on the Novels of Evelyn Waugh and Their Adaptations Evan J
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2016 The alueV of Attending University: An Analysis on the Novels of Evelyn Waugh and their Adaptations Evan J. Molineux Claremont McKenna College Recommended Citation Molineux, Evan J., "The alueV of Attending University: An Analysis on the Novels of Evelyn Waugh and their Adaptations" (2016). CMC Senior Theses. Paper 1407. http://scholarship.claremont.edu/cmc_theses/1407 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Value of Attending University: An Analysis on the Novels of Evelyn Waugh and their Adaptations submitted to Professor Kathryn Stergiopoulos by Evan Molineux for Senior Thesis Spring 2016 April 25, 2016 i Table of Contents Acknowledgements I. Introduction . 1 – 7 II. The Transformative Effects of Oxford in Brideshead Revisited . 8 - 30 III. Paul Pennyfeather’s Chaotic Journey through Decline and Fall . 31 - 55 IV. The Bright Young Things of Vile Bodies . 56 - 70 V. The Reaffirming Power of Evelyn Waugh Through Film and Television . 71 - 85 Works Cited ii Acknowledgements I would like to thank my thesis advisor, Professor Kathryn Stergiopoulos, for her patience, guidance, support, and constructive criticism over the past two semesters. Without her or her colloquiums, this thesis would not have been nearly as enjoyable to work on. I would also like to thank the rest of the literature department for helping to nurture my love for a subject that I have truly enjoyed studying over the past four years. -
This Episode Appeared As Part of a Series of Three Devoted to the Cultural Revolution That Occurred in Britain in the Years Between the Wars
Newsletter_42.1 This episode appeared as part of a series of three devoted to the cultural revolution that occurred in Britain in the years between the wars. The first dealt with architecture and design, with a focus on Art Deco and modernism, the third with the influence of Hollywood films on British culture. The second was devoted to the so-called Bright Young People of the 1920s. Presenters included Philip Hoare (biographer of Stephen Tennant), Selina Hastings (biographer of Evelyn Waugh and Nancy Mitford), Lucy Moore (author of Anything Goes: A Biography of the Roaring Twenties) and D. J. Taylor (author of a cultural survey entitled The Bright Young People). Indeed, Taylor’s book (reviewed in EWNS 41.2 and 39.1) seems to have been the basis for the program’s script, which follows his description and interpretation of participants in the BYP and their cultural/historical importance. No scriptwriter is mentioned in the credits. The program follows the careers of three participants in the BYP (Stephen Tennant, Elizabeth Ponsonby and Brenda Dean Paul) and two observers and chroniclers of that movement (Evelyn Waugh and Cecil Beaton). The three examples of BYPs were all from well-established upper-class families. Philip Hoare provides most of the narrative on Stephan Tennant, whose primary talent seems to have been drawing attention to himself as a thing of beauty. Nancy Mitford drew heavily on Tennant for her character Cedric Hampton in Love in a Cold Climate and The Pursuit of Love, and Caroline Blackwood compared him to David Bowie (unfair because Bowie can sing). -
Data Journeys As an Approach for Exploring the Socio-Cultural Shaping of (Big) Data: the Case of Climate Science in the United Kingdom
Data Journeys as an approach for exploring the socio-cultural shaping of (big) data: the case of climate science in the United Kingdom Jo Bates, University of Sheffield Paula Goodale, University of Sheffield Yuwei Lin, University for the Creative Arts Abstract The paper reports on a pilot study aimed at developing, and assessing the utility of, a data journeys approach for critically exploring the socio-cultural shaping of interconnected data infrastructures. At various points along the journey of a (metaphorical) datum - from production through processing, re-use and intersection with other data journeys - selected organisations and projects are brought into focus and empirical data about the socio-cultural values and practices shaping the life of data within that particular space are collected using a variety of qualitative data collection methods. These empirical data are then critically and thematically analysed in relation to the broader social context. This paper outlines the rationale for the data journeys approach prior to presenting initial findings from The Secret Life of a Weather Datum research project which applies the approach to explore the socio-cultural values and practices interacting with weather and climate data as they move through a variety of data infrastructures. The initial findings presented in this paper focus specifically on weather data production and climate science at Weston Park Museum Weather Station in Sheffield, UK; the Met Office (the UK’s national meteorological organisation); the Climatic Research Unit at the University of East Anglia, UK (a world leading climate research institute); and the Old Weather Project (a citizen science project involved in historical weather data recovery and rescue). -
The Christmas Vacation 2010–2011
The Christmas Vacation 2010–2011. Your handy guide to staying in Sheffield over the Christmas vacation www.ssd.dept.shef.ac.uk/christmas 2 3 Are you staying in Sheffield over the A sense of community during vacations Christmas vacation? In the city of Sheffield there are over 8,000 International Students Research shows that people who feel The best way to stay connected is by from more than 120 different countries across the world who live connected to a sense of belonging joining the ‘Staying in Sheffield over experience greater wellbeing in all Christmas?’ Facebook group where alongside British students and local residents. During term-time areas of life, including in academic you can start conversations, join in the city buzzes with activity, however many of these students also work. This happens when people on events, and request to become stay in the city over the vacation period too. feel respected, valued and when they friends with those you meet at the can contribute in shaping the life group events. On the Facebook group This guide aims to provide information about the different of a community. This also happens you can also create your own events activities which are on offer to students who stay in Sheffield over when people are able to build such as meeting for coffee and invite the Christmas vacation. It also gives advice about how to stay healthy relationships and share others from the group to join you. connected to the University community over the holidays. their experiences. What events or activities would you like to organise this vacation? We hope that you will find this guide helpful and that you will get The project hopes to encourage a sense of community by supporting Be aware that while the group is involved in the activities on offer in order to make this vacation students in the transition from the monitored anyone may join, so be truly memorable! autumn term to the vacation period. -
Cannibals and Catholics: Reading the Reading of Evelyn Waugh
Cannibals and Catholics: Reading the Reading of Evelyn Waugh’s Black Mischief Jonathan Greenberg I Evelyn Waugh, even more than Wyndham Lewis, is probably the most enduring satirist among British modernists, even though he rejected both labels for his own work.1 Yet while Lewis’s reputation has undergone a triumphant rehabilitation in recent decades, Waugh still suffers from the preconception that his work is minor. Symptomatically, Fredric Jameson’s Fables of Aggression, a book in part responsible for Lewis’s soaring reputation, initiated its restorative project in 1978 precisely at Waugh’s expense: “At best, in Britain today, [Lewis] retains a kind of national celebrity and is read as a more scandalous and explosive Waugh.”2 In other words, Waugh is merely a less scandalous and explosive version of Lewis – a less scandalous and explosive version, moreover, of the “old,” misread, unreconstructed Lewis, of Lewis the eccentric gadfly rather than of Lewis the radical innovator and analyst of modernity who emerges in Jameson’s compelling, if feverish, study. Perhaps because his jokes are funnier than Lewis’s, his prose more burnished, and his extra-fictional writing less theoretically challenging, Waugh has yet to find a Jameson to champion his work and bring him into wider accounts of modernism.3 Located between the high and the low, he fits awkwardly into a narrative of the modernist “great divide”; conservative but not extremist, his politics, unlike those of Lewis or Marinetti, have rarely proved interesting to dialecticians.4 But it is precisely as a satirist, I maintain, that Waugh is important to accounts of modernism. -
Festival of Words Sheffield 8 – 29 October 2016
Festival of Words Sheffield 8 – 29 October 2016 Welcome to Off the Shelf Festival of Words 2016 Contents About Off the Shelf 4 Some of our guests 6 How to book 8 Festival information 9 Festival map 10 Festival events 12–53 Exhibitions 56–57 Workshops 58 Events for children 59–61 Off the Shelf on the road 62–63 Festival Fringe 64–74 Book at sivtickets.com 3 About Since 1991, Off the Shelf Festival Off the of Words has hosted the likes of Shelf Doris Lessing, Chuck Palahniuk, Lionel Shriver and Hilary Mantel. It’s inspired audiences with ideas from Shami Chakrabarti, Owen Jones, Laura Bates and hundreds more. Over the years, it’s even asked some of its visitors – Benjamin Zephaniah, Carol Ann “It is great that the two Duffy, Jackie Kay and Jarvis universities are working collaboratively to support Cocker, among others – to leave and develop the festival, their mark on the city’s walls and whose offer for 2016 clearly shows it going from sculptures. strength to strength. Off the Shelf is a high point of the cultural calendar in the For 25 years, Off the Shelf has got city and beyond, and I am the city chatting about everything delighted that Sheffield Hallam’s engagement with from the timeless appeal of the it will be extended and gothic and pop music nostalgia to deepened.” Professor Chris Husbands everyday sexism and the politics Vice-Chancellor of hope. Each autumn it’s helped Sheffield Hallam University tens of thousands of readers fill their bookshelves with stories, recipes, memoirs, poetry and everything in between. -
Sheffield Heritage Trail
On top of all the sights and sounds that have survived from the past in the city centre, there are countless fascinating stories to discover in what has been preserved at various museums across Sheffield – whether your interest lies in industrial, social or natural history. Industrial history Social history Natural history More info Start with Kelham Island Museum for a Dating back to 1937, when it opened as Sheffield Nowhere in Sheffield is so packed with curiosities Kelham Island Museum / Shepherd Wheel / comprehensive account of the people and the City Museum and Mappin Art Gallery, Weston of nature as the Alfred Denny Museum. Primate Abbeydale Industrial Hamlet power behind Sheffield’s industrial progress. Park Museum traces a timeline of Sheffield’s skeletons grin in glass cabinets, amphibians simt.co.uk Be wowed by the mighty River Don Engine, social history as well as leading visitors on suspended in formaldehyde line the shelves, and learn about little mesters, buffer girls and expeditions into further flung parts of the world. fossils fill chests of drawers, and a cross- Hawley Collection women of steel. (Pay a visit to the women of Learn about the miners’ strike, Park Hill flats and sectioned dolphin sits on the windowsill. Named hawleytoolcollection.com steel statue in front of the City Hall too, and look the Great Sheffield Flood, before putting on a after the University of Sheffield’s first professor Metalwork Collection / Weston Park Museum out for surviving signs of little mesters in places furry coat and exploring the Arctic with Snowy of zoology, the museum dates back to 1905 but / Ruskin Collection like Arundel Street – these craftspeople tended the polar bear. -
The Edwardian Golden Age and Nostalgic Truth
D. Paul Farr THE EDWARDIAN GOLDEN AGE AND NOSTALGIC TRUTH NosTALGIA Is ONE of the gentler emotions. In sheer power of effect it cannot compete with the terrible pity of King Lear, the ribald laughter of Rabelais, or the primeval passion of Wuthering Heights. Yet it is no less pervasive for all that, for it fixes its subtle hold over individual men and over entire genera tions. Man is given to looking to the past as well as to the future. And when he turns his gaze on the past, more often than not he finds that nostalgia has sweetened the bitter, smoothed away the troubled, made the lovely beautiful and the good better. Then the past appears as a kind of golden age, as a time of peace, security, and bliss. The Greeks looked back past the reign of the Olympian Gods and placed their golden age in the time of Father Saturn; generation after generation of Englishmen have located theirs in Merrie Old England. But for many modems, the period preceding the Great War-the period of Edwardian peace, progress, and prosperity-is regarded with a sweetly aching nostalgia. The Edwardian period has assumed the dimensions of a great and significant golden age.1 This view of the Edwardian period as a golden age did not frequently appear until the latter half of the 1920s. It took time for people to digest and evaluate their experiences. But by the time Siegfried Sassoon published his nostalgic re-creation of the pre-war world in Memoirs of a Fox-Hunting Man (1928), the Edwardian era had already begun to represent those qualities which later ages have remembered and for which they have longed.2 In 1931, Arthur W augh, recalling his life in an Edwardian villa, sighed: "manners have changed and standards with them. -
Passport Activity Newsletter
Passport Activity Newsletter Spring 2020 Welcome to the Spring edition of our Sheffield CU Passport Activity Newsletter. As a result of the Covid-19 pandemic, many of our Learning Destinations are not running activities as normal, which means this newsletter is much smaller than usual. But fear not, we’ve still included some of their activities and others may still be delivering activities online or via Zoom etc. CU credits can be earned by taking part in these and Learning Destinations will be sending us registers as usual. Others may be producing online, downloadable activities so keep an eye on their websites and social media for more info. We’re also continuing with our 2020: Year of the Nurse and Midwife activities and they’re all included in this newsletter, so there’s plenty to choose from. We’ve now published out 50th daily CU Home Learning Challenge since schools closed to most pupils, and we’re LOVING seeing your photos, videos and examples of the fantastic learning you’ve been choosing to do at home! Do keep sharing them with us. There is information on each of the challenges which explains how you can claim CU credits for completing these challenges if you normally attend a Sheffield school and have a Passport to Learning. If you see challenges published by other CUs, then do feel free to complete them. To claim your CU credits, you’ll need to download a diary sheet from our website (or use the one attached to the back of this newsletter!) and email it in to us to make sure your credits are counted! Find Learning Destinations in Sheffield (www.sheffield.gov.uk/cu) and beyond at www.childrensuniversity.co.uk If you would like to join our Parent/Carer Mailing list to receive updates, activity information and news, please email [email protected] . -
Draft Protocol for Cabinet Reports
Agenda Item 14 Author/Lead Officer of Report: Rebecca Maddox, Head of Business Development (Culture) Tel: 07764 290497 Report of: Mick Crofts, Interim Director of Place Report to: Cabinet Date of Decision: 17 February 2021 Subject: New Museums Trust for Sheffield Is this a Key Decision? If Yes, reason Key Decision:- Yes No - Expenditure and/or savings over £500,000 - Affects 2 or more Wards Which Cabinet Member Portfolio does this relate to? Culture, Parks and Leisure Which Scrutiny and Policy Development Committee does this relate to? Economic and Environmental Wellbeing Has an Equality Impact Assessment (EIA) been Yes No undertaken? If YES, what EIA reference number has it been given? 878 Does the report contain confidential or exempt information? Yes No If YES, give details as to whether the exemption applies to the full report / part of the report and/or appendices and complete below:- Purpose of Report: The purpose of this report is to seek approval for Sheffield Industrial Museums Trust and Museums Sheffield to merge into one unified Sheffield Museums Trust from April 2021 as further detailed in this report. While both Trusts are independent organisations (with Sheffield City Council representation on their Boards), Sheffield City Council has significant interests in the new Trust. Sheffield City Council also hold a number of agreements with the two trusts. Therefore, formal endorsement by Cabinet is sought for the creation of the new Sheffield Museums Trust. Form 2 – Executive Report Page 429 July 2016 Recommendations: It is recommended that Cabinet: - Endorse and welcome the creation of Sheffield Museums Trust. - Fulfil its duties as Trustees of the Weston Park Charitable Trust which includes agreeing to grant a licence to assign. -
Cecil Beaton, a New Exhibition in London
Leggi l'articolo su beautynews Cecil Beaton, a new exhibition in London Flamboyant, rebellious, irresponsible, glamorous, the “Bright Young Things”, effectively a youth cult of aristocratic socialites, haute bohemian party-givers and lower-born self-publicists, cut a dramatic swathe through the 1920s and 1930s. Their exploits, a headlong pursuit of hedonism – practical jokes, parties, costume balls – were written up almost daily in newspaper columns to the amazement of the young and the horror of the establishment. Their clever and inventive dealings with the media in the aftermath of the Great War foreshadowed our contemporary notion of modern celebrity culture. Many of the leading cast would become well known: writers Nancy Mitford and Evelyn Waugh, composers William Walton and Constant Lambert, stage designers Oliver Messel and Rex Whistler. Others would remain in the shadows, having accomplished almost nothing other than their own self-creations, such as aesthete Brian Howard and Stephen Tennant, the famously orchidaceous scion of a fractured dynasty. Drink, drugs and burn-out on the eve of another world war would claim more, famously and tragically, the dazzling “it girls” Brenda Dean Paul and troubled “wild child” Lois Sturt, debutante of the year and “the brightest of the Bright Young Things”. Their recording angel was Cecil Beaton, whose journey from middle-class suburban schoolboy to shining society ornament and star of Vogue revealed a social mobility unthinkable before the war, prefiguring the meritocracy of the 1960s. His dazzling photographs and incisive caricatures chronicled the original “Lost Generation”, lost in time. The Bright Young Things, 1927 Beaton organised and directed a series of late summer tableaux en fe?te champe?tre emulating the stylised, pastoral paintings of Lancret and Watteau and Fragonard. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir.